Week
of May 13-19, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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THE
DOCTOR EXPLAINS IT ALL TO YOU: Ever wonder why singers lose
their voices with age? "When our vocal cords get saggy, we
lose the range of our voice, the ability to hit high notes in
particular, and we lose the power of our voice, the ability to
project or amplify, which is key for a Pavarotti-type opera
singer. As the body changes, ages, the muscles become less strong
and the supporting tissues lose their elasticity, and let's face
it, elasticity in the vocal cords is everything. That's what makes
our vocal cords pliable and able to vibrate. When we lose that
elasticity we lose the vocal quality we enjoy so much in someone
like Pavarotti." Toronto
Star 05/15/02
THE
VIRTUAL VIOLIN: Electronic music is everywhere. But some instruments
- for example, the violin - just don't translate well in MIDI.
Now an inventor has developed a device "that tells a computer
everything about a bow's motion, allowing it to generate a more
realistic, emotional sound." The idea is to produce a sound
that can compete with that made on a real instrument.
New Scientist 05/16/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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GOOD
YEAR FOR AUSTRALIAN BALLET: The Australian Ballet reports a
healthy year - the result of "good box office in Sydney, a
short but successful season of Manon in Melbourne, and a
substantial increase in government funding." Sydney
Morning Herald 05/13/02
HARTFORD
RIGHTS A WRONG: Five years ago Hartford Ballet fired Kirk
Peterson, its dynamic young artistic director. He had built a
viable company that was starting to get some respect, and after he
left, the company eventually went bust. "After five years,
the firing is seen by many as one of Hartford's biggest boneheaded
moves instigated by an ill-advised board." Now reconstituted
as Connecticut Ballet, new management has invited Peterson back as
a guest choreographer. "It was a leap for both parties that
showed imagination, risk and a love of dance."
Hartford Courant 05/12/02
TURNING
AROUND RAMBERT: When Christopher Bruce took over the Rambert
Dance Company in 1994 "audiences had dwindled frighteningly,
and Britain's oldest dance company – 75 last year – was in
danger of being killed off. 'People were saying there was no place
for a repertory company, and the sword was hanging over both
London Contemporary Dance Theatre and Rambert. I didn't believe
this at all." Now, after many years of struggle, Rambert
seems to have stabilized, and Bruce is ready to move on.
The Independent (UK) 05/13/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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CENSORSHIP
STANDS: The Australian state of Victoria wanted to overturn a
national censor board ruling that banned the French film Baise-Moi.
But after looking into it, the state's attorney general says
there's nothing the state can do. "We don't have any power
(to overturn the ban). We don't have any power to review the
review. We will adhere to the ultimate decision of the umpire, but
the process has been appalling." The
Age (Melbourne) 05/14/02
TAXING
PROPOSAL: Canada proposes to levy a tax on the sale of digital
storage devices. "The fee, based on storage capacity, would
add $132 (210 Canadian dollars) to the $500 price of a 10-gigabyte
Apple iPod, for example. The collective is also asking the board
to introduce a $1.43 copying fee on recordable DVD's and to
triple, to 39 cents, a fee imposed two years ago on recordable
CD's. The fees are intended to compensate members of the music
industry for the use of recordings." The
New York Times 05/16/02
MOVIE
AS COMMUNITY: Why are so many people lining up overnight to
get into openings of big movies? "Whether motivated by the
dark side of the force (competition, pride) or the light
(punctuality, promptness) – or just suckered by advertising hype
– the movie-going norm is shifting as Americans clamor to share
in the collective experience of a movie event. 'It's a huge shared
ritual. It means on Monday morning, around the watercooler,
there's a notion of a shared experience'."
Christian Science Monitor
05/17/02
I
WANT MY DAB: "Digital radio has been available free of
charge in most British homes for seven years. So why can't you
hear it? It's a sad old story. Not for the first time, Britain has
invented an idea and lost the race to exploit it. In radio we were
first to Marconi's wire, first to a public broadcasting network
and now first to DAB." London Evening
Standard 05/15/02
WHY
CANNES? Given the proliferation of international film
festivals, "why is Cannes still considered the most important
film festival in the world? It has something to do with the
distinction of its past, built upon with an iron determination to
let glamour support art, and vice versa, but as much with the fact
that almost every film-maker in the world still wants his or her
latest offering in competition." The
Guardian (UK) 05/15/02
THUMB-SUCKING:
What's happened to Canadian movie critics? "While most
Canadian critics are giving decent performances, true criticism is
taking a supporting role to quick-hit reviews and simple 'I liked
it' plot summaries. And it's not necessarily the critics' fault.
