Week
of August 19-25, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
PERILS OF CROWD PLEASERS: The just-closed Andy Warhol show at
LA's Museum of Contemporary Art was a big, money-making success.
But are such shows healthy for museums? "Tourist-oriented
blockbusters represent a tear in the art museum fabric. While the
general public is being seduced, the art public is abandoned. The Andy
Warhol Retrospective was pitched toward anyone who'd ever been
to the movies. What's the harm in that? Nothing in the short term.
For an art museum, it's quick cash. The risk is slow-motion
suicide. The general public is where the fast action is, but it
certainly won't stick around for the long haul. Lose the art
public through attrition, though, and you might as well close up
shop." Los Angeles Times 08/20/02
THE
COMMERCIAL NONPROFIT: Cleveland's Playhouse Square, with
10,000 seats, is America's second-largest performing arts center,
after Manhattan's Lincoln Center. "But it's also a rare case
of a flourishing nonprofit arts foundation that earns its own keep
- taking just a smidgen of government aid and private
donations." The secret? The theaters are part of a complex of
"nontheater assets, including a hotel and office buildings.
The entire package is valued at $124 million, with only $54
million in debt." The commercial properties help to "pay
for the arts and help revitalize a grimy section of the
city." Yahoo! (Forbes) 08/19/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHAT
BECOMES A CLASSIC? "Just what makes a ballet a classic?
Consider what happens, or doesn't happen, in certain productions
of supposed classics. We often don't know what ballet's classics
really are choreographically. Company directors claim to revere
the classics. Stars long to dance them. Audiences flock to see
them. But what is it that they are seeing or dancing? The
choreography for many works has eroded. Some scenes have been
altered, some have been omitted and others have been added." The
New York Times 08/25/02
WHY
WE DANCE: Dance is one of the most basic arts. Millions of
people dance. So "why do many people still find dance, the
friendliest art, so mysterious when they encounter it on a concert
stage? Perhaps the problem is communication. When we see another
human body, we expect it to look familiar. We also expect to read
with ease the physical signals that other people's bodies send us.
Yet choreographers - the artists who make concert dances - give
the body an exceptional appearance." Newark
Star-Ledger 08/23/02
ROCKETTES
SETTLE: Radio City Music Hall has made a settlement with its
Rockettes, averting a strike. The Hall will buy out 41 of the
veteran dancers for $2 million - between $30,000 and $120,000 per
dancer, depending on length of service. "It's not the price
the Rockettes wanted, but in the context of the negotiations, it
was a reasonable price." The New
York Times 08/22/02
BAD
MOVES: New York Magazine miscalculated when it fired
dance critic Tobi Tobias. But the magazine has been cutting back
on space for its other critics, and some might worry other
cutbacks are in the works. "Eliminating a major voice from an
important venue—either for budgetary reasons or to bring in
someone trendier—is not merely a dance-world scandal, it’s a
dark comment on the priorities of today’s journalism." New
York Observer [low down in the
column] 08/21/02
DECLINING
DISCOURSE ON DANCE: What's happening to dance criticism?
There's less and less of it. Major publications around the US have
been cutting back on dance coverage. The latest to go is New York
Magazine's esteemed Toby Tobias, who was recently let go from the
magazine. Orange County Register
08/18/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IS
CITIZEN KANE BEST? A recent poll of film critics and
directors named Citizen Kane as the top movie of all time.
