Week
of September 9-15, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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POOR
COUNTRIES SHOULDN'T BE BOUND BY COPYRIGHT: A new study,
released this week, says that "poor places should avoid
committing themselves to rich-world systems of intellectual
property rights protection unless such systems are beneficial to
their needs." Rich countries would argue that that is an
invitation to piracy. But the report points out that "for
most of the 19th century, America provided no copyright protection
for foreign authors, arguing that it needed the freedom to copy in
order to educate the new nation. Similarly, parts of Europe built
their industrial bases by copying the inventions of others, a
model which was also followed after the second world war by both
South Korea and Taiwan. Today, developing countries do not have
the luxury to take their time over IPR." The
Economist 09/13/02
RECORDING
IS DEAD, LONG LIVE RECORDING: Terry Teachout surveys the
history of recorded music and come to a conclusion about the
digital revolution - traditional recording companies are doomed.
"In the not-so-long run, the introduction of online delivery
systems and the spread of file-sharing will certainly undermine
and very likely destroy the fundamental economic basis for the
recording industry, at least as we know it today. And what will
replace it? I, for one, think it highly likely that more and more
artists will start to make their own recordings and market them
directly to the public via the web. Undoubtedly, new managerial
institutions will emerge to assist those artists who prefer not to
engage in the time-consuming task of self-marketing, but these
institutions will be true middlemen, purveyors of a service, as
opposed to record labels, which use artists to serve their
interests." Commentary 09/02
COLOR
OWNERS: "If color is a language, Pantone is the Oxford
English Dictionary — thousands of shades, from almond blossom to
walnut, that can be printed, woven, or extruded anywhere in the
world. Though Pantone doesn't sell inks, dyes, or paints, it has
come to hold a monopoly on color. Of course, frequencies of light,
like naturally occurring sounds, are free for anyone to use. But
Pantone owns their names — or, more specifically, their
designated numbers and spectro-photometric descriptions." So
how much are you willing to pay? Wired
09/12/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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REVIVING
GRAHAM: A judge's ruling in favor of the Martha Graham Company
and against Graham heir Ron Protas means the company can begin
dancing again. The judge ruled that Graham created her work
"for hire" and so it is owned by the company. But
"retrieving the fullness of Graham’s legacy will prove an
uphill task. In his time as director Ron Protas estranged many of
Graham’s veteran performers, the very people who knew her works
in their bones. Throughout the 1990s, as the company sank further
into financial decline, it performed less and its seasons became
progressively shorter." Ballet.magazine
09/02
NOTHING
SIMPLE: Merce Cunningham gets ever more complex as he gets
older (he's 80). He creates his dances now with a computer:
"I am finding out that movement is ever more complicated. I
began to see this through working with the camera, because when
you look through it you don't have to think of it as a stage space
- you can just move the camera to get a dancer out of sight. With
the computer you are asking 'How does that movement translate to a
dancer who is trained to move in another way?' " The
Telegraph (UK) 09/10/02
UNION
ASSESSING STRETTON: The British performers union Equity is
meeting this week with dancers of the Royal Ballet in London.
"The union is investigating a series of complaints about
maverick Australian [artistic director Ross Stretton], who has
been accused of infuriating his company by making last-minute
casting changes that leave them unsure if and when they are to
perform." The Independent
09/08/02
CHICAGO
(DANCE) BLUES: Why don't more major dance companies visit
Chicago? "Despite some innovative smaller programming and the
year-round presence of two of the nation's leading dance
companies, the Joffrey Ballet of Chicago and Hubbard Street Dance
Chicago, this city suffers some disadvantages that rank it lower
than even third when it comes to high-profile visiting dance.
