Week
of July 15-21, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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JACKHAMMERING
ANTIQUITIES: Greece has been trying for years to get Britain
to return the Parthenon Marbles from the British Museum. Now the
Greeks are building a swank museum at the base of the Parthenon to
house the marbles and want to make it "so magnificent that
Britain will finally bow to its demand to return" the
statues. But to build the museum, authorities are destroying
"a unique archaeological site" including "the
impressive remains of an ancient Christian city and Roman baths,
dating from the late Neolithic era to the post-Byzantine period.
At the foot of the Acropolis. As bulldozers continued razing
buildings surrounding the site yesterday, some 300 prominent Greek
archaeologists and architects, and other leading lights in the
arts and sciences, denounced the 'cultural vandalism' in a
petition." The Guardian (UK)
07/15/02
CULTURE?
IT'S JUST CULTURE... The battle between "high" and
"low" culture has been raging for some time. But is
anyone paying attention anymore? ?The curious thing about this
conflict - a savage, no-holds-barred struggle to anyone
professionally caught up in it - is that nine-tenths of the
population barely know that it exists. Pavarotti and Puccini, the
Beatles and So Solid Crew - it is all simply 'music' to the
specimen radio browser or megastore CD rack sifter. The vast
cultural chasm that supposedly exists between a Tchaikovsky
symphony and Andrew Lloyd Webber is a matter only for the arts
police." New Statesman 07/15/02
CLICK
TO LEARN: It's called Net thinking. "a form of reasoning
that characterizes many students who are growing up with the
Internet as their primary, and in some cases, sole source of
research. Ask teachers and they'll tell you: Among all the
influences that shape young thinking skills, computer technology
is the biggest one. Students' first recourse for any kind of
information is the Web. It's absolutely automatic. Good? Bad? Who
knows?" Washington Post 07/16/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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CITY
BALLET FALL: A consensus seems to be building among the
critics - New York City Ballet is in a state of alarming decline.
Why? "The problem at City Ballet lies partly in what’s
being danced. Not only is there less and less Balanchine on view,
but much of what’s replacing him comes from a very different,
often antagonistic, aesthetic." New
York Observer 07/17/02
DANCING
SOUTH AFRICA: "South African dance is the latest global
trend to capture the attention of British audiences. Whether it's
been Vincent Sekwati Mantsoe's ritual dances of possession, or
Gregory Maquoma's wittily constructed statements of personal and
political uncertainty, South African dance has seemed to display
an identity refreshingly different from our own." But coming
out of a culture of Apartheid, South African dance is in a
precarious state, warns one of its leading practitioners. The
Guardian (UK) 07/15/02
CHOREOGRAPHER
KILLED: Noted Russian choreographer Yevgeny Panifilov was
found stabbed to death in his apartment. "Panfilov, 47,
became popular in the early 1980s when he was among the first to
create a Russian modern dance group. He was particularly well
known for his choreography of Tchaikovsky's Nutcracker ballet,
which has been performed in major Russian theaters and around the
world under his direction." Nando
Times (AP) 07/15/02
AUSTRALIA'S
GREATEST DANCER: Russell Page was only 33 when he died
suddenly this week. Thursday he was eulogized as "perhaps the
most talented dancer Australia has produced, skilled in both the
old traditional dances and contemporary forms." A fiery
principal dance with Bangarra Dance Theatre "Page was an
amateur daredevil and a truly 'deadly'footballer, often sneaking
off from dance practice to play touch footy with Redfern's street
kids." Sydney Morning Herald
07/19/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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ROLL
OVER, HOLLYWOOD: So you think the American movie juggernaut is
rolling over all other types of film? There are signs that
Hollywood is losing its grip on the world market. "The thirst
for film has never been greater, but a new reality shapes the
tastes of the young people watching the screen's best and worst.