The thinking at dailies seems to be that readers are looking for
advice only on whether or not to spend their $12."
Ryerson Journalism Review
Summer 02
ART
TAKEN OFFLINE: An internet art project that scans the net
probing for ways into other computers has been taken offline by
the museum that is hosting it. The New Museum of Contemporary Art
took the work offline on Friday "because the work was
conducting surveillance of outside computers. It is not clear yet
who is responsible for the blacking out — the artists, the
museum or its Internet service provider — but the action
illuminates the work's central theme: the tension between public
and private control of the Internet." The
New York Times 05/13/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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SAN
JOSE TO FILE BANKRUPTCY? The San Jose Symphony, which shut
down earlier this season with a $3.4 million deficit, and which
has been trying to reorganize, is considering shutting down and
filing for bankruptcy. An orchestra violinist says the board is
considering the idea after a meeting last week: "The bottom
line of that meeting was a recommendation that we completely go
dark, for a period of no less than six months, and probably more
realistically of 12 to 18 months." The board's interim
chairman denies the plan. San
Jose Mercury News 05/13/02
LA
SCALA RESTORATION SPARKS CONTROVERSY: "The long-awaited
final architectural plan for the restoration of La Scala, which
was offically presented to the public and the press at Milan's
city hall on 10 May, has aroused a heated debate... In [the] plan,
the depth of the stage and backstage in combination will increase
from 48 to 70 meters, thus eliminating the Piccola Scala, an
auxiliary venue for chamber opera seating 250. A new new stage
tower in the shape of a parallelepiped (a kind of modified cube)
will rise 40 meters (the current tower is 35 meters) at the
building's rear facing." Andante
05/16/02
JAZZ
BY ANY OTHER NAME: Has labeling your music "jazz"
become a liability? Some of the most successful jazz artists today
have stopped calling their music jazz, trying to sell more
recordings. "To some people, jazz is a turn-off," Part
of the problem is that acoustic jazz is mired in the past.
Ironically, decades ago, that wasn't the case." St.
Louis Post-Dispatch 05/12/02
PAVAROTTI
MAY HANG IT ALL UP: Following his cancellation at the Met last
weekend, Luciano Pavarotti has told an Italian newspaper that he
may retire completely from the stage. The tenor, who has eschewed
most operatic roles in recent years for arena concerts and gala
events, told Corriere della Sera, "It's the most
difficult decision because I don't know yet if the moment has come
or if the crisis of the past few days is down to health
problems." BBC 05/13/02
- THE
MAN WHO REPLACED THE BIG MAN: The audience had paid as
much as $1,800 for their seats. They were all expecting the
final performance of one of the great voices of the 20th
Century in one of the world's great opera houses. So when
Pavarotti failed to perform Saturday night at the Metropolitan
Opera, you had to feel sorry for the tenor brought in to take
his place. "Salvatore Licitra, 33, was flown in at the
last minute on the Concorde, courtesy of the Met, which was
determined to salvage the evening. If this was not to be the
farewell of a faded superstar, then at least it would be the
starry anointing of a potential successor." The
New York Times 05/13/02
FOR
THAT KIND OF MONEY, IT OUGHT TO PLAY ITSELF: There is no
arguing that Beethoven's 9th Symphony is one of the great musical
and artistic achievements of the Western world, so when the
earliest known draft went up for auction at Sotheby's in London,
experts expected it to fetch up to £200,000. Guess again: an
anonymous telephone bidder snapped up the score for an astounding
£1.3 million (US$1.8 million,) stunning other bidders, Beethoven
experts, and, presumably, the winner's accountant. BBC
05/17/02
MAKING
MUSIC IN THE SHADOW OF THE CITY: Over the last decade, the New
Jersey Symphony has become what many believed it could never be:
an excellent and well-respected ensemble completely separate from
its competitors in nearby New York City, and possessed of a
striking combination of marketing savvy and infectious enthusiasm.
