Week
of November 11-17, 2002
1.
Special Interest 2. Dance
3. Media 4. Music 5. People
6. Publishing 7. Theatre
8. Visual Arts 9. Arts Issues
10. For
Fun ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
DO
THE ARTS IGNORE THE POOR? For all the lip service paid by arts organizations
to the concepts of education and diverse audience access, most orchestras,
galleries, and theatres are still shockingly devoid of low-income patrons. The
causes are myriad, from societal pressures to overbearing formality to high
ticket prices, but solutions seem to be nearly nonexistant. The
Star Tribune (Minneapolis) 11/17/02
CELEBRATING
STUPID: When did the world become so dumb? "We go to concerts to hear
singers who lip-sync. We watch movies with actors who can't act. We watch
'reality' TV shows that have nothing to do with reality. We read books by people
who can't write..." But maybe it's ever been thus. Maybe it's just the
aggressiveness of the marketing? Rocky Mountain News
11/10/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IS
THE LARGE-SCALE BALLET PASSE? In Boston, where the Boston Ballet recently
underwent a very public overhaul, everything has changed, and nothing has
changed. The big ballet company is still struggling to sell tickets, despite an
undeniable uptick in artistic quality. Meanwhile, the city's smaller, more
daring dance companies are thriving, mirroring a trend in countless cities
around the U.S. But does the success of the little guys necessarily mean failure
for large-scale classical ballet? Boston Globe
11/17/02
NY
CITY BALLET WILL PLAY DC AGAIN AFTER CONTRACT IMPASS: It's been a few years
since New York City Ballet performed at Washington's Kennedy Center (1987). The
reason was, oddly enough, musicians. NYCB's contract with its musicians
stipulated no other orchestra could perform with the company, even on the road.
The Kennedy Center's contract with its orchestra said no other orchestra could
perform with a dance company at the Center. Now NYCB's new musicians' contract
provides an unusual compromise that will once again see the New Yorkers in DC. Washington
Post 11/14/02
THE
ROYAL BALLET'S NEXT BIG STAR: "Alina Cojocaru’s life has been
remarkable. From Bucharest to Kiev, where she trained at the state ballet
school; then seesawing between Kiev and London until finally, in 1999, arriving
in the corps de ballet at Covent Garden. Her rise has been meteoric. The
frightening thing about Cojocaru is how fast she’s matured as a dancer, and
the worrying thing is that at this level of intensity she will burn herself out
before she’s thirty. We’ve seen it happen before." The
Telegraph (UK) 11/15/02
SALT
LAKE DANCE COMPANY CUTS SEASON: Ballet West dancers have had their contracts
reduced by one week, from 38 weeks to 37 weeks, in a cost-cutting move.
"The one-week layoff is being blamed on decreased donations, losses on
investments and declining receipts from Salt Lake County's Zoo, Arts and Parks
(ZAP) tax." Salt Lake Tribune 11/11/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHY THE NEW
MOVIE DOWNLOAD SERVICE IS BUILT TO FAIL: A consortium of Hollywood movie
studios introduces a new venture to make movies downloadable over the internet.
"Movielink's initial library contains about 175 movies—new and old, from
Jimmy Neutron to Last Tango in Paris. They range in price from $1.99 to $4.99
for a 24-hour rental. It's a cool service, attractively priced. It's also going
to be a flop on the order of The Adventures of Pluto Nash." And of course,
flop is exactly what it's designed to do. Slate
11/11/02
SPIDERMAN
CREATOR SUES PRODUCERS: The movie SpiderMan has already grossed $400
million at the box office. But Stan Lee, the character's creator, says he hasn't
earned a cent from the movie, despite signing a deal with Marvel Comics that
should pay him 10 percent of any profits. "Marvel has reported millions of
dollars in earnings from the film but has told Lee the company has seen no
'profits' as defined by their contract. So he's suing - for $10 million. Hartford
Courant (AP) 11/14/02
AUSSIE
TV WRITERS UNDERPAID: Australian TV producers have been warned that if pay
for writers doesn't go up, the quality of writing will decline. "Compared
with their counterparts in Britain and the United States, where good writing was
rewarded, Australians had to write three times as much to earn an equivalent
salary. Most Australian writers earn about $15,000 for an hour of television
drama, and nothing from a repeated episode. By contrast, British writers
received at least $56,000 for an hour of drama, with the same amount paid each
time the episode was shown again. American writers typically earned a base
salary of more than $178,000 a week. (all amounts in Australian $) The
Age (Melbourne) 11/14/02
SYNERGY
OR ILLEGAL CROSS-PROMOTION? Hilary Duff has recorded a pop song which is, by
all accounts, embarrassingly bad. It has received no airplay on any U.S. radio
station (save one in Albuquerque) since being released in September, with the
exception of the Radio Disney network, where it is played more often than
Britney Spears or Avril Lavigne. Hilary Duff is the star of Lizzie McGuire on
the Disney Channel cable network. The song was issued by Buena Vista Records, a
Disney company. Some would say such an arrangement is a clear violation of FCC
regulations. Disney says they're just playing the music the kids are asking for.
