Week
of October 15-20, 2002
1.
Special Interest 2. Dance
3. Media 4. Music 5. People
6. Publishing 7. Theatre
8. Visual Arts 9. Arts Issues
10. For
Fun ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
VS. APATHY: There is an increasing disconnect between people who spend their
lives enmeshed in the world of art, and people who don't, and the gulf is
marginalizing an entire industry. "In my experience, the art people speak
only to art people, and believe, from this unrepresentative sample group, that
people who read an intelligent newspaper -- sensitive people like judges or
cabinet ministers or television producers -- are arguing daily with their
husbands over the tea and toast about whether the paper's art critic has really
understood the limitations of postpainterly abstractionism. In fact, for many if
not most of my acquaintances who aren't actually artists, newspaper articles
about the art world have a status only marginally higher than that of the bridge
column. They are perceived as serving a niche equally small." The
Globe & Mail (Toronto) 10/16/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
NEW CLASSICS: Remakes of old ballets are an enduring tradition. But
"the newest ballet remakes, created by a generation of mostly European
choreographers, are different: They want audiences to remember the originals.
Many of them prove daring about nudity and sex. Others put classically trained
dancers through deliberately anti-classical moves to blur the line between
ballet and modern dance. But the biggest change may be their sense of historical
precedent. These ballets build on the past and acknowledge it every step of the
way." Los Angeles Times 10/20/02
DANCING
ON SCREEN: "The art of the dance film, a marriage of two art forms as
old as the first moving pictures, grows more innovative by the year. No longer a
simple matter of turning a camera on a stage performance, dance film and video
makers borrow from music videography, from animation and computer-generated film
techniques, and from stage technology to create choreography not only seen
through the lens but created by contemporary audio-visual capabilities." Toronto
Star 10/18/02
STAR
POWER: Dance is a hard sell to a wider audience. Maybe what's needed is some
compelling star personalities... The Telegraph (UK)
10/16/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SANCTIMONY
VS. SACRILEGE: The debate between Hollywood directors and the Utah company
that is releasing 'edited' versions of their films with all the sex, violence,
and foul language removed is fast becoming one of those hot-button issues where
both sides become so absorbed in their own righteous point of view as to make
compromise impossible. To the directors, the old-fashioned folks who just want
to enjoy a good flick with their children are 'fascists'; and to the
old-fashioned folks, those Hollywood people are one good full frontal scene from
being hard-core pornographers. So where is all this headed? Federal court, of
course. Los Angeles Times 10/14/02
WHAT
LISTENERS WANT? These days radio is programmed by focus groups and
consultants. Radio execs say that what we hear is more in tune with what
listeners want than ever before. On the other hand... "radio was once
regional, as different as every town. More and more, the whole country is
listening to one station ... music is something that is magical, ultra-magical,
and radio was an art form. Now it's something cold and different." Los
Angeles Times 10/19/02
THE
MOVIES YOU'LL NEVER SEE: "Every year, Hollywood studios quietly dump
movies -- even ones with top stars -- that aren't worth the money to distribute
in theaters. Call it Hollywood's dirty little secret. With marketing costs
spiraling higher every year, studios increasingly have both economic and
psychological incentives to cut their losses by keeping their stinkers in the
closet." Los Angeles Times 10/16/02
FITS
OF ANALYSIS: What is it about The Sopranos that critics can't resist?
"Never before has a programme been subject to such extensive
interpretation. "North American academics have recently published no fewer
than five books about The Sopranos. The authors include psychiatrists,
sociologists, literary theorists, postmodernists, post-structuralists and the
other usual suspects. It's only fair to warn you that these are determined
individuals who will not waste two words when a chapter will do." The
Observer (UK) 10/20/02
A
NOT-FOR-TV EVENT: As far as American TV news is concerned, upcoming
elections might as well not be taking place. "Of 2,454 local news programs
in the country's 50 largest media markets, 1,311 contained nothing at all on
campaigns between Sept. 18 and Oct. 4, according to the Lear Center Local News
Archive." Nando Times (AP) 10/16/02
VIDEO-ON-DEMAND
GOES OFFLINE: Intertainer, the video-on-demand provider, is shutting down
while it sues big entertainment companies. "The company said it cannot
continue to provide movies and other programming online and on cable systems
while entertainment companies raise prices and withhold programs." Nando
Times (AP) 10/17/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4. MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BRITAIN'S
FAVORITE OPERA: It's Mozart's Marriage of Figaro, as voted in a Classic FM
poll. "Wagner whose work was almost exclusively operatic is the
most notable absentee, with no entries in the list which features just four
composers." Andante (PA) 11/012/02
COSTLY
ADVENTURE: Franz Xaver Ohnesorg's abrupt resignation as manager of the
Berlin Philharmonic ended a costly adventure. Ohnesorg's big salary must still
be paid through 2006, and he exposed the orchestra to a lawsuit it is likely to
lose. "This is a waste of money Berlin style, and it is the clear result of
a cultural policy that has its eyes more on names and insider relationships than
on concepts or programs." Frankfurter
Allgemeine Zeitung 10/11/02
COVENT
GARDEN'S NEW MAN: Anthony Pappano is Covent Garden's new music director.
