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ABOUT "ABOUT LAST NIGHT" AND ITS AUTHORS 
This is a blog about the arts in New York City and the rest of America, written by Terry Teachout, Laura Demanski (otherwise known as Our Girl in Chicago, or "OGIC" for short), and Carrie Frye (who signs her postings "CAAF"). Terry, who lives in New York, is the drama critic of The Wall Street Journal and the chief culture critic of Commentary. more

ABOUT TERRY'S BOOKS 
Terry's latest book, Pops: A Life of Louis Armstrong, will be published in December by Houghton Mifflin Harcourt in the U.S. and JR Books in England. One of his essays is included in Robert Gottlieb's Reading Dance, published last year by Pantheon. He contributed an essay to Coudal Partners' Field-Tested Books (as did OGIC) and wrote the introductions to William Bailey on Canvas and the paperback edition of Elaine Dundy's The Dud Avocado. more

SEE TERRY TALK 
To watch Terry's wsj.com review of Guys and Dolls, go here.

ABOUT TERRY'S OPERA 
Terry and Paul Moravec collaborated on The Letter, an operatic version of Somerset Maugham's 1927 play that was commissioned by the Santa Fe Opera and opened there on July 25. Here is an ongoing series of progress reports on the writing, production, and premiere of The Letter.
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Lend me your ears (and eyes)
Men at work
Men at work (II)
Men at work (III)
Men at work (IV)
For better and worse
Men at work (V)
Men (and women) at work (VI)
Notes from an unkept diary
The case for lower-case opera
The envelope, please
Right turn at Albuquerque
Moment's notice
Men at work (VII)
Scene stealing (I)
Scene stealing (II)
Becoming an artist
In one piece
Among the brethren
By the clock
Size matters
No, but I heard the movie
The Doctor is in
A doll's house
Free at last
Looking for trouble
Cover story
Step away from the car, sir
A ripping good show
All blessings are mixed
Almanac (apropos of The Letter, I)
Almanac (apropos of The Letter, II)
Almanac (apropos of The Letter, III)
Tied to the tracks
A very small world
A little taste
Now's the time
Another little taste
And...they're off!
Who'd have thought it?
Tweeting an opera
Head first
At the starting gate
Minute by minute
Modern opera in a nutshell
Pit stop
All there is
The news in brief
In a mist
Did Maugham know best?
We know every part by heart
How it felt
Unrest cure
Blowin' in the wind
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TERRY'S TWITTERS 

Archive  6038 entries and counting

CONTACT
tteachout@artsjournal.com
ogic@artsjournal.com
caaf@artsjournal.com

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TOP FIVE

A list of new things we've liked (subject to unexpected and wildly capricious updating).

BOOK 
Richard Stark, The Seventh/The Handle/The Rare Coin Score (University of Chicago, $14 each). Three more titles in the University of Chicago's uniform edition of the out-of-print Parker novels of Richard Stark (alias the late, lamented Donald E. Westlake) are out this week. All are lean, laconic, tough-minded installments in the endlessly rereadable saga of the ultra--professional burglar you hate to like. Nine down, six to go (TT).

CD 
Vladimir Horowitz at Carnegie Hall--The Private Collection: Mussorgsky and Liszt (RCA Red Seal). Stupendously vivid performances of the Liszt B Minor Sonata and Pictures at an Exhibition (the latter in Horowitz's own beefed-up transcription) recorded live at Carnegie Hall in 1948 and 1949 and released here for the first time. Connoisseurs of transcendental virtuosity need not hesitate (TT).

PLAY 
How the Other Half Loves (Westport Country Playhouse, Westport, Conn., closes Aug. 15). If The Norman Conquests whetted your appetite for the blacker-than-it-looks comedy of Alan Ayckbourn, this fizzy regional revival of his 1969 who's-sleeping-with-whom farce about three unhappily married couples will fill the bill with ease. Catch it while you can (TT).

OPERA 
The Letter (Santa Fe Opera, Santa Fe, N.M., in repertory July 25-Aug. 18). Adultery, murder, lies, blackmail, confession, trial, hallucination, acquittal, confrontation, disaster, blood, blackout--all in ninety minutes with no intermission. An opera noir, in other words, based on the 1927 Somerset Maugham play and staged by Jonathan Kent (Faith Healer). Patricia Racette is the star, Hildegard Bechtler the set designer, Tom Ford the costume designer. Music by Paul Moravec, words by yours truly. A rattling good show, if we do say so ourselves (TT).

BOOK 
Lauren Braun Costello and Russell Reich, Notes on Cooking: A Short Guide to an Essential Craft (RCR Creative Press, $21.95). I can barely boil water, but I know an immensely informative guide when I read one, and this one fills the bill. Fans of Reich's Notes on Directing, among whom I number myself, will recall the drill: Notes on Cooking is a 143-page list of 217 dos and don'ts for cooks, aspiring and otherwise. Some are starkly practical ("Fish should not smell") and others subtly suggestive ("Embrace the mundane"). The advice--I'm told--is sound, the writing crisp, the design pleasing to the eye. Stuff a stocking or two with this one, and buy another for yourself (TT).

Out of the Past

Not new, but still worth a look or listen (and no less subject to change without notice).

ANTHOLOGY 
Louis Kronenberger (ed.), The Portable Johnson and Boswell. This one's for OGIC, who's teetering on the edge of reading James Boswell's magisterial but long-winded Life of Samuel Johnson. In 1955 Louis Kronenberger abridged Boswell's Life for the Viking Portable series, filling out the volume with a judicious selection of other writings by Johnson and Boswell. This now-forgotten book, which has been out of print for years and years, is an excellent way to experience the Life without braving its occasional longueurs. Used copies are blessedly easy to find (TT).

CD 
Fats Waller, Handful of Keys. Every self-respecting record collection needs a generous slice of the collected works of Fats Waller, the stride pianist and comic singer whose 78s can put a smile on the sourest of faces. Proper Records' imported four-CD box set, originally released in 2004 and readily available in this country, contains ninety-five tracks that come about as close as is possible to covering all the Waller-related bases. A few classics are absent, but if you don't know what they are, you won't miss them. Meanwhile, put on "Serenade for a Wealthy Widow" or "It's a Sin to Tell a Lie" and see if you don't become happier within seconds. No jazz musician--not even Satchmo himself--has ever succeeded in squeezing more joy into a three-minute package (TT).

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