Week
of May 20-26, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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SENSE
OF PLACE: Artists from Chicago used to call themselves
"Chicago artists." But beginning in the 1980s, they
began referring to themselves as "Chicago-based"
artists. "The implication was that they had become an
elevated kind of nomad circling the globe, making and showing art
anywhere. Chicago was just the place they had chosen to bed down.
That attitude now is widespread. The most contemporary visual
artists in London or Paris or Rio de Janeiro or Kabul seldom want
to be known as being of those cities." Yes, it's just words -
but what does the change mean to how artists perceive their
relationships with the places they live? Chicago
Tribune 05/26/02
VIDEO
GAMES AS ART (REALLY, IT'S CLASSIC): Video games already
outsell movies. Pretty soon they'll outsell music as well. But do
they mean anything as art? "In many ways computer games offer
something that works of art have been attempting since the
Renaissance. Art historians have commented that the German
Romantic painter, Casper David Friedrich painted from what would
appear to be an impossible perspective - as if he were floating
high above the ground. And think of Picasso, wrestling with the
possibilities of cubism, trying to see from all angles
simultaneously. The artist wants to be all-seeing, everywhere at
once. The new games let us see the world from wherever we wish.
Indeed, they let us construct that world completely." London
Evening Standard 05/21/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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A
REAL NATIONAL DANCE? Classical ballet is struggling in Ireland
in a cut-down form. "So should we still aspire to having a
full-time national ballet company in Ireland? 'I don't think the
audience is there to sustain that type of company. A healthy dance
culture should have all forms of dance but a full-time classical
company certainly wouldn't be viable." Irish
Times 05/16/02
- RESPONSE
- DEFENDING THE FULL-LENGTH: Should Ballet Ireland give up
traditional full-length classical ballets and think about
becoming a modern company, as an Irish Times dance critic
seems to have suggested? The director of Ballet Ireland argues
full-lengths are just what the company's audiences want.
Irish Times 05/17/02
END
OF AN ERA? George Balanchine's choreography built New York
City Ballet into one of America's great cultural institutions.
"Now the unthinkable has happened: at the City Ballet,
Balanchine ballets have become boring, pompous and passé. Since
Balanchine's death, what was once so vital has become dull and
"established: a lifeless orthodoxy reigns. What happened?
Balanchine's ballets are not in trouble just because Balanchine
died. They are in trouble because an era has ended." The
New York Times 05/26/02
JUSTIFY
THE LOVE: In 1997, hoping to create and encourage an
alternative contemporary dance company, Australia's Victoria
government put out a tender for a company it could support. A
group called Chunky Move won the support, but ever since the group
has been mired in controversy. "It is, perhaps, not unfair to
suggest that by their excellence and versatility, the Australian
Ballet and the Sydney Dance Company have unwittingly undermined
the evolution of alternative groups such as Chunky Move." But
now it's time for the company to prove "to the dance public
and arts funding bodies that their investments and faith were not
based on false judgment." The
Age (Melbourne) 05/25/02
FORM
OVER FLAMBOYANCE? It is the eternal question of every artistic
competition, whether the subject be music, dance, or pairs figure
skating: is flawless technique more important than artistic merit,
or vice versa? Judges at such events, who tend to be professionals
in the field, often prize technique, since they are trained to
look for detail and minutiae, while critics and writers may take a
broader view, preferring a passionate but flawed performance to
one of careful calculation. A recent edition of one of North
America's premiere dance competitions illustrates the point.