No movies of the past 20 years made the top ten. "Does this
gap indicate a widespread belief that the cinema is in decline? To
an extent. Certainly, the rapid ascent of films to the canon in
the '50s and '60s reflects the feeling of many cinema lovers of
the day that they were living through exciting times. A more
convincing explanation for the aging of the canon is simply that
film criticism has become institutionalized over the course of the
last three decades." Slate
08/20/02
EUROPE'S
MOVIE BOOM: Movie box office is up in Europe, just as it is in
the US. "European film fans spent 5.6bn euros (£3.6bn) on
more than one billion cinema tickets in 2001, according to a
report. More than three-quarters of European cinema admissions
were in just five countries - the UK, France, Germany, Italy and
Spain. But smaller countries saw the biggest growth." BBC
08/20/02
THE
ART OF DIGITAL: "Without most moviegoers’ noticing,
digital technologies have been slowly supplanting film-based
processes that have been used since the 1920s." But most
movies still use film, and superimposing heady new digital effects
is a delicate balancing of color and tone. Technology
Review 08/16/02
FREE
RADIO THAT MAKES MONEY: What if your radio spewed out all the
music you wanted, there was no talking and no commercials? And it
was free? A service now delivered to satellite TV subscribers does
this. And it even makes money. Do traditional radio station
employees need to fear for their jobs? The
Globe & Mail (Canada) 08/24/02
HOLLYWOOD
GOES TO CHINA: Forget Canada, "foreign film-makers are
discovering that China is a good place to make movies. And just as
makers of everything from washing machines to wigs learned before
them, lower costs are a big draw. Shooting a movie here can cost
half, even a third, of what it might back home, industry
executives say, with savings on everything from crew salaries and
construction of sets to catering fees. Far
Eastern Economic Review 08/29/02
MEXICAN
MOVIE RECORD: The Catholic Church has strongly condemned the
Mexican movie El Crimen del padre Amaro. But in its opening
weekend, director Carlos Carrera's film broke Mexican box office
records and "earned 31 million pesos ($5-million) and reached
an audience of 863,000 people in 365 movie theatres throughout
Mexico." The Globe & Mail
(Canada) 08/22/02
WHAT
RIGHT DO YOU HAVE? The digital revolution has created a demand
for content. And Hollywood would love to cash in. But finding and
clearing rights to many shows is a mind-numbingly difficult and
mundane chore. "The hodgepodge of record-keeping systems
makes it difficult to track even pedestrian deals with video
chains and broadcast and cable networks. Newfangled electronic
distribution deals with Internet outfits and cell phone makers
will add another layer of complexity." Forbes
08/21/02
THE
DYING SOAPS: Soap operas have long been a staple of daytime
TV. But the form is ailing. Ratings are falling away quickly.
"The whole soap genre looks like a dinosaur, and it's dying
like one. It keeps lumbering forward in a space- age, Internet-
savvy world, looking like an art form frozen in time, so stuffy in
content, so staid in appearance, so establishment in form. There
is a contingent of young people who get hooked on soaps in
college, so there always is a chance for a new audience. But each
year, the audience gets older and smaller. I have no doubt that
soaps are an endangered species." The
Plain Dealer (Cleveland) 08/20/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ENTERTAININGLY
OUTRAGEOUS: One of the hottest shows at this year's Edinburgh
Fringe Festival is Jerry Springer: The Opera. Critics love
it, and crowds line up each night to buy tickets. The show
"features a chorus line of dancing Ku Klux Klansmen and an
all-singing cast of adulterous spouses, strippers, crack addicts
and transsexuals. 'You think it's going to be some sort of
knockabout burlesque, but it starts to affect you
emotionally'." Nando Times (AP)
08/20/02
RECIPE
FOR REFORM: How does classical music - with its formal dress,
gilded halls and stiff traditions, appeal to a less-formal world?
"Of course, all the fine arts are elitist, if by that term we
mean intellectual, complex, sophisticated. Although the fine arts
can also be engrossing, visceral and deeply entertaining, you have
to bring your brain to classical music, a requisite that makes it
suspicious to some. America has always had an annoying strain of
anti-intellectualism. When the perception of elitism keeps people
away from high culture, it's a serious problem." Classical
music has been experimenting - and needs to experiment more - with
ways to draw listeners in. The New
York Times 08/25/02
THE
SMART SIDE OF CANCELING: Los Angeles Opera's cancellation of a
Kirov production of Prokofiev's War and Peace for lack of
money could be a sign of the company's inner turmoil. But perhaps
not. "As I wrote at the end of last season, L.A. Opera has a
reputation for chaos, and the upside of that may be an ability to
think on its feet and turn on a dime. L.A. Opera's decision to
import Shostakovich's Lady Macbeth of Mtsensk from the
Kirov in place of War and Peace is brilliant." Los
Angeles Times 08/24/02
- L.A.
