Week
of July 8-14, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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TIME
TO WONDER: Are today's overprogrammed kids losing their
creativity? With little free time and more and more planned
activities, today's kids don't have time to let their imaginations
wander. "Today's youths don't play creatively, can't make
decisions for themselves, and, thanks to technology, are lazy,
impatient and get frustrated easily, critics say." The
Star-Tribune (Cox) (Minneapolis/St. Paul) 07/10/02
RECONCILING
ELITISM AND EQUALITY: "High culture is seen by some as
the product of a hidebound establishment bent on excluding
outsiders... Can people of left-liberal political sympathies
believe that high culture has special and superior value which
justifies state support for theatre and grand opera, but not for
pop concerts or darts competitions? On the face of it the answer
is surely 'Yes'; even if, after the characteristic British manner,
left-leaning votaries of high culture... occasionally mask their
interest under an appearance of irony, given the risk that such
interests run of being branded affected or pretentious. The
Guardian (UK) 07/13/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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SF
BALLET GETS A WINDFALL: "[California governor] Gray Davis
approved $20 million in bond financing Thursday to enable the San
Francisco Ballet to renovate and expand its Franklin Street
headquarters and fund the creation of new productions, including a
new "Nutcracker" in 2004. The bonds will be issued by
the California Infrastructure and Economic Development Bank, and
the Ballet has 30 years to repay the loan." San
Francisco Chronicle 07/12/02
SOFT
LANDING: Jacob's Pillow is 70 years old, and dance luminaries
are gathering. "Ted Shawn started the tradition of welcoming
the public to 'Tea Lecture-Demonstrations' in 1933, and then
expanded his invitation into this annual summer festival. Jacob's
Pillow was recently named to the National Register of Historic
Places as the oldest continuing dance festival in the United
States." Christian Science
Monitor 07/12/02
THROWBACK
AT THE KIROV: "Makharbek Vaziev, the dynamic and
opinionated 41-year-old director of the legendary Kirov Ballet,
represents something of a break with the past. Unlike his recent
predecessors, he was not a choreographer or a star dancer,
although he danced respectably in principal roles through the
early 1990's. And unlike ballet directors of the Soviet era, he
does not seek to modernize the 19th-century classics, the Kirov's
signature pieces. Instead, he has stirred controversy at home and
abroad by presenting reconstructions of these ballets in virtually
original versions, based on turn-of-the-century choreographic
notation." The New York Times
07/14/02
REQUIEM
9/11: A flood of art about and commemorating September 11 is
on its way. In Canada, the Royal Winnipeg Ballet, Ottawa's Opera
Lyra company, and the Banff Centre for the Arts are teaming up for
a piece called Requiem 9/11 - a dance set to Verdi's
Requiem. The production funded in part by the Canadian government,
has the feel of an official national commemoration. "I think
they're quite relieved to see that we have this unprecedented
collaboration that's truly national in scope and that's
practically been handed over to them." National
Post (Canada) 07/09/02
SORT
OF AN ELITIST PR MAN: Gerald Myers has an interesting job,
that of philosopher-in-residence at a dance festival. "In
layman's terms, he is trying to give dance the intellectual
respectability that many of its practitioners say it lacks. He
contends that scholars like the college president who dismissed
dance 'as that hopping and jumping going on down in the gym' need
enlightenment." The New York
Times 07/14/02
GENERATIONAL
MALAISE? Several longtime New York City Ballet stars retired
this season. That means a new generation of dancers is being asked
to step up. But too many of them seem underpowered and
passionless. "This is all too true of many City Ballet
dancers these days: technical facility combined with a near-total
lack of expressivity." New York
Observer 07/11/02
DANCE
AS CORRUPTING FORCE: "A Tehran court has sentenced Iran's
best-known male dancer to a 10-year suspended jail term for
promoting corruption among young people by setting up dance
classes in the United States, his lawyer said Monday." Nando
