Week
of August 12-18, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CRITICAL
SANDTRAPS: Ah, it's all so predictable, most arts criticism
is. Is it true that most critical writing can be reduced to a
couple handfuls of easy formulas? Critic Philip Kennicott offers
the top ten most-abused traps for a critic. Washington
Post 08/11/02
COME
ON, WE'RE REALLY SMART: Are we dumber than ever? "It has
been the refrain, for five years and more, of both serious
intellectual commentators, normally from the Left, and various
uneasy bedfellows from the why-oh-why brigade on the Right, all
lined up in a dolorous puddle wringing damp hands at the
vacuousness of cultural life in Britain today: the mindless game
shows, the action flicks, the moron's music, the obsession with
celebrity trivia, the sham and hype and glitter, the inability to
name the prime minister before Margaret Thatcher, let alone the
six wives of Henry VIII." But "we are no dumber,
collectively, than we have ever been. We are, in fact, smarter. We
have more access to more information than ever before, and we
scream for it, and we are starting to scream, too, for
quality." The Observer (UK)
08/11/02
THE
"UN"-INDUSTRY: Labeling an artform such as jazz an
"industry" does a disservice to the art. Industries work
to become efficient, where jazz is a product of experimentation
and inspiration. "A fundamental assumption of industrial
culture, it seems to me, is that success is not a function of
individual personalities on the front line, but of the way
individuals are managed from upstairs: selected, trained, assigned
to the area in which their talents are best suited, inspired by
the company vision statement and provided with the proper feedback
to maximize performance. Inspired musicians are not amenable to
this approach." The Globe &
Mail (Canada) 08/13/02
A
PASSING GENERATION: Ann Landers, Pauline Kael, Mike Royko...a
generation of older voices of authority are falling away. "As
a group, they personified what one academic calls a media culture
of 'companionship' versus the current one of confrontation. Part
of the advantage these old-school communicators enjoyed in
building longevity was a more stable, paternalistic, homogenous
structure of media ownership. Just as the old Hollywood studios
created brand identity by locking their biggest stars into
exclusive multiyear contracts, so other media established
continuity by cultivating what was once a relatively limited pool
of recognizable names and voices." Los
Angeles Times 08/12/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FAILED
PROMISE? Ross Stretton's fortunes as director of London's
Royal Ballet took a quick dive in his first season. "Only
last September the Australian walked into Covent Garden as the
Royal Ballet’s new boss, full of plans to move the company
forward. Today his own dancers are so upset with his style of
management that they are threatening to strike." The
Times (UK) 08/13/02
- NATIONAL
SNOBBERY? "There are two main reasons why the first
year of Stretton's three-year contract has ended badly. The
first reason is chauvinism. The attitude in the British ballet
world is this: Australia does not tell us what to do - we tell
it... Sydney Morning Herald
08/13/02
THE
LATEST TRENDS IN DANCE: Toronto's Festival of Independent
Dance Artists is Canada's largest international dance festival.
"The first half of the festival reveals several interesting
trends: There is an emphasis on beautiful dance, anchored in
strong technique and form. There are also more group pieces rather
than a long line of solos. The solos themselves are less
introspective and self-indulgent than in previous years. Humour is
making a welcome return." The
Globe & Mail (Canada) 08/12/02
ENDANGERED
ROCKETTES: Is Rockefeller Center getting ready to toss out its
high-stepping Rockettes? "The corporate owner of the landmark
concert venue wants to replace the standing roster of Rockettes
with a system of open auditions. The dancers with the trademark
high-leg kicks have been working without a contract since
February." Nando Times (AP)
08/11/02
DANCE
FESTIVAL CALLS IT QUITS: Los Angeles dance presenter Dance
Kaleidoscope has folded after failing to find a new director.