Chicago Tribune 11/13/02
EMINEM,
MOVIE STAR: Helped by generally positive reviews, Eminem's movie made 8 Mile
won the weekend's US box office derby, taking in an impressive $54.5 million, an
average of $22,050 per theater nationwide. The weekend take beat all studio
estimates. Los Angeles Times 11/11/02
THE
BBC'S CONFUSED ARTS POLICY? Last week, the BBC announced the death of one of
its most revered institutions: Omnibus will end in January, after 35 years. In
its place will come a new strand of one-hour documentaries, tentatively entitled
Imagine." The news has been greeted with outrage, further confirmation, say
critics, that the BBC is abandoning serious arts programming. Nonsense, says the
BBC - we're more committed to the arts than ever. "At the very least, the
BBC's attitude to arts broadcasting is confused." The
Independent (UK) 11/12/02
HOLLYWOOD
DOWNLOADING SUIT RAISES QUESTIONS: American entertainment corporations are
taking an Australian file-downloading company to court. But the suit against
KaZaA poses numerous questions. "First, does the writ of a US court run in
cyberspace - or New South Wales, the Netherlands, Vanuatu, Denmark or Estonia,
all of which are points on KaZaA's web. As a business model, KaZaA makes Cook
Islands tax havens look amateurish. Second, is the maker of an item responsible
for how it is used?" The Age (Melbourne)
11/15/02
HOW
CANADA IS STEALING HOLLYWOOD: From 1999 to 2002, money spent on making films
in Canada has doubled, as production crews look to save money by exploiting the
weak Canadian dollar. By a remarkable coincidence, the number of U.S. cities
that give a darn about the Northern migration of moviemaking has also recently
doubled, from one (Los Angeles) to two (L.A. and New York.) What made the Big
Apple sit up and notice? Well, you don't really expect New Yorkers to sit still
while a TV movie about the life of former mayor Rudy Giuliani is filmed in
Toronto, do you? Boston Globe 11/16/02
RADIO
CONSOLIDATION LOOMING: The UK's commercial radio landscape is about to
radically change after the government changes the rules on station ownership.
New rules reduce to two, the minimum number of companies that can control radio
stations in any one area of the country. The new rules set the stage for
large-scale consolidation of ownership, as has happened in the US. BBC
11/14/02
THE
NEW TECHNO-TAINMENT: It's not like entertainment has ever been shy of
technology. But in Los Angeles, "the commingling of geeks and moguls is
producing results far beyond the marriage of computers with traditional
television and film production, economists and executives here say. It is
creating fresh types of entertainment and novel approaches to developing,
distributing and promoting it." The New York
Times 11/14/02
HOW
HOLLYWOOD THREATENED TO DESTROY THE EMMYS: When Hollywood's Academy of
Television Arts & Sciences came close to making a $10 million deal with HBO
to televise the Emmys, America's other major networks got upset. "Sources
say CBS Television President Leslie Moonves delineated all sorts of punitive
actions the networks could take if the academy went with HBO, from discouraging
employees from joining the group to scheduling a big-budget special the night of
the Emmys to siphon away potential viewers. They said that this will destroy the
academy." Los Angeles Times 11/15/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4. MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CD
GOUGING COMES BACK TO BITE THE INDUSTRY: "If the public's enthusiastic
embrace of downloading, on-line file-sharing services and 'rip-and-burn' CD-R (recordable)
technology can be considered a species of consumer revolt — and the widespread
lack of sympathy for the industry's recent fiscal nose-dive suggests it very
