Week
of September 16-21, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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PERSONAL
SEAT LICENSES, ANYONE? Sports franchises long ago learned that
ticket sales are simply not dependable enough to serve as your
organization's major source of income, and moved towards
sponsorship deals, 'seat licenses,' and luxury box rentals as
primary revenue streams. But arts groups continue to struggle
annually with the problem of how to get enough butts in the seats
to keep the bottom line at bay. Worse, there seems to be a
dramatic nationwide move towards spur-of-the-moment ticket buying
which is eroding subscription sales and putting tremendous
pressure on marketing departments. Accordingly, many arts
organizations are reinventing the way they sell tickets, with
shorter subscriptions and deeper discounts for patrons. Boston
Globe 09/22/02
HOW/WHY/WHAT
WE LEARN: What do we expect of our universities? "Up to
the middle of the last century, we asked higher education to
provide basic and professional education for young people, to
discover and preserve the knowledge of the past, and, especially
in the sciences, to create new knowledge. We thought of knowledge,
however, in a unitary fashion, and did not distinguish as sharply
as we do today between the practical and useless kinds Knowledge
grew slowly and incrementally, and we were mostly content to leave
its creation to university academics and industrial laboratories.
But all of that has changed." Chronicle
of Higher Education 09/16/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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DIABLO
SAVED: The Bay Area's Diablo Ballet has escaped oblivion after
benefactors came through at the last minute and the company raised
the $150,000 it needed to continue. "We have no operating
funds and the dancers are waiting in the wings. We're all on unemployment
here. It would have been the end of the company, because I would
have had to get a full-time job, as would the staff and the dancers."
Contra Costa Times 09/19/02
UNDER
NEW MANAGEMENT: "In the most anticipated event in Boston
dance in the last decade, Boston Ballet opened its 39th season
last night - the first season with new artistic director Mikko
Nissinen in charge." It didn't take Nissinen long to break
with local tradition, scrapping the customary season-opening
"story ballet" for a series of modern shorts. Time will
tell if he can take the company past its recent history of
infighting and high-profile flops, but his debut is awfully
promising. Boston Globe 09/20/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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RADIO
CONSOLIDATION - GOOD? BAD? Has massive consolidation of the
radio industry in recent years led to "more opportunity for
radio industry employees, more diversity of programming and better
radio for smaller markets? Or has it meant a "loss of jobs,
the elimination of local content, less access by the public to the
airwaves and a narrowing of the music and opinion heard on
radio?" Both views are being heard as the radio business is
transformed. Seattle
Post-Intelligencer 09/19/02
NO
SANITIZERS: Hollywood says it will crack down on those who
re-edit films to filter out content for "sensitive or
politically conservative consumers. "This is not about an
artist getting upset because someone dares to tamper with their
masterpiece. This is fundamentally about artistic and creative
rights and whether someone has the right to take an artist's work,
change it and then sell it." The
New York Times 09/19/02
HOLLYWOOD
DOWN UNDER: The Victorian government has signed off on
constructing a new $110 million film/TV studio complex. The plan
would be the "last piece of the jigsaw to establish Victoria
as a pre-eminent film and TV location in Australia". The
project is expected to generate "an extra $100 million of
film and television production a year, 500 jobs during
construction, and 1000 in the film industry." The
Age (Melbourne) 09/18/02
THE
CASE FOR/AGAINST TIVO: Tivo allows TV viewers the ability to
watch whatever programs they want when they want it. Also to get
rid of commercials, and that worries TV execs. "According to
its last customer survey, 74 percent say TiVo has made their life
better, 89 percent say it's frustrating to watch TV without TiVo
and 96 percent say it would be difficult to adjust to life without
TiVo. More than 40 percent said they'd toss their cellphone before
giving up TiVo." Hartford Courant
09/17/02
HERE
WE GO AGAIN: Are there really no original ideas left in
Hollywood, or is everyone out there just exceedingly lazy? In
either case, the film industry is once again obsessed with
remaking movies that someone else has already made. In one
particularly ridiculous example, Paramount is preparing to release
the fifth version of "The Four Feathers." Some
say it's homage, but most agree that it's just yet another sign
that Hollywood is making movies the way McDonald's makes burgers -
fast, cheap, and every one like every other. The
Christian Science Monitor 09/20/02
COVERING
THE DEAD: A TV host in the U.K. is attacking the BBC for what
he sees as arts coverage mired hopelessly in a previous century.
Melvyn Bragg, who hosts an arts program for BBC rival ITV, pointed
to a recent BBC documentary on the Mona Lisa as an example of arts
programming which ignores contemporary work and living artists.