OPERA CANCELS VILAR-BACKED PRODUCTION: The Los Angeles
Opera has canceled an ambitious $3 million production of
Prokofiev's War and Peace after the cost of presenting
the Kirov Opera production rose by $600,000 more than
expected. Patron Alberto Vilar had pledged $1 million for the
production, but when the company asked him to kick in the
extra money and move up the payment on his $1 million gift, he
declined. So the production was canceled and replaced by
Shostakovich's Lady Macbeth of Mtsensk. Los
Angeles Times 08/23/02
NEWTON
VS. THE BEASTIE BOYS: Flutist James Newton found out the
Beastie Boys had used a 6-second sample of his playing on a
recording without paying him - or even letting him know. He sued
and lost - the law says only that the composer and the original
record label must give their permission for a sample, not the
performer. "Composers are nervously keeping an eye on the
case, wondering what kind of precedent it will set if the ruling
is upheld." Washington Post
08/22/02
RECORDING
COMPANIES ON THE ATTACK: Major recording companies ask a US
federal court to force ISP Verizon to turn over information about
one of the company's customers. The recording industry believes
the customer is trading copyrighted music files. So far, Verizon
refuses to turn over the information. "Verizon finds itself
on a slippery slope. ISPs promise users to protect their
identities, but entertainment companies are increasingly putting
pressure on Congress and the Justice Department to crack down on
people illegally sharing songs and movies." Wired
08/21/02
- COUNTERFEIT
CD BUST: Philippine police seize counterfeit CDs worth $20
million. "The US has put pressure on countries like the
Philippines to crack down on gangs running pirate operations,
saying more investment and technology would be attracted if
they did. Fake music CDs sell on the streets of Manila for
between $0.40 (25p) and $1.20 (80p) each." BBC
08/21/02
CLONE
ME AN OPERA: San Francisco Opera has a plan to encourage
non-traditional storylines as subjects for opera. One
"recently commissioned one-act opera follows the exploits of
a scientist who clones herself three times and also genetically
engineers a human to incorporate the best genes from every animal
on Earth." Wired 08/20/02
VOLUME
MISCOUNT: Are today's orchestras too loud? "Orchestras
have become much, much louder since the 18th century. And the
process has gathered pace dramatically since the Second World War.
We have reached the point where brass instruments exceed permitted
industrial noise levels. Orchestral players are advised, or
instructed, to wear earplugs, and with good reason. Musicians are
being deafened by music. It is an absurd situation." London
Evening Standard 08/21/02
COVENT
GARDEN'S NEW MAN: Forty-two-year-old Anthony Pappano debuts as
director of London's Royal Opera on Sept. 6. On first encounter,
writes Hugh Canning, his "frankness and honesty were
certainly a breath of fresh air for journalists used to
stonewalling and party lines from previous Royal Opera supremos. (Haitink
rarely said anything at press conferences, but looked almost
permanently glum, to the point that such encounters with the
newshounds either took place in his absence or were dropped
altogether in favor of a general press release in his later years
at Covent Garden)." Andante
08/22/02
INFLICTING
MUSIC: Cambridge scientists drugged mice in an experiment -
injecting half with salt, the other half with methamphetamine,
then blasted loud music at them to gauge their reaction. "The
music was either from dance act The Prodigy or Bach's Violin
Concerto in A Minor, both of which have a similar tempo. Animals
injected with salt fell asleep with the music. But the sound
dramatically affected the drugged mice, causing them to suffer
more speed-induced brain damage than normal. They appeared to
'jiggle backwards and forwards' as the music pounded in their
ears." The researchers have been reprimanded for cruelty to
animals. Sydney Morning Herald
08/20/02
CAPTURED
BY THE MUSIC: Background music is everywhere. But who picks
it? And why? "What started out as a simple idea — spend a
day actually listening to the music that plays in shops,
restaurants and bars — has plunged me into a strange and complex
netherworld of secretly encoded CDs, shadowy music programmers,
involuntary behavioural modification and ruthless record company
promotion. In addition, the unceasing soundtrack of light,
R&B-influenced pop and mild-mannered rock is sending me
slightly barmy." The Age
(Melbourne) 08/18/02
MUSIC
LABELS ON THE ATTACK: Major recording companies have escalated
their war against music file traders. A group of major record
labels have sued internet service providers to block access to a
website they claim allows people to copy music. It demanded that
internet providers including AT&T, Cable & Wireless,
Sprint and WorldCom block access to Listen4ever.com." BBC
08/18/02
MORE
SHOWBIZ THAN MUSIC: Music critic John von Rhein despairs of
some of the lapses in musical taste he has heard recently.
