Week
of June 17-23, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10.
For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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SHAKESPEARE
- IN NEED OF AN UPDATE? Is Shakespeare's language too archaic
for the modern reader to understand? "Are
non-English-speakers, as some Shakespeare scholars have suggested,
more at home with their translated Shakespeare than
English-speakers with their genuine article?" A new book
suggests some updating and clarifications might be in order. The
Economist 06/14/02
PATENTLY
WRONG: The number of patents granted has exploded in recent
decades. A sign of increasing innovation and progress? Perhaps.
But tying up new ideas in patents are "just as bad for
society as too few. The undisciplined proliferation of patent
grants puts vast sectors of the economy off-limits to competition,
without any corresponding benefit to the public. The tension
between the patent as a way to stimulate invention and the patent
as a weapon against legitimate competition is inherent in the
system." Forbes 06/17/02
WHAT'S
THE VISION? Rem Koolhaas "may be our greatest
contemporary architect, but the nature and volume of his
production indicate that he wants to be more than that. He plays
the game of cultural critic and theorist, visionary, urbanist, and
shaper of cities for the globalized, digitized, commercialized
world of the twenty-first century. If we don't begin thinking
critically about what he's doing, how our cities look and function
might greatly reflect his influence - and what we get might not be
what we want." American Prospect
06/17/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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TALKING
ABOUT THE STATE OF DANCE: In Miami 400 dance administrators
from around America gather for Dance USA. "As the artistic
directors of ballet companies from across the country discussed
the trials of the past year, money troubles seemed outweighed by
advances, such as the number of troupes moving into new buildings
or performing arts centers. And in a forum for modern dance
choreographers, strategies for attracting audiences ranged from
offering birthday cakes at concerts to casting local religious
leaders in dances." Miami Herald
06/21/02
DANCING
IN THE REAL WORLD: How to grow the audience for dance? Take it
to where people are - the pubs, the streets, the offices.
"Site-specific choreography, as Ashford defines it, is a
relatively recent phenomenon, although the use of unconventional
venues, such as art galleries, museums, warehouses and lofts, for
what is known as location-based dance, has a much longer history.
These venues provide choreographers with a natural performance
space, without the formality and conventions of the theatre. They
also allow the audience to experience the performance in a
different way." London Evening
Standard 06/21/02
A
NUTCRACKER GONE WRONG: Donald Byrd's company is shutting down
after 24 years. Of course it's a funding issue, but Byrd says the
company's gamble on a major production didn't pay off. "For
the company, The Harlem Nutcracker was supposed be like
capital campaigns for some organizations. It was supposed to push
us to the next level of institutionalization. And when you fail at
that, you're like a presidential candidate who doesn't win the
election. You are tossed out and forgotten." Los
Angeles Times 06/19/02
STEVENSON
TO DFW: Houston Ballet director Ben Stevenson has been named
artistic director of the Dallas Fort Worth Ballet. In 27 years in
Houston, "Stevenson doubled the size of the Houston corps,
built up a major school of ballet and recruited significant
talent. As a choreographer, he gained attention for a great
variety of works but was particularly acclaimed for evening-length
ballets in the romantic tradition." Fort
Worth Star-Telegram 06/19/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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RECORD
HOLLYWOOD: Major Hollywood movie studios took in a record $31
billion last year, up by $1.3 billion from the previous year.
"Home video, spurred by the continued rise of DVD sales, was
again the biggest contributor to the overall growth, accounting
for 40% of all-media revenue, according to a summary of annual
global results. Backstage 06/19/02
WEBCASTING
FEES SET: The US Librarian of Congress has cut royalty fees
internet webcasters will have to pay to play music. The copyright
office had proposed a fee of .14 cents per song. The new rates
"require webcasters to pay record labels .07 cents each time
a song is streamed live and .02 cents for archived or simulcasted
streams. Temporary copies, such as ripped copies of CDs that are
used to create the digital streams, will cost companies 8.8
percent of their entire royalty fee." Webcasters say that the
fees will put them out of business. Wired
06/20/02
THE
END OF PBS? With PBS' ratings falling to historic lows,
critics are wondering whether the network will survive. PBS
president Pat Mitchell: "We are dangerously close in our
overall primetime number to falling below the relevance quotient.