It's a big and controversial position, the kind of job you have to grow into.
But Pappano has confidence. "I think the house feels a new energy because I
am always here and going to rehearsals and sort of going at 100 miles per hour
all the time. And this opera house has needed that kind of investment." The
New York Times 10/14/02
LEARNING
ON THE JOB? Twenty-four-year-old Katharina Wagner, granddaughter of composer
Richard Wagner, has been named by her father to succeed him running the Bayreuth
festival. But in her first outing as an opera director, she's created a
controversial production. "Storms of boos, alternating with bravos,
buffeted the production team at the premiere. 'The reactions were very violent,'
Ms. Wagner said. 'One woman said to me, `I know how Richard Wagner meant it.'
That would be a real sensation if she really did'." The
New York Times 10/15/02
ANOTHER
ORCHESTRA GOES OUT OF BUSINESS: The troubled Calgary Philharmonic has
suspended operations and filed a brief with a bankruptcy court, cancelling all
concerts for at least the next 45 days and laying off 65 musicians and as many
as 20 staff. Calgary's arts scene, never exactly a bustling one, is expected to
suffer fallout from the CPO's slow and very public collapse over the last year
or two, and many in the CPO organization seem surprised and disgusted that the
city's wealthy residents didn't seem to do a lot to help when the chips were
down. Calgary Herald 10/16/02
CHANGE
AT THE TOP: Many of the world's top orchestras are introducing new music
directors. "All this giddy change is partly coincidence; music directors
come, and they go. But a new century also generates a new zeitgeist, and that
surely motivates managements, some of which have gently or not-so-gently eased
out aging, long-standing conductors. And these are turbulent times for classical
music institutions." The question is - what does all this change mean? Los
Angeles Times 10/20/02
ROCKED
THE VOTE: "The music industry's engagement with politics has always
ebbed and flowed. In the 1960s, when rock was part of a counter-culture, protest
songs were both credible and glamorous. In the punk era, the Top 10 included a
string of polemical singles by the Jam, the Clash and the Specials. Since then,
thrilling music and political engagement have rarely coincided." The
Guardian (UK) 10/18/02
BAZ'S
BOHEME: Baz Luhrmann took two years and 3000 auditions to cast his La
Boheme. It's currently playing previews in San Francisco before moving to
Broadway. Visually, it's unconventional - teeming with "energy and
characteristic Luhrmann colour. Luhrmann says his goal was to reinvent opera for
a new generation; to bring it from its lofty level to mass audiences, in the way
Puccini's art was enjoyed. The opera is sung in Italian, but with English
surtitles that include such Batman-era translations as Kapow!, Thwack!and
@#!&% for a mock fight scene." The Age
(Melbourne) 10/18/02
JANSONS
GETS CONCERTGEBOUW: The Royal Concertgebouw Orchestra in Amsterdam has named
Mariss Jansons as its new chief conductor beginning with the 20042005 season.
The only other serious contender for the post was Christian Thielemann. Andante
10/17/02
UNCOMMON
CHANCES: The group Ethel is a string quartet. They play contemporary music.
Often in places you don't usually find string quartets. But don't call Ethel a
string quartet. It's a band. "What image does a string quartet put in your
head? A dour group of people playing perfectly together in perfect harmony.
