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ABOUT "ABOUT LAST NIGHT" AND ITS AUTHORS 
This is a blog about the arts in New York City and the rest of America, written by Terry Teachout, Laura Demanski (otherwise known as Our Girl in Chicago, or "OGIC" for short), and Carrie Frye (who signs her postings "CAAF"). Terry, who lives in New York, is the drama critic of The Wall Street Journal and the chief culture critic of Commentary. His Wikipedia entry is here. more

ABOUT TERRY'S BOOKS 
Terry's latest book, Pops: A Life of Louis Armstrong, has just been published by Houghton Mifflin Harcourt in the U.S. and JR Books in England. One of his essays is included in Robert Gottlieb's Reading Dance, published last year by Pantheon. He contributed an essay to Coudal Partners' Field-Tested Books (as did OGIC) and wrote the introductions to William Bailey on Canvas and the paperback edition of Elaine Dundy's The Dud Avocado. more

MORE ABOUT "POPS" 
To read reviews of and listen to radio interviews and podcasts about Pops: A Life of Louis Armstrong and find out the answers to frequently asked questions about the book, click on the link. more

ABOUT TERRY'S OPERA 
Terry collaborated with Paul Moravec on The Letter, an operatic version of Somerset Maugham's 1927 play that was commissioned by the Santa Fe Opera in 2006 and opened there on July 25. To see excerpts from the opera, go here. To read the Opera News review of the premiere, go here. To read Terry's reports on the writing, production, premiere, and reception of The Letter, click on the link. more

TERRY'S TWITTERS 

Archive  6453 entries and counting

CONTACT
tteachout@artsjournal.com
ogic@artsjournal.com
caaf@artsjournal.com

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TOP FIVE

A list of new things we've liked (subject to unexpected and wildly capricious updating).

BOOK 
Gerald Nachman, Right Here on Our Stage Tonight!: Ed Sullivan's America (University of California, $29.95). A lively anecdotal history of The Ed Sullivan Show, the TV program that put Louis Armstrong, William Inge, Elvis Presley, the Beatles, Van Cliburn, John Gielgud, Edward Villella, and Richard Pryor (among many, many others) in prime time, in the process defining the now-lost, insufficiently lamented middlebrow culture of the Fifties and Sixties. This book would have profited greatly from the ministrations of an editor with a sharp blue pencil and an eye for repetition, but it's still readable and informative (TT).

MP3 
First Drama Quartette, Don Juan in Hell (Saland Publishing). Charles Boyer, Cedric Hardwicke, Agnes Moorehead, and Charles Laughton perform the "Don Juan in Hell" scene from George Bernard Shaw's Man and Superman with stupendous verve and elegance. This celebrated 1951 Columbia Masterworks recording, which has never before been reissued in any format, is now available as an mp3-only download for the unbelievable price of $1.98. What on earth are you waiting for? Grab it right this minute before somebody at Amazon figures out that they ought to be charging ten times as much (TT).

CD 
Vladimir Horowitz at Carnegie Hall--The Private Collection: Haydn and Beethoven (RCA Red Seal). The latest installment of RCA's ongoing series of previously unreleased concert recordings contains versions of Haydn's E Flat Piano Sonata and Beethoven's "Moonlight" and "Waldstein" Sonatas made at Carnegie Hall between 1945 and 1947. As usual with Horowitz, these commanding live performances have a nervous, sometimes unsettling edge not always present in his studio recordings. Considering the source, the sound is surprisingly good (TT).

BOOK 
Todd London with Ben Pesner and Zannie Giraud Voss, Outrageous Fortune: The Life and Times of the New American Play (Theatre Development Fund, $14.95 paper). This is the book that everybody in the theater business is talking about, with good reason. Based on a survey of playwrights and other theater professionals, it offers a detailed and dismayingly candid portrait of how new American plays get produced--or, more often, don't. Can a professional playwright really hope to make a living today without teaching or writing for TV? Who decides what plays get on stage? Are playwrights and producers talking past one another? All these questions are answered in Outrageous Fortune, and the answers are both provocative and disturbing (TT).

PLAY 
The Orphan's Home Cycle (Signature Theatre, 555 W. 42, closes May 8). Horton Foote's three-part condensation of his great nine-play cycle about American family life in the first part of the twentieth century has just been extended through May 8. This means that there will now be five single-day marathon presentations of the complete cycle, on February 6 and 27, March 6, April 3, and May 8. Having seen all three parts separately, I suspect that seeing them in a single day is likely to be the best way to experience this not-to-be-missed theatrical event. Get your tickets while you can (TT).

Out of the Past

Not new, but still worth a look or listen (and no less subject to change without notice).

CD 
Creole Rhapsody: Duke Ellington in the Thirties (ASV Living Era, two CDs). An unusually well-chosen 2007 collection of key recordings from a decade in Ellington's long career that in recent years has come to be overshadowed by his extraordinary studio recordings from 1940-42. In addition to the title track, it contains "Mood Indigo," "Rockin' in Rhythm," "Echoes of the Jungle," "Reminiscing in Tempo," the original studio version of "Diminuendo and Crescendo in Blue," and 39 other essential performances. The engineering is a bit spotty but generally good. This is the grab-and-go Ellington album that I currently pop in my bag before embarking on a road trip (TT).

BOOK 
Preston Neal Jones, Heaven and Hell to Play With: The Filming of The Night of the Hunter (Limelight, $18.95 paper). This 2002 oral history of the making of Charles Laughton's haunting 1955 screen version of Davis Grubb's novel about an itinerant preacher-murderer (played to nightmarish perfection by Robert Mitchum) is essential reading for anyone who loves the film. It is also one of the few books I've read that gives the layman a clear and illuminating picture of exactly what a director does--and why it matters. No matter whether film or live theater is your main interest, you'll learn things from Heaven and Hell to Play With that most people only find out by taking part in working rehearsals (TT).

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