much can — the seeds of revolution were sown when the major record companies
elected to roll out CDs at roughly twice the price of records and tapes during
the mid-1980s." Toronto Star 11/16/02
BUY
YOUR OWN SYMPHONY! Commissioning a piece of music isn't nearly as hard or
expensive as you might think. In fact, you don't even have to know anything at
all about music! Just open that checkbook, and tell the composer to write you
something purty, preferably in a major key... The
Telegraph (UK) 11/16/02
MUSIC
LICENSE REQUIREMENT UNFAIR SAYS UNION: The British Musicians Union is
protesting government plans to impose a requirement on pubs and bars to get a
license if they present live music. "Many venues may be forced to abandon
live music to avoid the trouble and expense of getting a licence, the Musicians'
Union said." BBC 11/12/02
CLEAR
CHANNEL TO RENOVATE OPERA HOUSE: Clear Channel Communications, America's
largest owner of television and radio stations and also the nation's leading
producer of live entertainment, will be picking up the tab for a $31 million
redevelopment project on Boston's decaying Opera House. The city has cleared
away all the hurdles, and groundbreaking was this week. The building has been
closed since 1991, and the city hopes it will be ready for reopening by 2004. Boston
Globe 11/13/02
AUSTRALIA
CONSIDERS BANNING MUSIC SALES TO MINORS: Australia is considering new
censorship rules that would ban the sale of certain cds with sexual or violent
content to minors. "It's just simply applying community standards that
apply already to film, television, videos and video games." BBC
11/12/02
VENICE
OPERA HOUSE'S REOPENING DATE ANNOUNCED: Venice's famed La Fenice Opera House
will reopen December 14, 2003, says the city's mayor. The theatre burned down
during renovations in 1996, and repairs have been clowed by scandal and
corruption. Andante (AP) 11/12/02
THE
SOUND OF BRANDING IN THE AIR: Today's musicians are hopelessly caught up in
corporate branding. "It seems any musician worth his leather trousers has
to have his own clothing range, scent and jewellery design business to be taken
seriously. Number One albums, fast cars and unsuitable sleeping partners used to
be the status symbols of the rock star. Now it is the number of brand extensions
your business portfolio boasts." The Scotsman
11/11/02
SINGLE-MINDED:
The British Singles chart is 50 years old. "There is a long and glorious
tradition of complaining about the singles chart, the gist of which usually
boils down to that quintessential British gripe: it isn’t as good as it used
to be. But what exactly does that mean? That music enjoyed by middle-aged media
commentators struggles to compete against the S Club franchise and the Pop Idol
cyborgs, for example? That the singles chart is nothing more than a marketing
scam aimed at exploiting pre-teen consumers? The
Scotsman 11/10/02
WHY
BRIT MUSIC HAS TROUBLE CROSSING THE POND: "It has become something of a
tradition for any successful British band to try their luck across the Atlantic,
only to return after a year with their tails between their legs as the American
audience refuses to acknowledge their genius." So what is the secret for
success? The English bands that make it in the US seem no better than the ones
that don't... The Independent (UK) 11/08/02
EMI
SIGNS DOWNLOADING DEALS: Music giant EMI makes an agreement with nine
digital distribution companies to provide its music for downloading over the
internet. The agreements will allow users to download tracks permanently and
then burn a limited number of personal copies." The
Guardian (UK) 11/14/02
CHINA'S
PIANO STARS: Twenty-year-old Chinese pianists Lang Lang and Li Yundi are
China's hottest names in classical music. They've made international careers,
and are helping to redefine the outside world's sense of Chinese high culture.