And if that happens, we will surely fall below any arguable need
for government support, not to mention corporate or individual
support." FoxNews 06/18/02
THE
FOLLY OF BIG RADIO: Clear Channel Communications is, for all
intents and purposes, the face of American radio in the era that
has succeeded the notorious Telecommunications Act of 1996. The
company has a near-monopoly in many markets, and nationwide, radio
has never sounded so bland, so demographically targeted, and so
predictable. Clear Channel claims that such tactics are what the
public wants, but overall listenership is down 10% since 1996.
Furthermore, some reports have Clear Channel bleeding at the
wallet at a time when it should be raking in the dough. Is this
the death of radio as we know it? Pittsburgh
Post-Gazette (Washington Post) 06/23/02
STREAK
OF INDEPENDENCE: While the big movies rely more and more on
boffo opening weekend at the box office, the marketing and
distribution of smaller independent films is being rethought.
"The challenge is finding the right small movie to schedule
opposite a behemoth. It's an evolutionary process. The increase in
independent films jockeying for art-house space has changed the
equation, as has alternative programming on cable that's really
satisfying." San Francisco
Chronicle 06/17/02
MISSING
WOMEN: "According to an annual study that counts the
number of women working on the 250 top domestic grossing films of
the year, the number of women directors declined from 11 percent
in 2000 to 6 percent in 2001. Women accounted for 14 percent of
writers in 2000. In 2001, the percentage dropped to 10." Wired
06/17/02
NPR'S
"CLUELESS" LINK POLICY: National Public Radio has
become the object of ridicule on the web for its policy of
requiring webmasters to apply for permission to link to stories on
NPR's site. "By Wednesday afternoon, the NPR link form was
the No. 1 item on Daypop, which ranks the popularity of items in
weblogs. 'If you take this to its logical end, if you did this to
everyone at every site, the Internet would break down. So the
policy is borne of either cluelessness or evil - and I'd like to
think that the Car Talk and tote bag people aren't evil." Wired
06/20/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
6 MILLION PHENOM: After two years the soundtrack from the
movie O Brother, Where Art Thou? "the Grammy-winning
album of blues, mountain and other Americana music, has sold more
than 6 million copies and is still hovering on Billboard's chart
of the Top 20 albums in the country." This despite the almost
total absence of playtime on commercial radio in the US. The album
has been so successful, it's spawned new recording labels hoping
to promote this genre of music. Nando
Times (AP) 06/20/02
OVER
THE CLIFF: "Europe's top orchestra and four of America's
Big Five are changing hands, the biggest baton handover in
memory." This kind of top-level turnover would be cause for
concern in any industry, writes Norman Lebrecht. But the
orchestras have botched it. "With conservatism in full cry,
musical America is entering an epoch of dullness that one would
hardly cross the road to experience, let alone the Atlantic. The
slow decline of symphonic concerts has taken a sharp downturn with
the shunning of the next generation. This sorry outcome could have
been foretold, and has been." London
Evening Standard 06/19/02
BLAME
THE TEACHERS? So many classical musicians sound the same -
middle of the road and bland. Is it because of how they're
trained? "This sort of standardisation of education over the
last hundred years has certainly raised the degree of
professionalism. But standardisation has also become a danger. Is
it any surprise that musicians tend to sound the same, look the
same, and function as replaceable parts for orchestras, concert
seasons and advertising? Is it a surprise that the individuality
that might make for a remarkable moment of experience at a concert
is missing?" Ludwigvanweb 06/02
ORCHESTRAS
LOOKING UP: Thirteen-hundred orchestra administrators met in
Philadelphia last week to talk about the state of the business at
the annual American Symphony Orchestra League meeting. Despite a
few orchestras with financial problems, "the overall health
of orchestras is so strong that they are in better shape now than
they were one or two decades ago." Andante
06/17/02
USE
ME/ABUSE ME: The recording industry is worried about sales of
used CDs. "The industry worries that the expanding used
market is cannibalizing new-CD sales, as well as promoting piracy
by allowing consumers to buy, record and sell back discs while
retaining their own digitally pristine copies. One proposed remedy
being debated by record label executives is federal legislation
requiring used-CD retailers to pay royalties on secondary sales of
albums." San Diego Union-Tribune
06/14/02
ARTISTS
DEMAND BETTER DEAL: Recording artists are demanding better
treatment from recording companies. "In recent weeks, several