In an era when many orchestras are struggling for survival, the
NJSO has thrived. Now, music director Zdenek Macal, credited with
driving much of the orchestra's artistic growth, is stepping down
after a decade at the helm. Andante
(AP) 05/19/02
THE
CRITICS TURN ON KISSIN: Pianist Evgeny Kissin was the
wunderkind, a critical favorite. Apparently not anymore. The
critics have turned on him: "One short, furious blast in The
Guardian managed to squeeze in the phrases 'totally repellent',
'profoundly unpleasant', 'heartlessly dazzling' and 'entirely
monochrome', concluding that Kissin was some mechanical doll and
that the whole event (a recital in Birmingham, part of a tour
which reaches London at the end of this month) was 'the biggest
pianistic circus act since David Helfgott'." What happened?
London Evening Standard
05/16/02
ATTACKING
THE CONSUMER WHO BUYS YOU: Music companies are embedding ever
stronger copy protection into CD's. One problem - the measures
prevent some computers (particularly Macs) from playing the music
at all. "CDs manufactured by Sony seem to be the biggest
headache. Not only do many discs not play on the Mac, but they
cause the machine to lock up and refuse to eject the offending
disc." Wired
05/14/02
THE
FUTURE (OR LACK THEREOF) OF WEBCASTING: Depending on who you
talk to, recent U.S. Copyright Office action requiring webcasters
to pay royalties to the copyright holders of the songs they play
was either a much-needed updating of media regulations, or the
death knell of the web radio industry. But does either side really
have any idea about what the future will hold for online audio?
And isn't it about time that the U.S. got past this silly notion
that copyright holders (read: record companies,) rather than
performers, receive the royalties for the airplay? Boston
Globe 05/19/02
HOW
ABOUT CORDUROY AND CARDIGANS? The Hallé Orchestra, of
Manchester, England, is considering a plan to change the style of
dress worn by its musicians on stage. Orchestras the world over
have been nearly single-handedly keeping the white-tie-and-tails
business afloat for decades, and there have always been mutterings
that symphonies will never reach a young audience wearing
19th-century outfits. The plan is far from final, but you can bet
that other ensembles will be watching Hallé closely. BBC
05/17/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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ATTENTION
MUST BE PAID: "The least-known great architect who ever
worked in the [U.S.] capital -- or, for that matter, in the nation
-- may be Benjamin Henry Latrobe. Representatives from nine
preservation and cultural groups -- including five from Washington
-- yesterday announced a five-year, $50 million attempt to make
the name more famous... Latrobe was the architect of the most
memorable rooms in the U.S. Capitol, including Statuary Hall and
the old Senate and Supreme Court chambers. He designed both the
north and south porticoes of the White House." And that's
just the beginning... Washington Post
05/16/02
ARTS
ADVOCATE: Karen Kain was Canada's most famous dancer ever.
Five years after she retired from the stage, she's now one of the
country's savviest cultural promoters, transforming herself into
"one of the most passionate, articulate and effective
cultural advocates Canada has ever had."
Toronto Star 05/15/02
DODGING
BULLETS FOR A LIVING: Tessa Jowell may have the most thankless
job in Tony Blair's New Labour government in the U.K. As Culture
Secretary, it is her job to deal with every arts controversy that
could make the government look bad (no shortage of those,) and do
it quickly and quietly. "Tessa Jowell is adept at having
things more than one way at once, a crucial New Labour quality. So
she emphasises her reputation for efficiency, but says more than
once that she thinks the Government's emphasis on targets is
overdone and that her job is in large part about 'investing in
risk'." The Observer (UK)
05/19/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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LOOKING
AT THE TOP 100: The poll that ranked the top 100 books of all
time and put Don Quixote atop the list surprised many. Not
Shakespeare? Not Homer or Tolstoy? "Of the 100 titles, more
than two thirds were written by European authors, almost half were
written in the 20th century and only 11 were written by
women." The Scotsman 05/13/02
TAKING
REVIEWS ONLINE: American newspapers may be cutting their book
sections, but online book reviews are flourishing. "Harriet
Klausner has written over 3,000 online reviews and ranks as
Amazon's No. 1 reviewer. A publicist at one of New York's
prestigious houses who requested anonymity said Klausner's reviews
matter to her more than some city newspapers. 'A single review of
hers shows up on hundreds of sites. She's as important as some
syndicated newspapers in terms of reaching readers'."