Ironically, that's partly because we are so big: Competition for
the entertainment dollar here is fierce, starting with a
world-renowned music scene and the second busiest theater industry
in the land." Chicago Tribune
09/08/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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WHERE
ARE THE WOMEN? A new study of 120 American broadcast
television and cable networks or channels shows that "only
16% of the presidents and chief executive officers are
women." At the 10 biggest entertainment conglomerates,
"women comprise only 13% of directors on corporate boards and
only 14% of the firms' executives." Fox Entertainment and USA
Networks "don't have a single woman among their top
executives in their 2001 annual reports, while Clear Channel and
AMC Entertainment included no women on their boards." Backstage
09/12/02
- ALL
ABOUT THE GUYS: Ninety percent of Hollywood movies are
directed by men. Does the gender imbalance dictate what movies
are made? Or do the movies Hollywood dictate the gender of its
directors? "I think that because most of the movies the
studios want to make at the moment are aimed at a young male
audience guys are having an easier time finding work and
receiving the green light. They are more tapped into making
pictures for that particular audience." The
Scotsman 09/12/02
OVERSTATING
THE YOUTH MARKET? Advertisers care so much what males 18-34
watch that they focus most of their advertising on them. But is
this traditional wisdom wise strategy? "A growing number of
experts are suggesting that the "get 'em while they're
young" premise is an outdated assumption about both the young
and the old. First, women, not men, control 85 percent of all
personal and household spending, according to recent research. And
the over-49 crowd in general has more disposable income than
younger people." Christian
Science Monitor 09/13/02
- BECAUSE
NUMBERS AREN'T JUST NUMBERS: Why do shows with decent
ratings get dumped, while others that seem to struggle with
viewers get to live? It's not just about numbers. Some viewers
are worth more than others, and it isn't always fair. Christian
Science Monitor 09/13/02
DEATH
BY PATENT LAW? As video-on-demand gets ready to take off, a
company that filed a patent back in 1992 angles to get a piece of
all the action. Will its claim kill a new industry? "When you
have a patent that purports to cover a huge industry, the stakes
are too high and the companies often have to fight it to the
death. They do a risk analysis, and decide the patent has to be
crushed." Wired 09/11/02
WILL
THE VCR SAVE FILE-TRADING? As Hollywood's Old Guard movie and
music production companies try to sue file-traders out of
business, the traders have settled on a 1984 ruling in the Betamax
case. The US Supreme Court ruled that Sony "wasn't liable for
copyright infringement because its videocassette recorders had
'substantial' legitimate uses as well as illegal ones. If the
file-sharing companies win, the music and movie companies would be
forced to turn their legal guns directly onto consumers who make
pirate copies. That's a step the entertainment industry has been
loath to take because it's expensive and might alienate customers.
But if the file-sharing companies lose, some advocates say, the
shrinking scope of the Betamax ruling could put a damper on new
technology." Los Angeles Times
09/11/02
VENICE
PICKS MAGDALENE: The Venice Film Festival closed Sunday
by naming "director Peter Mullan's scathing depiction of an
abusive Catholic convent, The Magdalene Sisters" as
Best Picture. The film had been criticized by the Vatican" as
an "angry and rancorous provocation." Toronto
Star (AP) 09/09/02
THERE'S
SOMETHING ABOUT TORONTO: Sure, there's been some kvetching
from a few critics (notably Roger Ebert) who couldn't manage to
gain access to a couple of screenings, and no one would envy this
particular festival its placement so close to the 9/11
anniversary, but the Toronto Film Festival may well be the closest
thing we have to what a celebration of the cinema ought to be.
Where Sundance and Cannes are little more than platforms for the
stars, Toronto is a festival of, by, and for the people, with the
general public not only invited but encouraged to mix in with the
glitterati. The result is that the city spends a couple of weeks
talking seriously about film, and that can't be a bad thing for
the industry as a whole, no matter how many puffed-up semi-celebs
get their panties in a wad. Oh, and the movies are pretty good,
too. Dallas Morning News 09/15/02
TROUBLE
IN BOLLYWOOD: An Indian film actress is facing contempt of
court charges after she apparently enlisted the support of a
right-wing political leader in her efforts to stop a film in which
her character appears naked from being screened. Manisha Koirala
had sued the film's distributors after discovering that nude
scenes featuring her body double had been added in post-production
without her permission. The court ruled partially in her favor,
but judges are now furious that Koirala solicited the heavy hand
of the Shiv Sena party to forcibly stop theaters from showing the
film. BBC 09/13/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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SITUATION
CRITICAL IN PITTSBURGH? The fiscal crisis at the Pittsburgh
Symphony Orchestra may be more dire than originally thought. The
orchestra reported a $750,000 deficit for the 2001-02 season, and
while that is not a high number in major orchestra circles, the
PSO may not have the funds available to cover expenses this
season. If that is, in fact, the case, the orchestra might file
for Chapter 11 bankruptcy, according to its managing director.