Times (AP) 07/08/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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DIE
WEB, DIE: Web radio has been flourishing. But come October 20,
many of the stations will go out of business because of royalty
fees owed to music producers. The retroactive "bill due for
all Webcasters represents several times the total revenue of the
entire industry. The folks at the Recording Industry Association
of America defend this on the ground that without music, you have
no Internet radio." But shouldn't the producers be the very
ones encouraging this dissemination of their products? Newsweek
07/15/02
PRODUCT
PLACEMENT/PROGRAM DEFACEMENT: Increasingly, as traditional ads
become less effective on TV advertisers are looking for new ways
to get their products in front of viewers. "Networks say they
are open to sponsor-supplied programs and elaborate
product-placement schemes as long as the buyers don't dictate
content, but who are they kidding? Why would companies pony up
cash without expecting some input over how it's spent?" Los
Angeles Times 09/10/02
THE
NEW FILMMAKERS: The falling costs of making movies has
attracted an army of new filmmakers. "Rather than using the
pen to tell their stories, creative wannabees in Sydney are
embracing film-making. The number of film industry hopefuls at
short film festivals has tripled. There are now about 300 film
festivals in Australia, compared with 100 three years ago." Sydney
Morning Herald 07/08/02
ARTS
CHANNEL TO FOLD: Artsworld, the UK premium TV channel
featuring live performances of opera, jazz and ballet launched
with great fanfare 18 months ago, is about to close. The channel
needed about 140,000 subscribers to make it viable; it has only
100,000, and investors are reluctant to put up any more cash. The
Guardian (UK) 07/11/02
AIDS
AWARENESS COMES TO SESAME STREET: The producers of the most
successful children's television program in history have announced
that the South African edition of Sesame Street will debut
an HIV-positive Muppet character this fall, and a similar
character is being considered for the U.S. version. AIDS is, of
course, rampant on the African continent, and the producers of the
show say that "the goal is to help 'de-stigmatize' the
disease, promote discussion about it and 'model positive behavior'
toward an afflicted person among viewers of the program, who
typically are age 3 to 7." Washington
Post 07/12/02
NO
BUSINESS IN SHOW BUSINESS: The shutdown of FilmFour, one of
the UK's most interesting movie producers, rips a hole through the
British film industry. Why did it fail? "There was no
satisfactory route to profitability. FilmFour returned operating
losses of £3m in 2000 and £5.4m in 2001, and the underlying
business model was not a basis for building a commercial
entity." The Guardian (UK)
07/12/02
FAMILY-FRIENDLY
FARE FLATTENS FAMOUS FLICKS: "Last weekend, four of the
10 top-grossing movies in North America carried either G or PG
ratings from the Motion Picture Association of America." In
fact, kids' movies are cleaning up all across the map these days,
and the trend has led to an explosion in the number of new
releases you can take your five-year-old to. The
Globe & Mail (Toronto) 07/12/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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BATTLING
OVER LA SCALA: The world's most famous opera house - La Scala,
in Milan - closed in January for a 3-year renovation which will
allow the company to present more operas more often, as well as
upgrading substandard rehearsal spaces and backstage areas. But
not everyone is happy with the restoration, and a local architect
has filed a petition to stop the work, claiming that the company
is destroying a beloved historic landmark. BBC
07/12/02
PAYNE-FUL
SEPARATION: Nicholas Payne is out as general director of the
English National Opera, following a disastrous year of
controversy, massive renovation, and slumping ticket sales. The
resignation, which came late Thursday night, was a surprise,
although rumor has it that Payne had been clashing badly with the
company's chairman. The Independent
(UK) 07/12/02
STORM
CLOUDS GATHERING: Orchestras around the U.S. and Canada are
continuing to struggle with rising deficits and slumping ticket
sales. But while orchestras in Chicago, Minneapolis, and the like
can count on hefty endowments and high-profile public support to
