Week
of February 18-24, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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THE
INTELLECTUAL PROPERTY PROBLEM: "There is a growing
catalogue of worries about intellectual property issues—from the
emergence of overly broad 'business method' patents to heated
charges that proprietary claims on pharmaceuticals stifle
affordable access to medicine in the Third World. A day hardly
goes by without a high-profile intellectual-property battle
heading to court. Meanwhile, university researchers are griping
that open, collegial dialogue is being eroded by proprietary
interests and secrecy as professors vie to create startups and get
rich. These issues are interwoven because they all involve
balancing similar kinds of private and public needs in a
knowledge-based economy." Technology
Review 02/18/02
LEVINE'S
PLAN TO SAVE THE INDUSTRY: James Levine believes that chamber
music holds the answer to classical music's problems. If the
symphony orchestra is a slow and massive battleship, the string
quartet is a quick, powerful PT boat, and the newly designated
Boston Symphony music director says that the adventurous spirit
and adaptability of chamber music must be adopted by the
orchestral world if the industry is to survive another century. Boston
Globe 02/20/02
WHAT
BECOMES A MODERN MASTERPIECE? In olden days defining a
masterpiece was fairly easy. Not so today. "A 'masterpiece' -
in the sense of a supremely well-achieved work - of modern or
contemporary art may not look like much. What makes a work great
may reside not in the work itself but in its context and how it
marshals support from its viewers' awareness of life and
time."
San Francisco
Chronicle 02/17/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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DANCING
ON ICE: Art or sport? Figure skating likes to have it both
ways. And while there's no question that there's an art component
to ice dancing, "it's hard to get past the frozen smiles and
smug cuteness. So why are critics so eager to review these
works?" Irish
Times 02/18/02
NORTHERN
BALLET CROSSROADS: Northern Ballet's new director David Nixon
is taking the company in new directions. "It’s a crucial
time for both Nixon and NBT - arguably the most popular ballet
company in Britain. The pioneering outfit has done much to
popularise the artform with its unique 'dance drama' approach to
storytelling. But last year the company was treading water after
the critical drubbing of its 'exotic' - read whips, chains and
leather - production of Jekyll and Hyde." The
Scotsman 02/22/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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A
MAJOR TV RESTRUCTURING? Their audiences may be shrinking, but
TV networks are still money machines. And it's only going to get
better if a federal appeals court decision this week is allowed to
stand. The ruling, which would remove restrictions on networks
owning local stations, could result in a buying spree that will
see big conglomerates buy up and consolidate local stations around
America. This is a good thing for whom? The
New York Times 02/21/02
A
MATTER OF FREEDOM OF THE PRESS? It's possible that some of the
last remaining regulations on ownership of electronic broadcast
media might go away. "Regulations still standing include:
prohibiting the ownership of a TV station and a newspaper in the
same community; limiting a company to owning not more than 35
percent of all TV stations in the United States; and limiting a
single company to providing cable TV services to no more than 30
percent of the US population." The American TV world may be
about to change in a big way. For the better? The
Nation 02/21/02
BBC4
- ARTS HAVEN OR CLEVER DODGE? For years now, Brits have
complained that the BBC has been dumbing down the level of its
arts programming, and bemoaning the recent lack of much in the way
of live concerts or truly informative arts documentaries. The
public broadcaster's response has been to launch BBC4, a cable
channel supposedly dedicated to the arts. But critics are howling
still, saying that the arts should not be relegated to
"niche" programming, but distributed throughout the BBC
schedule as they once were. Sunday
Times of London 02/24/02
HARRY
IS NO. 2: Harry Potter has passed Star Wars on
the list of all-time biggest-grossing movies. It has earned
more than $926 million at cinemas around the world - but that is
still a long way off the number one film, Titanic, which
took more than $1.8 billion.
BBC
02/20/02
BEYOND
DVD: Major technology companies have unveiled what they expect
will be the successor to the DVD disc format. "The new
format, the Blu-ray Disc, will store more than 13 hours of film,
compared with the current limit of 133 minutes. It is expected to
come into its own as more viewers become able to record TV shows
on DVD machines."
BBC 02/20/02
DEFINITION
PLEASE: What qualifies to be called a Hollywood movie these
days? Some of the biggest studios are owned by non-Americans,
stars are as likely to live in New Jersey or Montana or New York
as LA, and few films are shot in California anymore... The
Age (Melbourne) 02/21/02
MOVIES
ON YOUR HARD DRIVE: MGM has decided to offer movies for
downloading directly to consumers' computer hard drives.
"Only two films will be available for now - the 2001 comedy What's
the Worst That Could Happen and the four-year-old
swashbuckler, The Man in the Iron Mask, starring Leonardo
diCaprio. MGM's willingness to risk software piracy is seen as an
indication of its wish to pioneer direct-to consumer systems for
Hollywood films." BBC 02/21/02
BANNING
ADS FOR KIDS: The European Union may consider banning
commercials from children's television. "Powerful voices,
citing statistical evidence, are building a case asserting that
advertisements between cartoons and other shows for young people
are behind increasing levels of child obesity." New
Zealand Herald 02/19/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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CUTS
AT ENGLISH OPERA? The English National Opera is hurting for
money. It's told its musicians and chorus members to prepare for
wage cuts. "Many of the staff are said to be outraged at the
proposed cuts. Orchestral players, who earn an average of £24,000,say
that they cannot tolerate further cuts." The
Times 02/16/02
GUARDING
GERSHWIN: "Such is the continuing demand for Gershwin's
music that the estate brings in an estimated income of between $5
and $10 million a year. Rhapsody in Blue is its biggest earner, I
Got Rhythm the most recorded." The estate's heirs zealously
guard their family legacy. "When we took it over in the
1980s, it was not being well minded: Ira had been very passive and
trusted everyone." The
Telegraph (UK) 02/19/02
STAYING
INVOLVED: How "involved" should a musician look
while he or she is performing? "In classical performance,
there is a range of 'looking involved', from the skilfully
charming variety to the grotesquely off-putting. It depends so
much, also, on the innate character of the player. Audiences may
not always know the music, but we've all been trained by ordinary
life to interpret body language, and we can sense the degree of
artifice used by a performer." The
Guardian (UK) 02/16/02
A
LITTLE PORNO, A LITTLE SEX, A LITTLE S&M? The English
National Opera's new Calixto Bieito-directed production of Verdi's
Masked Ball hasn't even opened yet and it's controversial.
