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November 17, 2004

OGIC: The five hundred twenty

In the comments over at Mad Max Perkins's excellent newish publishing-insider blog, commenter Marjorie offers this startling perspective:

By my reckoning, I read about two books a month. (It used to be more, but children have an odd way of needing a lot of attention.)

My financial adviser informs me that I must die when I am 87 because I will run out of money at that point. So, assuming she is right, at two books a month I will read only 520 books more in my lifetime. Do I want to waste one of those precious allotments on an award-winning book that I find neither enjoyable nor enlightening? I do not.

Screw the awards and their fallible human judges. I start with reviews and word-of-mouth. Then I go to the book jacket and read a page or two at the bookstore or on Amazon. Then I buy it and give it 50 pages. If I'm not laughing, crying, or learning something by page 50, out it goes, guilt-free. Life is too short to read a book that doesn't give me something in return for my time, energy, and money.

520: astonishingly finite and sobering, that figure. I'm reminded of last year, when the Booker Prize went to a book I'd never heard of by a writer also unknown to me. On impulse, I ducked into a bookstore on my way home the day of the announcement and bought a cloth copy of D.B.C. Pierre's Vernon God Little. I would never get beyond chapter 2. So at least I still had my time, save a few minutes. But had I held off and read a few of the reviews that soon followed, I would also still have that particular $20. Whoops.

My own expected number of books-yet-to-be-read is higher than 520. But that doesn't make it any less stark, wherever it may fall. This is why I want to know if Critic X didn't think a book was the best of the year as reputed, and why I don't want critics to pull their punches. It doesn't mean I implicitly trust any one critic's judgment (well, maybe Wood's, tried and true), but, like Marjorie, I do want as much varied input as possible, and I want critics to write with readers, not authors, in mind. The 2003 Booker showed me that awards committees can be every bit as fallible as critics; I hasten to add that the converse is also true. All we can ask of each is frank and searching judgment, and to please keep in mind the (shudder) 520.

Posted November 17, 2004 3:00 AM

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