"This nation really does appear to be suffering from a
musical illiteracy greater than at any time in the three decades I
have been attending concerts. That illiteracy can be observed on
both sides of the stage and flourishes most insidiously in the
citadels of managerial power. The classical music business, faced
with a famously shrinking and aging public as well as a diminished
pool of bankable superstars, has been slowly turning serious music
into just another branch of show biz." Chicago
Tribune 08/18/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WRITING
OVER REWARDS: Charles Webb had a big success with his novel The
Graduate back in 1962. "With its subversive rejection of
materialism and middle-class mores, The Graduate captured
the nascent mood of rebellion that was to sweep through the 1960s.
But somewhere along the way, Webb's urge to write was swamped by
his urge to reject material rewards and disappear. They were set
for life. They found this oppressive." So Webb and his wife
gave away all their money to live in poverty... The
Age (Melbourne) 08/19/02
ONE
HELLUVA PRISON CAREER SO FAR: Jail isn't turning out too bad
for Jeffrey Archer, the disgraced novelist and former MP,
currently serving a four year prison term. Last week he signed a
three book deal work millions of pounds. Now he's got himself a
new day job - working at a theatre in the town of Lincoln. He
started this week, and drove himself to his work-release job in
his BMW. "It is still being discussed what he is doing but he
will not be writing plays for the theatre." The
Guardian (UK) 08/20/02
TOO
MUCH PERCUSSION: Composer Ned Rorem has always been an
outspoken contrarian. As he turns 80, none of that public persona
has changed. "The quality of his recent output suggests that
these pieces are likely to be those for which he's most
remembered. Yet Rorem wonders if it matters: 'I feel we've got
about 10 more years and the whole world will blow up,' he said one
recent afternoon, sitting in a park here. 'Or at best, we'll end
up loving each other in the most mediocre way, and the music you
and I like will be in the remote past'." Philadelphia
Inquirer 08/25/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHO
BOUGHT WHAT WHEN: A group of publishing associations wants to
know how much snooping the US government has done on book sales
information. "Section 215 of the Patriot Act [passed last
fall] grants the FBI the ability to demand that any person or
business immediately turn over records of books purchased or
borrowed by anyone suspected of involvement with 'international
terrorism' or 'clandestine activities.' The act includes a 'gag
order,' preventing a bookstore or library from discussing of the
matter with anyone or announcing the matter to the press. A
bookstore may phone its attorney at the time of the request, but
it can be done only as an afterthought, as the information must be
supplied to the FBI immediately, or the employee risks
arrest." Publishers Weekly
08/22/02
POETS
QUIT OVER RACISM CHARGES: More than 100 poets are boycotting
Chicago's largest annual poetry reading. The festival's poetry
coordinator quit after the Bucktown Arts Festival director
"ordered him to ban poets who were the targets of
hecklers" at another festival last month. "The problem