In Europe alone, the market share for American movies fell from 73
per cent to 65 per cent. European film is about to enjoy a
renaissance of hope among a generation now wearying of the
formulaic American 'product'." London
Evening Standard 07/18/02
THE
"GOOD WAVE": Latin-American economies might be on
the ropes, but a vibrant new wave of films has emerged. The new
cinema is called "la buena onda" (the good wave), and
it's finding international audiences. But just as success comes,
some wonder whether la buena onda is selling out to a globalized
American vision of culture. The
Guardian (UK) 07/19/02
LOOSENING
THE CENSOR'S GRIP? In Great Britain, film ratings are not just
advisory, as they are in the U.S., and children under certain
designated ages are not allowed in to films with varying levels of
sex and violence. But the outgoing director of the British Board
of Film Classification is predicting that the U.K. will scrap the
mandatory ratings within a decade, and that the country will move
to a U.S.-style system as public tolerance for movie action
continues to evolve. BBC 07/21/02
EMMY
NOMINATIONS: Emmy nominations were announced this morning in
LA, with "a first-year program, HBO's Six Feet Under,
emerging to lead the field with 23 nominations. The series about a
family of undertakers will literally provide some stiff
competition to two-time best drama winner The West Wing."
Los Angeles Times 07/18/02
SO
THE KEY IS EVEN MORE REGULATION? Why does it matter that
Canadian TV networks aren't producing more dramas? "A country
without a healthy diet of continuing, homegrown drama is lacking
in the fibre of contemporary storytelling. In every country that
has even the vaguest notion of a culture and identity, there is a
distinct link between the idea of itself and the fictive
imagination. A country is simply inauthentic if its stories are
not reflected back to itself. That's why Canadian publishing is
subsidized and Canadian television is regulated." The
Globe & Mail (Canada) 07/18/02
HOME
OF THE BRAVE: Some US Republican lawmakers, concerned that a
Sesame Street Muppet portrayed as being HIV-infected for the South
Africa version of the show might be incorporated into the American
version, wrote to PBS president Pat Mitchell to express their
concern. They wrote that they "didn't think it would be
appropriate to bring the Muppet to the United States."
Mitchell assured them the Muppet wouldn't be introduced in the US.
Washington Post 07/18/02
IS
THE BBC TOO BIG? The BBC has surging ratings and dominates the
broadcast life of the UK. "The corporation is a many-tentacled
monster that would be unrecognisable to wireless entrepreneurs of
the early 1920s. It has staff numbers that would dwarf many a
small city and an annual income of £3.16 billion that, if it was
a country, would make it a rival of the GDP of Iceland or
Mongolia. Plainly the BBC has more global clout than either
country." But does it have too much power? The
Guardian (UK) 07/17/02
"RECKLESS"
BREACH: In October 2000, the Australian TV show 60 Minutes
aired an interview with actor Russell Crowe. During the interview
Crowe pulled out a pack of cigarettes and lit up. Now the
Australian Broadcasting Authority has ruled that the segment and
subsequent re-airings of it constituted promotion of smoking,
violating Australian law. "Although there is no evidence that
the interview was intended to promote smoking ... the footage in
fact promoted those things, in that it encouraged smoking. In the
ABA's view it is not unreasonable to expect that viewers may be
influenced by Mr Crowe's behaviour and may believe that it is
desirable to adopt Mr Crowe's behaviour, including smoking
Marlboro cigarettes." Sydney
Morning Herald 07/18/02
NO
LONGER A LICENSE TO PRINT MONEY? American TV network execs are
gloomy. "Only two broadcast networks - NBC and CBS - are
expected to turn a profit this year. General Electric's NBC, which
finished the season in first place in the ratings, expects more
than $500 million in profit from the network; CBS, owned by Viacom
Inc., expects network profit this year to top $150 million."