The Globe & Mail (Toronto)
05/23/02
IF
YOU CAN MAKE IT THERE... Is the Paris Opera ballet school the
best in the world? " The school was founded by Louis XIV in
171. Of the 300 or so who apply for entry each year, some 30 are
accepted; after one year, 10 survive; and of these, only a handful
graduate." The New York Times
05/21/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
POLANSKI'S
PIANIST WINS CANNES: Roman Polanski's film about the Holocaust
wins the Palme d'or at the 55th Cannes Festival. "The film
stars Adrien Brody as a brilliant Polish pianist who manages to
escape the Warsaw ghetto. As boy in Poland, Polanski himself
survived the Krakow ghetto but lost his mother at a Nazi
camp." Nando
Times (AP) 05/26/02
BUYING
WHAT CANADA WATCHES: Canadian TV gets most of its programming
from the US. "This week, Canada's programming executives flew
down to L.A. to hole up in the city's most expensive hotels. From
there, they spend several days kicking the tires, by watching
pilot episodes for the forthcoming series - often at hype-filled
gala screenings. Other countries also participate in the
Screenings, but it is really all about Canada: No other country
buys so much fresh U.S. programming, or pays as much for it."
The Globe & Mail (Canada)
05/25/02
NETWORK
AUDIENCE DOWN AGAIN: US TV networks had an average prime time
audience of about 45 million in the just-completed season. That's
down 3 percent over the previous season, and continues a move of
viewers to cable channels. Los
Angeles Times 05/24/02
RADIO
RALLY: Radio is undergoing a resurgence in the English
countryside. "The almost biblical plagues that have afflicted
the countryside in the past two years — the floods of 2000 and
foot-and-mouth disease in 2001 — have given local radio a new
passion and sense of purpose. Radio, after all, is the perfect
crisis medium. It’s democratic: you can phone in and air your
views. More important still, it’s low-tech. Newspapers stop
coming when transport is blocked. Television and the Internet are
no good without power or phone lines. But almost nothing can stop
you listening to your old battery-powered trannie."
The Times 05/24/02
TRAILING
EDGE: Movie trailers are a big business in themselves, and
studios are spending ever more time and money on creating new ways
to hook an audience. "A recent survey by Variety, the
Hollywood trade paper, and Moviefone found that ticket buyers
cited in-theater trailers as the biggest influence on their movie
choices, followed by television, newspapers and the
Internet." Chicago Tribune
05/21/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHAT
BECOMES A GREAT CONDUCTOR? Does a conductor have to be a
dictator to be great? Or should he be the friend next door? One
wonders after the (apparently) dictatorial Charles Dutoit made a
hard exit from the Montreal Symphony. "The ideal conductor,
if such a paragon exists, would command the magnetism of a perfect
father, the imagination of a poet, the memory of a historian, the
patience of a saint, the intellect of a genius, the technique of a
virtuoso and the ambition of a salesman. All this plus the
friendly manner of the little guy next door." Unfortunately,
like is a series of compromises... Andante
05/23/02
HOW
CHICAGO GOT ITS SOUND: Chicago jazz has always had a different
flavor than that from New Orleans or New York. "Clearly,
Chicago musicians take pride in the distinctiveness of their
sound, and for good reason. Removed from the commercial pressures
of Manhattan and the pop-oriented recording studios of Los
Angeles, the Chicagoans always have forged a rougher,
harder-hitting jazz than most of their counterparts on the
coasts." Chicago Tribune 05/26/02
HOW
I COLLECTED 23,000 RECORDINGS: Music critic John von Rhein is
wrestling with his collection of recordings. The music is "an
invaluable source of reference and pleasure, and an albatross. The
need to collect recorded music cannot be explained rationally.