long-simmering lawsuits and legislative reforms seeking to change
the way major labels handle artists' contracts have come to a
boil. The biggest player in this movement is the Recording Artists
Coalition (RAC), led by Don Henley, which wants to shorten the
length of deals and require labels to offer artists health
benefits." New York Daily News
06/17/02
TIMIDITY
AT THE OPERA HOUSE: Opera is thriving in the U.S. these days,
as the advent of supertitles and the reinvigoration of the notion
that opera is just theatre with better music draw a new generation
into the fold. Furthermore, the new popularity has led to a flurry
of newly commissioned operas by big-name composers. But so much of
the contemporary output seems to be lacking in a certain daring -
are composers pandering to the crowd, afraid to challenge them too
much, lest they alienate the public again? The
New York Times 06/23/02
TCHAIKOVSKY
PRIZEWINNERS: The 12th International Tchaikovsky Competition
wrapped up this weekend with Japanese pianist Ayako Uehara taking
first prize in high-profile piano division. For the first time in
the competition's history, the judges did not award a first prize
in the violin division. Andante (Kyodo
News) 06/22/02
HIP-HOP
NOT JUMPING SO HIGH: "Sales of hip-hop albums in the
first quarter of 2002 were down an eye-opening 26% from the same
period last year, by far the largest drop among major pop genres,
and longtime observers on the scene have been grumbling that
innovation and star power are on the wane." Los
Angeles Times 06/19/02
PLAYING
FOR NO ONE? Where's LA's jazz scene? Actually there's plenty
of innovative playing going on. But it's underground - in the
schools and in small out-of-the-way venues. The bigger clubs are
mainstream and few of the hot young players have much visibility.
"The playing is brilliant. But no one, no one, seems to be
creating music that is connecting to an audience out there." Los
Angeles Times 06/20/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
J.
CARTER BROWN, 67: For 23 years Brown was director of the
National Gallery in Washington DC, where he greatly expanded the
museum's collections and oversaw the IM Pei addition. He was
founder of the Ovation TV arts channel, and director of the
Atlanta Olympics arts festival, as well as chairman of the U.S.
Commission of Fine Arts. The New York
Times 06/19/02
- THE
POPULIST PATRICIAN: J. Carter Brown held one of the most
powerful artistic posts in the nation, and yet his legacy is
one of making art accessible to everyone. "Brown, an
unashamed elitist, was also an inclusionist. He was a
patrician multiculturist. To a museum that had only shown (and
still only collects) objects from the West, he brought African
art and Indian art, South Pacific carving, Noh robes from
Japan, scimitars from Turkey, Costa Rican gold." Washington
Post 06/19/02
RALPH
SHAPEY, 81: Ralph Shapey, who died last weekend at the age of
81, was "perhaps America's most relentlessly self-challenging
composer, his catalogue having roughly 200 pieces for a huge range
of ensembles. He also cared a great deal if people listened. In
1969, he went on strike as a composer, refusing to allow
performances of his works until conditions for modern music
improved. At one point, he even threatened to burn it all, which
was possible since none of his music had been published and was
all in manuscript." The Guardian
(UK) 06/17/02
WHAT'S
THE VISION? Rem Koolhaas "may be our greatest
contemporary architect, but the nature and volume of his
production indicate that he wants to be more than that. He plays
the game of cultural critic and theorist, visionary, urbanist, and
shaper of cities for the globalized, digitized, commercialized
world of the twenty-first century. If we don't begin thinking
critically about what he's doing, how our cities look and function
might greatly reflect his influence - and what we get might not be
what we want." American Prospect
06/17/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
KNOW
IT WHEN YOU SEE IT? Never fails - every year there are a
couple of prominent accusations of plagiarism. But there's a
problem - "there is no single, universally accepted
definition and, consequently, no effective punishment. We don't
develop a fund of experience or build up much history on this
topic. Cases like [those of Stephen Ambrose and Doris Kearns
Goodwin] come out once or twice every year, and always the same
fundamental questions are asked. What is plagiarism? We don't make
much cultural progress on the issue. As with pornography, people
think they know plagiarism when they see it. However, the
definition of plagiarism changes depending on the writer's role
and motivation." Poets &
Writers 06/02
RANDOM
NUMBERS: Random House has posted a $14 million loss for the
second half of last year, its first loss in four years. "All
major publishers felt a decline in demand for books because of the
recession and the terrorist attacks, but none of the other major
