Week
of July 22-28, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A
SENSE OF PROGRESS: Why are so many people resistant to new
experimental art? "In a world where experience is
increasingly fragmented and isolated, art points to the
unbreakable chain of human creativity, and refuses to make islands
of separation out of past, present and future. New work is new
energy, and we need new energy, not least to understand what we
have already achieved." The Times
(UK) 07/24/02
THE
IRRELEVANT NEWSPAPERS: For three weeks the newspapers in
Vancouver Canada have been on strike. Last time there was a strike
- in 1978 - it was a disaster for the local arts community.
"Ticket sales plummeted, seasons curtailed, staff reduced to
handing out flyers on Granville Street, huddled in doorways like
Jehovah's Witnesses. This time, arts groups hardly notice the
papers are gone. Certainly part of the reason is that there are so
many other sources of news. But it also "comes down to the
fact that both Vancouver dailies have been cutting back on arts
coverage for years (along with city hall and other time-consuming
local beats), judging it more cost-efficient to publish press
releases of Hollywood films, wire-service photos of female
breasts, and hotel interviews in which Jamie Portman sucks up to
the star du jour. Having of necessity turned to other media with
their message, local artists no longer live or die at the whim of
some underpaid 'critic' who would rather be covering sports or
restaurants or, well, anything really." The
Globe & Mail (Canada) 07/23/02
CULTURE
SERVED UP COLD? Cultural diversity is an orthodoxy commonly
preached these days. But is it a policy that deadens art?
"The essence of cultural diversity, as preached by government
and these organisations is 'respect' for other voices, different
points of view and self-expression. We are exhorted to listen to
other voices in every discussion on diversity but never to judge
them. The rhetoric of diversity deems every cultural form of
worth, not because of a quality intrinsic to it, but for the sake
of it. This phoney respect is not earned, but derived from an
external formula distinct from culture. All too often, the praise
and endorsement of other cultures expresses itself alongside a
total ignorance of them. This is why, despite much talk of
diversity, champions of it tend to sound the same and the exhibits
or productions seem to merge. We are being fed a formula for
indifference." The Art Newspaper
07/20/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STILL
MOVING INTO NEW TERRITORY: Merce Cunningham is 83, and the
subject of a retrospective at Lincoln Center this summer.
"For all his reputation as a master producer of impenetrably
difficult modern dance, Mr. Cunningham's long voyage through the
art of dance has been surprisingly simple. At heart, this journey
of six decades has been a matter of 'how adroitly you get one foot
to the next,' as he describes his notion of rhythm." The
New York Times 07/24/02
NOT
READY TO CONCEDE THE POINTE: "As regulars at Covent
Garden will know, the Royal Ballet is changing. Under the new
artistic director Ross Stretton the company is becoming less
classical and more modern, less traditional and more adventurous.
Today’s ballet dancers need to be versatile, to try anything,
even if it means going barefoot." That's not good news for
the company's more classically inclined dancers. Dancers like
Miyako Yoshida, who are not about to give up a career-long
devotion to classical training. The
Times (UK) 07/22/02
9/11
REQUIEM: Hopes have not been high for a Banff Centre
Canadian-government-funded memorial dance to September 11 set to
Verdi's Requiem. The project has seemed, to many observers, as a
bit over-the-top. But the work premiered this week and "if
not for the title and a brief still image at the end, Requiem 9/11
has the potential to be a nicely costumed, well-lit and
beautifully danced generic expression of mankind's aspiration to
triumph over evil." National Post
(Canada) 07/28/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SEX
SELLS? NOT TO US...UH, UH... A new poll says that "most
television viewers believe that broadcasters use sex to boost
their ratings, but that it had little effect. Of those questioned,
85 per cent said programme-makers include nudity and erotic
content in an attempt to persuade them to tune in.The poll, which
was conducted for the Guardian Edinburgh International TV
Festival, which runs from August 23 to 25, also found that 83 per
cent of viewers said they were not tempted to watch programmes
with sex in the title." The
Scotsman 07/25/02
COMMIT
TO THE MACHINE? The tech industry is making overtures to the
entertainment industry. Should we be worried? The industry
"may well want to do the right thing by its customers -
something you should not take for granted - but it's also
enthusiastically building the tools that will help the
entertainment cartel grab absolute control over customers'
reading, viewing and listening." San
Jose Mercury-News 07/22/02
THE
COST OF ROYALTY: The internet's first commercial radio station
has closed down, citing the cost of recently imposed music
royalties. ''The bill comes out to around $3,000 a month for KPIG,
which isn't a whole lot, but KPIG is basically a small-market
radio station. And right now, it's not making any money from that
stream.'' Atlanta Journal-Constitution
(AP) 07/23/02
TV
FOR THE DUMB: A new report in the UK concludes that new-style
TV is breeding ignorance. It says that "the international
documentary is dead, with TV preferring to show programmes
involving clubbing, surfing, popular music and the sex industry.