The BBC says Bragg is full of it, and insists that Britain's
original broadcaster is firmly committed to showcasing
contemporary British art. BBC 09/20/02
WE
ARE THE WORLD: It's increasingly difficult to identify movies
as having come from a particular place or culture.
"Independent filmmakers, seeking to maintain their distance
from studio filmmaking, more frequently must go around the world
to seek financial arrangements that make their independence
possible — in the process engaging in a variation of the same
kind of international moviemaking practice that now defines the
very studios these filmmakers seek to work independently of."
Toronto Star 09/16/02
PROGRAM
CHOICES: The real battle for the eyes and minds of American TV
viewers is being played out over onscreen programming guides. With
so many channels available on digital cable and satellite, the
guides are essential. But who gets to control what kind of program
information you get? Wired 09/17/02
FORCED
TO CHOOSE: For years, African-Americans have assailed the
major broadcast networks over a lack of non-white faces on the
small screen. In recent years, diversity has increased a bit, with
a handful of shows scoring points both for their originality and
for their willingness to showcase minorities in non-stereotypical
situations. But two networks have once again enraged activists and
TV critics alike with their inexplicable decision to put America's
two most successful shows featuring black families (The Bernie
Mac Show on FOX and My Wife and Kids on ABC) opposite
each other in the new fall lineup. Chicago
Tribune 09/22/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ROCK
ON: Some critics "have gotten whole books out of the
notion that when rock 'n' roll passes from an expression of
unbridled youthful rebellion to professionalism and nostalgia, it
ain't worth a damn anymore. But rejecting the still-living
possibilities of classic rock bands relies on an attitude toward
rock that deifies it and demeans it simultaneously. Better to look
at it for what it is: For its makers, it's both a job and
(probably) a pleasure. The real conundrum is not, Why do these
grizzled fools go on? but, Why aren't they all on the road nine
months of the year, every year?" Salon
09/19/02
VILAR
LATE ON GIFTS: There are reports arts philanthropist Alberto
Vilar has fallen behind on promised pledges to arts groups.
"Because Mr. Vilar's Amerindo Technology Fund has decreased
by nearly 50 percent each year for the last three years, there has
been wide speculation in the arts world that he would default on
several of his extravagant pledges to cultural organizations.
There is uneasiness in classical music circles, for example, that
Mr. Vilar may be late on payments to the Lyric Opera of Chicago,
the Salzburg Music Festival, the Kirov Opera and Royal Opera House
at Covent Garden and that he may have failed to pay for the
supertitles he had installed at the Vienna State Opera." The
New York Times 09/19/02
- WAITING
FOR VILAR: Two more prominent opera companies are
reporting that Alberto Vilar, the billionaire businessman who
is the world's leading private supporter of opera, has failed
to make payments on pledges to their organizations. The
Metropolitan Opera in New York, and the Los Angeles Opera have
not received expected checks, increasing speculation that the
heavy losses Vilar sustained in his high-tech investments may
have left him unable to continue his previous level of
support. Vilar insists that the money will be there, and says
his fiscal tardiness is purely temporary, a result of
short-term cash flow problems. The
New York Times 09/21/02
- BITING
THE HAND THAT FAILS TO FEED: Days after press reports
surfaced suggesting that Alberto Vilar, opera's most dedicated
and generous patron, would be missing payments on some of his
pledges, the Washington Opera has removed his name from its
young-artists donor list after a $1 million payment was not
made. "Rumors have circulated for months that losses at
Vilar's Amerindo Investment Advisors... would hamper Vilar's
ability to fulfill his philanthropic pledges. Vilar has
rescheduled some payments and said in the [New York] Times
that in some cases he was 'not on top of the status of the
payments.' But several large recipients of Vilar's
philanthropy either declined to discuss his giving or
confirmed that he was on schedule with payments." Washington
Post 09/20/02
WAS
MUNCH A NAZI COLLABORATOR? Like many who lived in France
during World War II, conductor Charles Munch (later the
distinguished director of the Boston Symphony) claimed to have
been aiding the French Underground. But an article in a current
Skidmore College publication plants Munch squarely at the center
of collaborationist Vichy culture in Paris during the war. ''He
was a superstar of the cultural scene of occupied Paris who made
the transition without missing a beat to the postwar scene in
Boston.'' Boston Globe 09/19/02
GOING
OUT WITH A BANG: Vladimir Spivakov, the 'stopgap' music
director of the Russian National Orchestra who was informed
earlier this summer that his contract would not be renewed when it
expired next year, has resigned in spectacularly public fashion,
