If it isn't spreadable, it's dead
Nina Simon specializes in advising museums on how to deal with Internets and their audience spawn. (Her blog, Museum 2.0, here, via Betsey Brock.)Simon's post about why museums should allow their audiences to take photographs is so obviously right it's remarkable that she wrote it down, except, most museums don't. Whip out a camera at the Seattle Art Museum only if you long to be chastised by a guard or two. Ditto the Henry.
Here's the first point of her 5-point argument.
As long as it does not promote unsafe conditions for artifacts or people or illegal behavior, museums should prioritize providing opportunities for visitors to engage in ways that are familiar and comfortable to them. Yes, some people (especially vocal museum staff!) hate the sight of people taking photos in museums. But what about visitors? If your argument is based on visitor comfort and distraction, it should be backed up by visitor research, not personal impressions.I'm happy to report that SAM doesn't engage in the prejudicial treatment Simon describes, allowing people to draw but not take photos. SAM won't let people draw either, except with pencil.
Would staff members who hate photography be comparably disturbed by visitors sketching in the galleries? Sketching takes up more space and is more distracting than photo-taking (and pencils could be used to damage objects!), and yet many museum professionals look benevolently upon that activity as a positive meaning-making visitor experience. This is prejudicial treatment. I know that many people are uncomfortable with the growing culture of self-documentation, but no one should let their own aesthetic preferences dictate others' behavior without good reason.
Simon wants museums to give visitors more freedom. Half a century ago, Frank O'Hara had something similar to say to mothers:
AVE MARIA
Mothers of America
let your kids go to the movies!
get them out of the house so they won't know what you're up to
it's true that fresh air is good for the body
but what about the soul
that grows in darkness, embossed by silvery images
and when you grow old as grow old you must
they won't hate you
they won't criticize you they won't know
they'll be in some glamorous country
they first saw on a Saturday afternoon or playing hookey
they may even be grateful to you
for their first sexual experience
which only cost you a quarter
and didn't upset the peaceful home
they will know where candy bars come from
and gratuitous bags of popcorn
as gratuitous as leaving the movie before it's over
with a pleasant stranger whose apartment is in the Heaven on Earth Bldg
near the Williamsburg Bridge
oh mothers you will have made the little tykes
so happy because if nobody does pick them up in the movies
they won't know the difference
and if somebody does it'll be sheer gravy
and they'll have been truly entertained either way
instead of hanging around the yard
or up in their room
hating you
prematurely since you won't have done anything horribly mean yet
except keeping them from the darker joys
it's unforgivable the latter
so don't blame me if you won't take this advice
and the family breaks up
and your children grow old and blind in front of a TV set
seeing
movies you wouldn't let them see when they were young
About
Regina Hackett ... is the former art critic for the former Seattle P-I. I loved that job every day, but it's gone and I've moved on. As they say in the movies, to infinity and beyond.
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Contact me Click here to send me an email, or email me directly at anotherbb(at)gmail.com.
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Old, Weird America reviews on this blog: Godforsaken Curios; Margaret Kilgallen owns Main Street; Sam Durant gives thanks, and If Northwest artists had been in The Old, Weird America, it would have been a stronger show.
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