assist them, North America's small, regional ensembles are
increasingly finding themselves on the edge of complete fiscal
insolvency. The latest examples are in Jacksonville, Florida,
which is cutting staff; and Shreveport,
Louisiana, where the local orchestra has barely avoided a
shutdown. The Business Journal
(Jacksonville) 07/10/02 & Shreveport Times 07/11/02
HARD
TIMES IN RIO: "Rio de Janeiro's most important opera and
classical music venue, the Theatro Municipal, has scaled back its
plans for the current season, after the new state government cut
its R$27 million (US$9.5 million) budget in half. The cuts are
part of the state's plan to pay down its debt and reduce
expenditures... Musicians and staff at the Municipal were angered
by the cuts, saying that the government had reneged on a promise
not to alter the current season. Artistic director Luiz Fernando
Malheiro resigned in protest." Andante
07/12/02
SUPERSTAR
STOPGAP: Itzhak Perlman has agreed to join the Saint Louis
Symphony Orchestra as 'artistic advisor' for the next two seasons,
as the orchestra continues its search for a music director to
replace Hans Vonk, who was forced to resign the position for
health reasons. The SLSO has had a rough year, what with Vonk's
departure, several months of speculation that the orchestra was
near bankruptcy, and a difficult reworking of the musicians'
contract. The Perlman appointment will not only give the SLSO a
high-profile name with which to attract musicians and audiences,
it will buy them the time they need for a careful and complete
music director search. Saint Louis
Post-Dispatch 07/12/02
THE
BAD OLD DAYS? Composer/critic Greg Sandow wrestles with the
historical context of atonal music. "What was atonal music
about? Most important, what should it mean to us today, now that
we're partly free of it? As I've been saying, here and elsewhere
for quite a while, it badly needs a reassessment. We still have
(just to cite one obvious example) James Levine, conscientiously
conducting Schoenberg at the Met, convinced that Moses und Aron
is a classic that the whole world needs to hear. I'm not going to
say it isn't one (that's another conversation), but what's odd is
the all but explicit subtext, that Schoenberg still is music of
our time." NewMusicBox.com 07/02
MAINLY
MONTREAL: The Montreal Jazz Festival is eclectic
independent-minded. "Twenty-three years old and one of the
biggest and most respected festivals of its kind, it attracted
some 1.65 million people to some 500 free and paid concerts over
two weeks. But unlike the New Orleans Jazz and Heritage Festival,
it did not necessarily celebrate a regional culture." The
New York Times 09/10/02
JACKO'S
CRUSADE: Michael Jackson's tirade against the recording
industry for being unfair to artists, particularly black artists,
seems a stretch, given the mega-bucks he's made in his career.
Last weekend he said that "the recording companies really,
really do conspire against the artists. They steal, they cheat,
they do everything they can, [especially] against the black
artists." But Jackson has been locked in a dispute with his
recording label, and his career hasn't been going well... Philadelphia
Inquirer 07/10/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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FINAL
COPY: The head of Australia's largest university has been
forced to resign after multiple claims that he plagiarized. David
Robinson, the embattled vice-chancellor of Monash University, quit
after being summoned back from a trip to London. "He could
see he was creating damage for the university. The only solution
that he could see, and I could see, and we came to this together,
was to leave." The Age
(Melbourne) 07/12/02
WOULDN'T
YOU LIKE TO BE A SPANNER TOO: C-Span founder and host Brian
Lamb has a cult following among viewers known as
"Spanners" for their devotion to the cable network.
"Lamb is open to interpretations of himself - the solemn
ones, mocking ones, camp ones. He'll play along. He is resigned to
his celebrity niche. He has been called the most boring and the
most trusted man in America, both of which he would take as a
source of pride, or, at least, humor." Washington
Post 07/12/02
LIBESKIND
SPEAKS: The architect of the new Jewish Museum in Berlin
explains his vision of what makes for good architecture in the
modern world. "Buildings provide spaces for living, but are
also de facto instruments, giving shape to the sound of the world.