'There is a real danger that we are becoming a fragmented society
where some people will have all the international knowledge while
the rest will just be consumers of advertisers'." The
Scotsman 07/23/02
SONY'S
FOUND NEW RELIGION - MOVIES: Since it got into the movie
business in 1989, "Sony has been the butt of jokes, known as
much for churning out over-the-top flops as for profligate
spending that forced it to take a $3.2-billion write-off in 1994,
one of the largest losses in Japanese corporate history." But
that has all changed this summer. "Sony's movie lineup broke
all summer records and helped rack up $1 billion in U.S. ticket
sales, more than most studios make in a year. First-quarter
earnings are due today, and movie profits this year are expected
to make the studio second only to Sony's successful PlayStation in
importance to the bottom line." Los
Angeles Times 07/25/02
EH,
WHO NEEDS THE 4TH AMENDMENT? Hollywood is pushing a new piece
of legislation which the industry hopes will allow it to take an
active role in stopping the video piracy it claims is epidemic. If
passed, the law would allow studios to seek out and disable
pirated copies of movies and music. Seek out? Why, yes, that does
mean what you think it does: the law would allow the movie
industry to hack into your computer more or less at will, and
cripple your system if pirated material is found. BBC
07/26/02
BIG
OR ELSE: In the new world of globalized culture and giant
movie conglomerates, movies that don't have the potential for
worldwide branding and profits will see little in the way of
promotion from studios. The Globe
& Mail (Canada) 07/27/02
DON'T
NEED NO STINKIN' ACTORS: The latest thing in movies? A
technology coming out of computer games. "Machinima (ma-SHIN-i-ma),
a form of digital filmmaking that piggybacks on the slick graphics
that are easily available from computer games and uses them to
produce animated movies quickly and cheaply. Machinima movies,
which range from short comedies to science-fiction epics, are
produced entirely on computers, eliminating the need to buy costly
equipment, rent spectacular locations or hire glamorous actors.
The films are then distributed free over the Internet." The
New York Times 07/22/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WORST
CONCERT SEASON SINCE 70s: This is shaping up as one of the
worst years ever for the pop concert business. "Touring
concerts in the first six months of 2002 generated $613 million,
down more than 14 percent and $100 million from the same time
period last year, according to the trade publication Billboard
Boxscore. Pollstar, another industry journal, reports that about
10.6 million tickets were sold for the top 50 concert tours in
North America this year, compared with 12.9 million tickets sold
in 2000." Denver Post 07/25/02
WORKING
AGAINST MUSIC: An archaic law in Britain requiring pubs to
obtain a music license if they feature live performances is
cutting down the number of clubs with music. "The difficulty
for pubs is often that the cost of the licence can be up to £5,000
in some areas, a crippling extra cost for small community pubs.
The result is a collapse in the number of pubs with live music,
particularly pubs formerly well known among musicians for informal
sessions." The Guardian (UK)
07/26/02
SOME
GOOD NEWS IN ST. LOUIS: The St. Louis Symphony Orchestra is
doing pretty well for an ensemble which was on the verge of
bankruptcy less than a year ago. The SLSO announced this week that
it is more than halfway towards a $40 million fund-raising goal
which would trigger a matching gift from one of the city's
wealthiest families. The vast majority of the funds raised will go
towards boosting the orchestra's sagging endowment, and the rest
will be used to cover operating expenses and debt. St.
