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ABOUT "ABOUT LAST NIGHT" AND ITS AUTHORS 
This is a blog about the arts in New York City and the rest of America, written by Terry Teachout, Laura Demanski (otherwise known as Our Girl in Chicago, or "OGIC" for short), and Carrie Frye (who signs her postings "CAAF"). Terry, who lives in New York, is the drama critic of The Wall Street Journal and the chief culture critic of Commentary. His Wikipedia entry is here. more

ABOUT TERRY'S BOOKS 
Terry's latest book is Pops: A Life of Louis Armstrong, published by Houghton Mifflin Harcourt in the U.S. and JR Books in England. One of his essays is included in Robert Gottlieb's Reading Dance. He contributed an essay to Coudal Partners' Field-Tested Books (as did OGIC) and wrote the introductions to William Bailey on Canvas and the paperback edition of Elaine Dundy's The Dud Avocado. more

MORE ABOUT "POPS" 
To read reviews of Pops: A Life of Louis Armstrong, watch TV interviews and listen to radio interviews and podcasts about the book, and find out the answers to frequently asked questions about Armstrong and Pops, click on the link. more

ABOUT TERRY'S FIRST OPERA 
Terry collaborated with Paul Moravec on The Letter, an operatic version of Somerset Maugham's 1927 play that was commissioned by the Santa Fe Opera in 2006 and opened there on July 25. To see excerpts from the opera, go here. To read Terry's reports on the writing, production, premiere, and reception of The Letter, click on the link. more

TERRY'S TWITTERS 

Archive  6975 entries and counting

CONTACT
tteachout@artsjournal.com
ogic@artsjournal.com
caaf@artsjournal.com

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TOP FIVE

A list of new things we've liked (subject to unexpected and wildly capricious updating).

BOOK 
Scott Eyman, Empire of Dreams: The Epic Life of Cecil B. DeMille (Simon & Schuster, $35). Who knew that the private life of the man who made The Ten Commandments and The Greatest Show on Earth would turn out to be so scandalous? Yet DeMille's three mistresses are only a small part of this solidly written, impeccably researched biography, which traces with satisfying skill the nineteenth-century roots of the director's grandiose, often cartoonish style of epic filmmaking. It's one of the best Hollywood biographies to come along in recent years (TT).

PLAY 
A Life in the Theatre (Gerald Schoenfeld, 236 W. 45, closes Jan. 2). David Mamet's 1977 two-man play about a pair of actors, one young and one old, who are battling for dominance over one another, now on Broadway in a production graced by a superlative performance from Patrick Stewart. Though his acting is unmistakably English in tone--Americans expect a faster pace in Mamet--Stewart is fully alive to the complicated mixture of envy and rue that his character feels as he watches his younger, more talented colleague (T.R. Knight) take flight. The results are poignant and compellling (TT).

NIGHTCLUB 
Gary Burton Quartet (Blue Note, Sixth Ave. at West Third St. Tuesday-Sunday, 8:00 and 10:30 each night). A rare New York club appearance by the great vibraharpist, featuring the North American debut of his latest small-group lineup. At center stage is Julian Lage, the guitar prodigy whom Burton discovered in 2004 and featured on two of his finest Concord Jazz albums, Generations and Next Generation. Scott Colley is the bassist, Antonio Sanchez the drummer. A must-hear event (TT).

DVD 
Me & Orson Welles (Warner). Richard Linklater's 2009 film, now out on home video, is a witty, ingenious, perfectly cast, brilliantly designed, and astonishingly well informed backstage rom-com about the Mercury Theatre's 1937 Broadway production of Julius Caesar. It didn't get nearly as much attention as it deserved when it was released, and I saw it purely by chance on an airplane a couple of months ago. Catch up with it now and prepare to be both charmed and enthralled. I don't know when I've seen a better movie about what it feels like to put on a play (TT).

BOOK 
Rosanne Cash, Composed (Viking, $26.95). This is a remarkable piece of work, a making-of-an-artist memoir by a musician who is equally adept at writing prose. Composed is--all at once--funny and poetic and down to earth, and Cash also has a great many exceedingly shrewd things to say about the music business and its discontents. Don't go looking for gossip, but if you want to learn about the inner and outer lives of one of our very best singer-songwriters, you won't be even slightly disappointed (TT).

Out of the Past

Not new, but still worth a look or listen (and no less subject to change without notice).

CD 
Mitchell's Christian Singers, Complete Recorded Works in Chronological Order, Vol. 1 (1934-1936) (Document). The rough-hewn, sometimes startlingly dissonant a cappella harmonies of this vocal quartet, which traveled from North Carolina to Carnegie Hall in 1939 to sing at John Hammond's first From Spirituals to Swing concert and subsequently got written up in Time, have since caught the ears of everyone from Bob Crosby to Maria Muldaur. The first volume of Document's comprehensive reissue of the group's 78 recordings contains its best-known side, "Traveling Shoes," plus plenty of other gospel songs that swing and shout like nobody's business (TT).

NOVEL 
John P. Marquand, So Little Time. All but forgotten today, this 1943 study of a disappointed playwright who married up and sold out is also a powerfully evocative snapshot of America on the eve of World War II. It's not a great book by any means, and Marquand would work the same turf more effectively in Point of No Return and Women and Thomas Harrow, but I can't think of another American novel that does a better job of suggesting what it felt like to watch the world sliding toward catastrophe (TT).

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