However, it is worth noting that the PSO has a $93 million
endowment, far higher than many other U.S. orchestras, and that
its contract with its musicians is due to expire at the end of
this season, a condition which nearly always inspires orchestral
managers to hyperbole. Pittsburgh
Post-Gazette 09/12/02
HOUSTON
SYMPHONY CUTS: The Houston Symphony joins an increasingly
lengthy list of American orchestras struggling with deficits. This
week the Houston Symphony, staring at an expected $1.6 million
deficit, "suspended three money-losing concert series,
reduced its staff by 15 percent and instituted pay cuts for all
administrative staff." The orchestra's musicians salaries
were not cut. Houston Chronicle
09/11/02
EDMONTON
CUTS SEASON: Unable to raise the money it needed, the Edmonton
Opera has reduced its season from four operas to three - cutting a
production of Turandot. "Corporate funding for the
arts is extremely difficult to secure in Edmonton, and in Canada.
The areas that are getting most attention from corporations these
days are health and education." Edmonton
Journal 09/09/02
SAN
ANTONIO MUSICIANS TAKE CUT IN PAY: The San Antonio Symphony
failed to balance its budget last season, and the orchestra's
ability to mount a season this year has been in doubt. But the
orchestra's musicians have voted to accept a 15 percent wage cut,
by shortening the orchestra's season. "The musicians will
take a total economic hit of about $700,000 for the coming season.
'It takes our base salary down to $28,000. That definitely takes
us back to the mid-90s — 1995 or earlier'." San
Antonio Express-News 09/09/02
HIP-HOPPING
TO COMMERCIAL EXCESS...(ER, SUCCESS): "On any given week,
Billboard's Hot Rap Tracks chart is filled with songs that serve
as lyrical consumer reports for what are, or will be, the
trendiest alcohol, automobile, and fashion brands. It's an open
secret in hip-hop that product placement comes in two distinct
categories. There is genuine brand endorsement inspired by an
affinity for a product. And then there's name-dropping with the
hopes that a marketing director will come bearing free goods—or
a check." Village Voice 09/10/02
OPERA
AUSTRALIA NOT RENEWING A.D. CONTRACT: Opera Australia has
announced it won't be renewing the contract of artistic director
Simone Young. Th company said in a statement that Young's
"visions for the artistic growth of the company are not
sustainable by OA in its current financial position and we have
reluctantly concluded that we have to seek another path." Andante
09/13/02
AH,
THAT FAMOUS NEW YORK APATHY: "Why should symphonic
subscribers in Chicago or Cleveland be more loyal and proud than
in New York? Is it because of New York itself — its size, its
diversity, its seen-it-all, heard-it-all 'sophistication'? ...In
fact, the Philharmonic's audience problem is rooted in an
institutional history so diffuse and haphazard that it's no wonder
the orchestra and the audience have never bonded. No other
American orchestra of world stature must cope with so generic an
identity." The New York Times
09/15/02
THE
NEXT TENOR GETS CANNED: "Tenor sensation Salvatore
Licitra, who was touted as the heir to Luciano Pavarotti when he
stepped in for Pavarotti at the Metropolitan Opera in May, may be
emulating the legendary tenor's talent for not showing up. Licitra
has been replaced in the Vienna State Opera's new production of
Verdi's Simon Boccanegra, because, according to a statement from
the opera, he failed to 'honor the contractual conditions agreed
upon for rehearsal time.'" Andante
09/15/02
THE
LAST DIEHARDS? The BBC Proms is, unquestionably, the world's
most successful classical music festival, and the concerts attract
dedicated fanatics of the type usually associated with the crowds
gathered to see Manchester United or the Oakland Raiders. These
are people who have not missed a Proms concert in decades, who
line up eight hours in advance in order to secure 'their' spot
inside. "Prommers guard both their territory and the purity
of their musical experience. [One diehard] talks with horror of a
recent concert at which the ice-cream seller came into the arena
while the orchestra was still playing: she has yet to recover from
this 'dreadful' experience." The
Guardian (UK) 09/13/02
THE
NEED TO PAY ATTENTION: How can you have a vital music culture
when there aren't interesting critics to write about it? A