Louis Business Journal 07/24/02
THE
NEW (OLD) SALZBURG: The Salzburg Festival, as envisioned by
Gerard Mortier, was an adventurous and often controversial romp
through music of many eras, with a damn-the-torpedos spirit which
occasionally alienated some high-profile performers. But Mortier
is gone, and new festival director Peter Ruzicka has taken a
decided turn towards safety and tradition. Mortier's beloved
contemporary music series is dead in the water, the
ultra-conservative Vienna Philharmonic has been returned to
festival prominence, and Mozart and Richard Strauss will be the
most prominently featured composers for the foreseeable future.
Outrageous? Cowardly? Maybe. But ticket sales are up 16%. Andante
07/26/02
ENO
DENIES CUTBACK REPORT: The English National Opera denies a
report that it is considering drastically scaling back its
operations and becoming a part time operation (see story below). A
"spokeswoman said the reports were 'speculation and rumour'
and called the idea of a part-time company an 'illogical
scenario'. And the spokeswoman dismissed suggestions of
large-scale job losses." BBC
07/26/02
MUSICIANS
ALLEGE FRAUD: Musicians testified before a California state
senate committee Tuesday that the recording companies
"routinely underreports royalties and cheats artists of
millions of dollars." One attorney charged that the companies
"underpay 10 to 40 percent on every royalty and dare artists
to challenge it without killing their careers." Nando
Times (AP) 07/23/02
SAME
OLD SAME OLD: Why does contemporary opera seem so flat? Greg
Sandow writes that "if all they do is tell familiar stories
in familiar ways, they carry a built-in risk of disappointing
audiences. For one thing, ordinary media — movies, books, TV,
and theater — already tell these stories perfectly well. What
can opera add? Secondly, there's no accepted way to write an opera
in our time, no common operatic language that composers all agree
on. Each opera — implicitly, at least — has to explain itself.
Why does it exist? Why should anybody listen to it? What does it
give us that we couldn't get anywhere else?" Andante
07/19/02
SOMETHING
CRUCIAL MISSING: Why is British jazz ailing? "The
majority of new releases in this country are substandard,
half-hearted affairs that deserve praise only in comparison to
some of the real rubbish that gets out. There are two problems
here. One is the general standard of musicianship, which just
isn't as high as it is in America... New
Statesman 07/22/02
WOULDN'T
YOU LIKE TO BE A COMPOSER TOO? New music software programs
have become so powerful they have put the power of professional
studio setups in the hands of the average consumer. "In many
ways, the explosion in the power and popularity of these programs
is a parallel to the explosion of MP3s and digital distribution of
music. MP3s allow artists to work around the traditional record
label channels, distributing music directly to fans. Meanwhile,
digital music creation tools have given aspiring artists access to
tools and sounds that were found only in professional studios (at
a prohibitive cost) just a few years ago." Wired
07/23/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CHAIM
POTOK, 73: Novelist Chaim Potok, who had been ill with cancer
for some time, died at his home in Pennsylvania Tuesday. "Mr.
Potok came to international prominence in 1967 with his debut
novel, The Chosen (Simon & Schuster). Unlike the work
of the novelists Philip Roth and Saul Bellow, which dealt largely
with the neuroses of assimilated secular Jews, The Chosen
was the first American novel to make the fervent, insular Hasidic
world visible to a wide audience." The
New York Times 07/24/02
ALL
ABOUT THE STORIES: At 36, David McVicar is "widely ranked
the hottest talent on the international opera circuit; and his
special genius is for telling stories on a big scale but with
clarity and focus. At a time when opera staging seems in danger of
abandoning narrative responsibility in favour of interpretative
fancy - the bourgeois-battering aesthetic of Figaros set on
futuristic rubbish dumps and Don Giovannis on a slip-road to the
M6 - McVicar has emerged as something like a champion of
old-fashioned values." The
Telegraph (UK) 07/23/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WORSE
THAN BAD (AND A POX ON YOU ALL IF YOU DON'T THINK SO): Critic
Dale Peck's roasting review in The New Republic of Rick Moody's
new book was so shocking, it's got the literary world debating
critical writing. "Reactions from other book reviewers ranged
from dumbfounded horror to cringing respect to something like
exhilaration. What makes for good criticism? Is the literary world
too polite and clubby? Can a novelist fairly review his more
critically acclaimed rival? And finally, what is the effect of
this kind of skirmish on literary culture at large?" Salon
07/24/02
MAGAZINE
OF THE MOMENT: The Atlantic's Michael Kelly has been in charge
of the magazine for two years. "With Kelly's foot on the
accelerator, The Atlantic can lay plausible claim to being the
magazine of the moment. It won three National Magazine Awards in
May, a harvest of honors matched only by The New Yorker. The
current double issue - called ''probably the best issue of any
magazine published in America this year'' by The Washington Post -
contains the first installment of the longest work of journalism
The Atlantic has ever published: William Langewiesche's
70,000-word series on recovery efforts at the World Trade Center.