"Beyond two very different images, however, both boys bare the same cross
on their backs: Re-branding China as a factory of musicians who do not just play
fast and furious, but also with integrity and insight." The
Straits-Times (Singapore) 11/15/02
WE
ARE THE WORLD: We call it, for want of a better term, World Music, and it is
rapidly invading and subverting every other genre. The tenth London Jazz
Festival, which opens this weekend, is approximately two-thirds World. World
Music represents a process that is as old as music itself - a meeting of two
sonorities that yields new harmonic energy. It's the way music has always grown,
and there are signs that World may be leading white men's music, both commercial
and classical, out of protracted impotence." La
Scena Musicale 11/14/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ANDRE
WATTS STABLE AFTER EMERGENCY SURGERY: Pianist Andre Watts never made it to
the stage Thursday night. Watts was preparing to perform with the Pacific
Symphony in Orange County, California, when he collapsed backstage and was
rushed to the hospital for emergency brain surgery. The procedure went well, but
Watts is expected to be out of commission for up to two months. Los
Angeles Times 11/16/02
POET
BANNED FROM HARVARD: Irish-born poet Tom Paulin was supposed to give an
address at Harvard University last week, but his appearance was cancelled at the
last minute when university officials bowed to the wishes of students and
professors protesting Paulin's inflammatory statements on the
Israeli/Palestinian conflict. Among other published comments, Paulin has told an
Egyptian newspaper that he equates American Jewish settlers in the Occupied
Territories with Nazis, and wishes them dead. The
Guardian (UK) 11/14/02
ART
LEDGERS: Accountant Tom Lowenstein has provided his services to Australian
artists for 30 years. If they couldn't pay cash, they paid in art. A voracious
collector, he amassed an important collection of contemporary Australian art.
"We started out with the generation of artists who, 25 or 30 years ago,
could not sell their works but who have now reached the top. We kept buying
widely because we built a relationship with each new group." The
Age (Melbourne) 11/11/02
FRIDA-TREK:
Frida, the movie about painter Frida Kahlo "has triggered a new wave
of Fridamania, prompting thousands of people to come to Mexico to see where this
country's most famous female icon lived until her death nearly 50 years ago.
Kahlo's face stares out from calendars, posters, dinner plates - just about
anything with a price tag, including underwear." Washington
Post 11/11/02
WEIGHING
IN ON L'AFFAIRE TROUPE: When it was recently revealed that Quincy Troupe had
lied on his resume about a college degree, he lost his post as California's poet
laureate. Soon others were demanding he be fired from his teaching post at the
University of California, San Diego. Critics at the Union-Tribune banded
together for an extraordinary joint defense of his work and plac in the
community. Now readers respond to l"Affaire Troupe. San
Diego Union-Tribune 11/10/02
CHURCH
FIRES MOTHER: Sixteen-year-old Charlotte Church has fired her mother as her
manager. "In doing so, experts argue, the multi-millionnaire opera singer
is ridding herself of a relationship which was never going to work. The
singer’s bust-up is said to have followed a series of family rows over her
boyfriend Steven Johnson, a part-time student and DJ. She refers to Johnson as
her 'bit of rough'." The Scotsman 11/13/02
FATHER
OF DECONSTRUCTION SPEAKS OUT: Jacques Derrida is "the father of
Deconstructionism," and "one of the reigning figures of intellectual
life of the last quarter-century." A new documentary looks at his work and
gives him an opportunity to answer misconceptions of his work. And they are?
"That I'm a skeptical nihilist who doesn't believe in anything, who thinks
nothing has meaning, and text has no meaning. That's stupid and utterly wrong,
and only people who haven't read me say this. It's a misreading of my work that
began 35 years ago, and it's difficult to destroy." LAWeekly
11/13/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6. PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
PASSING OF THE SOUTHERN NOVEL: Literature of the American South has a long
and distinctive history. But as the South has changed, "Southern"
writing has slipped away too. "As it was in the beginning, Southern
literature nowadays is American literature. And, on occasion, vice versa.
Something is gained by the passing of a Southern literature: Most books by and
about Southerners are no longer treated as curiosities. They are judged as
American works. And something is lost." Washington
Post 11/11/02
AUTHORS
UNHAPPY WITH PUBLISHERS: A survey of authors published by major publishers
in the US gives more emphatic voice to the oft-heard complaints that publishers
aren't marketing or, "to a lesser degree, editing that their books"
very well. "One of the unusual conclusions that emerged from the study was
that authors felt publishers should be releasing fewer books" in order to
give more attention to the books they do put out. Publishers
Weekly 11/11/02
NEWTON
BOOK STOLEN: Thieves have stolen one of the most influential books ever
produced - Sir Isaac Newton's Principis or Philosophiae Naturalis
Principia Mathematica. The book was published in 1687 and was on display at
a St. Petersburg library. In the book, "Newton formulated his three laws of
motion and his law of gravity." Only about 250 copies were ever produced. BBC
11/12/02
HARTFORD
NEWSPAPER RETRACTS STORY: Last week the Hartford Courant reported that the
FBI was "bugging" local libraries in an effort to find out what
library patrons were looking at. Later in the week the paper took back the story
after both the FBI and the library denied the story. "The red flags were
up, but somehow no one in the newsroom followed them." Hartford
Courant 11/10/02
POMO
SUPERSTARS: "If postmodernism were a rock concert, then Camille Paglia,
Susan Sontag, George Steiner and Jean Baudrillard would be the headline acts.