following the RNO's first concert of the new season. Spivakov
cited disagreements with management in his decision to quit, and
in fact informed the media of his resignation before telling his
musicians. Who will take his place at the head of the Moscow-based
orchestra for the remainder of the season is unclear. Andante
09/21/02
SAMPLE
OR STEAL? 'Sampling' is a defining component of hip-hop music,
and the practice, in which artists excerpt bits of another
musician's work and incorporate them into their own music, has
been in wide use for at least two decades. But those being sampled
aren't always happy about it, and, though most high-profile
rappers take great pains to secure permission for their sampling,
clashes are inevitable. In the latest sampling scandal to hit the
courts, a California jazz musician is suing popular rap act
Beastie Boys for a flute solo they sampled ten years ago. Los
Angeles Times 09/22/02
ADAMS
IN NEW YORK: This week, the New York Philharmonic premiered
John Adams's new 9/11 commemorative work, On the Transmigration
of Souls, which might be said to be a project for which the
composer of such politically inspired fare as Nixon in China
and The Death of Klinghoffer is perfectly suited. David
Patrick Stearns has heard it three times already: "It was
shattering. Utterly. The audience reaction? A bit muted. Hard to
read - aside from a few visible hankies. The gala-ish atmosphere
of the occasion wasn't really apt for this premiere, given the
inevitable presence of listeners who are there just to be there. On
the Transmigration of Souls needs to be presented, somehow, to
those who need it." Philadelphia
Inquirer 09/21/02
THINKING
TOO BIG? Opera Australia isn't saying anything more about its
decision to oust artistic director Simone Young last week. But it
appears that it was her grand "vision" for the company's
2004 season that was the cause, and not some of the other reasons
that have been speculated on. Meanwhile the company says:
"Simone Young is a great asset but this company has a long
tradition of great people such as Charles Mackerras, Joan
Sutherland and Richard Bonynge ... they have all invested in
making the company what it is today. The company has a proud
history and it will go on." The
Age (Melbourne) 09/18/02
- INEPT
MEANS: The way Opera Australia's board terminated Young
was curious. The decision was made without talking to her
first, and then delivered while she was out of the country.
How inept. "What we have still to discover is whether the
board members are, collectively, high-minded and thoroughly
worthy dabblers or mean-minded, ruthless dabblers intent on
the conspicuous exercise of power; or whether - in managing
this announcement - they are merely inept." Sydney
Morning Herald 09/18/02
MUSICIANS
FIGHTING RECORDING COMPANIES: Musicians' revolt against the
deals they sign with recording companies is heating up. "The
RIAA has positioned this as a bunch of rich old rock stars seeking
revenge and better deals. The truth is, this system would not be
suffered in any other business. You have record companies bought
and sold on the strength of copyrights created by artists who sign
away all rights in perpetuity to a faceless corporation. In the
past 20 years, an industry that was led by visionaries and music
lovers has become dominated by accountants, financial analysts and
people who can't think ahead more than 90 days." USAToday
09/17/02
U.S.
REFUSES ENTRY TO CUBAN MUSICIANS: Twenty-two Cuban musicians
nominated for Latin Grammys have been denied visas by US officials
and won't be able to attend Wednesday night's Latin Grammy Awards
ceremony. The State Department declines to comment. Newsday
(AP) 09/18/02
WHY
TODAY'S PIANISTS ARE BORING: Are pianists today less
interesting than in years gone by? Sometimes it seems that way.
"Some solo pianists do scarcely more than travel, practise,
give concerts and eat and sleep. On such a treadmill, it is very
hard to remain fresh and interesting. To look for illumination
from today's international soloists is a bit like looking for a
lost object in a place where you know it can't be." The
Guardian (UK) 09/17/02
OPERA
AS CHAOTIC EXPERIENCE: Francesca Zambello is the first
American invited to direct at the Bolshoi Opera. Mounting Turandot
on the historic stage is a different experience from doing it in
the West. "Money is scarce. Ingenuity great. The other day, I
suddenly realized there were no TV monitors in the wings backstage
so my chorus could see the conductor while they are lying down
looking at Peking's moon. Instead there were five conductors in
the wings waving large flashlights. Not surprisingly, the chorus
didn't sing together. What to do?" London
Evening Standard 09/13/02
LISTENING
TO MUSIC - JUST NOT TO CONCERTS: An American study on who
listens to classical music and why offers some comfort for those
who fear the artform is dying - there's a sizeable market for
classical. "The bad news for symphony orchestras is that the
traditional concert-hall experience is not the primary way these
people relate to the art form. According to the study, people
connect with classical music by listening to the radio first and
foremost, followed by playing CDs in their cars and living rooms.