"In its heyday, Dance Kaleidoscope was the city's premier
showcase for local dance, presenting a multi-week festival of
modern, classical and world dance performances. In summer 2000,
the event included five performances of nearly 30 artists or
groups in four locations over three weekends." Los
Angeles Times 08/17/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TV
GUIDE LOSES ITS WAY: For much of its career, TV Guide
was a publishing powerhouse. In the 1970s, 40 million people read
it every week. These days "circulation has plummeted to 9
million, the magazine is increasingly reporting on gossipy non-TV
stories like Winona Ryder's legal troubles, and - in a clear sign
of the changing zeitgeist - it's taken a backseat to new TV
Guide properties that are online or delivered by cable and
digital systems." San Francisco
Chronicle 08/12/02
LAPD
BECOMES BRAND-SENSITIVE: "The Los Angeles Police
Department is seeking to censor films and television shows by
threatening to sue any company that uses its name, badges or logos
without getting approval for the script first. Behind the move is
a desire to force the entertainment industry to abandon one of its
favourite stock characters: the bad cop who either beats up
suspects, takes money on the side or drinks too much." The
Telegraph (UK) 08/12/02
THE
GREATEST MOVIES OF ALL: What does the recent British Film
Institute list of all-time great movies say? "It has
surprised, even shocked, some people that there are no recent
pictures on the 2002 lists but even more striking is the absence
of certain big names - Lang, Buñuel, Ford, Ophüls, Powell, Reed.
But the lists aren't terrible, especially considering that in the
critics' section 631 films were nominated (408 receiving one vote
each), while the directors named 490 films (312 receiving one vote
apiece). This is an encouraging tribute to the attractive
diversity of world cinema." The
Observer(UK) 08/11/02
CUT-RATES
= MORE WORK: Hollywood musicians were losing more and more
movie-score recording to musicians in other cities who would
record it cheaper. So last year the musicians cut their rates by
50 percent. They got more work. "In theory, we could have
lost money. What we really did was behave in a way that made us
good stakeholders in the industry. There are now many more albums
out there, so we have 25% of something instead of 50% of
nothing." Andante (Variety)
08/12/02
HOME
CENSORS: New software allows viewers the ability to
"delete offensive language, violence, or adult situations
from movies that are played back on home digital equipment."
But the software goes beyond simple censorship. It can also change
the look of a movie. "A consumer can actually choose to tone
down the violence in a movie but leave the language intact or vice
versa. In other words, parents can become movie directors." ABCNews.com
08/14/02
MOVIE
STUDIO INVENTS FAKE FANS? First movie studios got caught
inventing critics to promote their movies. Now the editor of a
popular internet site devoted to movie reviews says a movie
publicist has been inventing fake fans to post positive comments
to a fan forum. He also claims that "whoever is behind the
bogus postings collected the e-mail addresses of all the users of
the message boards and sent ads for the film to them." Hartford
Courant 08/15/02
ALIEN
NATION: Some of Hollywood's best new films are being made by
non-Americans. "The multinational nature of the industry's
present talent pool might be a wonder to US critics; but that's
just amnesia talking. Hollywood, after all, owes its very
existence to the mass immigration of the early 20th century. It
was only natural that this budding nation should seize on the
infant medium of cinema, a potent lingua franca based around the
great equalisers of melodrama and adventure, with a frequent bias
toward heroic but misunderstood outsiders." The
Guardian (UK) 08/15/02
WHY
I DOWNLOAD: The film industry estimates that in May,
400,000-600,000 films were being downloaded by Internet users per
day. Is it just rampant theft? "People who go through the
trouble of downloading these movies are die-hard fans who would
buy it on DVD anyway. . . . It's a way to sort through what I want
to buy." San Francisco Chronicle
08/16/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ONE
MORE TIME - FROM THE TOP... Funny - they call is the
"science" of acoustics. But if it was so scientific, why
are there all these modern concert halls in which you can't hear?
Toronto's Roy Thomson Hall (home of the Toronto Symphony) is about
to reopen after an acoustical makeover that took six months. The
hall is famous for its poor sound - "the sweeping changes to
canopies, seating and bulkheads come with a $20-million price tag.