The fact they are going to show up together at Toronto's York University this
weekend was enough to sell every ticket to the event several months ago. Perhaps
there will even be scalpers. And what was that event, by the way? A conference
on literacy in the digital age." The Globe
& Mail (Toronto) 11/13/02
WHITBREAD
SHORTLISTS NAMED: Shortlists for this year's Whitbread Prize are announced.
Michael Frayn and William Trevor both made the Novel list, while cultural critic
Norman Lebrecht made the Fist-Novel list. "The Whitbread prize, now in its
31st year, is open to authors from the UK and Ireland and divided into five
categories: novel, first novel, biography, poetry and children's book." The
Guardian (UK) 11/14/02
COSTCO
PRESS: Costco is already one of the US's largest retailers of wine, books
and music. And the store already sells its own brands of many foodstuffs and
drygoods. Now it's getting into publishing, producing its own books. To start -
a cookbook, and "many of the 300 recipes come from sponsors, who paid for
their names to appear next to concoctions like Kellogg's Cheese and Mushroom
Waffle Wedges and Snapple Marinated Chicken Wings. Companies like Sunbeam also
bought space in the title. On the publishing front, the book mixes an unusual
number of models, including inserts, trade publishing and magalogs. It's a
shrewd and likely controversial idea, not only because it involves payola, but
because it's so self-reliant." Publishers
Weekly 11/13/02
CANADA'S
NEW POET LAUREATE: George Bowering has been appointed Canada's new poet
laureate. He's "a West Coast writer with an irreverent muse, an obsession
with baseball and a distaste, his friends say, for all things pompous."
He's also "a two-time winner of Governor-General's awards with about 50
books to his name. Among his tasks, he may write poems for use on state
occasions and sponsor poetry readings, but he is not required to do so. He will
have an office on Parliament Hill - although he is not required to live in
Ottawa - and will be paid a yearly taxable stipend of $12,000." The
Globe & Mail (Canada) 11/12/02
THE
ETERNAL PLAGIARISM DEBATE: Plagiarism is simply not as big a problem as
everyone makes it out to be, says Philip Marchand. The simple fact is that
writers, artists, and performers have always borrowed ideas from each other, and
indeed, there's nothing wrong with such imitation if the end product reflects an
original creation. So long as the borrowing doesn't involve direct and obvious
appropriation, why should anyone get angry about it? Toronto
Star 11/16/02
CUBA
RELEASES HEMINGWAY DOCUMENTS: Cuba has made thousands of Ernest Hemingway
documents available to scholars. "President Fidel Castro and an American
group led by U.S. Rep. James McGovern, a Massachusetts Democrat, signed an
agreement Monday to collaborate on the restoration and preservation of 2,000
letters, 3,000 personal photographs and some draft fragments of novels and
stories that were kept in the humid basement of Finca de Vigia, the villa
outside Havana where Hemingway lived from 1939-1960." Nando
Times (AP) 11/11/02
A
BOOKSTORE THAT DOESN'T KNOW BOOKS: A Giller Prize judge walks into a big
bookstore in Toronto the day after Canada's biggest literary award is given and
finds the clerks know nothing about it. "I tried to think of clever things
to say about a Canadian bookstore that doesn't know books, about a bookstore
that doesn't pay attention to what's happening in the literary world, about a
bookstore that doesn't support the writers who create its profits. The further
down the street I got, the more I found myself sounding like Marx. Karl, not
Groucho." Toronto Star 11/12/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
ALLEY'S AMBITIOUS NEW CENTER: Houston's Alley Theatre is 55 years old.