Fox and ABC both expect to post big losses. Los
Angeles Times 07/16/02
AT
THE MOVIES: While many things in the pop culture universe seem
to be riding a downward spiral (broadcast TV, cd sales, concert
attendance) the movies are in the passing lane. "So far this
year, box-office revenues stand at $4.71 billion, up an
eye-popping 19 percent over last year's record pace. It seems
nearly every weekend sets a new milestone." So why are people
taking to the movies theatres? Dallas
Morning News 07/14/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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ARE
CONCERTS PASSE? Violinist David Lasserson has some concerns
about the static nature of classical music concert. "If the
life of the performance is in its sound, why should everyone face
the same way, in a darkened auditorium before a lit stage? How
could the mind fail to wander in such a situation? The classical
concert has retained 19th-century performance protocol in
providing an unchanging, formal setting for music. In the debate
about how to attract young audiences to the concert hall, we have
to ask questions about the concert hall itself. Is our culture too
visual to support this activity? Is the end in sight for the
static concert?" The Guardian
(UK) 07/19/02
ATLANTA
OPERA CUTS: "Feeling the sting of an unstable economy,
the Atlanta Opera is laying off staff members and dealing pay cuts
to top administrators to keep its $823,000 deficit in check."
Atlanta Journal-Constitution 07/18/02
DETROIT
LOSES ITS LAST CLASSICAL MUSIC RECORDINGS STORE: "Harmony
House Classical stocks tens of thousands of CDs, videos and DVDs,
ranging from the latest by composer John Adams to the obscure
operas of Alexander Zemlinksky. The store has been a locus for
classical music in metro Detroit for more than a decade, offering
not only a huge selection but also the welcoming feel of a
neighborhood tavern." Detroit
Free Press 07/18/02
THE
ART OF SOUND: "The borderlines among sound art,
experimental music and contemporary composition used to be
clearer, policed by mutual disdain. Sharing the same tiny ghetto
in the rear-corner record store bins and 2-to-5-a.m. airwaves, the
practitioners of these various strains of what a friend once
summarized colorfully as "unlistenable, self-indulgent
crap" gradually began to realize that they were playing to
the same audience." LAWeekly
07/18/02
KICKING
OFF THE PROMS: The BBC Proms in London may be the world's most
successful large-scale classical music festival, and it kicked off
again this weekend. "The 75th BBC proms features 73 concerts
over two months, culminating in the famously patriotic Last
Night." From crossover artists to football chants to
contemporary music to the standards of the repertoire, the Proms
usually has something for everyone - especially if everyone enjoys
waving flags and tea towels and belting out 'Rule, Brittania"
in drunken fashion. The Guardian (UK)
07/19/02
A
BIT OF BACH FOR EVERYONE: Leipzig, Germany, is not a large
city, but ever since the great Johann Sebastian Bach served as kapellmeister
at one of its churches, the town has been a revered dot on the
musical map. And since the mid-20th century, Leipzig has been home
to one of the most extensive, and exclusive, libraries of
scholarly material on the composer. Now, the library's
Harvard-educated director wants to open up the institution's vast
holdings for public perusal, rather than continuing to restrict
the majority of the material for scholarly use. Funding is tight,
but interest is high. Andante
(Deutsche Presse-Agentur) 07/21/02
MORE
REASONS WHY YOU CAN'T HAVE A STRAD: In America, the largest
roadblocks to a musician gaining access to one of the world's
great instruments are prohibitive cost and hoarding collectors. In
Russia, the biggest stumbling block may be the cost of insurance.