Down the line is the attendance at live events in churches,
schools and, yes, even concert halls." Hartford
Courant 09/16/02
OUT
WITH THE CD: With music sales down last year for the first
time since 1983, there are signs music fans are tired of the CD
format. "Several similar-looking formats appear poised to
replace the standard compact disc. So how to tell which is the
'best' - and, more important, which will be the last to
fall?" Nando Times (Christian
Science Monitor) 09/16/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JOAN
LITTLEWOOD, 87: "Acclaimed theatre director Joan
Littlewood, who broke new ground in stage acting, has died at the
age of 87. Born in 1914 Littlewood was one of the most
controversial and influential theatre directors and drama teachers
of the 20th Century... Radical and outspoken, she was said to have
been feared by the authorities, and snubbed by the Arts Council.
But for many Littlewood was a woman ahead of her time." BBC
09/21/02
HIRST
APOLOGIZES: Britartist Damien Hirst has apologized for his
comments about 9/11 comparing the attacks on the World Trade
Center to art. ""I apologise unreservedly for any upset
I have caused, particularly to the families of the victims of the
events on that terrible day. I think the idea of looking at the 11
September attacks as an artwork is a very difficult thing to do.
But I don't think artists look at it in a different way." BBC
09/19/02
BARENBOIM
ATTACKED: Conductor/pianist Daniel Barenboim, in the Middle
East giving concerts, was attacked in a restaurant in Jerusalem
Tuesday. His attackers called him a "traitor for giving a
performance in Ramallah on Tuesday. (His wife responded by
throwing vegetables at the activists). There were also reports
that right-wing politicians had proposed that Barenboim should be
put on trial for entering the occupied territories without
permission." Ha'aretz 09/18/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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AMAZON
CUTS CANADIAN BOOK PRICES: Amazon, which opened its Canadian
website last June, this week announced it is slashing prices on
its top 40 bestsellers in Canada by 40 percent. The move
substantially undercuts ChaptersIndigo.ca's prices, which
discounts its own bestsellers by 30 percent. "An Amazon
spokesperson sidestepped questions about whether the aggressive
discounting constitutes retaliation against Indigo Books &
Music for stirring up problems for Amazon.ca in Ottawa." Toronto
Star 01/18/02
MYTHOLOGY
OF THE BESTSELLER LISTS: What books sell well in Canada? You
certainly can't tell from the Bestseller lists, which aren't
compiled in any kind of scientific way. "We are in the Dark
Ages. Have you noticed how when a movie opens, we know how many
people went the first weekend? What we do in books is to say,
'Let's hold our finger up in the air and guess how many people
bought our books over the weekend.' That would never, ever happen
in a grocery store, in the movies or in the record industry."
The Globe & Mail (Canada) 09/18/02
NOT
JUST ABOUT THE SCHOLARSHIP: University presses are feeling a
squeeze as their budgets get cut. "As budgets tighten, the
people making editorial policy at university presses find
themselves playing an unaccustomed and disagreeable role. They
have always been proud of influencing scholarship by helping new
ideas see the light of day. But now they face the challenge of
determining which specialties no longer make the cut." Chronicle
of Higher Education 09/16/02
THE
PARTY'S OVER: Once upon a time, book parties were standard to
launch a book. But the parties have gone away. "At one time
book parties created a buzz, which generated sales. Now, except
for the occasional mention in a gossip column about a celebrity
author, they don't. They are, publishers believe, merely
writer-ego builders, and the money spent on them would be better
spent on other promotions." The
New York Times 09/19/02
READ
THIS. NOW! In the past, authors relied on their publishers'
publicity departments to get attention for their books. But
increasingly, publishers are giving the majority of their authors
less and less assistance. When times are tough, publishers prefer
to invest their publicity dollars in books they're fairly sure
will sell - big-name authors, hot topics - rather than in
promoting lesser-known or new authors, especially fiction writers.
Not only that, but newspapers and magazines are trimming back
their review coverage. And publishers are releasing more and more
individual titles each year. The result is a lot of desperate
authors who are realizing that getting published isn't the end of
a long struggle but the beginning of an even harder one." Salon
09/16/02
POTTER
PLAGIARISM CASE DISMISSED: A woman who brought suit against JK
Rowling claiming that Rowling had plagiarized from her for the
Harry Potter stories has lost her suit and been fined $50,000.