Earlier this month the Alley opened a new Center for Theater Production earlier
this month. "Capacious, well appointed and unusually situated, it is
designed to help propel the 55-year-old Alley to the top rank of American
regional theaters. The 75,000-square-foot center sits aerielike in five floors
on top of a 13-story parking garage behind the Alley." The
New York Times 11/13/02
BROADWAY
PRODUCERS CONSIDERING USING "VIRTUAL" MUSIC: Broadway producers
are anticipating difficult negotiations with the musicians union next spring
when current contracts expire. Producers are anxious to do away with rules that
require minimum numbers of musicians for each show regardless of how many are
actually required. Expecting a work stoppage, producers are exploring using
recorded "virtual" music to accompany their shows. The
New York Times 11/12/02
BITING
THE HAND THAT FEEDS (AND OFTEN BITES BACK): Playwright Jon Robin Baitz will
likely have his heart in his throat during the premiere of his new one-act play
this weekend at a fundraiser for a New York theater. Baitz's play mercilessly
skewers Shubert Organization chairman Gerald Schoenfeld for his various sins
against serious theatre. The charges (that Schoenfeld presents crowd-pleasing
dreck by Lloyd Webber and Mackintosh to the exclusion of serious work) are not
new, but Schoenfeld is not known for his ability to take a joke, and he will be
present at the performance. A New York critic who is also a character in the
play thinks Schoenfeld should lighten up. New York
Post 11/13/02
NO
BUSINESS LIKE... Musical theatre is the most expensive theatre to produce.
In difficult economic times, musical theatre is a riskier proposition, and many
companies across America are hurting. "Musical companies will hurt the
worst in a bad economy because of ticket prices. They have to charge, even in
regional theatres, $65 to $100 a ticket, and those numbers are a luxury for
people. To survive, these musical companies are going to have to learn how to be
nimble." Backstage 11/14/02
MONEY
CHANGES EVERYTHING: Last year the British government announced plans to give
£25m "to 190 theatre venues and companies over the next two years; the
first £12m was distributed earlier this year. 'This marks the start of a new
chapter for the theatre,' trumpeted the Arts Council - and, after six months of
sampling their newfound sufficiency, theatre's rank and file are inclined, with
qualifications, to agree." The Guardian (UK)
11/13/02
WAITING
FOR MAXWELL: Mitchell Maxwell is as New York as a producer can get - brash,
self-centered, and confrontational. He may be a genius, or he may be a con man,
and the Denver theatre community is waiting nervously to find out which it is,
as Maxwell prepares to take over the city's Civic Theatre, saying, "I'm
going to bring shows to Denver, and they are going to be better and more
interesting than much of the work that has been brought to Denver in the past.
No disrespect to Denver. It's just a fact." Denver
Post 11/17/02
WRITE
WHAT YOU KNOW: Mel Brooks made the film version of The Producers in
1968 for less than $1 million, about a tenth of what it cost to mount the show
for the stage many years later. When he first tried to sell the idea, he was
writing about what he knew - how to make money by producing flops on Broadway...
St. Paul Pioneer Press 11/10/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8. VISUAL
ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SHOULD
WE PITY THE AUCTION HOUSES? From a PR standpoint, it hasn't been a good
couple of years for the big New York auction houses. Sotheby's chairman Alfred
Taubman was convicted in a massive price-fixing scandal, and art sales have been
sluggish ever since 9/11, although there have been a few good auctions lately.
So why does the New York art world seem to be somewhat lacking in schadenfreude
over all the chicanery? "People seem to feel that what the feds picked up
on—that Sotheby's and Christie's agreed to charge buyers the same
premium—was a fairly penny-ante crime. Also, the last year in New York seems
to have brought endless reminders that everyone—superwealthy collectors and
auction house potentates included—may actually be human, too." Slate
11/13/02
SOTHEBY'S
LOSS: Sotheby's reports a loss of $48.2 million. "Total revenues for
the nine months ending in September were $220.8 million, down from $225.2
million for the same period in 2001." The firm is still trying to dig out
after fallout from price-fixing scandals of the 1990s. The
Art Newspaper 11/15/02
SCIENTISTS
PROTEST SERRA ART: A proposed sculpture by Richard Serra at CalTech has the
typicially apolitical brainiacs-in-residence in a fighting mood. The sculpture
is "an 80-ton, zig-zagging wall of steel that would bisect the lawn like a
parade barrier. After students and faculty got a look at the proposed work, they
drew battle lines, signed petitions, even constructed a comical effigy of the
proposed piece, which mysteriously appeared on the lawn last month where the
real thing is slated to sit." Los Angeles Times
11/15/02
BEGINNING
OF THE END? If you needed proof that the center of the New York contemporary
art world has moved out of SoHo, here it is - the Chelsea Art Museum has opened.