Once the process has reached a certain point, it takes on an
insidious life of its own. Why on earth would I want to own 26 CD
recordings and nine LPs of the Rachmaninoff Third Piano
Concerto?" Chicago Tribune
05/26/02
SECOND
ACTS: Itzhak Perlman is one of the great violinists of the
past century. But since he turned 50 a few years ago, increasingly
his interested have turned to teaching and conducting. "That
means he'll make a call to a student at intermission of one of his
own concerts if he remembers something he forgot to say during a
lesson." As for conducting, "his stick technique is
quirky, but the players can follow him; he communicates through a
deep reservoir of animated expressions and gestures. He has large,
strong hands, and all those years of walking on crutches have
created tremendous torque in his upper body; his physical energy
is commanding." Detroit
Free Press 05/26/02
SING
FLING: Choirs aren't just for church anymore. In the US,
"over the past two decades, community choruses have sprung up
everywhere, supplementing the wealth of church choirs that
traditionally have formed the musical backbone of many
communities. A National Endowment for the Arts study found that 1
in 10 American adults now sings weekly in some kind of
chorus." Christian Science
Monitor 05/24/02
THE
SHAM THAT IS THE CLASSICAL BRITS: The Classical Brit Awards
are a shallow exercise, writes Norman Lebrecht. There's really
only one "real" classical artist up for an award.
"The rest are a motley band of dabblers and distorters, rock
mimics and studio-made combos who call themselves 'classical' for
any number of reasons, none of them credible." London
Evening Standard 05/22/02
GIVING
THEIR ALL (AND THEN SOME): "The Pittsburgh Symphony
Orchestra donates its time for 12 school concerts each season. The
concerts are free for the students, and orchestra volunteers even
help the teachers prepare for the experience. In fact, the
symphony does everything but drive the students to Heinz Hall.
Until now, that is." Orchestra musicians, frustrated by the
lack of inner-city students participating in the program, coughed
up $5000 out of their own pockets to bus some 2,000 students to
the latest round of shows. Pittsburgh
Post-Gazette 05/23/02
WEBCASTING
FEE REJECTED: The US Librarian of Congress has rejected a
"proposal by the Copyright Arbitration Royalty Panel which
recommended that webcasters pay recording companies $.0014 per
listener for each song they play." Webcasters claimed that
charging the royalty fee would put them out of business. Wired
05/21/02
THE
GREAT PATRON: Paul Sacher was the great patron of 20th Century
music. He comissioned "more than 120 works, including
masterpieces by Bartók, Britten, Honegger, Hindemith, Stravinsky,
Milhaud and Tippett." But he was more personally involved as
well. "Throughout his life Sacher’s palatial mansion
outside Basle was a kind of upmarket soup kitchen for hard-pressed
geniuses. The dying Martinu spent his last weeks there. Honegger
and his family lived there, free of charge, for a year. The young
Boulez and exiled Rostropovich were accommodated so often that the
respective rooms became known as 'Slava’s apartment'and
'Pierre’s room'. It is hardly an exaggeration to claim that
without Sacher’s money-bags some of the most scintillating
musical minds of the last century might have ended up washing
dishes." The Times (UK) 05/21/02
DAMAGE
CONTROL: What's up with British jazz critics? "Too many
of them seem to find it really rather awkward to say anything
unpleasant about the artists they review. The disobliging word
does not even stick in their throats, let alone spring from their
lips like a dart; instead, it remains a sad little thought,
quickly displaced by brighter, shinier blandishments." Are
they afraid they'll hurt jazz if they write critical things about
it? New Statesman 05/20/02
MUSEUM
BUST? The Country Music Hall of Fame opened a handsome new $37
million museum in Nashville a year ago, amid rosy predictions of
first-year admissions of 550,000. The reality is considerably
less, and the museum is optimistically hoping for 330,000 visitors
this year. Houston
Chronicle (AP) 05/19/02
WE
REALLY DON'T LIKE OUR CUSTOMERS: Sony has incorporated copy
protection software into copies of Celine Dion's new album.
"It can actually crash PC's, and owners of iMac computers
from Apple Computer have found that they sometimes cannot eject
the discs." The discs have been sold in Europe but not in the
US, though Sony says that may change. The
New York Times 05/20/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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STEPHEN
JAY GOULD, SCIENTIST, AUTHOR: "Stephen Jay Gould - who
died of lung cancer yesterday at the age of 60 - was a prize
example of a very rare breed. Gould was a professor at Harvard, a
longtime columnist for Natural History magazine, the author of
numerous bestsellers, and a dependably feisty public intellectual.