That's not the path that I wanted to go down." The
New York Times 10/20/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FRIDA
FETISH: Mexican artist Frida Kahlo is "currently the height of radical
chic, and is likely to be even more in vogue when Julie Taymor's movie Frida,
starring Salma Hayek, opens next year. But it is hard not to feel that there is
something distasteful and unhealthy about the way we like our artists -
particularly if they are women - to suffer. Would there be half as much interest
in Kahlo's paintings if her life had been half as colourful and tragic?" The
Guardian (UK) 10/14/02
MORE
AMBROSE DEBATE: Some critics felt that obituaries of the historian Stephen
Ambrose glossed over reports of his plagiarism, but Tim Rutten detected the
opposite bias, singling out the Boston Globe as the most egregious
Ambrose-basher, and pointing out that paraphrase (and footnoted paraphrase, at
that) is very different from plagiarism. "All synoptic, narrative
historians, which is what Ambrose was, paraphrase from other sources. If the
standards laid down by his most rabid critics were applied to the four
Evangelists, the three Synoptic Gospels would have to be denounced as acts of
plagiarism--as would a substantial and revered part of the extant medieval
corpus." Los
Angeles Times 10/16/02
THE
DAVE EGGERS PUZZLE: Dave Eggers' new book is being self-published and he's
giving away the money earned from it. With the success of his last book he could
have done anything he wanted. "He's so averse to promoting himself that it
is the canniest act of self-promotion. He really doesn't care - really. But
that's hard for anyone in the frenzy business to believe." Los
Angeles Times 10/20/02
BUFORD
TO LEAVE NYer EDITOR JOB: Bill Buford, who has been The New Yorker's fiction
editor since 1994, is leaving the job to be the magazine's European
correspondent. "In a way, it's going from the best editing job in town to
the best writing job in town-except it's not in town." New
York Observer 10/16/02
SCHAMA
COMES OUT: Simon Schama is the most popular TV historian in Britain, a star
who gets recognized on the street. "He is an intellectual superstar, a
professor at Columbia in New York, where tickets for his lectures on art history
and history are traded by touts. Last year, his colossal popularity helped sales
of history books in Britain exceed, for the first time, those of cookery books,
and applications to study history at university are increasing." The
Telegraph (UK) 10/18/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6. PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NATIONAL
BOOK AWARD FINALISTS ANNOUNCED: Nominees include "You Are Not a
Stranger Here," a debut story collection by Adam Haslett, "Big
If," by Mark Costello; Julia Glass' "Three Junes"; Brad Watson's
"The Heaven of Mercury"; and "Gorgeous Lies," by Martha
McPhee, daughter of the award-winning essayist John McPhee." Nando
Times (AP) 10/16/02
DO
LIT PRIZES MATTER? They generate lots of publicity. But do literary prizes
really make a difference to the world of letters? "Yes, say leading
literary professionals, who believe such awards not only carry commercial
weight, but also play an increasingly important role in connecting serious
writers with readers eager for qualitative road signs in a world awash in
books." Los Angeles Times 10/19/02
BOOK
GLUT WARNING: Each year publishers release many of the biggest books in time
for the holiday season; it is, after all, the time when most books are sold. But
"this year the stream of titles from the publishing houses has become a
flood, provoking booksellers to warn that some high-quality titles are at risk
of being drowned." The Independent (UK)
10/17/02
BAD
WAY TO CHOOSE: Lisa Jardine, the chair of the panel of judges for this
year's Booker Prize says the way novels are chosen for consideration of one of
the world's major literary awards is outdated and she "accused the head of
the prize of having an outdated corporate agenda." She says "that the
current crop of 130 books - two submitted by every publisher - was too
large" and that "the judges were prevented from making the best
decision by the sheer number of books they had to read." The
Observer (UK) 10/20/02
THE
CASE FOR N JERSEY'S POET LAUREATE: New Jersey poet laureate Amiri Baraka is
almost certain to be removed from the job because of a controversial poem he
wrote about 9/11 that is being called anti-Semitic. "The issue is
ultimately one of tolerance of diverse opinion. The left gave us political
correctness in the early 1990s, and now those processes of enforcing
orthodoxy have been inherited by the right and the mainstream. And the heretics
only happen to be talking about the most important international questions of
our time." New York Observer 10/16/02
LUV
ME, YA DUMMY: Who like to be insulted? And yet "publishers continue to
appeal to potential book-buyers by labelling them dummies and complete idiots.
