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Links – shopping for images

A Koran page handwritten in light — that is, in gold and silver inks on
a sheet of parchment dyed deep blue — is the exhibition’s oldest work,
dating from the 10th or 11th century. Seen by candlelight, the words,
which describe the rewards of Paradise, would have glinted against the
dark ground like constellations in a night sky. #

Also, Cotter on Giacometti, here: #

These portraits are laborious, noodling things, their lines repeated
over and over as if Giacometti were determined to create something
solid from nothing, then to obliterate that something. Far more relaxed
– and surely Giacometti drew as compulsively as he did to relieve
tension — are the drawings that look incidental, on the fly: an empty
studio interior, apples in front of a window, a pot of tulips, a tree.
Heaviness lifts; anxiety is dispelled. The faint lines of the tree fly
outward and upward like flames, evidence of a lightened-up, fly-away
artist that some part of Giacometti may always have wanted to be. #

Most dutiful plod: Kenneth Baker’s review of Lords of the Samurai. He tells anecdotes from the catalog and calls it a day. #


The cruelest kind
of cute: Thu Tran’s Food Party. Birds doing her bidding get tricked into the stew pot on TV.
Speaking of food and art, Toi Sennhauser is a deeper sea diver. At art festivals, she has served bread baked with her vaginal yeast as starter, here, and made edible candy portraits of her family, here. (Her husband is a stick-to-your-teeth kind of guy, and her mom’s got a sour exterior.) #

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