Though it's still losing money, The Atlantic's circulation has
climbed from 463,000 to 598,000." Boston
Globe 07/25/02
TOO
FAMOUS TO WRITE: A bizarre trend is developing in the
fraternity of superstar fiction writers: big-time bestselling
authors like Tom Clancy and Clive Cussler are employing other
writers to write their books for them. This is not ghostwriting,
per se - the 'real' author's name usually appears on the front
cover, albeit in much smaller lettering than that spelling out the
more famous name of the 'creator' - but it does seem to call into
question the basic definition of an author. "In the marketing
world such profit-seeking forays are known as brand extensions --
like Pepsi Twist or GapKids. In order to get away with such
sleight of hand, writers need three things: a fruitful
imagination, a total lack of personal style or voice, and a
reputation as a rainmaker." Washington
Post 07/24/02
READ
AND RELEASE: That book you found at the theatre last week was
left on purpose. Each book carries a note beseeching "the
reader to 'read and release' and is part of a global sociology
experiment. Already boasting 18,000 members in North America, the
craze has begun to take hold in the UK, with more than 200 books
now released across the country, proving that books and the
digital age can co-exist. Part book club, part message-in-a-bottle
experiment, the idea encourages people to register books on the
website and then deposit them in public places, such as coffee
shops and aeroplane seat pockets." The
Scotsman 07/23/02
WHAT
YOUR PUBLISHER WON'T TELL YOU? Authors are always complaining
that publishers shut them out of the book-making process:
"They don't tell you how much they are spending on promotion
and advertising, don't tell you how many copies have been sold,
although they send out so-called statements. They don't tell you
that the editor who acquired the book, who believes in it, has one
foot out the door and that your book is going to be handed off to
an editor who doesn't care about it. They don't tell you that the
public-relations person assigned to your book will be working with
a celebrity author and will have no time for you." The
New York Times 07/25/02
RETURN
ON INVESTMENT: Advances to authors have been soaring. Are
these books really worth millions of pound? "While the
rewards may be great if a title catches fire, a book that bombs
not only leaves a dent on the balance sheet, it leaves egg on the
face of the publisher." London
Evening Standard 07/22/02
POWER
OF BOOKS (AND GOOD TEACHERS): "When I encountered
Franklin Lears, I was a high-school thug. I was a football player,
a brawler, who detested all things intellectual. The first time I
saw this meager guy with his thick swinging briefcase, I wanted to
spit on the floor. He was absurd, a joke. If you had told me that
in eight months I would have decided to live my life in a way that
was akin to his, I would have told you that you were crazy; I
would have spit, perhaps, at you. But that is exactly what took
place: I went on to become an incessant reader, a writer, a
university professor." Chronicle
of Higher Education 07/26/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NOT
LAUGHING IN LONDON: "Long regarded as the laughter
capital of the world, London suddenly appears to be in the grip of
a recession for the first time since the alternative comedy boom
took off at the beginning of the 1980s. The evidence is mainly
anecdotal, but a pattern has emerged: audience numbers are
dropping, gigs are being cancelled, convulsions of panic rather
than mirth are shaking the promoters." The
Telegraph (UK) 07/28/02
GOING
TO THE ANGELS: The Eureka Theatre is almost dead. In the 80s,
the theatre was one of the most exciting regional theatres in
America. "A core group of exciting young directors - Richard
E.T. White, Tony Taccone, Richard Seyd, Oskar Eustis - made the
Eureka one of the most influential midsize companies on the West
Coast in the '80s, helping to introduce writers like Dario Fo and
Caryl Churchill to the region. Eustis and Taccone's discovery of
Tony Kushner, and commissioning of Angels in America, alone
counts as a milestone in American theater." San
Francisco Chronicle 07/28/02
BOYD
GETS SHAKESPEARE COMPANY: Michael Boyd has been chosen as the
new director of the Royal Shakespeare Company. "Boyd, an
associate director of the RSC since 1996, won an Olivier Award for
his production of Henry VI and has most recently been directing at
London's Roundhouse Theatre." BBC
07/25/02
CENTER