He did not suffer fools gladly; he pummeled them in print." Washington
Post 05/21/02
MILLER
FIRED FROM MET? Star director Jonathan Miller says he's been
fired by the Metropolitan Opera "following a dispute with the
Italian diva Cecilia Bartoli. In a startlingly frank interview
with a respected music writer, Miller is also scathing about the
acting skills of the 'Three Tenors', Placido Domingo, Luciano
Pavarotti and Jose Carreras, and savagely attacks opera
audiences." The Guardian (UK)
05/20/02
NORMAN
MEETS THE QUEEN: Queen Elizabeth invites in Britain's cultural
elite for a meet and greet. "We were, someone said, the elite
of the arts: the 600 makers and shakers of creative society. But
the guest list for the party at the Royal Academy in Piccadilly
was entertainingly eclectic. I met a man who runs a theatre in a
North Yorkshire village of 200. Just beyond him was Sir Simon
Rattle, music director of the world's premier orchestra, the
Berlin Philharmonic." London
Evening Standard 05/23/02
ABRUPT
EXIT: Giving only a week's notice, Dallas Opera General
Director Mark Whitworth-Jones quits the company after two years on
the job. He "acknowledged frustration with the local fund
raising situation during the economic downturn and in the wake of
the Sept. 11 terrorist attacks. He said subscription revenue was
down 17 percent during the 2001-02 season. The company has also
found its fund raising for annual operations competing with
efforts to raise money for the Margot and Bill Winspear Opera
House, as part of the proposed Dallas Center for the Performing
Arts." Dallas Morning News
05/23/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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THE
NEW PUBLISHING: Each year, about 3,500 novels are published.
"While the main advantage to being published by a big press
is the distribution, marketing, promotion, and visibility it can
offer, all too often that kind of attention is only bestowed upon
the clearly commercial novel that is already earmarked to be a
winner, usually because of the author's previous performance.
Sessalee Hensley, fiction buyer for all 582 Barnes & Noble
superstores, says the sad truth is that only 10 percent of books
get any serious marketing or PR support." Now a new
publishing model is taking hold. Poets
& Writers 05/02
BLASTING
THE BOOKER: The expected protests over plans to open the
Booker Prize to Americans have begun. "The chairwoman of this
year's Booker judging panel, Lisa Jardine, raged that 'the Booker
will become as British an institution as English muffins in US
supermarkets ... more blandly generic as opposed to specifically
British. This will completely change the character of the
prize'." Why is it happening? " The Man Group, a new
sponsor, has more than doubled the value of the prize this year to
£50,000 ($A131,189) but, seeking greater international prominence
and book sales, has insisted that US writers should be eligible by
2004." The
Age (Melbourne) 05/23/02
TALKING
ABOUT BOOKS: The rise of the literary festival to the point
where it plays a significant part in publishing economics is a
fairly recent phenomenon. If the literary festival represents the
public face of contemporary letters, then it also doubles up as
the chief agency for establishing its hierarchies and pecking
orders." The
Guardian (UK) 05/25/02
TOP
HEAVY: A critic takes issue with the notion of ranking the top
100 books of all time. "We live in a time of lists. That's
why we like awards so much: They tell us who the best writers are.
That's what we want to know: Who has the highest score. Never mind
that a list of favourite books of the year, arrived at by much
compromise after a discussion among three or four entirely human
judges, has about as much historical significance as a list of My
Favourite X-Box Games." The
Globe & Mail (Canada) 05/25/02
ACCLAIM
BUT NO SALES: Sylvia Ann Hewlett's book Creating a Life:
Professional Women and the Quest for Children has got all the
promotional and critical boosts an author could want. Yet
"data from the research marketing firm Bookscan suggest Creating
a Life has sold fewer than 8,000 copies. The peculiar fate is
the publishing world's mystery of the year. How could a book with
such exposure — on the hot-button topic of reconciling
motherhood and career — sell so abysmally?" The
New York Times 05/21/02
JUST
SAY NO (TO WRITING SCHOOLS): Are writing schools a good way to
teach writing? Probably not. What they do is provide a group that
the solitary writer can belong to. But there are downsides.