And they've struck paydirt in the process." The
Age (Melbourne) 10/15/02
MAKING
SENSE: Is literary criticism in need of some organizing principles? "It
may be that much literature makes sense in the light of the current warhorses of
critical analysis: Marx, Freud, textualism, postmodernism, 'queer theory,' and
so forth. But it is equally likely that a good deal of literature (just as life
itself) makes more sense in the light of evolution. Accordingly, literary
critics might well profit by adding Darwinian analysis to their
armamentarium." Chronicle of Higher Education
10/14/02
THE
HISTORICAL RECORD: Where is the intellectual rigor in today's historical
fiction? "That some of today's historical novelists are talented is
obvious, but equally obvious is the fact that they don't want to aggressively
interrogate the historical record in any new ways, or challenge their readers'
assumptions about how we imagine the past." MobyLives
10/14/02
REBUILDING
THE GREAT LIBRARY: The Great Library of Alexandria was destroyed 1,500 years
ago. "The original great library's collection of some 700,000 papyrus
scrolls, including works by Euripides, Aeschylus and Sophocles represented the
first time knowledge was collected and codified by scribes." Now it's been
rebuilt The £130m project was initiated more than a decade ago, amid high hopes
that the Biblioteca Alexandrina would recapture the spirit of the city's ancient
seat of learning." But "the new library is riven with dispute over
what its content should be. Egypt's fondness for censorship has meant that rows
have already erupted over its book collection policy." The
Guardian (UK) 10/16/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FROM
STAGE TO SCREEN: More and more stage directors are being recruited to direct
movies. "Stage directors, like their film-school-bred counterparts, are
storytellers who have to use visual and technical skill to advance a narrative.
Hire a theater guy, and quite often you'll get somebody who is hungry for a
challenge, willing to think in innovative ways - and who will know how to talk
to actors." The Star-Tribune (LADN) 10/18/02
COST
OF THE NEW: "Apparently, Canadian theatres love new play development.
In the last decade, a veritable industry of script editing (or dramaturgy, as
it's known in the trade) and workshopping has grown up on the national theatre
scene, where increasingly the public is invited to watch development work."
But is all the effort and expense worth it? The
Globe & Mail (Canada) 10/19/02
DIGITAL
THEATRE: Think of theatre as an analog experience in a digital era dominated
by video? Wrong - today's theatre productions can employ an astonishing array of
high-tech tools to create their magic. "Little more than a decade after a
helicopter first landed onstage in the musical Miss Saigon, theatrical
designers are stretching the boundaries of what is possible with a variety of
new digital tools that allow them to coordinate and control dozens of
independent elements - lights, sound, sets and special effects - from a
keyboard." The New York Times 10/17/02
UNDER
NEW MANAGEMENT: "The rumored takeover of [San Francisco's] Theatre on
the Square by Broadway and touring producer Scott E. Nederlander has become
fact. The 738-seat house near Union Square will change hands [later this
fall]... The deal marks the end of independent producer Jonathan Reinis' 20-year
run at Theatre on the Square. Reinis owns the theater's name and may retain it
for other projects, including a proposed performing arts center at the UC
Theatre in downtown Berkeley." San Francisco
Chronicle 10/16/02
KING
OF THE MUSICAL: Producer Cameron Mackintosh "likes being number one. In
terms of musicals, he has been there for nigh on 20 years, colonising foreign
cities with his chorus lines. For Miss Saigon alone, the figures it
trails in its shadow are staggering. Performed in 15 countries and 79 cities.
Translated into eight languages and winner of 29 major theatre awards. Played to
29 million - million! - people at more than 18,000 performances." The
Scotsman 10/14/02
THE
MUPPETS GO TO KABUL: After Afghan kids fall in love with a Muppet, creators
of the puppets make new Afghan muppets and take them in a show to the war-torn
country. BBC 10/15/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8. VISUAL
ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IS
MEXICO THE NEW CUBA? Mexico seems to be the hot place for art these days. At
least that's what it seems like as planeloads of international curators descend.
They're there, they say "because these artists have shown such wit, energy
and international perspective - the sort of sophistication that the
conventionally wise expect from art capitals like New York and Berlin. But these
are artists schooled in skepticism, and some can't help but wonder: What if it's
really just Mexico City's turn to be the art world's flavor of the month? Or
worse, what if all this attention isn't really about art at all?" Los
Angeles Times 10/20/02
JAPANESE
SELL OFF ART: In the 1980s Japanese art collectors bought some of the
world's most expensive and high profile art. When the country's economy tanked
in the 90s, much of the high-priced art was quietly sold. "Now the Japanese
recession is digging so deep that individuals and even respected museums are
being forced to sell pieces acquired well before the Bubble period, including
pieces officially listed as Important Art Objects." The
Art Newspaper 10/15/02
COWTOWN
TAKES THE STAGE: The Modern Art Museum of Fort Worth and its new 53,000
square-foot building will be the second largest museum devoted to art after
World War II in the United States. What does it mean "when a place known as
Cowtown suddenly takes the stage? After all, contemporary art is supposed to be
a big-city sport, and Fort Worth is asking the world to rethink that
concept." Dallas Morning News 10/20/02
COMMUNAL
BUY: There's a long tradition of museums sharing exhibitions and artwork for
exhibitions. Now some are also sharing ownership of artwork. "Aside from
economic considerations that lead museums to collaborate, the kind of art being
produced today lends itself more readily to group ownership." The
New York Times 10/17/02
NAZI
LOOT ONLINE: How to track down artwork stolen by Nazis in World War II?