Here's how the concert hall plans to refresh its sound..." The
Globe & Mail (Canada) 08/13/02
TOO
MUCH FREEDOM? "Like no other director before him, Harry
Kupfer, who turns 67 next month, dominated the Berlin opera scene
for decades. (Even today, there are still 30 of his stagings in
the repertoires of the Komische Oper and the Staatsoper.) But
Kupfer was more than just a successful opera director. The story
of his rise and fall is also the story of a changing Berlin, an
example of the way repressive governments can ironically infuse
art with expressive possibility, and a cautionary tale of what can
happen when a director overindulges in hard-won artistic
freedom." Andante 08/11/02
VIDEO
GAMES - THAT'S WHERE THE MONEY IS: "For years, record
companies considered licensing their music to video games as a
meager but steady source of cash. But as sales of video games
rival Hollywood box office receipts, the music industry is taking
notice. Labels now view games - with a dedicated fan base of
young, affluent players - as launching pads for up-and-coming
artists." Nando Times (AP)
08/13/02
THE
OPERATIC MAGGIE: The new opera about Princess Di just doesn't
work. But then, few operas on contemporary themes are successful.
Rupert Christiansen has an idea though: "My advice to any
composer who wants to tackle a subject with "contemporary
relevance" would be to think big and Verdian (Rigoletto,
Don Carlos). [John Adams'] Nixon in China works because
the characters and situation were already larger than life, and it
never tries to be ordinarily real. I have a specific suggestion to
offer. A composer with Donizetti's dash and vigour should tackle
my idea for a grand opera based on the fall of Margaret
Thatcher." The Telegraph (UK)
08/14/02
GETTIN'
REAL WITH THE ROUGH STUFF: "In both rock and country, the
axiom (right or wrong) has been that the rough stuff is the source
of innovation: Rawness is truth, violence is strength,
stripped-down is honest. When things get too squishy, the most
demanding part of the audience starts to squirm and, as legend has
it, the young punks and outlaws provide a reality check. That same
set of reflexive values has been superimposed on hip-hop in the
past 20 years: 'Keeping it real' means keeping it on 'street'
level, and the streets, don't you know, are mean and
murderous." The Globe & Mail
(Canada) 08/15/02
CLASSIC
SUCCESS STORY: In America, classical music radio stations may
be a losing proposition. But in Britain, 10-year-old Classic FM is
"the biggest radio success story of the decade, and their
unashamedly populist approach has seen audiences soar to 6.8
million - a 360,000 increase on last year. Audiences now outstrip
Radio 1, Kiss and Virgin, and with a revenue increase of 23 per
cent, they are celebrating their anniversary with a clutch of new
signings." The Scotsman 08/14/02
STYLE
BREAK: Orchestra musicians have dressed the way they do for
centuries. But some European orchestras are wondering about making
a change. "Many orchestras are concerned that tails are dated
and may put off new audiences; meanwhile, some are concerned that
change could alienate the longtime audiences who are accustomed to
the tails-for-men-and-long-black-for-women look." Andante
08/16/02
TOO
MANY OTHER THINGS... A survey of music consumers suggests that
downloading music is not to blame for a recent downturn in music
sales. "Increased competition for consumer entertainment
dollars - from video games, cable television and home theatres -
was more responsible for the slump." Sydney
Morning Herald (AFP) 08/15/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
LARRY
RIVERS, 78: The "irreverent proto-Pop painter and
sculptor, jazz saxophonist, writer, poet, teacher and sometime
actor and filmmaker" died of cancer. "He helped change
the course of American art in the 1950's and 60's, but his virtues
as an artist always seemed inextricably bound up with his vices,
the combination producing work that could be by turns exhilarating
and appalling." The New York
Times 08/16/02
GO
WEST: Cornel West has had a difficult year. Cancer, marital
problems, and controversy at Harvard that pushed him to leave for
Princeton. Through it all, West has kept his own style - He
"does not do e-mail. He doesn't have a cell phone. He doesn't
own a computer. What he writes, he writes longhand. He's eccentric
that way or, as he puts it, 'old school' That, too, is why he
wears those dark, formal three-piece suits with the vest chain
dangling: They conjure the dignity, confidence and humility of the
black preachers of his youth." Washington
Post 08/11/02
ALBERTO
IN LOVE: Alberto Vilar has given $250 million to the arts, and
his passion for opera projects is high. But after a difficult
surgery and a new fiancee, "he looks on the arts now with a
warier eye and to his own happiness as a higher priority."