Music and architecture are related not only by metaphor, but also
through concrete space." The
Guardian (UK) 07/13/02
JESSYE'S
ROUGH NIGHT: Sopranos can rarely sing at a high level up to
their 60th birthday. Jessye Norman is 56, and her first recital at
Tanglewood in years was a disaster this week. Clearly not in good
voice, she cut short her program, then "mouthed the words
'I'm sorry' as she swept from the stage after singing excerpts
from Berlioz's Les Nuits d'ete.'' Boston
Globe 07/11/02
COMMITTED:
Alberto Vilar is "believed to give more money to opera than
any other donor in the world, and he is one of the top givers to
the arts in general, as well. His gifts include a total of $33
million to New York's Metropolitan Opera, $10 million to Los
Angeles Opera, and $50 million to Washington, D.C.'s John F.
Kennedy Center for the Performing Arts. But since late last year -
when Vilar was laid up with medical problems and his company was
laid low by the downturn in the stock market - rumors and press
reports that he is not honoring his pledges to the arts have
surfaced in the United States and Europe." Los
Angeles Times 07/09/02
STUDYING
THE STUDIERS: Intellectual historians sometimes grumble that
their peers don't regard them as doing "real" history.
After all, they study books and ideas, rather than digging around
in archives to chart the course of wars and revolutions, or the
almost-unreconstructible life of, say, an Aztec peasant. Tony
Grafton works on old, dead classicists. How much less-sexy can you
get? And yet his work is read not only by medievalists and
Renaissance scholars, but by a general audience as well." Chronicle
of Higher Education 07/08/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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SUPERSIZE
IT: How many Barnes & Noble stores is too many? There are
600 superstores in America now, and after several years of
expanding rapidly, the pace of expansion has slowed in the past
few years . But the company believes there is room for 1000 stores
and is beginning to grow quickly again. The
New York Times 07/08/02
GENERAL
WRAPUP: In April, General and Stoddart, Canada's largest book
distributor, shocked the country's book industry by declaring
bankruptcy, owing $45 million to various creditors. This week a
court allowed the return of thousands of books to small
publishers, much to the relief of those publishers, but also a
sign that the company's reorganization attempts have failed. Toronto
Star 07/11/02
THEN
THERE'S THE ONE ABOUT STALIN AND KRUSHCHEV... Russian police
are investigating a Russian writer for a 1999 book he wrote that
contains scenes of sex between the Soviet dictator Stalin and
Khrushchev, his successor. "The investigation alarms
advocates of freedom of expression, concerned about the
possibility of a return to censorship under President Vladimir
Putin, a former KGB officer who was elected in part on the
strength of promises to re-establish order." Nando
Times (AP) 07/11/02
UP
THE CANADIAN AMAZON: The Canadian government has ruled that
Amazon should be allowed to set up in Canada. The government,
examining the deal to ensure the company met Canadian ownership
quotas, said that " Amazon.ca doesn't fall under majority
Canadian ownership rules because the investment doesn't involve
the establishment of a new Canadian business or the takeover of an
existing domestic business." The
Globe & Mail (Canada) 07/11/02
WHR4RTTHOU?
Study guides have been a lifeline for many a last-minute student.
For years CliffsNotes has been the go-to guide for the unprepared.
Now there's competition. SparkNotes promises a hipper, more
irreverent interpretation of the classics. How do they compare?
"Either way, a crutch, a crutch. You'll be fortune's fool to
rely on these! Beware." Washington
Post 07/09/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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BROADWAY
BOOM: How much does Broadway contribute to New York's economy?