"American museums now think that the Web can help in their attempt to
uncover the Nazi loot that may still be hanging on their walls. In September
2002, the American Association of Museums received a $240,000 grant from the
federal Institute of Museum and Library Sciences for the creation of a Nazi-Era
Provenance Internet Portal: a registry of objects in American museums of
questionable ownership." Salon 10/16/02
NASTY
PICTURES: The Brooklyn Museum's show of Victorian nudes "is yet another
chapter in the so-called culture wars," writes Roger Kimball. "Over
the past decade or so, it has become increasingly clear that this war is a
battle about everything the Victorians are famous for: the 'cleanliness, hard
work, strict self-discipline,' etc., that one of the people responsible for this
exhibition speaks of with such contempt. Do those values, those virtues,
articulate noble human aspirations? Or are they merely the repressive blind for
well, you name it: narrowness, hypocrisy, the expression of a 'white,
patriarchal, capitalist, hegemonic,' blah, blah, blah?" New
Criterion 10/02
BUT
IS IT ARCHITECTURE? The unorthodox Gateshead Millennium bridge has won this
year's Stirling Prize for Architecture. Judges for the Royal Institute of
British Architects' annual prize said the "simple and incredibly elegant £22
million bridge was not only an innovative and bold engineering challenge, but
also the one piece of architecture that would be remembered by people this
year." The Guardian (UK) 10/14/02
FRIDA
FETISH: Mexican artist Frida Kahlo is "currently the height of radical
chic, and is likely to be even more in vogue when Julie Taymor's movie Frida,
starring Salma Hayek, opens next year. But it is hard not to feel that there is
something distasteful and unhealthy about the way we like our artists -
particularly if they are women - to suffer. Would there be half as much interest
in Kahlo's paintings if her life had been half as colourful and tragic?" The
Guardian (UK) 10/14/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9. ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARGENTINA
- ART IN A TIME OF CRISIS: "The Argentine economic crisis, in
statistical terms at least as severe as the Great Depression, has profoundly
altered the arts in this country - but not in the way one might expect. Despite
the crisis, or more likely because of it, new performance and exhibition spaces
have opened, artistic groups have formed and attendance at cultural events has
stayed the same or increased." The American
Prospect 10/16/02
THE
FOUNDATION OF OUR SUPPORT: Across America charitable foundations are cutting
back their grants as their endowments shrink with the stock market. The cutbacks
figure to have big consequences on cultural groups that have also seen their
funding from corporations and governments fall. But aren't times of economic
stress precisely the times when foundations should step forward with more help,
rather than less? It's a matter of giving philosophy... San
Francisco Chronicle 10/18/02
SEASONAL
DISORDER: Fewer Americans are buying season tickets for arts events and
buying more single tickets. "This trend, exacerbated by the economic
slowdown, may have enormous effects on what is presented, who attends and how
performing arts groups manage their budgets. In classical music, more seats are
being sold overall 32 million attended the symphony nationwide last season,
up from 27 million a decade ago but for shorter series and on shorter
notice, often through the Internet." The New
York Times 10/16/02
THE
SORRY PLIGHT OF THE NEA: The National Endowment for the Arts has been
without a leader for ten months now. There's no sign of a replacement, though
the rumored shortlist has been the same for months. Last week an internal
reorganization by the acting head of the NEA caused a stir, but the agancy has
so little clout these days no one's much paying attention. Chicago
Tribune 10/20/02
COPYRIGHTS
AND THE VOX POPULI: The Digital Millenium Copyright Act was hailed by
musicians' unions and the recording industry for protecting copyrighted
material, and excoriated by consumer advocates for being draconian and
unreasonably restrictive on the rights of music and video buyers. The two sides
could not be further apart on the issues, and now a period of 'public comment'
is set to begin later this fall. There will be town meetings and solicitation of
public opinion, and at the end of it all, the Librarian of Congress will rule on
what sorts of exceptions exist under the DMCA. Trouble is, most observers
believe that the legislation leaves no room for exceptions, regardless of
what the public wants. Wired 10/16/02