Will marriage slow down his gifts to favored music projects? London
Evening Standard 08/14/02
MCCARTNEY
OUT: Paul McCartney has pulled out of this year's Kennedy
Center Honors, citing a schedule conflict. "The withdrawal,
the first in the history of the awards, is a deep disappointment
to organizers, who had striven to put together a particularly
impressive roster of talent for what will be the 25th anniversary
of the ceremony, scheduled for Dec. 8." Washington
Post 08/17/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AROUND-THE-WORLD
BOOKS: San Francisco artist Brian Singer created 1000
journals, then released them into the world with strangers where
they were to be passed on from person to person until the pages of
the books are filled. Their progress can be followed on the web at
www.1000journals.com.
"The journals have crisscrossed North America and travelled
to more than 30 other countries, from Guam to South Africa, from
China to the Netherlands. But most unexpected has been how the
journals have taken on lives of their own: "A lot of people
are writing in the journals about the journals. These journals are
having their own unique adventures." The
Globe & Mail (Canada) 08/14/02
BAILING
OUT PUBLISHERS: Canadian publishers were caught in financial
trouble earlier this year when the country's largest book
distributor went out of business owing a lot of money. But various
levels of government have stepped in to bail out struggling
publishers. "As publishing goes through changes in Canada, we
want to make sure that the really good publishers, who do
outstanding literature and who are professionally excellent, can
survive and thrive." The Globe
& Mail (Canada) 08/14/02
BRITISH
LIBRARY STRIKE CANCELED: Workers at the British Library had
planned to go on strike Monday, protesting the Library's pay
proposal. But negotiations have moved ahead better than expected,
and the union has called off the strike. "We are hopeful that
the suspension of strike action will provide an opportunity for a
fair pay settlement to be reached." BBC
08/14/02
QUIET
TIME TO WRITE: Prison hasn't slowed down author Jeffrey
Archer. This week he "signed a three-book deal with
Macmillan/St. Martin's reportedly worth millions of pounds - from
his jail cell, where he is doing four years for lying on the
stand. His agent told the press that, because Archer has 'never
been writing better,' he jokes that he's leading a campaign to
keep him inside." San Francisco
Chronicle 08/17/02
TO
BLURB OR NOT TO BLURB: Blurbing a book is - more often than
not - an act of politics. Getting the right blurber for your cover
requires strategy. "Nonfeasance is the norm in blurbing.
Publishers expect little. Several galleys per week arrive at my
door. I always open the envelope, and I always read the editor's
letter. I like the personal, the flattering, the imploring: 'In so
many ways this book reminds me of yours... The
New York Times 08/12/02
A
BESTSELLER SECRET? They don't get much respect in the literary
world, but Britain's top-selling authors - among them Barbara
Cartland, Jackie Collins and Jeffrey Archer - have sold 3.5
billion books. "What is it that makes these authors - often
ridiculed but obsessively read - so stupendously successful?
Literary merit? Perhaps not. Some have sold their souls
brilliantly to the media, while others simply had the knack or
luck of perfect timing. And their rewards continue to amass."
London Evening Standard (UK) 08/12/02
PEER
(NET) REVIEW: Internationally, about 25,000 science, technical
and medical journals are peer-reviewed, meaning they are vetted by
two or three specialists, plus the journals' editors. The authors
and reviewers, who work as volunteers, can be anywhere in the
world, and many journals' editors work off site. With such
far-flung participants, the submission and assessment process for
peer-reviewed articles has traditionally involved lengthy mail
delays, high postage costs and cumbersome administration. But in
the past few years new software has dramatically cut don
turnaround time. And it's changing the peer review process. The
New York Times 08/12/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BOX
OFFICE SMASH: Hairspray, which opened on Broadway
Thursday night, is already a huge success at the box office.