half-dozen prominent composers talk about the crisis in classical
music criticism: "The music of living composers is not even
despised because to be despised you have to exist. Cultured lay
people may know about both Dante and Philip Roth, Michelangelo and
Jackson Pollock. But if they know about Vivaldi they don't know
about his musical equivalent today. They only know about pop. Pop
is the music of the world today, alas." NewMusicBox
09/02
ARE
CD'S TOO EXPENSIVE? Worried about slackening sales, some music
labels are lowering prices on CDs to see if consumers will buy
more. "Lower prices may at least stop the bleeding. But
that's tough for executives to admit. It calls into question their
long-held belief that CDs are not only fairly priced, but a good
value." USA Today 09/09/02
HAMPTON'S
LAST RIDE: Jazz great Lionel Hampton takes a last ride in New
York as he gets a New Orleans-style funeral procession through
Manhattan - led by Wynton Marsallis and an all star band of
colleagues. "Not surprisingly, the spectacle of these
splendidly attired musicians wailing their blues-tinged dirges
while slowly marching in the middle of the street - oblivious to
traffic lights and even to traffic - caused a stir. New Yorkers
who had been watching from curbside fell in behind the band.
Television crews and newspaper photographers, who had been tipped
off that a New Orleans-style parade would unfold on this morning,
meanwhile crowded in front of the parade and walked backward, so
as to capture the action head-on." Chicago
Tribune 09/09/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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HIRST
- 9/11 WAS "ART": Controversial artist Damien Hirst
told the BBC yesterday that the attacks on the Pentagon and the
Wolrd Trade Center were a work of art. "The thing about 9/11
is that it's kind of an artwork in its own right. It was wicked,
but it was devised in this way for this kind of impact. It was
devised visually." Describing the image of the hijacked
planes crashing into the twin towers as "visually
stunning", he added: "You've got to hand it to them on
some level because they've achieved something which nobody would
have ever have thought possible, especially to a country as big as
America." The Guardian (UK)
09/11/02
SHAKEN,
NOT STIRRED: Darcey Bussell has been a star of London's Royal
Ballet for 13 years. "She received an OBE at 25; she has
modelled for Vogue; appeared on French and Saunders; her statue is
in Madame Tussaud's; her painting is in the National Portrait
Gallery and, if you look her up on the internet, you'll find 5,880
websites matching her name." But what she'd really like to be
- is a Bond girl. The Telegraph (UK)
09/10/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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ALL
ABOUT THE BRAND NAME: Great painters of the Renaissance put
their names on work created by members of their studios. So why
can't writers so the same? Two new books carry best-selling author
Tom Clancy's name, but they weren't written by him. "The name
Tom Clancy generally takes up from one-third to half of the cover.
But in very small letters at the bottom it says: 'Created by Tom
Clancy and Steve Pieczenik, written by Jeff Rovin'." The
Age (Melbourne) 09/09/02
THE
GOLDEN AGE OF READING? "To everyone who remembers burying
an oily adolescent schnoz in a paperback every Friday night while
better-looking classmates were necking on Lovers Lane, I say:
Relax. Your time has come. To that kid who boarded a school bus
each day and ended up in Narnia: Strike up the band. To anyone who
has ever toted a thriller to an Indians game (guilty) or who
occasionally finds the company of books preferable to the company
of company, I say: You are not alone... Some time between sixth
grade and today, being a reader became cool." The
Plain Dealer (Cleveland) 09/15/02
SHE
REALLY REALLY LIKED IT: Need another example of the rot
infecting some literary criticism? Alex Good says Salon's new list
of books to read for the fall is exhibit A. He's got special scorn
for the list's editor Laura Miller, who writes in over-the-top
fashion about Zadie Smith: "A new novel from her feels like
an occasion to open up another chamber in your heart and another
lobe in your brain to take it all in; some books are expansive,
hers are expanding, but never in a dreary, good-for-you way."