AMERICA'S
COPYHISTORY: American copyright law has become more and more restrictive
over the years. And big corporate American copyright-holders complain about
piracy of their material internationally. But historically Americans were
enthusiastic pirates themselves. Back in the 19th century "American law
offered copyright protection but only to citizens and residents of the
United States. The works of English authors were copied with abandon and sold
cheap to an American public hungry for books. This so irritated Charles Dickens
whose Christmas Carol sold for 6 cents a copy in America, versus
$2.50 in England that he toured the United States in 1842, urging the
adoption of international copyright protection as being in the long-term
interest of American authors and publishers." The
New York Times 10/14/02
NARROW
DEFINITIONS: Does multiculturalism slot cultures into narrow categories from
which it's hard to escape? In other words - should traditional native art be
practiced only by natives? Or traditional Celtic craft produced only by... well,
you get the point..."Please. If there is one thing we have discovered about
globalization, surely it's that no culture can survive without support from
outside itself." The Globe & mail (Canada)
10/15/02
WHY
THE RIGHT NEEDS TO GET CULTURED: There's no denying that artists,
historically, have tended towards the left side of the political spectrum, and
as a result, right-of-center politicians have developed a bad habit of ignoring
cultural issues completely. But "culture is now a huge earner, overtaking
coal, steel and the motor industry. It is also a vital social issue as millions
contend with shorter working weeks and long retirements. It cries out for a
policy rethink. To ignore culture in the 21st century spells electoral
suicide." London Evening Standard 10/14/02
SOUTH
AFRICA ON THE MOVE: For awhile after apartheid ended in South Africa, the
country's creative artists fell silent. It was if they needed to take a pause
and think. But in today's South Africa, art flourishes - "there are new
festivals, new production companies, one-man shows in small towns, powerful
amateur productions by kids in townships that will astound you. This is the
renaissance." The Guardian (UK) 10/16/02
THE
VISA PROBLEM: What's the point of the Americans declining or delaying visas
for prominent foreign artists? How can it be seen as anything other than an
insult? "How would Americans respond if another country announced that
Steven Spielberg or Bruce Springsteen would have to sit out an awards ceremony
so that background checks could be completed to make sure they werent
terrorists? Would we think that reasonable? Would we assume that no insult was
intended against the United States?" Poppolitics.com
10/16/02 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ HOW
ABOUT SOME UGLY PEOPLE? A researcher in Norway accuses journalists,
photographers and TV producers there of "concentrating on beautiful
faces and bodies and accuses the press of choosing attractive interviewees
from schools or the workplace, and avoiding others. "Ugly people
should be spotlighted in the media in the same way that the media wishes
to emphasize persons from ethnic minorities." Aftenposten
(Norway) 10/18/02 OOPS
- MARTEL WINS THIS YEAR'S BOOKER - A WEEK EARLY: This year's Booker
Prize winner will be announced next week. But due to a mixup on the Booker
website, a notice announcing that Yann Martel has won was posted. A booker
spokesperson rushes to assure one and all that the winner isn't really
known yet. "The judges haven't met yet. I can guarantee that this
isn't the actual result. There are six draft press releases for each of
the shortlisted books and this is one of them." The
Guardian (UK) 10/17/02 VANYA
(AND MIKHAIL AND SERGEI) ON 42ND STREET: It was supposed to be a
historic moment in post-Soviet cultural development in Russia - the first
big-time Broadway musical to make it's way to Russia, complete with all
the bells and whistles of a touring show in the States. It turned into a
nightmare, with the American director lamenting the unwillingness of the
Russian production team to take direction, with a last-minute Russian
translation broadcast over headphones being the final straw.. "A
character called 'Anytime Annie' in the English version had become 'Annie
Spread Your Legs.' References to hookers and Viagra were littered
throughout the script... One line, someone saying to a chorus girl: 'Hey
Ethel -- must have been hard on your mother not having any children', was
changed to: 'Hey, Ethel, too bad your mother didn't get an
abortion.'" Washington Post 10/14/02
HOME
|