"If the evolution of SoHo is any indication, the progression goes something
like this: First come the artists, then the galleries, then the museums and
finally, the Gap. They leave in much the same order, mainly because the place
isn't cool any more." New York Post 11/14/02
CONTEMPORARY
RECORDS: Records for contemporary art sales fell in New York this week, as
"a painting by David Hockney sold for £1.8m at a Christie's auction where
record prices were also set for works by Roy Lichtenstein and Barnett
Newman." The Guardian (UK) 11/15/02
NAZI-LOOTED
ART SEIZED IN VIENNA: For the first time, Austrian authorities, acting under
a court order, have seized a painting thought to have been stolen by occupying
Nazi forces during World War II. The seizure was sought by a Vienna-based Jewish
advocacy group, and hailed by art experts worldwide as a crucial step in the
movement to repatriate the thousands of artworks looted by the Nazis. The
New York Times 11/16/02
ARCHITECTURE
FOR THE FUN OF IT: "Why do Europeans care so much more than Americans
about architecture? Why do Italian students major in architecture the way
Americans major in English, for the pure pleasure and education of it, with no
intention of becoming professionals? Maybe the reason is that Europeans more
often live in cities and towns and less often in suburbs. In a town,
architecture creates the world you live in. It shapes the streets and squares;
it creates the monuments and special places. Architecture tells Europeans where
they've come from in history." Boston Globe
11/17/02
NET
IMPRESSIONS ON ART: In India there is an emergence of a culture built around
the internet. Nancy Adajania writes that while this is a democratising force,
bringing art to millions more people, it may well desensitize viewers to art,
making it little more than entertainment... ArtIndia
11/02
PRESERVING
A BARNES TRADITION: Many of the Barnes Collection's supporters favor moving
the art into a new building in Philadelphia. But what would become of the
Barnes' unique classes in art appreciation? Barnes purists can't imagine a
change in venue... The New York Times 11/12/02
BRITART
OUT OF STEAM? Is a backlash developing against the celebrated Brit artists
who have been so popular in recent years? The high concept/low taste projects
preferred by the Turner Prize crowd is provoking more and more disdain. "It
was first cool and no one wanted to disagree because they didn't want to be old
fashioned or not trendy. But I think there is a growing backlash and people are
starting to see they don't have to put up with it." National
Post (Canada) 11/11/02
MARBLES
TO STAY IN LONDON: Greece's foreign minister came to London hoping to make a
deal to get the Parthenon Marbles back. Instead, he was fed tea and sent home
with "a headstone stolen from Thebes museum that had somehow turned up in
London. The choice of gift from Britain could not have been more symbolic."
He was told that the Marbles are part of "a select group of key objects
which are indispensable to the museum's core function to tell the story of human
civilisation, the sculptures cannot be lent to any museum, in Greece or
elsewhere." The Guardian (UK) 11/13/02
SO
WHAT ARE STUCKISTS, ANYWAY? Stuckists are relentless in their opposition to
the conceptual art that is prevalent in today's BritArt. Stuckist co-founder
Charles Thomson says it's a fight for the very definition of art. "I
thought conceptual art was based on parody and irony. We have never opposed
people doing installations and videos etc. What we oppose is the mistaken
significance given to the unremarkable. It isn't actually worth dignifying with
the title of art in the first place." Stuckism.com
11/02
IN
SEARCH OF TURNER: The Tate is searching for about 400 paintings by Turner.
"Quite a few of these lost paintings have doubtless been burnt or otherwise
destroyed over the years. A fair proportion of 2,000-plus watercolours the
painter executed - known by title and in many cases from engravings - have
blipped off the screen of scholarship. Most are watercolours, some have not been
seen for 200 years - since in fact Turner finished them. Others changed hands at
auctions in the mid-20th century - but after that, nothing." The
Telegraph (UK) 11/11/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9. ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BOSTON
TOPS IN ARTS: A new study reports that Boston has more arts groups per
capita than any other major US city. "The local cultural sector burgeoned
by 73 percent between 1992 and 1999. Metropolitan Boston cultural organizations
attracted $457 million in 1999, as compared with Chicago's $426 million and San
Francisco's $436 million that year." But, the report warns, Boston is
lagging in public funding for the arts. Boston Globe
11/14/02
U.S.