Good Reports 09/12/02
NEW
PUSH FOR PUSHKIN: "For Westerners Pushkin has always been
more historical celebrity than poet. (Astonishingly, the first
full translation of his works has only recently appeared.) If the
life has overshadowed the work to such an extent, it is partly
because the old truism about how much is lost in translation is
even truer of Russian verse, and truest of all in the supremely
musical Pushkin. But it is also because Pushkin's was an almost
absurdly romantic life." A new biography is published. The
Telegraph (UK) 09/13/02
THE
ACCIDENTAL READER: Here's an idea to recycle those books
you've read and no longer need. Leave them for others.
BookCrossing.com is an online book club that "combines karma
and kismet and encourages people to leave their books at coffee
shops, parks, airports or anyplace else. Books are registered
online, which allows members to follow where the books travel and
who reads them. As word spreads, membership has surged, turning
the world into a sort of virtual library - with no late
fees." Nando Times (AP) 09/11/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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GET
ME REWRITE: Some artists, when they complete a work, set it in
stone, never to be changed or revised. Then there's Tony Kushner.
He's always "tinkering and tightening and tweaking and trying
to get it right." Homebody/Kabul is no different. "I
really thought I would churn it out and it would be perfect. I
always tell myself that with every play, and of course plays are
never like that, or least mine aren't. They tend to cling and
cling and need more and more attention." The
New York Times 09/09/02
STAR
SEARCH: Hundreds of hopefuls auditioned last weekend for a
chance to appear onstage in a production in London's West End. The
show 125th Street recreates the amateur nights at New
York's Apollo Theater, and "for one week only, each lucky
amateur will get to join the professional cast and take the talent
spotlight." Yahoo! (Reuters)
09/09/02
PROTEST
POLITICS COME TO ZURICH: "In the Swiss version of
democracy, almost every public issue is decided by referendum.
Thus when Zurich's voters approved an increased subsidy for the
city's main theater on June 2, its acclaimed artistic director,
Christoph Marthaler, felt confident that he would weather a storm
of criticism of his management. He certainly did not expect to
read in a local newspaper just three months later that he had been
fired by the theater's board. What happened next, though, revealed
a different facet of Swiss democracy. A protest movement was born,
backed not only by leading theater directors throughout the
German-speaking world, but also by local admirers of Mr.
Marthaler's distinct style of theater." The
New York Times 09/12/02
THE
ESSENTIAL LAWRENCE: DH Lawrence's reputation hasn't aged well.
"Now Lawrence's poetry is admired, his novels neglected, his
paintings scorned, and his plays largely unperformed. What is
more, he is reviled for his priapism, his fascism and his sexism.
I can't think of Lawrence as being bound by any -ism; I still
think of him as a fine novelist, a brilliant poet, and one of the
very best (and least celebrated) of 20th-century English
playwrights." The Guardian (UK)
09/11/02
QUALITY
POVERTY: Last week the LA Times ran a warm and sympathetic
story about director Jon Lawrence Rivera and his Playwrights Arena
theatre, which produces new plays and which is struggling to stay
alive. Playwright Steven Leigh Morris praises the Times for its
piece on Rivera, but wonders why a story about something in a
field that almost never makes money concentrated so much on the
theatre's financial fortunes. Is this an implication about
quality? "How, then, do we measure accomplishment in a field
that has never thrived without patronage or subsidy, or at a
theater with no advertising budget?" Los
Angeles Times 09/09/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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BATH
TIME: The last time Michelangelo's David was cleaned
was in 1873. "Next week restorers at Florence's Galleria
dell'Accademia will begin wiping away 129 years of dirt and grime
from the Renaissance marble statue from Monday. It is the first
time the statue has been cleaned since it was moved into the
gallery in 1873 to protect it from weather and pollution." CNN
09/13/02
FALLING