"The court finds, by clear and convincing evidence, that
Stouffer has perpetuated a fraud ... through her submission of
fraudulent documents as well as through her untruthful
testimony." Nando Times (AP)
09/19/02
WILL
WRITE FOR ROOM: Last year novelist Fay Weldon, (best known for
the book The Lives And Loves Of A She-Devil), "caused
controversy last year when she signed a deal with jewellers
Bulgari to mention them repeatedly in a novel." This year
she's made a deal with the Savoy Hotel in London to live in the
hotel while she writes her new book. "Weldon, 71, will be
given a room with a view over the Thames worth £350 a night from
October. The deal also includes breakfast, although she will be
expected to pay for other charges incurred, including lunches,
dinners and the mini-bar." BBC
09/13/02
KELLY
SCALES BACK AT ATLANTIC: "After three successful
and eventful years at the helm of The Atlantic Monthly, editor
Michael Kelly will cede control of day-to-day operations to Cullen
Murphy, the managing editor, to pursue other projects and
obligations, the magazine announced yesterday." In reality,
Murphy has already taken over many of the venerable magazine's
daily editor's duties, and the change is unlikely to be very
noticable to readers, since Murphy and Kelly claim to be on the
same page on nearly every editorial issue. The Atlantic Monthly,
one of America's oldest magazines, has flourished under Kelly,
with subscriptions and newsstand sales up considerably. Boston
Globe 09/20/02
HAVANA
OPENS A DOOR: "The Cuban government has agreed to allow
access to a trove of Ernest Hemingway's papers that experts say
promises to illuminate the period in which he wrote some of his
most significant works... Those who helped persuade the Cubans to
open the collection, ending an impasse that has frustrated
American scholars for 40 years, say they have seen just a small
fraction of it, but it already offers hints of Hemingway's
creative process: raw fragments of stories scribbled on paper and
book jackets, galleys and early drafts of major works, and a
poetry anthology in which he circled 'No man is an island.'" The
New York Times 09/21/02
HARRY'S
READY: JK Rowling has come out of hiding to say that the next
installment of Harry Potter is pretty much done and will go to the
printer's soon. "The novel, entitled Harry Potter and the
Order of the Phoenix, is already readable and she is happy
with the result. She is now at the tweaking stage. So can her
millions of readers expect a Christmas present? 'Possibly'. There
is a deep, throaty chuckle." The
Times (UK) 09/20/02
EGGERS
FIRES BIG PUBLISHING: Dave Eggers has a new book coming out
next week. But he's turned his back on the commercial publishers
and book chains that helped his last book become a bestseller.
He's self-published Velocity and "is making it
available only over his own Web site and in a select group of
independent bookstores known as the McSweeney's 100. Eggers says
he wants to reward those who have supported his quirky quarterly
literary magazine." His last book - A Heartbreaking Work
of Staggering Genius made him millions of dollars.
"Despite his extraordinary windfall, the experience
apparently soured Eggers, 32, on dealing with large publishing
houses or the totems of Big Publishing. He famously fired his
literary agent and regularly dumps his publicists when visiting
cities for a book tour." The
Globe & Mail (Canada) 09/19/02
VANDAL
NABBED: "For nearly a year, someone lurked in the stacks
at San Francisco's Main Library and the Chinatown branch,
vandalizing books. Almost always they were volumes on gay and
lesbian subjects, some of them out of print and hard to replace.
Some books had cat eyes cut into the covers or pages. Others were
defaced, then stuffed with Christian religious material.
Sometimes, the attacker would insert the torn-off covers of
romance novels." Finally, a librarian staked out the stacks
and caught the culprit, a 48-year-old security guard. San
Francisco Chronicle 09/19/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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PLANS
FOR A NATIONAL AFRICAN AMERICAN THEATRE: Kenny Leon, formerly
director of the Alliance Theatre Company in Atlanta, the largest
resident theater company in the Southeast, says he plans to
establish a national African American theatre. "Leon said he
would like to put on three productions in 2003 in Atlanta; two of
them would come to Washington. Leon hopes he might also get a run
in New York." Washington Post
09/18/02
YOUTH
APPEAL: This season London's National Theatre made a major
push to appeal to young people, reconfiguring its performing space
and presenting 13 new plays. The numbers show some success:
"Just over half the total audience has been under 35. It is
striking that roughly a third of the audience has been in that
most elusive of all age-groups, the 25 to 34-year-olds, usually
reckoned to be tied down by children and mortgages." But was
the season an artistic success? There the record is a bit more
murky... The Guardian (UK) 09/16/02
TUESDAYS
AT SEVEN: A group of Broadway theatres is floating the idea of
moving curtain time up by an hour on Tuesday nights - to 7 PM.