is that all 'those' poets are primarily black and Latino,"
charges C.J. Laity, the poetry coordinator. So Laity quit, and so
did 100 of the poets, forcing cancellation of the event. Chicago
Sun-Times 08/23/02
A
BOY AND HIS (IRREPLACEABLE) TOY: Jim Irsay - owner of an Elvis
guitar and the NFL's Indianapolis Colts - bought the manuscript of
Jack Karouac's On the Road last year. And scolars and
historians are dismayed. "Whether he's stubbing out
cigarettes just inches away from his fragile and irreplaceable
draft of On the Road or fondly recalling how he gave
reporters the finger after buying the manuscript, or stripping
down to a tie, an artfully placed guitar and little else in the
course of a photo shoot, Irsay is, depending how you look at it,
either a party permanently in progress or an accident waiting to
happen. 'To me, it's already got this mystical aura to it. And it
would be really cool to add to that. And I think I have the
capabilities and the creative thinking to do that in a way that's
viewed as fun, but universally viewed as safe and
respectful." Baltimore Sun
08/24/02
NEW
LIFE FOR LINGUA FRANCA? Is Lingua Franca about to be
revived? "Jeffrey Kittay, a former professor of French who
created the magazine in 1990 but had to discontinue it after last
November's issue, when his major backer withdrew financing, said
he had made a bid to buy the magazine's assets from the bankruptcy
court." The New York Times
08/19/02
BOOKER
FINALISTS ANNOUNCED: "Jon McGregor's first novel, If
Nobody Speaks of Remarkable Things, yesterday catapulted him
on to this year's Booker longlist, alongside Anita Brookner,
William Trevor, Michael Frayn, Zadie Smith, and 25 other writers.
The field was picked from an original entry of 130 books. From it
a shortlist will be chosen next month." The
Guardian (UK) 08/20/02
TALK
TALK TALK TALK TALK... "Literary theories from formalism
to Marxism to postmodernism are all pretty much agreed on the fact
that the author, once he or she has put the final full stop on the
final redraft, becomes irrelevant. What a writer intended to say
is unimportant. What the book actually does say is all that
matters. Odd, then, that every year thousands of people pay good
money to listen to authors talk about their work, their
motivations, hobbies, influences, tastes in music, and — a
question guaranteed to produce a shudder of horror in even the
most gregarious festival guest — where they get their ideas
from." The Age (Melbourne)
08/19/02
CAN'T
TELL A BOOK BY ITS PUBLISHER: Do readers care who published
the book they're thinking of buying? A new study says not at all.
"Readers simply don't pay any mind to who has published a
book. If they do think about publishers at all, they don't think
of them as part of the creative process of book production, merely
as making money from it. It wasn't always so. In the past, many
imprints won great loyalty and affection from readers." London
Evening Standard 08/19/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ONE
IS BETTER THAN TWO? Cleveland's two major professional
theatres are both in financial trouble. "With corporations
leaving town, foundations losing money in the stock market and
box-office receipts trending ever downward, prospects look bleak.