Rates for coverage of a Stradivarius violin or Amati viola can run
thousands of dollars per year, and even the concept of insuring
valuable instruments is fairly new in the former Soviet bloc. Moscow
Times 07/19/02
MANY
ORCHESTRAS WOULD KILL FOR THIS PROBLEM: The Gulf Coast
Symphony Orchestra in Mississippi is seeing its concert hall get a
complete overhaul at no cost to the orchestra. Great, right? Well,
it seems that the renovation includes the removal of some 200
seats, which will likely leave the GCSO with fewer seats per
performance than it has ticket buyers. The orchestra isn't
objecting to the plan officially, but privately, officials are
worried about the financial and public relations impact. The
Sun-Herald (Biloxi, MS) 07/21/02
PROTESTING
ABOUT PAYNE: Prominent figures in Britain's opera world are
protesting the English National Opera's dsmissal of director
Nicholas Payne. In a
letter to the Times, nine prominent conductors and directors,
including three ex-ENO leaders, wrote that "the ENO’s
treatment of a great experimenter was as dangerous for the future
of opera as it was shabby. Payne is the most experienced
professional still working in British opera. His sin....seems to
be that he has taken too seriously ENO's tradition of being at the
forefront of operatic experiment." The
Times (UK) 07/18/02
DEATH
OF THE ICONOCLASTS: The recent deaths of American composers
Ralph Shapey and Earle Brown recall a long-gone era in American
music. "Musical New York in the 1960s - when both men were
casting long shadows, and mine was considerably shorter - was
wonderfully astir. New names carried new hopes: Pierre Boulez,
Lincoln Center, the National Endowment. Every month, or so it
seemed, there was something new from Shapey... LAWeekly
07/18/02
VINYL
CAFE: An increasing number of pop artists are releasing their
music on vinyl. "Australian Record Industry Association
figures show that unit sales of 12-inch vinyl, which plunged to an
all-time low in 1998, had more than doubled by the end of 2000,
since which time sales have steadied. In the same period, CD sales
also rose, although more moderately, while cassettes faded into
obscurity." Some audiophiles insist vinyl sound is superior
to CDs (and the cover artwork is better, besides). The
Age (Melbourne) 07/17/02
WORLDWIDE
REQUIEM: In commemoration of the toppling of the the World
Trade Center last year, there are plans for a worldwide Mozart
Requiem. Each performance will take place at 8:46 AM in each time
zone, beginning at the international date line. "So far, 30
choirs from Europe, Asia, Central America and the United States
are scheduled to perform the piece and as many as 125 are
considering participation in what organizers are calling the
'Rolling Requiem'." Nando Times
(AP) 07/17/02
MONEY
UP, NUMBERS DOWN: Concert grosses in the US were up 17 percent
in the first half of 2002. But that's only because ticket prices
are up. The average ticket price is now $51. The "top 50
concerts combined sold about 10.6 million tickets, down 300,000,
or 3 percent, from last year. In 2000, 12.9 million tickets were
sold in the first half of the year. 'When you've lost essentially
2 million ticket buyers in the space of a couple of years, you
have to wonder where those people went and what it will take to
bring them back'." Baltimore Sun
(AP) 07/16/02
THE
MONSTER MASH: The latest thing in music? "DJs and
tech-savvy geeks are using the latest music-manipulating software
to merge two original, often classic songs into a single new tune
with a wild sound. Fresh enough that no one has quite settled on a
name, this newest musical species is called a 'mash-up' or 'bootleg.'The
resulting concoctions are strange – simultaneously familiar and
unfamiliar. As a market event, the mash-up signals a
music-industry sea change that's toppling old-world notions of
control and ownership." Dallas
Morning News 07/14/02
WHAT
IS LOST: The English National Opera is foolish to let Nicholas
Payne, its general director, get away. "Over the past four
years, the house has been producing risk-taking, energetic
theatre; the place has had blood pumping through its veins. Payne
may not have done a perfect job, but it is hard to think of anyone
who could do it better - even split down the middle into separate
artistic and managerial roles, as is now being proposed." The
Guardian (UK) 07/15/02
IS
CLASSICAL MUSIC DYING? If classical music is dying, then
"how do you explain the surging popularity of live opera
performances? Or the widespread excitement generated by
organizations like the San Francisco Symphony and the Los Angeles
Philharmonic? Or the increase in concert attendance
nationwide?" San Francisco Chronicle 07/15/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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YOUSUF
KARSH, 93: The Canadian photographer died in Boston of
complications resulting from an operation for diverticulitis.
