« TT: See me, hear me | Main | CAAF: A passion for tropical mushrooms and letters »
July 24, 2007
VIDEOBLOG
December 2007. On modernism, Jules Olitski, and the New York Philharmonic's visit to North Korea.Posted July 24, 2007 9:01 AM
« TT: See me, hear me | Main | CAAF: A passion for tropical mushrooms and letters »
Posted July 24, 2007 9:01 AM
ABOUT "ABOUT LAST NIGHT" AND ITS AUTHORS ABOUT TERRY'S BOOKS ABOUT TERRY'S OPERA SEE TERRY TALK
Archive
4664 entries and counting
CONTACT
A list of new things we've liked (subject to unexpected and wildly capricious updating). DANCE BOOK PLAY CD EXHIBITION
Not new, but still worth a look or listen (and no less subject to change without notice).
CD BOOK
This is a blog about the arts in New York City and the rest of America, written by Terry Teachout, Laura Demanski (otherwise known as Our Girl in Chicago, or "OGIC" for short), and Carrie Frye (who signs her postings "CAAF"). Terry, who lives in New York, is the drama critic of The Wall Street Journal and the music critic of Commentary.
Terry wrote the introductions to William Bailey on Canvas, just out from Betty Cuningham Gallery, and the paperback edition of Elaine Dundy's The Dud Avocado, recently published by New York Review Books. His latest book is All in the Dances: A Brief Life of George Balanchine, published by Harcourt.
Lend me your ears (and eyes)
Men at work
Men at work (II)
Men at work (III)
To view Terry's October videoblog, go here.
tteachout@artsjournal.com
ogic@artsjournal.com
caaf@artsjournal.com Search
TOP FIVE
New York City Ballet, The Nutcracker (New York State Theater, Lincoln Center, closes Dec. 30). A half-century after it first knocked out New York audiences, George Balanchine's verison of Tchaikovsky's perennial family favorite remains the best of all possible Nutcrackers, above all for its letter-perfect opening scene, in which the greatest choreographer of the twentieth century put on stage the home-for-the-holidays Christmas of everybody's dreams. It's a permanent masterpiece of Western art--but don't tell that to your kids (TT).
Jonathan Carr, The Wagner Clan: The Saga of Germany's Most Illustrious and Infamous Family (Atlantic Monthly, $27.50). Even if you're not one of those who think Richard Wagner's music is better read about than listened to, my guess is that you'll find this crisply, engagingly written study of the Wagners and what they wrought to be full of interesting things you probably didn't know. Carr tells the tale fairly, but with just enough acid to keep it tart (TT).
Rock 'n' Roll (Bernard B. Jacobs, 242 W. 45). With the end of the stagehands' strike, Tom Stoppard's latest play, a study of the last days of Communism in Czechoslovakia and England, has returned to Broadway. Yes, it's way too long, but that doesn't make Stoppard's reflections on philosophical materialism and its emotional discontents any less stimulating or perennially relevant, and Sinead Cusack's performance in the tricky double role of a mother and her daughter is the stuff Tonys are made of (TT).
Greta Gertler and the Extroverts, Edible Restaurant. Fresh, quirky indie pop by a singer-pianist with the bicontinental sensibility of an Aussie in New York, accompanied by a deliciously rough-hewn backup band whose deep-throated tuba and Salvation Army-style drums add a touch of Kurt Weill to the recipe. Check out "If Bob Was God" for a taste of Gertler's smart songwriting (TT).
Jacob Lawrence's Migration Series: Selections from the Phillips Collection (Whitney Museum of American Art, 945 Madison Ave., up through Jan. 6). A rare opportunity for New Yorkers to see seventeen of the thirty Phillips-owned panels from Lawrence's unforgettable sequence of paintings about the Great Migration of rural southern blacks to the big cities of the north. (The other half of the sequence is owned by MoMA.) The Phillips usually only shows a handful of Lawrence panels at any given time, but all thirty will be on display starting May 3. A word to the wise: visit the Whitney now, then go to Washington this summer (TT).
Out of the Past
Van Cliburn, My Favorite Brahms. Middlebrow America's favorite pianist got a bad rap from the critics, and on occasion he deserved it--but not this time. Cliburn's 1973 collection of the solo-piano miniatures of Brahms is one of the outstanding piano recordings of the postwar era, a masterpiece of selection, execution, and interpretation. Nobody, not even Wilhelm Kempff, has played these broodingly autumnal cameos more sensitively or comprehendingly. The CD version contains five bonus tracks, all comparable in quality to the ones on the original LP (TT).
The Portable F. Scott Fitzgerald. The number-one book on my super-short grab-in-case-of-evacuation list is this Viking Portable edition of Fitzgerald's Greatest Hits, published in 1945 and, so far as I know, never reprinted. Dorothy Parker chose the selections and John O'Hara wrote the self-important but nonetheless oddly touching introduction: "He was elusive in life, God knows, and all through the writing of this piece he has refused to stay put, but the ectoplasm or the artist need not bother the reader or even me. For after all the stuff is here. The stuff is very much here, and it's mellow." The stuff in question is The Great Gatsby, Tender Is the Night, and nine of the very best short stories, all packed into a light but sturdy hardcover volume that will just about fit in the palm of your hand. More used copies are available here (TT).
AJ Blogs
AJBlogCentral | rss
culture
Terry Teachout on the arts in New York City
Andrew Taylor on the business of arts & culture
rock culture approximately
Rebuilding Gulf Culture after Katrina
Douglas McLennan's blog
Jan Herman - arts, media & culture with 'tude
dance
Apollinaire Scherr talks about dance
Tobi Tobias on dance et al...
media
Martha Bayles on Film...
music
Drew McManus on orchestra management
Greg Sandow performs a book-in-progress
Exploring Orchestras w/ Henry Fogel
Kyle Gann on music after the fact
Greg Sandow on the future of Classical Music
Doug Ramsey on Jazz and other matters...
publishing
Jerome Weeks on Books
visual
John Perreault's art diary
Lee Rosenbaum's Cultural Commentary
Tyler Green's modern & contemporary art blog