With the encouragement of people and organizations who give money
to the arts, the two nonprofit companies are talking about
merging." The Plain Dealer
(Cleveland) 08/25/02
FREE
AT LAST: Jon Jory was one of the most influential figures in
American theatre as head of the Actor's Theatre of Louisville and
director of the Humana Festival of new plays. Two years after
leaving Louisville, does he miss it? "I miss walking out onto
an empty stage and thinking 'I can do anything I want here' — of
course, you can't, really, but you can at least walk into the
theater and think that. But I don't miss the raising of the money
and the kind of insoluble problems of every artistic director's
day. And I don't miss the inhuman aspects of bossing people
around." St. Paul Pioneer Press
08/23/02
HIGH
PRICE OF SAFETY: Ticket prices for the Edinburgh Fringe have
gone up. David Stenhouse argues that higher rices inhibit
risk-taking on the part of audiences. "In the economics of
the fringe, most acts are penny shares. The majority are likely to
fall without trace, but a few will turn out to be theatrical
Microsofts. The current market favours the gilts and bond issues
which have a steady return. It may be fiscally prudent, but it’s
not what the fringe was set up to do, and in the next few years it
will have to change." The Times
(UK) 08/21/02
ENOUGH
WITH THE AMERICANS ALREADY: Hollywood stars are hot in
London's West End. They draw big crowds to the theatre. But a
British actors union is attacking London's National Theatre for
hiring too many Americans. "What brought this to a head is
that we have production at the National where three of the four
leads are foreign artists. It is a showcase for British talent and
this is the straw that has broken the camel's back." BBC
08/23/02
RECORD
FRINGE: Attendance at this year's Minnesota 10-day Fringe
Festival climbed to a record 32,000 and earned a surplus -
enabling organizers to pay down their deficit. The Minnesota
Fringe is the largest fringe festival in the US. The
Star-Tribune (Minneapolis) 08/20/02
A
PLACE OF HIS OWN: The Kennedy Center's Stephen Sondheim
festival renewed appreciation for this rich body of work. Sondheim
insists that his shows are shows, but they've never sustained
commercial Broadway runs. So they've been taken up "by
regional theaters and schools, and by Europe, where the opera
houses are small and the unlikelihood of competition from
commercial productions encourages the American producers to
relinquish the rights. Maybe what we and Mr. Sondheim need is a
summer festival in a plausible theater devoted to the best in
operas and musical theater, irrespective of genre. We need to hear
the best in musical theater, old and new, no matter the derivation
of the particular work or the amount of dialogue or the singing
style." The New York Times
08/18/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GREATER
ALEXANDER: Plans have been unveiled to carve a giant likeness
of Alexander the Great on a mountain in Northern Greece. "The
planned 240 foot image will be comparable to the carved faces of
American Presidents on Mount Rushmore in South Dakota and cost
nearly £200 million. Supporters believe that the sculpture of the
general, whose empire stretched from Greece to India, will bring
in the tourists and assist the local economy." The
Times (UK) 08/22/02
- ALEXANDER
THE MONSTROSITY: Environmental opponents of the plan have
"vowed to go to court to stop the 30-million euro
project, while the Greek Culture Ministry has warned that it
will not allow work to begin as scheduled in November. The
plan, from a group of Greek-Americans, would see a rock
outcrop on Mount Kerdylio in the northern province of
Macedonia changed into a massive monument to the
fourth-century BC empire-builder. Environmentalists fear it
will spoil the landscape and harm the area, while
archaeologists have called the project a 'monstrosity' that
they say could threaten a nearby ancient theatre and a
Byzantine church." BBC
08/22/02
DRESDEN
ADDS UP FLOOD DAMAGES: Dresden art officials are counting up
damages in last week's floods. "Some 20,000 artworks were
evacuated during three large operations. Thousands of the figures
and castings that were saved now lie strewn around wherever space
is available in both the painting section and in the antiquity
hall of the gallery. Transportation damages were only minimal. Of
the four thousand paintings that were housed in the 'old masters'
storage area only 25 large-size paintings received moisture
damage. But the Zwinger Palace gallery's restoration workshop
completely emerged in water and the entire technical
infrastructure has been destroyed." Frankfurter
Allgemeine Zeitung 08/23/02
STOLEN
TITIAN FOUND: Police in London have recovered a stolen
16th-Century painting by Titian worth more than £5 million. The
painting was recovered without its frame in a small plastic
carrier bag. BBC 08/23/02
HIDDEN
COLLECTION: The British Museum has acquired an important
textile collection from Afghanistan, but it may be years before
anyone will see it. The British Museum "has one of the finest
collections in the world, of more than 18,000 textiles, ranging in
size from tiny scraps of embroidery to vast carpets and entire
tents, but it has been closed for years, and the plans for a new
display and study centre and open store have collapsed in the
museum's dire financial situation. The plight of the collection
has been causing concern to international textile experts.