"The musical, based on John Waters' 1988 cult movie, is
blowing away the success of previous Broadway smashes by taking a
whopping $15 million in advance ticket sales - more than the Mel
Brooks smash The Producers. By 5 p.m. yesterday [Friday],
the box office had sold $1.5 million worth of tickets for the
show." New York Post 08/17/02
WHAT
DO THE CRITICS KNOW? The critics all loved the London revival
of Kiss Me Kate. But the show is closing long before it
earns back its investment. Yet Bollywood Dreams, which
opened to mixed reviews (at best) prospers across the alley. What
gives? The critics are confused: "If we all hate a show it
usually doesn't prosper. But it is slightly galling that here is a
show which we all really loved, and that doesn't seem to have
helped at all. I can't think of any way we could have done it
better, so you have to ask: can a show like this make it any
longer?" The Guardian (UK)
08/17/02
- DO
CRITICS STILL MATTER? "The rise of celebrity culture
in the West End has had a twofold effect: a serious play
starring unfamiliar actors will be ignored, while a production
starring Gwyneth Paltrow will sell out before previews start,
regardless of the play. People now attend the theatre to see
stars. They don't seem to care, for instance, if Madonna's
performance in Up for Grabs is "wooden" or
"mechanical" - to quote the critics." The
Guardian (UK) 08/17/02
TRAPPED
BY THE LONG RUN: You'd think any actor would be happy for the
security of being locked into a longterm role. But it's not for
everyone. "I felt like I was locked up in prison. It was very
trying to be at the whim of every audience. If the laughs were
smaller at one performance than another, then I'd worry why they
were smaller. I'd worry during the performance. I'd keep thinking,
'I can't seem to please these people enough.' It was very, very
exhausting." Backstage 08/13/02
SHAKESPEARE
TOWN: Organizers of a proposed "Shakespeare's World"
theme park spent 13 years trying unsuccessfully to make the
project happen in Stratford-upon Avon. So they took the £200
million project to the US. "The first 'Shakespeare's World'
will be housed inside a reconstruction of parts of Tudor
Stratford-upon-Avon and London in the town of Midland, near
Pittsburgh, Pennsylvania. It will include Elizabethan fairs,
jesters, acrobats, falconry and wrestling displays, banquets and
mead-tasting events, as well as waxworks and costume
exhibitions." The Observer (UK)
08/11/02
UP
YEAR FOR FRINGE FESTS: The Edinburgh Fringe Festival is
breaking attendance records. But so are other fringes - "this
year's New York International Fringe Festival has racked up more
than $150,000 in advance sales - nearly five times more than last
year." New York Post 08/13/02
SOME
NEW MUST-SEES? For several seasons the national touring
theatre circuit has been in a slump. But things are looking up for
the season about to open. "Not since the mid-'90s, when The
Phantom of the Opera and Miss Saigon hit the road, has
a new season for theater nationwide looked so promising." Hartford
Courant 08/11/02
AUDITIONS
- SPELL IT S-T-R-E-S-S: "Auditioning for a show is the
most uncivilized practice for humans since the barbarous
exhibition of the Roman gladiators. A more sanguine view would be
to think of it as training for the Last Judgment." But
everyone has their role to play in this exercise. Those sitting
out in the theatre rendering judgment have their anxieties too. The
New York Times 08/11/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FLIGHT
OF IMAGINATION: The new Yokohama international airport sets a
new standard in airport design. "Like the Pompidou in its era
it is the newest big thing, and the calling card of the next
generation of architects. It is designed by a young practice which
calls itself Foreign Office Architects, or FOA, of which you will
hear much more." London Evening
Standard 08/16/02
WORRYING
ABOUT STONEHENGE: At last - a plan to fix up the area around
Stonehenge. Plans for the site are bound to be controversial, but
the architects have been sensitive to the site. "While
keeping in line with the current vogue for high design, theirs is
a plan which will work extremely well in the surrounding
landscape, as it will be set into a hillside with a roof planted
with native grass. The centre will include displays which tell the
story of Stonehenge and its history. Visitors will still not be
allowed to enter the ring of stones itself, though managed access
by prior arrangement is anticipated. The destructive potential of
830,000 visitors a year is too great to allow free access to the
stone ring." The Art Newspaper
08/16/02
"ART"
OF ADOLF? Why are critics reviewing a show about Hitler at
Williams College Museum of Art's as an aesthetic construct?