OF THE FRINGE: The Edinburgh Festival is about to begin, one
of the largest arts gatherings in the world. And this year's event
looks likely to break last year's record ticket sales. Advance
box-office takings have already passed the £500,000 mark. The
Scotsman 07/23/02
A
NEW DAY AT THE O'NEILL: Musicians learn their craft at
conservatories, actors have their pick of theater schools, and
painters go to art school. But for budding playwrights, the
opportunities for professional instruction are few and far
between, and most writers have to learn the ropes by trial and
error. For a half-century, the O'Neill Theater Center in
Connecticut has aimed to provide playwrights of all levels with a
chance for some serious study of the craft, away from the bright
light of public and critical scrutiny. Now, with the center's
founders retired, a new management team is tasked with advancing
the center's mission in an era when theater in general has been
suffering. Los Angeles Times 07/26/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WORSHIPPING
AT THE ALTAR OF CALVIN KLEIN: When a group of Cistercian
Trappist Bohemian monks went looking for an architect to design
their new monastery they found themselves admiring a Calvin Klein
store in New York. So architect John Pawson got the call. "If
ever there were a marriage made in heaven, this was it. What the
monks learned, to their delight, is that this was the commission
Pawson had been dreaming of for decades." The
Guardian (UK) 07/22/02
BMA
ON A DOWN CYCLE: The British Museum draws 400,000 visitors a
month - a success by any standard. "But beneath its familiar
exterior, the museum, Britain's most visited tourist attraction,
is in turmoil. Even after several years of steep cuts, its budget
deficit, growing steadily, is projected to reach almost $8 million
in the next 18 months. A planned $118 million study center, once a
cornerstone of the museum's long-term strategy to engage the
public more directly, has been abandoned. At any given time the
museum keeps more than a dozen galleries closed to the public,
another way of cutting costs. Meanwhile morale there is at rock
bottom." The New York Times
07/23/02
WORLD'S
UGLIEST BUILDINGS: The ugliest buildings in the world? Forbes
thinks it knows. These are buildings that cost a lot and should
have been great - but aren't. Some are obvious - the Millennium
Dome is no one's idea of great. But SFMoMA? Frank Gehry's
Experience Music Project? Forbes
07/23/02
WHAT
THEY COLLECT: "Of the 497 billionaires on the Forbes list
of billionaires, 36 singled out by The Art Newspaper are known as
major art collectors, although a good number of the others
decorate their properties with pictures. When it comes to taste,
22 of the 36 collectors go for Modern and contemporary.
Impressionism lags some way behind, with only 8 collectors.
Clearly those with ultra financial ambitions opt for the cutting
edge." The Art Newspaper 07/19/02
OLD
TIME FRENZY: The biggest thing in New Hampshire each August?
Antiques Week, a series of sales of American collectibles.
Participants are a serious lot. "People come by the
thousands. Customers line up at 2 a.m. the night before the show
opens. These people are fanatics. They are so afraid they are
going to miss something." The New
York Times 07/26/02
LOOKING
TO DIVERSIFY? Planners are trying to jam so much into whatever
will replace the World Trade Center that the design proposals so
far are a hodgepodge acceptable to no one. "Perhaps the real
lesson for the planners of the World Trade Center site is the same
lesson as that of the stock market, just a couple of blocks from
the WTC site. Instead of putting all their eggs in one basket -
instead of betting on all that office space - maybe the developers
should look into diversification." Boston
Globe 07/28/02
SFMOMA'S
NEW MAN: The San Francisco Museum of Modern Art has been on an
amazing upward trajectory in the past 15 years. Fueled by dotcom
money, the museum built a new home and acquired an impressive
collection. But Neal Benezra, SFMoMA's new director comes into the
job at a time of newly-imposed austerity. "SFMOMA remains in
relatively good financial health - it has an $80 million endowment
and continues to draw big crowds to shows such as last year's
Ansel Adams exhibition - but it laid off a dozen staff members in
January and faces a $1 million deficit." San
Francisco Chronicle 07/28/02
NATIONAL
AFRICAN-AMERICAN MUSEUM: Plans are moving ahead for a National
Museum of African American History and Culture in Washington DC.