A study of the 2000-01 season, "indicates that Broadway
contributed some $4.42 billion to the city's fiscal well-being
during that time, a figure which equates to at least 40,000 jobs,
both in the industry directly and through the commerce that the
industry generates." Backstage
07/10/02
LIFE
BEYOND ALMEIDA: Jonathan Kent and Ian McDiarmid are leaving
the leadership of London's Almeida Theatre after 12 years. They've
built the theatre into one of the country's most admired
companies. "Its Islington headquarters have become a magnet
for every kind of theatregoer, from the earnest to the chic. If
you found V.S. Naipaul and Madonna watching Al Pacino and Fiona
Shaw in Taming of the Shrew, you wouldn’t be
surprised." What's next? There are rumors the pair might head
over to the Royal Shakespeare Company. The
Times (UK) 07/08/02
RENTING
THE FUTURE: The Denver Civic Theatre has longstanding money
problems. Now the theatre believes it has found a way out. It
proposes to mount a permanent production of Rent, which it
can do if it comes up with a $600,000 investment. It would be the
city's only production with an open-ended run. The company
believes Rent would be the cash cow to solve all its
financial woes. Denver Post 07/07/02
THEATRE
AT A CROSSROADS: With the announcement that Gordon Jacobson
will be stepping down at L.A.'s Mark Taper Forum, America's
regional theatres, once a grand experiment designed to prove that
serious theatre could thrive away from the bright lights of
Broadway, have been forced to begin reassessing their place in the
nation's theatrical consciousness. "Now the regional theater
is a bit of a victim of its own success. We've built huge
institutions -- stabilization for these companies always was the
goal -- and consequently a lot of these theaters have big
buildings and big overhead, which changes the stakes." Chicago
Tribune 07/14/02
WHO'S
WHO IN LONDON THEATRE: Can't tell the players without a
program. Here's the Guardian's roadmap to the new generation of
London theatre denizens taking theatre forward. The
Guardian (UK) 07/06/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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FINDING
MICHELANGELO: New York's Cooper-Hewitt Museum has discovered
it owns a Michelangelo drawing. It was discovered in a box of
light fixture designs. "The drawing, purchased in 1942, was
one of five anonymous Italian Renaissance works for which the
museum paid a total of $60." Its current value is between $10
million and $12 million, art dealers said.
Washington Post 07/09/02
SUPERSIZE
IT: Hilton Kramer isn't impressed with the Museum of Modern
Art's new temporary home in Queens or with MoMA's expansion plans.
"It is with mixed feelings that we face this bigger MoMA and
the other overscale expansions now in the works for the Morgan
Library, the Museum of Fine Arts in Boston, the High Museum in
Atlanta and, of course, the ever-expanding, ever-deflating Solomon
R. Guggenheim Museum. The only thing we know for certain about
this mania for perpetual museum expansion is that it has
everything to do with money and ambition, and very little to do
with the life of art." New York
Observer 07/11/02
THE
COLLECTOR'S EYE: Art collecting is a delicate process for the
investor who expects to see any return on his purchases. Artists
fall in and out of fashion faster than Oscar dresses, and a
must-have engraving in 1900 may be all but worthless a few decades
later. So what is the trick to finding value in something as
undefinable as art? It's a lot more complicated than "I know
what I like," but one of Canada's top collectors seems to
think that that's not a bad place to start. The
Globe & Mail (Toronto) 07/13/02
BRINGING
IT ALL HOME: China has spent a good amount of time over the
centuries being invaded, attacked, and plundered. One of the
upshots of such a beleagured history is that a great many Chinese
art pieces have been scattered to the winds, and have wound up,
legitimately or not, in museums and private collections far from
home. A new generation of collectors is attempting to repatriate
many of the artifacts, and in the process, is driving up the cost
of Chinese art worldwide. Philadelphia
Inquirer (Knight Ridder) 07/14/02
ART
BY DESIGN: We depend do much on design for the modern museum
experience. Design can help clarify art, help give it a context,
help focus our attentions. But does design also overwhelm the art
we care about? London Evening Standard
07/09/02
MURAL
FIX: Fifty-one damaged outdoor murals in Los Angeles are
awaiting repairs. "Many of the most heavily damaged murals
were commissioned just before the 1984 Olympics by the Olympic
Organizing Committee and local corporations, with the support of
Caltrans. Most of the damage cited by the study was caused by
vandalism, deterioration and dirt accumulation." But the
state has allocated enough money - $1.7 million - to repair only
about half the murals. Los Angeles
Times 07/08/02