Wired 05/14/02
IRONY
IN CONTEXT: So some in the Canadian province of Nova Scotia
want to ban To Kill a Mockingbird because it contains the
"n" word. Stupid right? But maybe there's a little
problem with cultural context going on here. "When you use an
anachronistic text to teach a moral lesson, it can become a double
agent working for the opposite side; its overearnestness and its
lack of contemporary code become ripe for irony. In practice, a
well-meaning text of yesteryear can become a form of hate lit -
inarguable, because it is shrouded in irony."
The Globe & Mail (Canada)
05/14/02
THE
UNREADABLE BEST-SELLER: Jean M Auel has sold some "34
million books worldwide and she has been translated into 26
languages." Yet you likely have never heard of her - her
books are rarely reviewed. Maybe there's a reason - The
Shelters of Stone is not an easy book to review.
"Actually, it is not an easy book to read at all for anybody
of any literary sensitivity whatsoever. It is absurd from
beginning to end and stupefyingly boring, too." So what's the
appeal? London
Evening Standard 05/13/02
DOWNWARD
SPIRAL? One book industry inside is pessimistic about the
long-range future of the business. "With record numbers of
new books published every year, a more liquid market for used
books online, fewer books going out of print thanks to
print-on-demand technology, and overall unit sales stagnant or
even declining, the mathematical collision is disastrous - lower
sales for all but a few titles. And a potential decline in young
readers will make the situation worse when those kids grow up. It
raises urgent questions about everything from book pricing to how
we treat reading in our society and use technology to grow
audiences." Washington Post
05/14/02
WHO
READS THE BOOK REVIEWS? "What is the role of print
reviews and features in catalyzing book sales? A quick check of
the sales rankings on Amazon.com following major reviews in
national newspapers such as the New York Times, USA Today or the
Wall St. Journal confirms that those publications can have a
significant commercial impact. But publicists across the industry
say it's next to impossible for a single review or feature to make
a bestseller." Publishers Weekly
05/13/02
NEXT
IT'LL BE METAL DETECTORS AND A BOARDING PASS: One of the more
comfortable places to hang out in Tacoma Washington in you're
homeless is the Tacoma Public Library, where it's warm and dry.
This week the library's directors approved a "behavior rule
that would restrict patrons from bringing bedrolls, big boxes or
bulky bags into the library. Under the rule, a visitor's
belongings must fit comfortably under his or her chair and measure
no larger than 18 inches long by 16 inches wide by 10 inches
high." We're not discriminating against homeless people,
say's the library's director. Seattle
Post-Intelligencer 05/16/02
OXFORD
AMERICAN
MAY FOLD: The decade-old literary magazine Oxford American,
which tags itself "the Southern Magazine of Good
Writing," is in serious danger of closing up shop, after
publisher and chief bill-payer John Grisham decided that it was
time for the magazine to either break even or shut down. There is
still time for the magazine to be saved, probably through new
ownership, but Grisham isn't willing to wait forever. Nando
Times (AP) 05/15/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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THE
MONSTER THAT ATE BROADWAY: When the giant, traditionally West
Coast-based media companies began making a move on the New York
theater scene several years back, independent producers shrieked
that the invasion would mean the end of meaningful theater in the
city. "Their concerns may have been overstated, at least as
to how rapidly they might be displaced, but the reality is that
major companies have settled in and altered the landscape. The
resurgent interest in family-oriented fare... the new look of
Times Square; the sustained appeal of Broadway to tourists: these
can all be traced in some measure to the commitment large
companies have made to the theater district. New
York Times 05/19/02
I
LOVE/HATE L.A.: "The playwrights who call Los Angeles
home share a passionate love/hate relationship with the place.
Catch them in the middle of workshop rehearsal for a new play, and
they are likely to sing the joys of working in a place that offers
artistic freedom, cultural diversity, an affordable lifestyle, a
high concentration of great actors, the option of dabbling in
industry work, and an abundance of strange and fascinating subject
matter. Catch them on a bad day and you'll hear your fair share of
ranting: L.A. writers are stigmatized, ghettoized the second they
attempt to step outside the city limits."