Considering Hitler and his actions as a product of aesthetic
choices misses the point entirely, writes Lee Rosenbaum.
"Could it be that critics and curators who spend their lives
looking at pictures begin to lose sight of the big picture?" OpinionJournal.com
08/15/02
DRESDEN
FIGHTS TO RESCUE ART: Workers struggle to save Dresden's
valuable art as floodwaters threaten. "Working by the light
of candles and torches, 200 museum workers, police officers and
soldiers carried some 4,000 paintings to the upper floors of the
19th-century palace as the Elbe rose by the hour. Six paintings
too large to move were attached by ropes to pipes in the ceiling
in the hope that the floodwater would not reach them. The flooding
has proved particularly traumatic for Dresden, an eastern city
that since the reunification of Germany in 1991 has been working
to rebuild itself around its historic cultural image." The
New York Times 08/16/02
ENOUGH
ALREADY: Isn't it about time that conceptual art was allowed
to die? "Consider this: cubism lasted about 20 years because
it had a lot of conventions to break down; pop and op art lasted
about 10 years (change was becoming more acceptable). At that rate
conceptual art should have lasted no longer than five years. The
only kind reason that I can think of why conceptual art has lasted
so long is that because it possesses virtually no permanent form
and thus very little content." The
Age (Melbourne) 08/17/02
CONTROLLING
THE MESSAGE: Organizers of Documenta have stopped outside
guides from taking visitors through the exhibition. Only
"official" guides, trained by Documenta are allowed to
give tours, and critics charge that officials are trying to
control interpretation of the art. “To what extent are those
responsible trying to put a stop to any critical reception? To
what extent do the organizers really want to offer visitors an
official view of young contemporary art?" Frankfurter
Allgemeine Zeitung 08/16/02
THE
MOMA CHALLENGE: Neal Benezra becomes director of San Francisco
Museum of Modern Art at a challenging time. He "will have to
figure out how to continue growing an institution that, at least
on paper, seems to have peaked. Museum attendance hit a high in
1990, when 732,000 people visited, and has been trailing off since
then, reaching 640,000 last year. Membership has slipped also,
down to 40,000 from 43,000 last year." Los
Angeles Times 08/14/02
LIVERPOOL'S
DISAPPEARING SKYSCRAPERS: "Four years ago there were
about 70 tower blocks in Liverpool; it is predicted that in the
next couple of years there will be as few as 10. They don't, in a
sense, really need to be saved - they are not architectural
classics." But the office space is no longer needed, and
their teardown is seen as civic improvement. In the meantime
artists are having fun with the derelict tall buildings. The
Observer (UK) 08/11/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CALL-BLOCKING:
A proposed law to prohibit cell phones in New York theatres stands
a good chance of passing, with city councilors looking likely to
pass the law. But cell phone companies are upset. "Members of
the cell-phone industry who oppose the bill out of commercial
interests and principle expressed incredulity that the bill has
been met with this much fanfare." Wired
08/17/02
SERIAL
WINNER: The success of an arts company is not so much
dependent on ticket sales as it is on subscription sales. Single
ticket buyers do not a successful company make. The father of the
subscription package evangelizes: "There is no arts boom,
only a subscription boom. Remember, you're not selling Tupperware.
We are colourful, we are glamorous, we are the performing arts!
Describe your play on the cover, offer discounts, use such
enticements that you can already hear somebody crying, `Martha,
where's my chequebook?'" Toronto
Star 08/17/02
GOING
FOR THE ARTS: The Los Angeles School District was going to
build a new downtown high school. But, with the encouragement of
billionaire philanthropist Eli Broad, the district has decided to
spend $20 million more and build a school of the arts. "We
believe that the arts are a powerful tool for learning. We are
proud to play a role in establishing a school of excellence in a
community that has endured so many broken promises." Los
Angeles Daily News 08/15/02
UNARTABLE?