ROYAL
ACADEMY MAY MAKE CUTS: London's Royal Academy is hurting for
money, what with corporate sponsorships and ticket sales down
since last fall. Now rumors that the RA may cut staff to save
money. "The academy, which was set up in 1768 by artists for
artists and counts David Hockney, Peter Blake and Norman Foster
among its members, has become a £20m a year business." The
Guardian (UK) 07/06/02
THE
DIMMING LIGHT: Thomas Kinkade is the most-collected painter in
America. "More than 350 galleries in the US are dedicated
entirely to his work. The income from his painting last year was
more than $150 million." Kinkade has also opened a housing
subdivision based on his treacly paintings. But not all is going
well for the "Painter of Light." :Last year, the company
posted losses of $16.6 million, having turned in a profit of $16.2
million the year before. Shares that stood at $25.75 in 1998 are
now $3.66." The Guardian (UK)
07/08/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
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WHAT
AILS US: Britain's arts seem caught in mismanagement and lack
of creative direction. "The despondency that developed
throughout the arts world after 20 years of starvation funding
means that we have become too timid and defensive to subject
ourselves to muscular public self-criticism. We are afraid to
speak frankly and openly about the inadequacies of our major
cultural institutions. We fear that if we burn down the opera
houses, we will be left with nothing but a smouldering pile of
ash. Yet what need is there for artists to demolish the major
cultural institutions when we have the media to do it for
us?" The Guardian (UK) 07/12/02
A
ONCE-DIVIDED ARTS SCENE GELS NICELY: Berlin is like no other
city on Earth, in that it spent 50 years divided squarely in two,
then attempted to readapt to existing as a single entity. That
kind of dichotomy can make or break any attempt at a coherant arts
scene. "This is today's Berlin: a mix of old Disneyfication,
new construction and eager renovation. And, tucked into any
corners still waiting to find a place within that mix, a
burgeoning world of contemporary creativity that makes the city
one of the most dynamic art centers on the planet and a magnet for
outsiders." Washington Post
07/14/02
ANOTHER
9/11 CASUALTY: At a time when appreciating other world views
might be important in America, arts presenters are finding that
getting visas for international artists to enter the US is getting
more difficult. Village Voice 07/09/02
ART
AS BRANDING EXPERIENCE: Increasingly, corporations are coming
up with ideas for art, then funding them, often through arts
organizations. "This is sponsorship, but not as we know it.
Instead of waiting for an arts organisation to have a good idea
and patronising it, these sponsors are generating ideas of their
own - and putting their names up front in lights. In today’s
uncompromising business climate, there is little cash for
philanthropy. Arts sponsorship is being moved from 'charity' to
'marketing'. A warm fuzzy feeling isn’t enough; today’s
executives need concrete results." The
Scotsman 09/10/02
BASICS
VS. CREATIVITY: A new report charges that the British
government's emphasis on basics and testing in schools comes at
the expense of teaching the arts. "Music teaching gets an
average of 45 minutes a week - and in some schools just half an
hour - religious education, history and geography just short of an
hour, and art and design and technology just over an hour." The
Guardian (UK) 07/05/02
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IT'LL
TAKE MORE THAN AN AGENT: America's health maintenance
organizations are tired of being portrayed as the bad guys on TV
and in the movies. So they've hired an agent to try to get a more
positive image portrayed. "What we're trying to do is get a
level playing field. We're not saying it's verboten to attack some
part of the health care system. We're saying there is another side
to what we do." Nando Times (AP)
07/09/02
STRIKE
OUT: Outgoing Boston Symphony conductor Seiji Ozawa is a big
baseball fan. So when the orchestra was planning his farewell,
Ozawa suggested a final concert at Fenway Park, home of the Boston
Red Sox. Sure, said the orchestra, and quickly negotiated a date
with the ballclub. But then the numbers came in - it would cost
"at least $500,000 to build staging, a sound system, and
other support for the show." So the plans were abandoned. Boston
Globe 07/10/02
MAKE
THEM STARS: How to build interest in historic buildings? How
about a TV game show? "The BBC2 series, Restoration,
is designed to interest viewers in historic treasures around the
country and raise money to save the winning entry. Viewers will
take part in regional heats over 10 weeks, voting for their
favourite endangered buildings. The winner will be restored from
cash raised by the programme." The
Guardian (UK) 07/09/02
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