"The formal portrait photographer, whose lens captured the
who's-who of the 20th century, sold or donated all 355,000 of his
negatives to the National Archives in Ottawa and they will form
the core collection of the Portrait Gallery of Canada, which is to
open in 2005 across the street from Parliament Hill." Toronto
Star 07/15/02
NOT
PRODUCING: Henry Goodman was the victim of one of the most
public firings in Broadway history when he was removed as Nathan
Lane's replacement in The Producers last spring. So what
happened? “Personally, I think they blew it. Of course they’d
say, ‘No, no Henry, you blew it’. I just wanted the freedom to
deepen my character, make him darker, more like Zero Mostel (who
played the part in the original 1968 film). Just look at these
letters” — he chucks down a sheaf of fan mail — “the
bookings were fine. The fact is, 60,000 people saw me and no one
asked for their money back. But they wanted a clone of Nathan and
I wasn’t prepared to give them that.” The
Times (UK) 07/16/02
LOOKING
TOWARDS HOME: James Conlon is that rarest of all musical
beasts: an American conductor with a global profile and the trust
of European musicians. Conlon, who left America for Europe two
decades ago after surmising that American orchestras do not like
to hire American music directors, is looking to come home as his
tenure in Cologne and Paris comes to an end. Rumor has him at the
top of the list of candidates to succeed Christoph Eschenbach as
music director of the Chicago Symphony Orchestra's summer festival
at Ravinia, but Conlon is likely to have many options for
employment the minute he makes his return to America official. Chicago
Sun-Times 07/18/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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A
FAME LESS FAVORED: Publishing for the scholarly world can
bring the satisfaction that your peers will see your ideas. But
it's a small audience and a limited fame. "Academics grumble
all the time about the public's neglect, the slow pace of
scholarly reviews, and the feeble publicity efforts of university
presses.' So you might think that a scholarly writer would be
delighted to be reviewed in the general press - the New York
Review of Books, or the New York Times, say. But not always.
"Scholars are justly indignant when, after spending five
years mastering a subject, five months formulating a thesis, two
years writing a manuscript, and another two years waiting for a
press to accept and produce the book, they read a review of their
work by someone who has never done research on the material."
Chronicle of Higher Education 07/19/02
WRITERS'
BLOAT: Writing programs have proliferated at American
colleges. "In 1992 there were 55 master's of fine arts
graduate programs in creative writing in American colleges. Now
there are 99. The number of universities offering creative writing
degrees at the undergraduate and graduate level is 330, up from
175 a decade ago." Why so many? And do they really do much
for the cause of good writing? Chicago
Tribune 07/14/02
WHERE
ARE THE WOMEN? The New Yorker is riding a crest of
reinvigoration since David Remnick took over as editor. There's no
question the magazine has improved under his tenure. But in one
respect the NYer is delinquent. Where are the women writers?
"As it turns out, there have even been issues of The New
Yorker this year where the magazine's table of contents featured
no women at all, or where the only contribution by a woman was a
single poem." Here's an issue-by-issue tally for the year. MobyLives
07/16/02
STEALING
TO THE BEAT: Not that it's scientific, but "the books
published can be examined as a sort of insight into a society's
psyche. So, too, can the choice of books stolen. Which means that
different categories of books are ripped off in different parts of
the country, and often neighborhoods within the same city can be
identified by the genre of books lifted." The
New York Times 07/18/02
GET
A JOB! What happens when a society turns out too many writers
as writers? Their experience is narrow. How does one write
cogently about the world when one's world view is narrowly born?
"That these people don’t know anything about how 80% of the
world gets along isn’t important. Nor is it important that, one
suspects, they don’t even know anyone who knows. What is
troubling is the fact they don’t seem particularly interested.