There is a problem with art about 9/11. "Played to audiences
who know what you're going to say next - and are unable to react
naturally if you say anything different - art about that
calendar-stopping catastrophe will always struggle to do the two
things that are the justification of creative imagination: to
expose and to provoke. If there's a definite problem with art
about the event, there may also now be a potential difficulty with
art after the event." The
Guardian (UK) 08/16/02
CONTEXT
OF COMPLAINT (AND PRAISE): Being a critic is much more than
reciting a list of observations. "Criticism, in our world,
ought to have one purpose: to serve as a catalyst for democratic
dialogue. It should not be a mere catalog of opinions. It might
express dissatisfaction with the general state of intellectual
affairs, or it might gather forces behind an idea or aesthetic
mood. But it should always evaluate. That makes politics an
essential component. In some fashion, every work of art is an
expression of a political stand in society." Chronicle
of Higher Education 08/09/02
PINNING
DOWN THE BEAUTY THING: There is beauty in science, certainly.
But "is there a science of beauty? Are there equations behind
the most beautiful works of art? The consensus has been that this
is a hopeless quest... The Age
(Melbourne) 08/15/02
CLONING
NEW YORK: Over the past several years New York City has been
putting together "an immensely detailed, three-dimensional,
interactive, constantly updated map of New York City. The digital
NYCMap captures the five boroughs down to the square foot,
incorporating everything from skyscraper viewing platforms and
building floorplans to subway and sewer tubes and ancient faults
in the schist below." How much of the city's DNA could be
collected? Could you even clone it and rebuild elsewhere if some
catastrophe were to occur? Village
Voice 08/13/02
THE
ZEN OF BEING WRONG: Critical writing is not an absolute,
suggests Terry Teachout. And critics ought to have enough
confidence to change their minds and admit it. "I don't mean
to say that critics should be wishy-washy, but we should also
remember that strong emotions sometimes masquerade as their
opposite. I also think the world of art would be a better place if
we critics made a point of eating crow from time to time." OpinionJournal
08/14/02
THE
WAR ON CONSUMERS? The giant recording and movie industries
seem to believe that one of America's biggest priorities ought to
be protecting their hold on their respective industries. So what
if protecting the status quo may not be in the public's best
interests? "We have the "War on Drugs" and the
"War on AIDS" and the "War on Terror" - does
this mean we'll see the "War on File Sharing" as the
next great American undertaking with the same effect as these
other "Wars" over the years?" The
Register 08/12/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THROWING
YOURSELF INTO YOUR WORK: "Just before he died, the man
who made the Frisbee soar and who was called the father of disc
golf said he wanted his ashes to be mixed into new copies of the
famous plastic flying disc. And his family hopes these
limited-edition Frisbees could be sold to help fund a museum in
his honor." San Francisco
Chronicle 08/14/02
DUPING
THE ART PUBLIC: "Last week, art students from Leeds
Metropolitan University dumped some cardboard boxes on the floor
of the Tate Modern. Within moments, a crowd had gathered to admire
the new exhibit before security guards cleared them away. The
Evening Standard decided to test the credulity of the public once
again by exhibiting a mundane object - and seeing how long it took
visitors to treat it with the reverence of a tank of Damien
Hirst's pickled sharks." London
Evening Standard 08/13/02
REBRANDING
POLAND: Poland is trying to spruce up its image. So it's doing
what any good corporation does these days - attack it as a
marketing challenge. It hired the country's largest ad agency to
come up with a new logo. "The year-long effort has produced a
playful new emblem, unveiled in Warsaw at the end of July, which
its creators hope will vanquish age-old stereotypes and
effectively relaunch Poland's image." The Poland account
execs reprotedly even consulted a Buddhist monk for help in
defining the country's new-look logo. Financial
Times 08/13/02
HOME
|