Although cataloguing, research and conservation work has
continued, it has been impossible to display them - not only to
the public but even to visiting scholars." The
Guardian (UK) 08/22/02
WHOLESALE
LOOTING AND WASTE: Looting of Afghanistan's cultural treasures
hasn't stopped with the overthrow of the Taliban - it has
excalated. "The theft in the valley of Jam is only the most
obvious evidence of a general destruction of Afghanistan's
cultural heritage. But the pillaging of Jam is a recent, post-Taliban
phenomenon. The chaos that followed the 1989 Soviet withdrawal
kept antiquity traders away from the valley, and the Taliban had
protected it as an Islamic site. Now, with a measure of order
restored but with a lack of control from Kabul, looting is in full
season. The demand for these objects and the money for the
excavations come primarily from dealers and collectors in Japan,
Britain and the United States. But there have also been reports of
American servicemen buying antiquities from villagers. Items from
Jam are already being offered on the art market in London,
described as Seljuk or Persian to conceal their Afghan
origin." The New York Times
08/25/02
NOT
FOR ATTRIBUTION: You have your experts, we have ours. They
don't agree - so what to do in the case of the painting Massacre
of the Innocents, sold last month as being by Peter Paul
Rubens? With Rubens' name attached, the picture was worth £50
million at auction. Without it - let's just say the value drops.
Experts have come forward to dispute its authenticity. So if
experts disagree, will science help? Not necessarily. So maybe the
courts? A footnote - isn't it still the same painting, no matter
who painted it? The Telegraph (UK)
08/21/02
CELEBRATION
OF INDIAN CULTURE: Santa Fe's popular annual Indian Market
"takes its name from two intense days of selling Indian art
at outdoor booths around this city's plaza, but it has blossomed
into a weeklong celebration of Indian culture with museum
exhibitions, benefit auctions, gallery openings, music and even a
film festival. 'You can no longer put Indian art off to the side.
I think it has just gotten too good'." The
New York Times 08/22/02
RISKY
PLAN FOR FORBIDDEN CITY: A Chinese magazine has exposed plans
by caretakers of Beijing's Forbidden City to build a three-story
museum structure underneath the Forbidden City. The new structure
would allow the display of thousands of artifacts currently locked
away in storage. But critics charge the plan will endanger the
palace. "The palace compound is built on a foundation of
crisscrossing bricks and clay originally intended to keep the
'earth dragon' at bay (to limit damage from the earthquakes that
occasionally strike Beijing) and to allow rainwater to dissipate.
Tampering with the foundation would only put the structure at risk
– and without good reason, critics say." The
Independent (UK) 08/19/02
PARTYGOERS
BREAK CHIHULY GLASS: Partygoers at Chicago's Garfield Park
Conservatory smash a $70,000 piece of Dale Chihuly glass art.
"The work was a recent addition to the Chihuly in the
Park: A Garden of Glass exhibit, which features 30 originals
from the Tacoma, Wash.-based artist. The event has attracted more
than 450,000 people since opening in November and has been so
popular it has been extended twice." Chicago
Tribune 08/19/02
SCIENCE
AS ART (EVEN IF IT'S WRONG): "Bioart is becoming a force
in the creative world. A glowing bunny made the front page of
newspapers across the country two years ago, and installations
that require biohazard committee approval are increasingly common
at universities and art galleries." But often artists' interpretations
of the science their work is about, is superficial and just plain
wrong. Wired 08/19/02
PAINTER
OF BLIGHT: Owners of ten of Thomas Kinkade's galleries across
the country are suing Kinkade's company, claiming it has
"saturated the market with Kinkade's works and sold them on
QVC cable television, undercutting 'exclusive' galleries. Once
devout followers of 'the painter of light,' now are saying that
the business end of Kinkade's empire has a dark side. The
Star-Tribune (Minneapolis) 08/18/02
AIN'T
NO MOUNTAIN HIGH ENOUGH: Pepsi and Coke are in trouble with
the Indian government. It seems that in their zeal to promote the
soft drinks as the world's drinks of choice, the companies'
franchisees in India painted ads for the drinks all over