"Called Tuesdays at Seven, the new curtain time -
probably starting the second week in January - might give a
box-office boost to the night most in need of it." Nando
Times (AP) 09/16/02
AS
LONG AS EVERYONE'S LOSING MONEY ANYWAY... Not that the
theater-going public cares, but Broadway is undergoing a sea
change in the philosophy of the behind-the-scenes money men who
bankroll the shows on the Great White Way. "Right now we seem
to be in the end game of a decades-long shift in how Broadway
shows are produced. Nonprofit theater companies are making their
presence felt ever more strongly on Broadway. People have been
worrying about this for decades... [but] what's new is the actual
physical presence of the nonprofits in Broadway theaters, through
long-term leases or outright ownership." The
New York Times 09/22/02
RUMOR
CENTRAL: It's autumn in New York, which can mean only one
thing - time for all that Broadway gossip to really heat up. Among
this season's hot topics: 1) Is Take Me Out, Richard
Greenberg's play about a gay baseball player, really ready for the
big time? 2) Does the Roundabout Theater Company plan to cancel all
of its productions, or just the three it's already scuttled? 3)
Are the people in charge of Little Ham really choosing
their curtain-raising times by consulting astrological charts, and
why does no one think that's odd? Ah, theater people. What would
we do without them? The New York Times
09/20/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ENDANGERED
ART: The Philadelphia Museum of Art basement, an area
"more than two acres" big, which stores "paintings,
sculptures, books, carpets, furniture, ceramics, china and silver,
including works by Monet and Alexander Calder" is a fire
hazard, says the city's fire department. "More than half of
the vast basement has no sprinklers or other fire-suppression
system - a fire-code violation - according to a fire-inspection.
The museum has been in violation of the city fire code since Jan.
2, 1952. In the cultural world, fire experts cannot name other
museums that leave most of their art-storage areas unprotected.
And it highlights a tension between art curators and firefighters
- one group fearful of water, the other of fire." Philadelphia
Inquirer 09/16/02
RICHEST
NEW ARTS PRIZE: The Gulbenkian Foundation announces a £100,000
arts prize for museums to "raise the morale and profile of
Britain's museums and galleries." The unexpected new prize is
twice the value of the Booker prize, and more than the Booker,
Turner and Stirling prizes put together. It is open to galleries
large and small. It is designed to reward 'the most innovative and
inspiring idea - an exhibition, new gallery, public programme or
important new initiative - developed during 2002'." The
Guardian (UK) 09/16/02
COLLUSION
IN ART BUY? Last year the National Gallery of Australia and
the Tasmanian Museum and Art Gallery got together to jointly bid
on a painting they wanted. They won the John Glover painting, and
at a price of $1.5 million, had to shell out $1 million less than
the picture was thought to be worth. But the agreement has run
afoul of Australian regulators, who say the deal might have been
anti-competitive. If the Australian Competition and Consumer
Commission rules against the museums, they could face fines of up
to $10 million. The Age (Melbourne)
09/16/02
JUST
GIACOMETTI: A controversial sale of work by Giacometti this
month in Paris draws attention the legal quagmire into which his
estate has fallen. A foundation set up by the artist's widow has
had great difficulty getting authorized by the French government,
and some wonder if there is an ulterior (and selfish) reason the
bureaucracy has ground to a halt. The
Telegraph (UK) 09/16/02
DANGEROUS
ART: Many of the guests invited to a boarded up gallery in
London last week were angry at Santiago Sierra, the artist whose
"work" the closed gallery was. But Sierra's art is
usually much more dangerous and unsettling. "He goes beyond
the limits of reasonable human interaction. He implicates the
viewer and doesn't account for the effect. I am not sure I can
handle it. I certainly don't approve of it. But here and there,
through the shock of it, there is a superb formalist trying to get
out." London Evening Standard
09/17/02
STOLEN
TITIAN RECOVERED: A Titian painting stolen in 1995 is returned
- dropped off in a brown wrapper at a London bus stop after its
owner pays a $150,000 ransom. The painting was likely stolen by
amateurs who didn't know what they had stolen, and who found it
difficult to fence. The New York Times
09/19/02
MUNICH'S
NEW MODERN ART PALACE: The Pinakothek der Moderne, one of the
world's biggest modern art museums, has opened after six years of
construction in Munich. "This is a great day for Bavaria, a
great day for Germany. The museum rivals the Tate Modern in
London, the Centre Pompidou in Paris and the Museum of Modern Art
in New York." Expatica.com (DPA)
09/17/02
MEMBERSHIP
DRIVE: Memberships are the life's blood of a museum. They
build loyalty and are an important source of income. But how good
a deal are they for the consumer, wonders Huma Jehan? "Before
taking out any gallery membership, be brutally honest. Look at the
list of forthcoming exhibitions. Consider how many times you think
you'll visit it, and then divide the number by three to get a more
realistic idea." The Guardian
(UK) 09/17/02
ART