publishers that publicly report results suffered as much. Revenue
for the last six months of the year fell slightly at Penguin
Putnam, held steady at HarperCollins and rose to $377 million from
$350 million at Simon & Schuster. None reported losses." The
New York Times 06/17/02
BUSH
APPEALS LIBRARY FILTERING: The Bush administration is
appealing last month's federal court ruling striking down a
requirement that public libraries install filtering software on
their computers to block pornography. The court had ruled that
filtering software wasn't able to block porn without also
filtering other sites. Wired 06/20/02
WEIGHTY
MATTERS: Why do successful American books seem to be getting
fatter? "Recently, there seems to have been a correlation
between enormous novels and enormous advances. Over the past five
years, the American literary scene has been littered with big, fat
books marking their author's claim on the Great (Big) American
Novel: David Foster Wallace's truly infinite Infinite Jest,
at 1088 pages; Don DeLillo's Underworld, 832 pages; and
Thomas Pynchon's most recent, Mason and Dixon, 784
pages." The Age (Melbourne)
06/21/02
ACADEMIA
ATTACKS STUPIDITY: Why are we stupid? A new book compiles some
ideas. "Robert Sternberg's premise is that stupidity and
intelligence aren't like cold and heat, where the former is simply
the absence of the latter. Stupidity might be a quality in itself,
perhaps measurable, and it may exist in dynamic fluxion with
intelligence, such that smart people can do really dumb things
sometimes and vice versa." Salon
06/19/02
THE
STORY OF MY (EXAGGERATED) LIFE: So many recent memoirs seem to
contain exaggerated (or fabricated) stories. Is it that real life
isn't interesting enough? Or is it that as fiction it wouldn't
ring true? "What gives in the world of nonfiction these days?
Why is it leaning so close to — maybe even into — the world of
fiction? And why don't they just call it fiction?" MobyLives
06/19/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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CRISIS?
WHAT CRISIS? So Broadway had its first down year in a while.
"But when you consider the terrible trauma of September 11,
which initially looked as if it was going to bring Broadway to its
knees, the figures strike me as remarkably resilient. My hunch is
that Broadway is actually faring better than the West End." The
Telegraph (UK) 06/17/02
HE'S
BACK... Garth Drabinsky, the Canadian theatre impressario
whose empire came crashing down amid scandal a few seasons back,
has won some of Toronto's top drama awards for his comeback show
this past season. "Four years ago, in an unceremonious way, I
was stripped of every award I ever received in theatre," he
said after accepting the outstanding production award. Toronto
Star 06/18/02
THAT
WAS FAST: Now that Minnesota governor Jesse Ventura has
decided not to run for reelection, "plans for The Body
Ventura" - a musical that promised, among other things, a
sung-through political debate and dancing Navy SEALs - have been
scrapped." St. Paul Pioneer Press
06/19/02
KING
ON TOP: The National tour debut of The Lion King in
Dallas has been a hit. In a ten-week run the show attracted
214,000 customers and sold $13 million in tickets. The city also
figures the show generated $52 million for the Denver economy. Denver
Post 06/20/02
BOLLYWOOD
DREAMIN': It's the summer of Bollywood in London, and Andrew
Lloyd Webber's Bollywood Dreams has opened in the West End. Is it
something new and different? "It's a bold, inventive shot at
something new that misses the target. Crucially the music by the
famous Indian composer, AR Rahman, played by a tiny, 10-strong
orchestra, falls blandly between two worlds. Far too often it
sounds more western than Indian. The mix is dull." London
Evening Standard 06/21/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STRIKE
CLOSES BMA: The British Museum is closed today after 750
museum workers went on strike, protesting government cuts in
funding. "Some 100 strikers picketed the museum, handing out
leaflets to members of the public. It is the first time the museum
has been closed by industrial action in its 250-year
history." BBC 06/17/02
NEW
ICA CHAIRMAN: Alan Yentob, the BBC's director of drama,
entertainment and children's programmes, has been named new
chairman of London's Institute of Contemporary Art. The ICA's
previous chairman left in a blaze of publicity, declaring that
concept art was "pretentious, self-indulgent, craftless tat
that I wouldn't accept even as a gift". The
Guardian (UK) 06/14/02
FIGHTING
FOR SCRAPS: There is so little high-end art available for sale
in the UK that when even a minor sale comes up for auction,
there's a feeding frenzy. The
Telegraph (UK) 06/17/02
LOOKING
OUT: This edition of Documenta is the most international and
outward-looking yet. "The main themes of this Documenta are
migration, precarious post-colonial constellations, cultural
intermixing and changing perspectives within a new global society.