Backstage 05/15/02
MILLIE
BY A HEAD? It's campaign season on Broadway, and productions
are trying to get noticed by the Tony judges. Thoroughly Modern
Millie has pulled into the lead with an advertising blitz and
reinvigorated box office. Urinetown is fading (it just
wouldn't play out on the prairies), and Mama Mia! seems
content to sit back and count its money. New
York Post 05/17/02
TONYS
GET HOSTS: The Tony Awards finally have hosts - Gregory Hines
and Bernadette Peters. Several stars had been asked to host, but
declined. "Industry reaction to the Peters-Hines combo is
pretty much what it's been for this whole lackluster season: yawn.
Says one producer: 'I think everybody's looking ahead to 2003.
Maybe things will be more exciting next year'."
New York Post 05/15/02
MAD
FOR THE MATERIAL GIRL: The hottest ticket in London's West
End? Madonna's stage debut, which opened this week. "Fans
arrived at 11am and waited in drizzle for eight hours for a chance
to see the 43-year-old singer's West End debut in David
Williamson's Up For Grabs - an arts-world satire in which
she plays Loren, a ruthless dealer going to any length to shift a
Jackson Pollock. Queueing was a tiresome process, but cheaper than
paying between £150 and £400 on the black market."
The Guardian (UK) 05/14/02
ACTORS
- ONE-IN-FOUR WORKS: New statistics compiled by the Screen
Actors Guild show that "23% of union members did not work
during 1996-2000 and that 36% have worked less than five days in
those five years." It's important to observe that many actors
qaulified for membership in the union don't actively work anymore.
But... Yahoo! (Variety) 05/13/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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SAVE
AN ANCIENT LIBRARY: Classicists are calling for renewed
excavation of the Villa of the Papyri, one of the great ancient
libraries, found in southern Italy. They say that "flooding
now poses a grave danger to the site and its precious library of
ancient manuscripts. Among the authors whose works could lie
buried beneath the volcanic debris are Sophocles, Euripides,
Aristotle, Virgil, Horace and Livy. A full excavation might cost
several million pounds, but this, the classicists argue, would be
a small price to recover unknown writings by these intellectual
giants." The Art Newspaper
05/11/02
MOM
DESTROYS STOLEN ART: The French art thief spent years
traveling Europe stealing art. After his mother heard he had been
arrested she destroyed the art he had stolen - about $1.4 billion
worth of it. "The case has stunned art experts because the 60
paintings and 112 objects that the police say Mr. Breitwieser has
admitted stealing were estimated to be worth at least $1.4
billion. Among the paintings destroyed were works by Pieter
Brueghel the Younger, Lucas Cranach the Elder, Corneille de Lyon
and Watteau." The
New York Times 05/17/02
SYDNEY'S
PEOPLE'S BIENNIAL: The Sydney Biennial isn't a critic-pleaser.
But it's sure hooked the tourists. "It is so full of holes,
many of them wondrously elaborate and large, that the critic can't
get a bead on anything. If the truth is out there (X-Files
soundtrack, please) it's impossible to pin down with certainty in
all the curatorial Swiss cheese. While critics might have trouble
locking onto a target, however, it's clear that Grayson has a
palpable hit on his hands. He's got Sydney, if not the show, sewn
up." Sydney
Morning Herald 05/17/02
HONORING
CONTEXT AS WELL AS EXTRAVAGANCE: One of the most frequent
criticisms levelled at architects of high-profile projects is that
they tend to ignore the larger context of the area in which their
building is being placed. Too often, a dramatic new skyscraper
overshadows everything around it, or clashes with other prominent
towers nearby. So it was perhaps understandable that this year's
Governor-General awards in Canada seem to be making a special
effort to honor architects who respect the landscape around their
projects. The awards, which went to a dozen wildly disparate
buildings across the country, are not concerned with scope and
scale, but with the idea "that architecture should reveal the
surrounding landscape." The Globe
& Mail (Toronto) 05/18/02
HOW
TO BE A GALLERY OWNER: You're schlepping in a gallery, working
as a faceless lowly assistant in the thrall of a gallery owner.