The labouring classes certainly aren’t very interested in
contemporary fiction, and so contemporary writers in turn ignore
them. This has led to a great closing of the literary mind." GoodReports
07/17/02
MAKING
READING MASCULINE: Let's face it: book clubs are a largely
female phenomenon. And it's not that there's anything wrong with
that, but there are men in the world who like to read and discuss
books too, and some of them have apparently been having a hard
time finding forums to do so. Why book clubs seem to be required
to be single-gender affairs is anyone's guess, but a Canadian
library is on the verge of launching Men With Books, a club
designed to lure the y-chromosome crowd with "a stack of
testosterone-fuelled reading material chosen to help ease men into
the chatty intimacy of a book-club environment." The
Globe & Mail (Toronto) 07/20/02
SOME
KIND OF SHOPLIFTER: Barnes & Noble keeps some books off
its shelves and behind the counter. Why? No it's not censorship.
Sometimes a book gets held behind the counter because it's just so
gosh darn popular, and the good folks at B&N know their
customers don't walk all the way to the far ends of the store to
find them. The other way books get behind the counter is if they
make the most-stolen list. But really - Martin Amis? JD Salinger?
That's some kind of shoplifter. MobyLives
07/15/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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BRITISH
THEATRE DISCRIMINATION: A new survey reports that British
theatre institutions discriminate against Asian and black
administrators. "Carried out in 2000 and 2001, the survey of
more than 75 arts organizations and 65 black and Asian performing
arts administrators and managers found that 86 percent of those
questioned had personally experienced racism in their careers and
within arts organizations." Yahoo!
07/17/02
HIP-HOP
GOES LEGIT, YO, WITH PLENTY OF CRED: Traditionalists may not
like it, but the hip-hop movement has officially invaded nearly
every aspect of American culture. From its humble beginnings as a
two-turntables-and-a-microphone experiment to today's
multi-billion-grossing empire of superstars, hip-hop is
influencing music, art, poetry, and theatre just as rock did back
in the Beatles' heyday. The latest infiltration is on the
so-called "legitimate" stage, where DJ's are replacing
orchestras and the theatrical nature of rap performances is being
incorporated into the relatively tame world of drama. The hope is
that such crossovers will help to stem the tide of gray among
theatre audiences. Washington Post
07/19/02
THE
MAKING OF A HIT? Is Hairspray the next The Producers?
Some are beginning to think so. The Seattle tryout earned rave
reviews. "By the end of the Seattle run, the tickets are sold
out in town; the audiences keep getting better-and-better-dressed
as it becomes more of an event. On the strength of the reviews,
the New York advance sales numbers are creeping up to $5 million -
not the $14 million advance of The Producers, but a strong showing
nonetheless." The show opens on Broadway this week. New
York Magazine 07/15/02
HAVING
IT ALL: Is there a difference between musical theatre and
opera? If so, where's the line? "To explore that point, the
Center for Contemporary Opera in New York presented a rather
daring experiment earlier this year: the first act of an opera
performed twice — by a musical theater cast before the
intermission, and then by an opera cast. If lobby chat and
questionnaires filled out by the audience reveal anything, most
people preferred the beauty of the opera-trained voices and the
passion and movement of the theater cast. They wanted it all, and
why not?" The New York Times
07/14/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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ARCHITECTURE
OF FEAR: Los Angeles is redesigning LAX, its airport. It's a
long-overdue makeover. And yet it reflects the nation's apparent
paranoia about security after last September 11. The plan
"signals a significant shift in how we view the public realm.
It sacrifices freedom of mobility for the illusion of
invulnerability and the demands of continual surveillance. As
such, it represents a new architecture of fear." Los
Angeles Times 07/19/02
PAINTING
ON THE ROPES? "Judging from the two big international
shows in Europe this summer, one might almost conclude that
painting is no longer a viable art form. There's barely a canvas
to be seen in either Documenta 11, the latest version of the
global survey that takes over Kassel, Germany, every five years,
or its no-frills, equally earnest doppelgänger, Manifesta 4, a
short train ride away in Frankfurt. Instead, video — that sleek,
cost-efficient, hypnotizing successor to installation art — and
photography rule the international survey circuit. Perhaps
quixotically, museums in two other European cities have taken the
opposite tack, mounting exhibitions devoted to painting
alone." The
New York Times 07/21/02
CLOSING
THE PRICE GAP: "For the first time in recent auction
history, the huge gap separating Impressionist and Modern
paintings from Old Masters was almost bridged last week at a
Sotheby's sale, where a Rubens set a record for the Flemish master
at £49.5 million ($76.6 million). In fact, it could be argued
that Old Masters are running ahead since the sale." An
isolated anomaly, or a sign of auction reality to come? International
Herald Tribune (Paris) 07/20/02
ALL
POLITICS IS LOCAL: The fault for the decidedly substandard
proposals for New York's memorial to the victims of 9/11/01 does
not lie with the city's developers alone, says Joel Budd.