"The short story, I'd hazard, has been much diminished in
Canada, where it has been subsumed to the purposes of the MFA
schools. Too often, what we're getting these days are short pieces
of fiction and not short stories. Professional samples,
really." National Post 05/24/02
KEEPING
TABS: One of a librarian's biggest chores is keeping track of
where books are. Now a new radio tag might help solve the problem.
"Unlike bar codes, which need to be scanned manually and read
individually, radio ID tags do not require line-of-site for
reading. Multiple tags can be read simultaneously, through
packaging or book covers. With radio ID tags, librarians can
automate check-ins and returns. Patrons can speed through
self-checkout without any assistance or ever even opening a
book." Wired 05/21/02
READING
IN DARK IS BAD: Your parents were right - reading in the dark
is bad for your eyes. A researcher reports that "the way we
use our eyes when young can affect the way the eyes develop."
He salso says that rates of myopia are increasing. BBC
05/21/02
READERS
DESERT UK LIBRARIES: A new study reports that use of British
libraries is shrinking. The report says that "since 1992
visits to libraries have fallen by 17%. In the same period
spending on books has fallen by a third, and 9% fewer libraries
are open for 30 or more hours a week - although the national
library budget has remained stable, at £770 million a year."
Why - readers complain of shabby building and limited
selection." The Guardian (UK)
05/17/02
ART
OF REDIRECTION: You go to the Amazon website, type in the name
of the book you're looking for, and when your book comes up, it's
accompanied by a suggestion to try another book instead. "Two
weeks ago, Amazon's Web site added a feature that lets users
suggest that shoppers buy a different book than the one being
perused." The
New York Times 05/20/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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A
GOVERNOR PILEDRIVES ARTS FUNDING: Governor Jesse Ventura of
Minnesota, he of the pro wrestling background and snarling visage,
has used his veto pen to wipe out tens of millions of dollars of
arts funding from this year's state budget. Hardest hit is the
nationally renowned Guthrie Theater, which had been scheduled to
receive $24 million for a new theater on the Mississippi
riverfront, and will now receive nothing at all. Ventura claims
that government funding of the arts is a slippery slope (though he
just signed a bill funding a $330 million ballpark for the local
baseball team,) while the Guthrie's artistic director calls the
governor destructive and dictatorial. Minneapolis
Star Tribune 05/23/02
THE
ASIAN MOZART? Andrew Lloyd Webber believes he's found the
composer who could rejuvenate musical theatre. A R Rahman is a
sensation in his native India. "His scores have been composed
for some of India's most successful films, including Dil Se and
Lagaan, which was nominated for best foreign film in this year's
Oscars. With sales of more than 100 million, his albums have sold
more than Britney Spears and Madonna combined." Now Lloyd
Webber has asked him to write a musical and is producing it in
London's West End. The Telegraph (UK)
05/25/02
IN
SEARCH OF FAME: There is an increasingly popular strain of
show that exists as much for its ever-changing cast of famous
players as for the show itself. "These shows exist on regular
injections of famous names. They change their casts like a drag
act changes frocks - each one just as fabulous, just as glittery
as the one before - and interest is as much in what the next
change will be as in the show itself." The
Scotsman 05/20/02
IF
HARTFORD'S TOO CLOSE... why not Seattle for that out-of-town
big-budget Broadway-bound musical? Producers of Hairspray have
brought the show for a tryout before heading to New York.