APART: Much contemporary art is made from materials that don't
last. So how to preserve them for the future? "Artists today
are experimenting with materials that were never intended to be
used in art making—from chocolate to excrement, foam rubber and
fluorescent tubes, bodily fluids and banana peels—materials that
are difficult or impossible to preserve. Such works have compelled
curators and conservators to come up with new preservation
strategies." ARTNews 09/02
HOW
BIG IS TOO BIG? "According to C. Northcote Parkinson, the
inventor of Parkinson's Law, the final and terminal decline of an
institution is often signalled by a move into a gleaming,
towering, purpose-built headquarters. If that is so, then the
London contemporary art world is moving into a perilous phase, as
more and more of its most notable movers and shakers are currently
engaged in vigorous architectural expansion." The
Telegraph (UK) 09/14/02
SAATCHI
VS TATE: Super-collector Charles Saatchi fired a shot at the
Tate Modern this week by announcing that he's opening a new
gallery across the street from the Tate Modern. And he'll open
next spring with artwork that was denied to the Tate. "Saatchi
will curate the shows himself and the Damien Hirst exhibition will
pointedly feature the pickled sharks denied to Sir Nicholas Serota,
the director of the Tate, when he sought to honour the artist with
a retrospective at Tate Modern." The
Guardian (UK) 09/13/02
DESIGN
MATTERS: Can anyone make a Mondrian? Can anyone tell a real
Mondrian from a fake? "A psychologist at University College
London, took studies by the giant of post impressionism, altered
the balance of composition a little with a computer, and tested
them on the public. 'The short answer is there is a very clear
relationship between good design and the way people look at that,
and the way people take in information from a painting, and
whether they find it pleasing or interesting'." The
Guardian (UK) 09/11/02
TOO
MUCH BUILDING FOR THE SPACE: Why have proposals for
replacement of the World Trade Center (by some of the world's best
architects) been so uninspiring? Martin Filler writes that the
reasons are obvious: "Given that the bulk of the space had
been contained in the megalithic superstructures, it does not take
an architecture expert to understand that if you redistribute the
same quantity of volume in considerably shorter, safer buildings -
deemed prudent by all concerned - then more ground will have to be
covered. And because of the considerable - and to my mind
justifiable - public pressure to leave the footprints of the
towers vacant (a central demand of the missing victims' families
and a feature of four of the six LMDC schemes), the gross
overcrowding of the site is inevitable." The
New Republic 09/08/02
MUSEUMS
HURTING FOR MONEY: State museums in Europe and the US are
being squeezed for money. "From the Louvre to Florence's
Uffizi, the monumental showcases of Europe are getting battered by
a huge funding crisis. Cash-strapped governments are refusing to
hike grants in line with inflation, causing museums to close
galleries, skimp on security staff, and put off much-needed
restorations." BusinessWeek
09/16/02
HERZOG
BEATS UP ON BILBAO AND MOMA: Jacques Herzog, designer of the
Tate Modern - Britain's most successful new museum, blasts two of
the modern artworld's star institutions. "He said that New
York's Museum of Modern Art (MoMA), the world's most powerful
fount of public art, was driven by a cynical and elitist strategy.
And in Bilbao, the Guggenheim Museum, designed by the architecture
superstar Frank Gehry, left him totally cold because it was a
'very bad example for museums in the future'." The
Independent (UK) 09/10/02
TERMINALLY
NICE? Have art critics become too nice? "Much art
criticism is adulatory or merely descriptive. Many critics have
never seen a show they weren't enthusiastic about. These days,
negative criticism is branded as 'mean' or 'personal.' Future
generations will peruse today's art magazines and suppose ours was
an age where almost everything that was made was universally
admired." Village Voice 09/10/02
CHINA'S
NEW COMMERCIAL ART TRADE: In China, only the state and its
wholly owned shops are allowed to deal in the trade of antiques.
But a resolution passed by the recent People's Congress proposes
opening up the antiques trade to private companies for the first
time since 1949. The new freedom is not without its strictures.