How to make the leap to running you're own gallery? There are
essentially three ways. Our favorite? The Miss Brazil route:
"The art world will embrace you because you have won a beauty
contest, or worked as model, or recently got engaged to someone
with the name Rockefeller. You already know how to pose for
photographs, and you probably own a collection of pointy-toed
shoes, which men love because, most of them, deep down, are
attracted to girls who can grind egos to salt with the step of a
stiletto heel." Slate
05/16/02
INDIVIDUALITY
AIN'T EVERYTHING: "It has been said that if we were to
line a street with all the great houses of the past century, the
result would be a very bad street with great houses. If architects
do not speak for communities, we risk becoming obsolete. In order
to concentrate on abstract design, we have already relinquished
many services to developers, builders, and other economically
driven forces. Given the rising need for responsive and humane
environments, architects' tendency for self-expression could
result in the disintegration of the profession altogether, unless
we rethink our role." Metropolis
05/02
FASCINATED
BY FRIDA: Almost half a century after she died, painter Frida
Kahlo is hot. "Kahlo, who died in 1954, was a crippled,
bisexual Communist who painted visceral images of miscarriage and
menstruation and was overshadowed by her more famous husband,
Diego Rivera. Yet in the last 20 years, she's joined the rarefied
ranks of artists like Picasso, whose work is as ubiquitous as
wallpaper. More than just a poster girl for artsy adolescents or a
Latina role model, Kahlo is now a coffee mug, a key chain, and a
postage stamp. Suddenly a fierce new wave of Fridamania is upon us
that is conjuring up a new Kahlo, customized to suit 21st-century
desires." Village
Voice 05/14/02
RECORD
AUSSIE SALE: The sale of a 1968 bronze Henry Moore sculpture
for $490,000 has set a record price for work of art sold at
auction in Australia. The
Age (Melbourne) 05/14/02
BOTCHED
ITALIAN RESTORATION: "Restoration projects in Italy are
nearly always dogged by bitter controversy. The current
restoration of the 14th- and 15th-century frescos in the
Camposanto in Pisa has, however, raised controversy to a new
level. The destruction of the frescos through a bungled attempt to
clean them is not just a major scandal, it is an irreparable loss
to the world of art." The
Telegraph (UK) 05/14/02
THE
TROUBLE WITH MODIGLIANI: The highly-anticipated catologue
raisonne on Modigliani has been delayed for a year and experts are
upset. Modigliani research is hampered by fakes and a lack of
scholarly order. "So highly charged is the subject that some
researchers claim they have received death threats, and two have
abandoned work on monographs. Things are not helped by a plethora
of fakes on the market and bitter quarrels between the experts.
Why is Modigliani so particularly targeted?" The
Art Newspaper 05/10/02
THE
MUSEUM THAT REMAKES A CITY: The Manchester Art Gallery has
reopened in significantly larger and grander form. "From the
moment visitors to the city step out from Piccadilly station,
currently being rebuilt, it is clear that Manchester is well on
its way to becoming a European city with real verve and style. The
great achievement here has been to bring together two of
Manchester's finest Victorian buildings - the former Royal
Manchester Institution and what was the Athenaeum Club - with a
handsome new gallery on the site of what had long been a car
park." The Guardian (UK) 05/13/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
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GOLDEN
STATE ARTS FUNDING GOES GRAY: California governor Gray Davis
proposes to close a looming state budget gap by making cuts and
raising taxes. Among the hardest hit - the state arts council
which would see its budget cut by more than 50 percent. "Last
year, Davis fattened its budget by $10 million, bringing the total
budget to more than $29 million. Davis' cuts would take the
council's budget to about $13 million, with only $6 million for
its Arts in Education program." San
Francisco Chronicle 05/16/02
CUTTING
NY ARTS FUNDING: New York City mayor Michael Bloomberg
proposes "a 20 percent cut in funding to the city’s largest
institutions and a 15 percent cut to the smaller ones. In recent
weeks, leaders of high-profile institutions like the Met, Carnegie
Hall, the New York State Theater, the Brooklyn Academy of Music
and the outer-borough botanical gardens have been privately taking
stock of what looks to be an extremely grim situation. Now the
real-life implications of Mr. Bloomberg’s proposed cuts are
sinking in, and they are causing widespread panic among leaders in
the arts community." New
York Observer 05/15/02
THE
ARTS AS A POPULATION DRAW: For many cities, the arts are a
frill, an afterthought to be stroked when times are good and
ignored when budget crunches strike. But in Minnesota's Twin
Cities, the arts have long been seen as a crucial way to attract
and keep residents in an area of the country widely believed to be
out of the way, isolated, and very, very cold. Still, once a
thriving arts scene is built, it requires maintenance, and with
deficits looming all over the country, Minneapolis and Saint Paul
residents find themselves wondering whether they can afford to
reaffirm the commitment. ABC World
News Tonight 05/15/02
LOTTERY
THINKS SMALLER: Britain's Lottery Heritage Fund - responsible
for funding a big part of the arts building boom of the past
decade - is scaling back to smaller projects. "Although 25%
of the money will still be reserved for big projects - there is no
official ceiling on bids, but anyone seeking grants of over £1m
will still have to raise at least 25% in matching funding - it is
clear the fund believes the glory days are past of huge capital
projects such as the British Museum's Great Court or the
rebuilding of the Walker Gallery in Merseyside."