All the sore points, the terrible conflicts which often trigger or
prevent these changes, are given center stage: the tortured
Balkans; the misery of the underdeveloped and exploited; racism;
the genocide in Rwanda; the hell of a South African gold mine;
South American military dictatorships; guerrilla wars; Sept. 11,
2001; the refugee ships sunk in the Mediterranean with their
unretrieved bodies, searched for by teams of underwater
archaeologists. Frankfurter Allgemeine
Zeitung 06/16/02
OVERLOAD:
An exhausted Peter Plagens marvels at the sheer size of the event.
And how much explanation the art takes. "Never in the history
of contemporary-art shows have so many viewers been asked to read
so much while standing on such unforgiving concrete floors."
It's also difficult to sort out. "Hardly any of the art in
Kassel lives up to the huge political burden placed upon it."
With the show's attempt "to get art to act as a rebuttal to
the G8’s style of globalization, Documenta has turned itself
into a clever, but only occasionally convincing, Didactamenta."
Newsweek 06/24/02
UNDERSTANDING
FREUD: This summer's hottest art show in London is the Lucien
Freud retrospective at Tate Britain. At 79, Freud is generally
considered Britain's top living artist. "Let me be clear
about this: at every stage in his long career, Freud has painted
wonderful pictures. In a show with 156 works, I am talking about
no more than a dozen misses or near-misses, but they are enough to
show that painting does not come easily to Freud. He's a thrilling
artist because when he performs, he doesn't have a net to catch
him if he falls." The Telegraph
(UK) 06/19/02
LOST
IN THE WTC: "Among the major losses of a historic and
archaeological nature was the Five Points archaeological
collection, which, excavated in the early 1990s had been stored in
the basement of Six World Trade Center, the building that was
destroyed when the facade of Tower One fell into it. Only 18 of
about one million unique artifacts documenting the lives of
nineteenth-century New Yorkers survive." Archaeology
06/19/02
WHERE'S
THE PUBLIC IN CHICAGO'S PUBLIC ART FUND? Chicago's Public Art
Fund spends millions on public art, financed by the city's percent
for art ordinance. Some of its projects are highly visible, yet
critics charge that the program operates in secret and lacks
accountability. How much money does it spend? How does it decide
what to buy? You'd think public records would be available, and
yet... Chicago Tribune 06/20/02
SISTER
WENDY'S PRIVATE TOUR: Sister Wendy's trip through American
museums for her recent series didn't include a stop at LA's Norton
Simon Museum. So the museum made her an offer she couldn't refuse,
and Wendy obliged with a private tour captured on tape. "It's
a little strange that Sister Wendy, known more for her broad
telepopulist appeal than for the eloquence or originality of her
insights, should be sequestered in the back room of a deluxe
suburban vanity museum. But such an improbable arrangement is
actually pretty much par for the course in the long, strange trip
of the art nun's career." LAWeekly
06/20/02
TYRANNY
OF THE ACOUSTIGUIDE: Thinking about reaching for one of those
handy acoustiguides now so popular at many museums? Think again.