Himalayas. Literally. On the rocks. The Indian court was told
"the advertisements had been plastered on an entire mountain
side from the village of Kothi to Rallah waterfalls to Beas Kund,
a stretch of about 56 kilometres. Coke said it was not sure if it
would pay the clean-up cost." BBC
08/15/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ALL
OUT WAR: The US government is preparing an assault on digital
file traders. "Washington lawmakers have been crafting bills
that would give the entertainment industry the go-ahead to
identify individual users, disrupt file-trading services and
prosecute anyone suspected of digital piracy. The fear and
loathing focused at the file-trading community is reminiscent of
1990, just before the Secret Service and the FBI conducted raids
in order to smash the loosely affiliated hacker organizations
around the country." Wired
08/22/02
SHRINKING
ENDOWMENTS: The shrinking stock market has reduced the value
of foundation endowments. "Nine of the 10 largest private
foundations' assets, in the first half of this year, fell by a
cumulative $8.3 billion. And that was before the market took a
steep dive this summer." That's leading some foundations to
consider reducing their grants to the arts. ALSO: many arts
groups' endowments have also gone down, reducing the support that
can be drawn from them. Backstage
08/22/02
SLASH
AND BURN: Massachusetts' cuts in its state arts funding of 62
percent from $19.1 million to $7.3 million is "one of the
deepest cuts in the country, according to the National Assembly of
State Arts Agencies." What are the consequences? State arts
officials don't know specifics yet, but "Massachusetts will
likely feel its cultural and economic muscles atrophy." Boston
Globe 08/22/02
GET
ME A COP: Why make a law to ban cell phones in theatres?
Because asking nicely hasn't worked. "The warnings might as
well have been in Esperanto, because inevitably, at some point
during the first act, a cellphone goes off with its incessant
beeps, or worse, with a tinkling rendition of Take Me Out to
the Ball Game or the 1812 Overture. Heads are turned in
the general direction of the sound, and the tsk-tsks start to
drown out the ringing. Sometimes the culprits sheepishly dig deep
into their purses, but often the cannier boobs do nothing and look
around at their neighbors, just as annoyed as if they were the
offender, a strategy no doubt also used when flatulance is the
issue." Hartford Courant 08/18/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RENT
FOR DISPLACING THE HOMELESS? Activists in Vancouver, Canada
have sent film production companies a letter demanding that the
companies compensate street people who the companies chase out
while filming on location. "Sex trade workers must be
compensated for displacement they experience at your hands in the
same manner you would compensate a business if you were to use
their locale during operating hours. The same must hold true for
homeless people you push from beneath a bridge or doorway and drug
users you move from a park." Nando
Times (AP) 08/22/02
SOMEONE
LIKE PUTIN: A song about Russian President Vladimir Putin is
getting massive airplay in Moscow. But the band that recorded it
doesn't seem to exist, and there's no recording of the song for
sale in stores. Someone Like Putin, by a band called
Singing Together, "features a female lead singer complaining
that her adolescent boyfriend fights and drinks. So she leaves him
and looks for someone else: someone like Putin. A search of
Moscow's record shops, markets and kiosks failed to turn up CDs or
cassettes of the song. There have been no videos, concerts, or
articles in the music press about the band." Ottawa
Citizen 08/23/02
WANTED
- CAVE DWELLERS (IT'S FOR ART): Some 150 people have applied
to live in a cave for two days as part of an English public art
project "which aims to recreate the 18th century fashion,
fuelled in part by the poets Alexander Pope and Thomas Gray, for
landowners to have a hermit living in some picturesque corner of
their estates. 'We want to explore the nature of solitude and
whether that has any resonance to anyone in the 21st century.
Within what looks like a bit of fun, people will consider ideas
that go back to Rousseau and Pope. It's a philosophical critique
of the world in which we live'." The
Guardian (UK) 08/20/02
HOME
|