AS EVERYDAY: The second Liverpool Biennial takes the viewer
out to the art. To see this biennial you have to be willing to
explore the city: "You are in a world where anything can be
art, from a ketchup v soy sauce battle (a symbol of East/West
antagonism, apparently) to the appearance of Queen Victoria’s
head in your hotel room to a fire engine belching eyebrow-singeing
flame. It could all be — and often is — bewildering. The
viewer quickly succumbs to sensory overload. And yet talent will
out." The Times (UK) 09/17/02
COMPLETING
SYDNEY: Joern Utzon designed one of the 20th Century's most
identifiable buildings - the Sydney Opera House. But as it was
being built, some three decades ago, he walked off the project
after he thought his designs were being tampered with in a way he
couldn't tolerate. Now, at the age of 83 he's been hired to
finally finish the project. In all these years, he's never seen
the building in person. Any plans to? "Oh, I don't need to do
that. I see it every night when I close my eyes." The
Telegraph (UK) 09/17/02
SEATTLE
ART MUSEUM TO EXPAND: The Seattle Art Museum announces a
construction plan that will triple its exhibition space. Not only
will the expansion not cost the museum, it will make money on the
deal, a partnership with a major bank. The bank will build a
40-story tower on property owned by the museum next door. The
museum will occupy the bottom of the tower, and in return for the
prime downtown real estate, the bank will pay off outstanding
construction bonds used to finance the museum's current home, a
Robert Venturi building that opened in 1989. Seattle
Post-Intelligencer 09/19/02
BEST/WORST
DOCUMENTA EVER? This year's installment of the German Documenta
festival was savaged by U.S. critics as virulently anti-American,
out of touch with reality, and, according to the New York Times
"puritanical and devoid of humor." Regardless,
attendance was the highest it has ever been in Kassel, the average
age of attendees has stopped escalating, and the bottom line is
safe for the first time in years. America, it turns out, may need
to grow a thicker skin: "Art has seldom been so insolently
criminalized as with the absurd assertion that Documenta Director
Okwui Enwezor was pursuing the same objective in the area of
aesthetics as the mass murderers of Sept. 11, and that they only
differed in the degree of their motivation." Frankfurter
Allgemeine Zeitung 09/20/02
WHERE'S
OUR TECH BOOM? Digital art continues to have a tough time
getting respect as a serious art form, and France's new digital
art festival Villette Numérique aims to advance the cause with
six days of installations, juries, club shows, concerts, and video
game marathons. (Could that last one be a source of the public
disrespect for the form?) But organizers of the festival lament
the lack of understanding of their oeuvre, and gently suggest that
they ought to be in line for some government funding, as well. Wired
09/21/02
SELLER'S
MARKET IN PARIS: "The suspense may not match the tension
in world politics, but for those who sell art the stakes have
never been so high. At the 21st Paris Biennale, 96 dealers watch
with apprehension the reactions of collectors thronging to the
most sophisticated showcase of the art of the past for sale in the
world. Their anxiety is matched by that of collectors wondering
how much longer they have to find gems as supplies continue to
shrink every year." International
Herald Tribune (Paris) 09/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
VISA
DELAYS IMPACT AMERICAN ARTS ORGANIZATIONS: US visa delays for
foreign artists trying to get into the United States has disrupted
the programs of many arts organizations and presenters in the past
year. Now foreign artists who are members of American companies
are having difficulty getting back into the country. "A
coalition of national arts groups, led by the American Arts
Alliance, has been talking to the Immigration and Naturalization
Service since July about speeding up paperwork processing for visa
petitions. They say they fear that the delays may deter
international artists from participating in American arts
productions, changing what one arts administrator called 'the
color of our culture'." The News
& Observer (Raleigh NC) 09/15/02
- MORE
VISA WOES: Another American arts event marred by visa
problems. The World Festival of Sacred Music in Los Angeles
has lost a couple of its top attractions because artists
weren't able to get their visas on time. "We got a head
start, got all the papers in line, but at this point it
doesn't matter when the artists are trying to travel from
nations identified as trouble spots." Los
Angeles Times 09/18/02
NOW
HERE'S AN ARTS POLICY (NOT): London mayor Ken Livingston -
like many politicians these days - wants to be a player in the
arts industry (after all, it's non-polluting and makes money). But
politicians have such a wide definition of culture as to make the
word almost meaningless, write Norman Lebrecht. "The best a
city can do for culture is to foster a climate where it can speak
freely and reach millions. That requires a vibrant press (unlike
New York, where debate is monopolised by the Times), a modicum of
prosperity and a reliable transport system - unlike London, where
many of us miss the first half of shows through getting stuck in
the Tube or the traffic." London
Evening Standard 09/17/02
THE
HITLER INDUSTRY: Why all the recent fascination with Hitler?