"It makes choices for you. It pick winners. Most museums that
use the system restrict it to a (growing) menu of
‘masterpieces’, effectively relegating great tracts of their
collection into a sort of art-historical Division Three – there
to be scanned indulgently if you happen to have some quirky
personal attachment, but clearly far beneath general interest. So
immediately your choices are curtailed. Then, once the audioguide
has imposed its snobbery on you, it sets about telling you, with
varying degrees of skill and subtlety, what you ought to think
about the art on show, and this is where the real trouble
begins." Electricreview.com
05/26/03
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MAKING
A SHOW OF CUTS: With states across America facing budget
deficits, many have proposed cutting public arts funding. Arts
budgets are small compared to overall state budgets, but they're
highly visible (read: they make good poster-children as candidates
for fiscal austerity). Backstage
06/19/02
GOTTA
LOVE THOSE GAYS AND BOHEMIANS: A new study sure to make Jerry
Falwell cringe suggests that cities with high populations of
"gays and bohemians (artistically creative people)" are
more likely to thrive economically than those populated by,
presumably, straights and dullards. The study focused on the
economic impact of the "creative class" on large
American metropolises. The Star
Tribune (Minneapolis) 06/23/02
LINCOLN
CENTER'S NEW LEADER: Bruce Crawford, former general manager of
the Metropolitan Opera has been chosen as the new chairman of
Lincoln Center, succeeding Beverly Sills. "In addition to
presiding over Lincoln Center, the country's largest and most
important cultural institution, with constituents like the
Metropolitan Opera and the New York City Ballet, Mr. Crawford will
oversee the center's often contentious $1.2 billion redevelopment
plan." The New York Times
06/18/02
ART
VS. BASKETBALL: Community activists in Los Angeles are
clashing over how best to use a 3-1/2 acre vacant lot in the
city's Little Tokyo neighborhood. Residents want a gym to house
their basketball league, but an art museum whose property backs up
on the lot wants to turn it into an "art park"
connecting the multiple cultural institutions in the neighborhood.
Sports usually win out over art in these disputes, but which
proposal is better urban planning? Los
Angeles Times 06/19/02
THE
LOTTERY CRUNCH: Britain's lottery helped spur a wave of
cultural building in the past few years that has transformed the
country's cultural infrastructure. But lottery revenue is
shrinking, and estimates for maintaining he UK's
"heritage" over the next 10 years will be "nearly
£4 billion, of which £800 million is needed for museums and
galleries." The Art Newspaper
06/14/02
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SEX
WIPES AWAY MEMORY: A study reports that a little sex in a TV
show wipes away viewers' ability to remember commercials.
"Researchers found that people watching shows packed with
sexual innuendo, performers with revealing clothes or sexual
scenes were much less likely to remember the ads both immediately
after the show and a day later." Sydney
Morning Herald 06/20/02
ELVIS
LIVES: Elvis has just scored his 18th No. 1 hit in the UK. A
DJ funky remix of Elvis Presley’s A Little Less Conversation.
How? Soccer. The song was used in a sports ad and has become
Britain’s unofficial World Cup anthem. The
Times (UK) 06/17/02
MUSICIANS
- SMARTER THAN THE REST OF US? A new study says that musicians
have larger brains than other people. "Medical scans found
that instrumentalists and singers have 130 per cent more grey
matter in a particular part of their brains compared with those
who are unable to play a note." But how do you explain Ozzy
Osbourne? The Scotsman 06/18/02
SO
FUNNY, EVEN MY CATS LAUGHED (REALLY): So you think TV and
movie critics sit around trying to think up clever little quotes
so they can see themselves blurbed in big letters in ads? Hmnnn...
"In writing columns and reviews, getting quoted is never my
agenda. Nope, not on my radar screen. No ego here. I have too much
integrity for that. My validation comes from within." Los
Angeles Times 06/21/02
PRINCE
OF A MISTAKE: Earlier this week three works by Prince Charles
were put up for auction in Birmingham. Interest in the watercolors
was high - they were listed at a few hundred pounds, but they
eventually fetched £20,000. The day after the sale, though, it
was noticed that a mistake had been made - the art wasn't painted
at all - they're lithographs. "Worth a few hundred pounds,
they were excellent copies of the original works, but of interest
more for their novelty value than their artistic merit." The
Scotsman 06/20/02
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