ARTIST VISA WOES CONTINUE: New American immigration procedures have caused
cancellations of dozens of artists scheduled to perform in the US. The INS is
refusing more artist visas, and delays in processing are mounting. "We were
averaging under 90 days, but the time it takes to do these security checks in
the process of adjudication has (increased). Right now, we're averaging between
90 and 120 days." San Diego Union-Tribune
11/13/02
THE
OTHER SIDE OF THE ARTS: The arts are portrayed as an economic and cultural
good for neighborhoods. But a new New York study that "looked at the
potential of arts and culture to stimulate economic growth" concludes that
artists moving into a neighborhood can "drive up rents and force out
long-term residential and commercial tenants. The paradox is that arts groups
drive up the rents and then cannot afford to remain in the neighborhoods whose
rejuvenation they spurred in the first place. "You have this Darwinian
progression: artists move into a neighborhood, prices tend to go up, and the
artists have to move out. You're seeing it cloud cultural development." The
New York Times 11/11/02
WHERE
ARE ALL THE PEOPLE? "Wondering where all the people are is a frequent
preoccupation of Canadian artistic endeavour. The thought often crosses the
minds of art-gallery owners, dance impresarios, symphony conductors and writers
on book tours." David Macfarland suggests that it isn't the quality of work
that keeps people away but perhaps: "We just aren't packed with as many
subcultures, and this may be the primary difference between a respectable
audience for something as seemingly esoteric and demanding as a Charpentier
opera and a sold-out run." The Globe & Mail
(Canada) 11/11/02
THE
POLITICS OF ART (OR IS IT THE OTHER WAY AROUND?): Should art and politics be
tangled together? "Anyone who believes that the loftiness of art is above
politics, war and religious differences doesn't understand that artists live in
the real world and don't hide behind their creativity. On the contrary, their
high profile often makes them subject to increased scrutiny." Rocky
Mountain News 11/10/02
ANGRY
IRISH ARTISTS PICKET AWARDS CEREMONY: Artists in Belfast are angry about
cuts of 20 percent in the city's arts budget. So they picketed the council's
high-profile Arts Awards Thursday night to "highlight what they felt was
official hypocrisy in celebrating their achievements while cutting their
budgets. A letter signed by 250, a who's who of the Northern Irish scene,
hammered home the message, and 14 of the nominees boycotted the gala." The
Guardian (UK) 11/15/02
HOW
TO LIVEN UP YOUR TEXTBOOK: "Looking for fresh ways to engage overloaded
students, a growing number of professors at big universities and small colleges
are supplementing traditionally sober textbooks with a curious genre: the
textbook-novel. Written specifically with the college classroom in mind, these
works are often by professors who have created characters ranging from a free
trade-spouting angel to a short, bald professor (take a bow, Milton Friedman)
who likes to solve mysteries. And while pedagogical novels are not new, their
growing popularity is." The New York Times
11/16/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ LAWYER
TO WYMAN - WE OWN YOUR NAME: Atlanta Journal-Constitution pop music
critic Bill Wyman gets a letter from a fancy New York lawyer telling him
to "cease and desist" using his name in print. He
"magnanimously allowed that I could continue to use my own name if I
could prove that I had come by it legally, and if I added a disclaimer to
everything I wrote in the future, 'clearly indicating that [you are] not
the same Bill Wyman who was a member of the Rolling Stones'." Atlanta
Journal-Constitution 11/14/02 MUSIC
IS THE BEST ANESTHESIA, APPARENTLY: When pianist and composer Terese
Kaptur needed surgery recently, she decided to forego the hospital's offer
of general anesthesia. In place of the knockout drops, Kaptur substituted
a mild local anesthetic combined with the music of a Pittsburgh Symphony
Orchestra violist who stood at her bedside playing long, steady tones. (No
viola jokes, please.) The doctors performing the procedure were stunned,
but reported that Ms. Kaptur was completely calm despite the intense pain
such a procedure should cause. Pittsburgh
Post-Gazette 11/14/02
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