"The draft law defines categories of art that cannot be
traded; mandates 'certification' by the central government of any
art business, State-owned or private, and gives the State first
refusal on any object." The Art
Newspaper 09/06/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ENTRY
DENIED (OR UNREASONABLY DELAYED): Getting international
artists into the US with proper visas has become chaotic and
unpredictable. The average wait for a visa is four months, and US
presenters can't count on their artists being able to show up to
perform. "A combination of broad-brush regulation and
bureaucratic insensitivity has caught many artists and impresarios
in a net that was supposed to block out terrorists." The
Globe & Mail (Canada) 09/09/02
HAND-ME-DOWN
ART: There has been a rash of plagiarism this year, with
several high-profile cases in books and music. "But what
happens when the plagiarism is inadvertent? Maybe it's impossible
to come up with anything wholly new. That's the quandary of the
postmodern age: In culture, as in matters of the environment, we
have to recycle. Certainly it pays to do so." The
Globe & Mail (Canada) 09/10/02
MIAMI
DELAY: Miami's new performing arts center, scheduled to open
in the fall of 2004, might have its opening delayed by a year. The
project is facing construction delays, and rather than rushing to
meet the opening deadline, officials want to take their time.
"We want to take time and be fully prepared for the opening.
We saw what happened in Philadelphia when the Kimmel Center [for
the Performing Arts] opening was rushed to completion. There were
a lot of unfavorable reactions that might have been avoided.'' Miami
Herald 09/07/02
BUILD
IT AND WHO WILL COME? After years of dreaming, Chicago is
building a new 1,500-seat theatre downtown for the city's mid-size
arts groups. "The 1,500-seat underground theatre now under
construction—designed by Thomas Beeby as part of Millennium Park
and scheduled to open in November 2003—should fulfill many
dreams. Yet, just at this moment of triumph, some insiders are
starting to ask, Who exactly is going to use this theatre?" Chicago
Magazine 09/09/02
COMFORT
FOOD OR LACK OF IDEAS? Critics and artists seem lately to be
focusing on the past. Is it a wave of nostalgia? A search for the
comfortably familiar? A turn to conservatism? Some say
"audiences are hungering for cultural comfort food in a
post-9/11 world. But some cultural critics argue that the trend is
symptomatic of a deeper problem: today's commercial artists have a
shallowly cynical view of the world, which drives critics to tout
the aesthetic ambitions of the past." The
New York Times 09/11/02
DAMN
THE TORPEDOES: It's not just the traditional centers of the
American arts world which are continuing to expand despite a
national economic downturn. In Kansas City, arts administrators
have refused to panic, and the result is a surprisingly
progressive scene. "At the moment, the big local arts groups
say they are financially stable, although in some cases their
endowments have been whittled by the stock market decline that
begin in the spring of 2000 and has wiped out more than $7
trillion in investments." Kansas
City Star 09/15/02
COMMON
ART, COMMON LANGUAGE? An Italian scholar claims to have
deciphered 30,000-year-old rock drawings and says that "since
there are so many visual similarities among prehistoric rock art
around the world, it's likely that a kind of 'primordial mother
language,' existed as Homo sapiens were getting under way 'from
which all the spoken languages developed'." Discovery
09/11/02
THE
PRICE OF ART: Wonder what people earn? The Fort Worth
Star-Telegram did a survey of local professionals, including
leaders of its arts institutions. While a museum director makes
$200,000 and the local opera director $100,000, a principal dancer
with the Dallas Fort Worth Ballet takes home $22,000. Fort
Worth Star-Telegram 09/12/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TUGBOAT
SYMPHONY: Sound "curator" David Toop has organized a
15-minute piece for tugboats. "On September 15, as part of
the Thames festival, up to a dozen of these water workhorses,
dating from as far back as 1907, take centre stage in the Siren
Space concert, which precedes the fireworks finale. Up to 100,000
people are expected to gather between Waterloo and Blackfriars
bridges." The Guardian (UK)
09/10/02
STAMPING
OUT BAD ART: Beijing is sprucing up to get ready to host the
Olympic games. To that end, city officials commissioned a study of
public art in the capital, and determined that "up to 40% of
sculptures in the Chinese capital are substandard." The
"bad" art includes "a fat mermaid" and a
"timid" tiger. The statues will be pulled down and
replaced by work by "professional sculptors. Ananova
09/13/02
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