"The fact that Seattle is auditioning for this role now
attests to the changing nature of Broadway production and to the
city's burgeoning cultural profile." Seattle
Times 05/26/02
ONLY
BROADWAY: Broadway has rebounded in a big way since the dark
days after September 11. The help Broadway got from the city in
the form of ticket purchases and financial assistance was
welcomed. But Off-Broadway and other performing groups were not
included in the bailout, and hard feelings remain. The
New York Times 05/22/02
WHAT'S
WRONG WITH BRITISH THEATRE: Director Declan Donnellan is back
in London to stage Tony Kushner's new play, but he's got some
misgivings about the local arts scene. "People involved in
theatre in Britain are mistreated and misunderstood. 'We are quite
cruel to artists. Even the way we call them 'luvvies' is a
put-down. There is an envy of the artist that is dressed up as
anger in this country. Look at the way that the theatre only makes
the front news when it's bad news or something goes wrong at the
RSC. I still think of Britain as home, but it is quite hard for it
to be'." The Guardian (UK)
05/22/02
SELLOUT:
An Australian critic is tired of the kind of theatre he's been
seeing lately. "Authenticity in the theatre is up for grabs
these days. Commercialism and homogeny, not passion and
difference, are turning some sections of the mainstream theatre
into a sterile playground, if there can be such a thing. So many
productions are predictable and lacking in nerve." Sydney
Morning Herald 05/21/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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THIEF
- I DID IT FOR THE LOVE OF ART: "In the latest twist to a
case that has left the art world reeling, Stephane Breitwieser,
who was arrested in the Swiss city of Lucerne last November after
stealing a bugle from a museum, told police his six-year spree was
driven by a love of art rather than a desire to make money. Many
of the 60-odd 16th, 17th and 18th century canvases stolen,
including works by Boucher, Watteau and Breughel, are thought to
have been destroyed by his mother Mireille, who told French police
that soon after her son was arrested she cut them up into small
pieces and threw them out with the rubbish 'because the house
absolutely had to be wiped clean'." The
Guardian (UK) 05/23/02
MEIER
WAY NOT THE HIGH WAY: When Atlanta's High Museum decided to
double in size with a $130 million addition, officials didn't even
consider asking Richard Meier, the High's original architect, for
a plan. Instead, without a competition, it hired Renzo Piano.
"It seems very strange not to have consulted or hired the
original architect. It's the best building in Atlanta and Meier's
first big commission. It would have been interesting to see what
he would have done now that he's done a lot of other
museums." The
New York Times 05/23/02
VIRTUAL
BUDDHAS: "It was an act of cultural desecration that
shocked the world. The age-old Buddhas at Bamiyan in northern
Afghanistan, which had withstood the ravages of Genghis Khan and
centuries of invasions and wars, proved powerless against the
destructive zealotry of the Taliban regime. Now the Buddhas are
making a comeback of sorts, thanks to the efforts of a Swiss
entrepreneur and a team of researchers at a Swiss
university." The twist is that the comeback is of the digital
variety, and employs the very latest in 3D imaging technology. Wired
05/22/02
WE
DON'T CARE WHO BUILDS 'EM: Here's a blow to architects' egos.
A new poll by an architecture organization reports that "81%
of respondents claimed that they were interested in the look and
feel of the buildings they use" Good news, yes. But only 16%
could name a living architect. Oddly, asked to name a living
architect, five percent identified 17th-Century master Christopher
Wren. The Guardian (UK) 05/20/02
GOING
BEYOND 'WASH ME': The winner of a £10,000 contemporary
drawing prize in the U.K. may have won the cash, but another
finalist appears to have captured the hearts and minds of both
public and press. Ben Long creates incredibly intricate drawings
in the dust and grime caked to the side of vans and cars, and was
named a finalist after submitting videos of himself creating the
works. He didn't win, but the publicity being heaped upon him is a
pretty good consolation prize. BBC
05/22/02
THE
PROBLEM WITH SPIFFING UP: The new Manchester Art Gallery
reopens after a major project to double its size and dress it up
with all sorts of new enhancements. "Why are museums
convinced that the art itself, well presented and well explained,
isn't magical or marvellous or interesting enough? Why does art
have to be tarted-up and given all this spin? Unless it is done as
well as an arcade or console game, the family are going to be
convinced that the stuff in the rest of the gallery is second-rate
too. They will expect entertainment on every level, and generally
they are not going to find it. I believe this kind of thing
actually reaffirms the notion that art is dull, dry, dusty and
dead. This isn't dumbing down - it is just patronising, and no
substitute for good teaching elsewhere." The
Guardian (UK) 05/21/02
DIGITAL
DIFFICULTY: Why does the artworld seem to have difficulty
accepting digital art? "Computers have been seen for the past
50 years as tools of business and science, and more recently,
expensive typewriters. Because much of the digital art out there
is native to the computer, that's where it is best displayed.