"One possible location for the museum is the 120-year-old
Arts and Industries Building of the Smithsonian Institution, which
is used for temporary exhibitions. But a new building is a
possibility, despite the limited space on the Mall. The museum
will be paid for by contributions from the public, said officials,
who added that a preliminary cost estimate will be ready this
fall." The New York Times
07/22/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
OHIO
CUTS ARTS FUNDING: Ohio joined the list of American state arts
agencies taking big cuts in their budgets. "Broad state
cutbacks forced the council to lower its projected 2003 budget
from $15.7 million to $13.3 million. The council already had had
its budget reduced by 6 percent last October." The
Plain Dealer 07/25/02
GETTING
A BOOST: The British government has come through with an
unexpected £5.2 million of funding for 49 of the country's top
"non-national museums and galleries." The funding comes
from the UK's Designated Museum Challenge Fund, "created in
1999 to promote collections of national and international
importance." BBC 07/24/02
IDEA
ECONOMY: The battle over intellectual property rights is
heating up as one of the most important issues of the day. On one
side are established industries seeking to protect their power
bases. On the other side are those looking to build on existing
ideas, processes and products. "One wonders - when we have
copyright laws that provide protection for the life of the author
or creator plus an additional 70 years - how much incentivizing
(of other creative talent in the same field) is going on when that
person has been dead and buried ... for several decades." Nando
Times (AP) 07/26/02
INVEST
HERE: How curious that in tough economic times that
governments propose cutting arts spending. Such spending isn't a
handout, it's investment in a multi-billion-dollar industry. A
study commissioned by Americans for the Arts quantifies the
economic return - an investment of one dollar in the arts returns
$8. "When governments consider reducing their support for the
arts, as is the case with the proposed cut to the California Arts
Council, they are not cutting frills. They are undercutting a
nonprofit industry that is a cornerstone of tourism, economic
development and the revitalization of many downtowns." San
Diego Union-Tribune 07/26/02
THE
LATEST IN SUPERPAC: Dallas has unveiled plans for a new $250
million performing arts center. "The complex, adjacent to the
Meyerson Symphony Center in the downtown Dallas Arts District, is
scheduled to open in November 2007. One building will house the
Dallas Theater Center in an adaptable 700- to 800-seat facility to
be built directly east of the Meyerson. Across the street, a
second building will contain a 2,400-seat opera house that will
provide a new home for the Dallas Opera and the Dallas season of
the Fort Worth Dallas Ballet." Fort
Worth Star-Telegram 07/21/02
CURSE
OF THE ADJUNCT PROFESSOR: "There once was an unwritten
deal. If you were smart and willing to devote up to 10 of your
most productive years studying for a doctorate, certain things
would likely happen. A college or university somewhere would hire
you. And if you did well there, there was a full-time tenured job
in your future. The money wouldn't be great, but you'd be part of
an academic community. You'd do research in your field. You'd live
a life of the mind. Then the deal changed. Critics call it the
corporatization of higher ed. Colleges prefer to call it a shift
toward greater efficiency." Washington
Post 07/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PHONING
IT IN: A Minneapolis web designer has produced mini movies
that can be seen on cell phones. Careful though, the plots seem to
involve stick figures getting decapitated... Wired
07/24/02
RING-A-DING-DING:
Cell phones going off during performances is a major irritation
for audience and performer alike. But one composer has written an
entire symphony for an orchestra of cell phones. It's called -
groan - The New Ring Cycle, and it was performed last
weekend in England by the 30-piece mobile orchestra, Cheltenham
SIM-phone-ya. Nuff said. BBC 07/23/02
THIS
JUST IN... A Melbourne man has confounded medical experts and
film critics by declaring he has completely understood David
Lynch's Mulholland Drive. The movie had previously been
though to be impenetrable. "What makes the Melbourne man's
claim so extraordinary is that he performed this unprecedented
feat of comprehension while drinking an entire bottle of
spirits." The Age (Melbourne)
07/23/02
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