"A rash of projects featuring the dictator are currently in
the works, from theater to television, film, and merchandise all
featuring the Nazi dictator. Critics are skeptical as to how the
onslaught of media attention can educate without employing morbid
titillation, creating a villain anti-hero or humanizing a
murderer: "Hitler today is a thriving, world-wide industry
and it is interesting, as well as disturbing, to note that there
have been far more books, movies and TV programs produced about
Hitler than Britain's wartime leader Winston Churchill… " The
Age (Melbourne) 09/17/02
BUSH
SIGNS BILL TO EXPAND KENNEDY CENTER: President Bush signs a
bill authorizing expansion of the Kennedy Center. The new
"open pedestrian plaza, stretching east from the center
toward the State Department, would accommodate two new buildings
under the center's plan. One would be a museum devoted to the
history of the performing arts; the other would contain rehearsal
halls and offices." Now the Kennedy Center must raise the
$250 million needed to build the project. Washington
Post 09/19/02
FRANCE
FALLS BEHIND: A report getting great attention in France
documents the poor state of the visual arts in France. "The
report confirmed what was already widely known: the French art
scene has largely lost the influence which it enjoyed during the
first half of the twentieth century. Worse, it is flagging fast
compared with Germany, and even England." Along with numbers
to show the decline, comes some speculation on reasons French art
doesn't travel, including the idea that French art is "too
intellectual to be rated beyond the French border." The
Art Newspaper 09/15/02
CENSORSHIP
OR PUBLIC GOOD? The debate over the explicit French film Fat
Girl has made its way into the Canadian courts, and Ontario's
law governing allowable censorship of 'objectionable material'
hangs in the balance. The plaintiffs "will argue that the
Ontario board misapplied the Theatres Act legislation and that the
act itself is an infringement on the right to freedom of
expression guaranteed by the Charter of Rights and Freedoms. If
Martin's constitutional challenge is successful -- something the
Ontario government will do all in its power to prevent -- it will
have major ramifications on the sundry
classification/review/censor boards across the country." The
Globe & Mail (first item)
09/21/02
LEHRER
TO GET LINCOLN CENTER GIG: "Peter M. Lehrer, a
construction executive, is expected to be named chairman of
Lincoln Center's ambitious redevelopment project next week. As
chairman of the Lincoln Center Constituent Development Project
Inc., Mr. Lehrer will oversee the extensive plans to improve the
center's halls and public spaces, a $1.2 billion project that in
its early stages was complicated by in-fighting among the center's
constituents. Mr. Lehrer, 60, a co-founder of the large New York
construction management firm Lehrer McGovern, replaces Marshall
Rose, a real estate executive who stepped down in October, several
months earlier than had been expected." The
New York Times 09/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SABOTAGE
HALTS PARIS OPERA OPENING: Opening night of Handel's Giulio
Cesare at Paris' Palais Garnier was sabotaged when someone
planted a tape player and speakers inside the opera house that
began playing scenes from the opera while the performance was
underway. Eventually the performance was halted until the
recording could be found and silenced. The
New York Times 09/18/02
SEE
ME, TOUCH ME: A 36-ton marble sculpture of the Roman God Janus
that was recently placed in front of a public building in Denver,
was designed partly, with blind people in mind. The sculptor
wanted the blind to be able to touch the sculpture and trace its
relief with their hands. But the piece has run afoul of the
Americans With Disabilities Act which "mandates anything that
protrudes 4 inches or more above a height of 28 inches requires
some kind of warning for blind people using canes." New
Jersey Online (AP) 09/17/02
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