People are unaccustomed to writing emails on a platform of
artistic expression. Perhaps they are in denial." *spark-online
05/02
ONLINE
GALLERY GOES BUST: They were going to change the way people
bought art. They were going to put traditional galleries out of
business. Actually no. The online artsellers have been going out
of business, and Eyestorm, one of the most prominent, is being
liquidated. "Art lovers are reluctant to buy works they have
not experienced first-hand. To compensate, Eyestorm opened
galleries in London and New York — a seeming contradiction to
its original premise of allowing buyers to avoid the gallery
scene." The
New York Times 05/20/02
SELLING
OFF NATIONAL HERITAGE: As old German families sell off their
collections to raise money, German governments at various levels
attempt to buy them so the artwork stays in Germany. Trouble is,
cash-strapped German governments can barely afford essential
services, let alone art... Frankfurter
Allgemeine Zeitung 05/23/02
SECOND-RATE
MASTERS? In Australia an exhibition of Italian master
paintings, called by the Italian culture minister "the most
important exhibition ever to leave Italy," has been blasted
in a front page review in a national paper. "Benjamin
Genocchio, a Sydney-based critic and art historian who is a
citizen of both Australia and Italy, called the show 'a
resoundingly average exhibition of minor pictures by second- and
third-division artists'. His review on the front page of The
Australian, a national daily broadsheet, also charged that The
Italians, as the show is popularly billed, was marred by
restoration errors and attribution questions."
The New York Times 05/23/02
GENUINE
FAKE MASTERPIECES FOR SALE: The Supreme Court in Australia has
cleared the way for the sale of a massive collection of fake
artwork owned by a deceased art dealer, who appears to have been
passing them off to her clients as works by real masters. The
dealer's husband had been seeking to have the sale blocked, but
the executor of the estate won the right to go ahead with it. Oh,
and one more twist: the executor just happens to be the same man
who executed the fakes in the first place. Sydney
Morning Herald 05/23/02
EARNING
ITS KEEP: For many arts organizations, fundraising is a
constant balancing act between selling the notion that the arts
are something worth paying for, and trying not to sound like a
charity case. Boston's Museum of the Fine Arts, however, has gone
the traditional route one better, commissioning a study which
indicates that the MFA is a cash cow for the region, creating new
jobs and new businesses, and pumping hundreds of millions into the
local economy every year. Why bother with the study? Well, MFA is
expanding, and needs something in the neighborhood of $425 million
to accomplish it. Boston Globe
05/23/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CUTTING
THE ARTS: Across the US states are trying to balance their
budgets. And typically, one of the first things to be cut is
funding for the arts. "After years of steady expansion,
public financing for the arts has begun to drop substantially as a
long economic boom ends." Some of the cuts are as much as 60
percent. The
New York Times 05/24/02
- SYMBOLIC
CUTS HURT: California governor Gray Davis has been a
friend to the arts, substantially increasing arts funding in
the state over his time in office. But his arts budget got
whacked in half last week when he submitted his proposal for
the state budget. The cuts have arts officials perplexed -
arts funding is still a tiny part of the state budget.