"Because of many conflicting pressures, the Development
Corporation has not been allowed to make its decisions in peace.
The families of those killed on September 11 have formed two
pressure groups - September's Mission, and the Coalition of 9/11
Families - to try to prevent development on the site. They are
opposed by three local organisations" which want mixed-use
development on the site. In other words, politics has once again
overshadowed real progress, but that doesn't change the basic
reality that the six design proposals are just not good enough. The
Telegraph (UK) 07/20/02
THE
PEEP SHOW: Toronto's Harbourfront Centre has something of a PR
problem on its hands following the gallery's efforts to shield its
more sensitive patrons from a painting it feared would spark
controversy for its explicit sexual content. The painting in
question (which depicts a sexual act with racial and political
overtones) was not removed from the Centre, but placed "on
display" in a closed case with a small peephole in it, along
with a warning about the content. The artist, surprisingly enough,
is not thrilled with the arrangement. Toronto
Star 07/21/02
GREAT
WALL IN PERIL: Experts warned this week that the Great Wall of
China is endangered by increased tourism, graffiti, and
unauthorized construction. "Peddlers have put up unauthorized
ticket booths and ladders and collect money from Chinese and
foreign tourists venturing to its wilder sections." Discovery
07/17/02
THE
RAPHAEL BEHIND THE PAINT: A Renaissance painting of a Madonna
by a disciple of Raphael was in fact directed by the master
himself. Scientists used an infrared device to peer behind the
paint and discovered "the outlines of a picture almost
identical to a Raphael sketch owned by Oxford's Ashmolean Museum.
The original idea for the painting, its conception and the layout
of the figures is almost certainly Raphael's." BBC
07/18/02
HARVARD
CANCELS MUSEUM PLANS: Harvard has canceled plans to build a
new museum which was to have been designed by Renzo Piano."
It's a body blow to the mood of robust expansion that had
prevailed among Boston-area museums - at least until the recent
dive in the stock market. It greatly weakens recent signs the
Boston area was on the verge of becoming a significant center for
contemporary art. It makes the new Harvard administration look
like philistines and the community that opposed the museum look
parochial and petty." Boston
Globe 07/17/02
FOUR
CONNECTICUT MUSEUMS TO CLOSE? Because of huge state budget
cuts, four Connecticut historical museums may have to close.
"The approximately 44 percent reduction in state aid means
either the museums, which employ 12 people, or the Connecticut
Historical Commission's preservation division will have to close.
The preservation office works to protect the state's cultural
resources and has 10 staff members." Hartford
Courant 07/17/02
THE
NBT'S (NEXT BIG THINGS)? So what is to take the place of the
YBA's since the Young Brit Artists aren't so young anymore and
their ideas are getting a bit too familiar? Richard Dorment thinks
the Whitechapel Gallery's new show is a door to the future.
