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ABOUT "ABOUT LAST NIGHT" AND ITS AUTHORS 
This is a blog about the arts in New York City and the rest of America, written by Terry Teachout, Laura Demanski (otherwise known as Our Girl in Chicago, or "OGIC" for short), and Carrie Frye (who signs her postings "CAAF"). Terry, who lives in New York, is the drama critic of The Wall Street Journal and the music critic of Commentary. more

ABOUT TERRY'S BOOKS 
Terry recently finished writing Rhythm Man: A Life of Louis Armstrong, forthcoming in 2009 from Harcourt. He wrote the introductions to William Bailey on Canvas and the paperback edition of Elaine Dundy's The Dud Avocado. more

ABOUT TERRY'S OPERA 
Terry is collaborating with Paul Moravec on The Letter, an operatic version of Somerset Maugham's 1927 play. It was commissioned by the Santa Fe Opera and will open there on July 25, 2009. Here is an ongoing series of progress reports on the writing and production of The Letter.
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Lend me your ears (and eyes)
Men at work
Men at work (II)
Men at work (III)
Men at work (IV)
For better and worse
Men at work (V)
Men (and women) at work (VI)
Notes from an unkept diary
The case for lower-case opera
The envelope, please
Right turn at Albuquerque
Moment's notice

SEE TERRY TALK 
To view Terry's December videoblog, go here.

Archive  5118 entries and counting

CONTACT
tteachout@artsjournal.com
ogic@artsjournal.com
caaf@artsjournal.com

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TOP FIVE

A list of new things we've liked (subject to unexpected and wildly capricious updating).

DVD 
Peter Grimes (Decca). In 1969 Benjamin Britten conducted a fully staged studio performance of his most popular opera for the BBC, with Peter Pears singing the title role that he had created a quarter-century earlier. Now that telecast has been released on home video for the first time ever, and it's a stunner, a handsomely staged, unexpectedly intimate production that shows us exactly how Pears interpreted the role that made him famous. Britten's conducting is magnetically compelling, just as it is in the studio recording that he and Pears had made a decade earlier, but you will not soon forget the experience of seeing Pears as Grimes. This is one of four DVDs released as part of the new Britten-Pears Collection, and the others, including a similarly memorable 1966 film of Billy Budd, are no less essential--but Grimes is the place to start (TT).

BOOK 
Erin Hogan, Spiral Jetta: A Road Trip through the Land Art of the American West (University of Chicago, $20). A city-dwelling, solitude-hating connoisseur of modern art hops in her compact car, drives west in search of Robert Smithson's "Spiral Jetty" and a half-dozen other pieces of monumental land art, and finds...herself. Even if (like me) you don't have any use for minimalism, you'll be charmed by Hogan's wryly self-deprecating account of her desert pilgrimage, in the course of which she learned that being alone isn't so bad after all (TT).

DANCE 
Pilobolus (Joyce Theater, 175 Eighth Ave., June 30-July 26). Summer is here, meaning that Pilobolus Dance Theatre has set up shop in Chelsea for its annual month-long summer season of modern dance, gymnastics, head-twisting trompe-l'oeil effects, and (mostly) comic surrealism. Three mixed bills, one of which pairs Day Two, the company's signature piece, with a new work designed by master puppeteer Basil Twist (TT). more

MUSICAL 
She Loves Me (Williamstown Theatre Festival, Williamstown, Mass., closes July 12). Nicholas Martin's Boston revival of the 1962 Jerry Bock-Sheldon Harnick musical version of The Shop Around the Corner has transferred to the Williamstown Theatre Festival for a three-week run. Catch it if you can. She Loves Me is the most sweetly romantic musical imaginable, give or take The Fantasticks, and this lovely production does it full justice. Kate Baldwin is letter-perfect (right down to her high C) in the role created by Barbara Cook (TT).

BOOK 
Richard Stark, Dirty Money (Grand Central, $23.99). Flash: Parker's back. The ruthless burglar you hate to love is out to retrieve, launder, and spend the money he stole and stashed four years ago in Nobody Runs Forever, and--as usual--he'll do anything to get what he wants. Cold, amoral, and impeccably professional, Parker is Donald E. Westlake's most memorable and disturbing creation, and the twenty-fourth of his published capers is every bit as satisfying as its predecessors. Mr. Anecdotal Evidence had an instant conversion experience after reading No. 23, Ask the Parrot. What are you waiting for? (TT).

Out of the Past

Not new, but still worth a look or listen (and no less subject to change without notice).

FILM 
The Trouble With Harry. Most of Alfred Hitchcock's movies are funny--that's part of what makes them so jolting--but this one is a not-so-straight black comedy about a group of people in a small Vermont town who stumble across a corpse in the woods and can't decide what to do with it. Shirley MacLaine made her screen debut in this 1955 film, and the rest of the ensemble cast includes such familiar faces as John Forsythe, Edmund Gwenn, Mildred Natwick, and Jerry Mathers--yes, that Jerry Mathers. Eisenhower-era audiences didn't buy the premise of John Michael Hayes' screenplay, and even now The Trouble with Harry is probably the least well known of Hitchcock's middle-period major-studio pictures. Might its fey, off-center humor make it ripe for revival today? See for yourself, and be sure to note Bernard Herrmann's droll score (his first for Hitchcock) and the gorgeously autumnal cinematography of Robert Burks (TT).

CD 
Mississippi John Hurt, Avalon Blues: The Complete 1928 OKeh Recordings (Columbia/Legacy). Born in a tiny, isolated Mississippi town in 1892, Hurt taught himself how to pick the guitar in a smoothly syncopated style that had nothing to do with the rawer playing of the Delta bluesmen elsewhere in the state. OKeh cut thirteen solo sides of his singing and playing, after which he vanished into the shadows until he became the first of the Mississippi acoustic bluesmen to be rediscovered and re-recorded, not long before his death in 1966. The albums he made in old age for Vanguard circulated far more widely, but his easygoing, deliciously danceable 78s, reissued on CD in 1996, are even better (TT).

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