The Guardian (UK) 05/16/02
COPYRIGHT
POWERS THAT BE: Think there's any chance of the US Digital
Millennium Copyright Act being changed? Think again. Despite
plenty of challenges in the courts and criticism from the online
digital community, the real powers in Washington like the law.
This week "some of Washington's most influential lobbyists
and politicians sung the praises of the Digital Millennium
Copyright Act and said it had successfully limited piracy and
promoted creativity." Wired
05/17/02
CLEVELAND'S
CULTURAL SUMMIT: No culture wars in Cleveland, where about 350
arts advocates gathered for a cultural conference to hear praises
from the city's politicians. In Cleveland "the arts represent
a sizable economic sector, with 4,000 full-time workers and an
economic impact one study estimated at $1.3 billion a year in
Northeast Ohio." The
Plain Dealer (Cleveland) 05/17/02
SO
MANY STUDENTS, SO FEW TEACHERS: Of California's 300,000 full
time public school teachers, only two percent teach music or art.
But now the state has mandated each graduating student must have
some arts training. Where will the teachers come from? The more
determined schools have turned to the community... San
Francisco Chronicle 05/15/02
CUT
UNTIL IT BLEEDS: Just how bad has arts education been cut in
California public schools? In San Francisco, arguably one of
America's most culturally active cities, "just 16 full-time
music teachers are expected to serve 30,000 children enrolled in
70 elementary schools. To compensate for the lack of money,
teachers have become experts at applying for grants; parents have
become pros at planning auctions, art projects and candy drives;
principals have forged partnerships with nonprofit arts groups;
and arts providers have created ties with philanthropists." San
Francisco Chronicle 05/14/02
WHO'S
TO BLAME FOR BAD ARTS COVERAGE? Has coverage of the arts
gotten worse in America? If more people go to arts events in a
given week than to sports, then "why is the DAILY sports
section of some newspapers 24 pages on a regular basis while the
WEEKLY arts sections are small, and obviously, one-seventh as
frequent - if they exist at all?" San Diego Union-Tribune
editor Chris Lavin delivered a speech last week to the Association
of Performing Arts Service Organization and charged there's plenty
of blame to go around - arts organizations who haven't learned the
art of promotion in the way football teams have, and editors and
critics who don't know how to tell stories and are unable to speak
to a wider audience. "Reviews, almost by their definition,
are narrowly focused - they speak to the theater community and to
people who attended the show or are considering attending a show.
I don't believe they attract the eyes of the non-theater-going
community nor do I think they are generally written in a way that
makes the art form more accessible to a broad newspaper or
television audience." Poynter
05/14/02
RULES
FOR SHARING: A new company is attempting to set up a system
for sharing digital intellectual property. "The firm's first
project is to design a set of licenses stating the terms under
which a given work can be copied and used by others. Musicians who
want to build an audience, for instance, might permit people to
copy songs for noncommercial use. Graphic designers might allow
unlimited copying of certain work as long as it is credited. The
goal is to make such licenses machine-readable, so that anyone
could go to an Internet search engine and seek images or a genre
of music, for example, that could be copied without legal
entanglements." The New York
Times 05/13/02
NAMING
BLIGHTS: "As part of Lincoln Center's $1.2 billion
redevelopment plan, the performing arts center is considering
whether to renovate Avery Fisher Hall substantially or to raze it
and start from scratch. Executives have said they are leaning
toward building anew, in part because it may cost as much to
renovate as to start over and also because it is easier to raise
funds for a new building than for an old one." But the family
of Avery Fisher says they would take legal action if the hall is
renamed (thereby making it difficult to attract a lead
donation for the project). The New
York Times 05/13/02
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