"Any cut to arts funding is primarily symbolic. It's not
enough money to solve this budget crisis or any budget
problem. There's no point pretending that it does. It's
meaningless fiscally." LA
Weekly 05/23/02
- GERMAN
CITIES CUT BACK CULTURE: Frankfurt, like many German
cities, is reducing how much it spends on culture, as a way
with trying to deal with public budget deficits. "A
number of German cities have long been unable to afford
themselves, the most striking example being that of Berlin.
Frankfurt now seems no longer able to afford itself either. Or
willing to do so." Frankfurter
Allgemeine Zeitung 05/20/02
- GEORGIA
CUTS ARTS SPENDING: The state of Georgia ranks 47th among
US states in per capita public spending on the arts. But that
doesn't stop the state from cutting this year's arts budget.
"The Georgia Council for the Arts has announced awards
totaling $2.5 million to 177 nonprofit organizations around
the state for the new fiscal year, beginning July 1. That's
down from $2.7 million to 181 groups last year. It's the
state's smallest arts grants budget since 1989." Atlanta
Journal-Constitution 05/20/02
ARTS
MAKE BETTER STUDENTS: A new report that looks at "all the
arts and make comparisons with academic achievement, performance on
standardized tests, improvements in social skills and student
motivation," says that "schoolchildren exposed to drama,
music and dance may do a better job at mastering reading, writing
and math than those who focus solely on academics."
USAToday 05/23/02
INTO
THE BOG: So London's South Bank has a new leader, plucked from
Down Under. Good luck. South Bank is London's cultural swamp, a bog
where ideas drown and finding your way to solid ground a mystery
known to few. "It is the place of perpetual crisis, the place
of lost cultural vision, and the place on which the arts press loves
to dump. It has become the emblematic arts crisis of the era."
So a few tips for the new head man... The
Guardian (UK) 05/25/02
UNIVERSITY
CRISIS: A new government audit of British universities says they
are "at least £1 billion a year short of the money needed to
keep buildings and equipment in working order. The audit suggests
institutions either need to scale down their activities at a time
when they are supposed to be expanding to meet government targets -
or receive a massive injection of extra money to avert
disaster." The
Guardian (UK) 05/20/02
AFTER
23 YEARS, MIAMI'S LINCOLN CENTER? Miami's new performing arts
center will cost $334 million - the largest public/private project
in Miami history. It is "designed to rival the Lincoln Center
in New York and scheduled to open in the fall of 2004." The
project's new director says he sees the center being a "point
of contact" between cultures and that he hopes "to be the
only white guy" on the new center's team. Miami
Herald 05/19/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TONYS
DIRTY TRICKS: Someone has been writing nasty letters to Tony
Awards judges, pretending to be Tony-nominated actor Gregg Edelman.
"Last week, at least four prominent Tony voters, including Into
the Woods composer Stephen Sondheim, received nasty letters,
ostensibly written by Edelman, accusing them of failing to
appreciate the actor's talents and of bad-mouthing him behind his
back. The letters were printed on stationery with Edelman's name in
capital letters at the top and were signed 'G.E.'." Edelman
says he didn't write them. New
York Post 05/24/02
HOW
TO REJECT FREE PUBLICITY AND ALIENATE FANS: The Bellevue
Philharmonic Orchestra may not be the most prestigious orchestra in
Washington state, but it has apparently mastered the art of acting
like a big-dog organization. The BPO is taking legal action against
a classical music fan who has registered the domain name "bellevuephilharmonic.org"
and set up an unofficial web site meant to drum up support for the
ensemble. The orchestra claims the site is diverting traffic from
its official site. Eastside Journal
(Bellevue) 05/20/02
BANNING
AMERICA'S QUINTESSENTIAL AMBASSADOR? Iran has banned Barbie
from stores. "Agents have been confiscating Barbie from toy
stores since a vague proclamation earlier this month denouncing
the un-Islamic sensibilities of the idol of girls worldwide."
The Age (AP) (Melbourne) 05/22/02
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