"All five of the artists in the show are terrifically
talented, but one in particular, 29-year-old Gary Webb, is the
most original young artist I've come across in almost 15 years of
writing art criticism." The
Telegraph (UK) 07/17/02
UNABLE
TO ACQUIRE: Britain's major museums have slashed their budgets
for acquisitions of art. "Twenty years ago the five museums
and galleries we examined received £7,897,000 in grant-in-aid
specifically for acquisitions. This year they are allocating just
£855,000—down nearly ten times. The fall in real terms is even
greater, because of inflation. Art prices have probably tripled,
which means that government grant in aid for acquisitions was
effectively nearly 30 times higher two decades ago than it is
today." The Art Newspaper
07/14/02
MORE
THAN JUST A PRETTY PICTURE: An astonishing 5.5 million
visitors go to the Louvre each year to see the Mona Lisa. It's a
great painting, sure. But its fame is the product of many
things... The New Republic 07/15/02
TO
OWN A HITLER: Hitler was a painter - but one with modest
talent. Nonetheless, "there is a busy and lucrative trade in
Hitler's artwork mostly watercolours, a few oils, lots of
hand-painted postcards (some of which were actually sent and
include birthday salutations and wish-you-were-here vacation
greetings on the flip side), and a few 1-by-2-inch miniatures that
reveal an obsession with architectural detail. What does it mean
now, half a century later, to own a Hitler, to hang it in a place
of honour in your front hall, to want it so badly that you fight
the government for decades for the right to call it your
own?" The Age (Melbourne)
07/15/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUZZING
THE BUZZWORDS: "Two keywords - innovation and challenge -
dominate the discussion of contemporary art the world over. But
both shy away from the real issue. The big question is this: what
makes a work of art really good - really profound, beautiful,
moving, serious? Instead of directly addressing this great issue,
there is a tendency to concentrate on secondary matters. Like
whether what the artist is doing has been done before or whether
it stands in opposition to what is taken to be popular belief.
It's not that innovation and challenge are in themselves bad. It's
just that they don't make much headway in helping us to understand
how art can matter to us." The
Age (Melbourne) 07/19/02
SNOB
APPEAL: Joseph Epstein traces the roots of snobbery in America
in his new book. "The phenomenon, he argues, was more or less
nonexistent before the early 19th century, despite the
proliferation of kings and dukes all over the map. Snobbery feeds
on social uncertainty, and in a rigidly organized society with
clear and mostly hereditary class distinctions, no one could hope
for upward mobility or fear the loss of status failure." Salon
07/18/02
WHY
NOT CLEVELAND? Cities from San Francisco to Seattle to Boston
have proven that the arts are an investment that comes back to
reward the larger economic climate of a region handsomely. So why
are some cities so hopelessly unable to master the concept? In
Cleveland, arts advocates are struggling with old attitudes and
embarrasingly transparent ploys. "Many of the city's students
and young workers can't develop careers here because Cleveland's
dull image doesn't attract enough activity in their chosen fields.
Isolated neighborhoods and marooned campuses discourage their
efforts to form collaborations and a sense of community. Worse,
perhaps, some of Cleveland's attempts to make itself enticing are
so outmoded that hip, in-demand workers are writing the city off
as clueless." The Plain Dealer
(Cleveland) 07/21/02
BUMPING
UP CULTURE: The British government propses to give arts and
culture a funding increase of £75 million next year. Along with
the funding came a pledge to "maintain free access to
Britain's national museums, saying attendance at museums had risen
by 75% since the government abolished entry fees last year."
Under the proposal, "funding to culture, media, sport and
tourism would rise from £1.3bn in 2002 to £1.6bn by 2006." BBC
07/15/02
HOUSE
VOTES NEA INCREASE: The US House of Representatives voted an
increase in the budget for the National Endowment for the Arts
Wednesday. "In a 234-192 vote, the House agreed to increase
the NEA budget for the fiscal year starting Oct. 1 by $10 million,
to $126 million. The same amendment to a spending bill for public
lands programs and cultural agencies boosted funds for the
National Endowment for the Humanities by $5 million to $131
million." Nando Times (AP)
07/17/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BUYING
REJECTION: Some very big publishers and recording companies
are selling writers and composers the "opportunity" to
be considered for publication by professional editors and
producers. Wait - isn't that the job of editors and
producers to look at new material? "I guess this is an
improvement over the Famous Writer's School and Famous Artist's
School of my childhood," writes Kurt Andersen, but surely
it's just a setup for rejection. Public
Arts 07/18/02
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