According to the English papers: "The chorus are in a 'state
of rebellion'; the lead tenor has pulled out; the dress rehearsal
- which would normally be available for ENO Friends to see - has
been played behind closed doors. The cast were also said to be
unhappy about the opening scene, which involves male singers
sitting on toilets, and a scene in which the chorus are called on
to give a Nazi salute." The
Guardian (UK) 02/21/02
ORCHESTRA
MUSICIANS - A PLANE-LOAD OF TROUBLE: About 100 members of the
St. Petersburg Philharmonic on their way from Europe to perform a
concert in Los Angeles, were tossed off their United Airlines
flight during a Washington DC stop Monday. The airline says the
"rowdiness of a large portion of the troupe made the
eight-hour transatlantic trip from Amsterdam to Dulles difficult
for the crew and uncomfortable for other passengers. The group
refused to sit down when told to, talked loudly and tossed objects
around. 'The group was misbehaving, inebriated, opening their own
bottles of alcohol, rowdy and nonresponsive to the crew'."
Washington Post
02/19/02
- WORK
HARD, PLAY HARD: The St. Petersburg Philharmonic has
something of a history of being hell on flight attendants. One
California critic recalls a transatlantic flight with the
rowdy Russians as an eight-hour frat party ("the players
had picked up roasted chickens from somewhere,") complete
with bottles of vodka and dancing in the aisles. But it cannot
be denied that this bunch of semi-degenerates is also one of
the world's finest orchestras, and the very same critic
speculates that it may be their ability to have fun together
that creates such a tight-knit quality on stage. Los
Angeles Times 02/22/02
AND
SPEAKING OF AIRPLANES: When musicians travel, they travel with
their instruments. And while some unfortunates (cellists,
harpists, etc.) must buy an extra ticket for their music-maker, or
even ship it separately, most symphonic instruments fit quite
comfortably in an overhead bin. (More comfortably, it could be
said, than the overstuffed super-duffles favored by many of
today's more inconsiderate travelers.) So why are some airlines,
post-9/11, suddenly deciding that violins and violas are not
suitable carry-ons? San Francisco
Chronicle 02/22/02
TOUGH
TIMES FOR UTAH BAND: It should have been a good month for the
Utah Symphony - with the Olympics on, the orchestra performed in
front of a global audience. The truth has been rather less
glamorous. "The opening ceremonies were a humiliation - the
organizers, fearing any outcome not predestined (an odd concept
for a sports event), forced the orchestra to prerecord its
contribution and then shiver in 18-degree weather pretending to
play instruments borrowed from a high school (the cold could have
damaged fine ones). On the broadcast, heedless television
announcers gabbed over practically every note anyway. Olympic
officials, meanwhile, took over Maurice Abravanel Hall, forcing
the orchestra to rent it back for its concerts in the arts
festival." Los Angeles Times
02/21/02
IF
YOU CAN'T JOIN 'EM, BEAT 'EM: With record labels phasing out
classical music left and right, many major orchestras have found
themselves without recording deals, or forced to put out
"budget" discs for tiny companies. But the London
Symphony Orchestra may have hit on the true future of the
industry: self-produced recordings, released on the LSO's own
label. The idea was roundly pilloried when it was announced, but a
couple of Grammy nominations later, the orchestra may be getting
the last laugh. Los Angeles Times
02/24/02
- THE
FUTURE OF "CLASSICAL" RECORDING: In between
dumping orchestras, soloists, and string quartets from their
roster, Sony Classical execs have apparently found some time
to visit the Atlantic provinces of Canada, where they have
signed what they hope will be the newest star of a
"classical" CD world that increasingly has no room
for classical music. Aselin Debison is charming, adorable,
lives in a remote location, and most importantly by modern
standards of success on the crossover charts, is 11 years old.
National Post (Canada) 02/23/02
- PASSING
OF THE RECORDING AGE: Classical recording is drying up.
The simple truth is that there are no longer enough classical
CDs coming out each month to fill a parish magazine, let alone
a consumer glossy with scriptural delusions. What the big
labels cannot grasp is that their day is done. All the best
music has been recorded many times over by maestros more
accomplished and celebrated than any alive."
The
Telegraph (UK) 02/20/02
- SO
MUCH FOR THE MORAL HIGH GROUND: Recording companies have
tried to make their case against music download sites such as
Napster on moral grounds - musicians should get paid for their
work. But so far the two pay-download sites developed by the
recording industry offer little if any payment to artists, and
musicians are furious. The
New York Times 02/18/02
MORE
BAD NEWS FOR THE 800 LB GORILLAS: "In the first major
challenge to the age-old and often contentious system under which
record labels contract with artists, California lawmakers are
considering a bill that would allow musicians to become free
agents after seven years. The bill would lift the recording
industry's 15-year-old exemption to a state labor law that
restricts all personal-service contracts to seven years, and thus
would apply only to California-based artists. But the bill could
have broad implications for the $40 billion music industry,
releasing artists from recording deals that often tether them to
one label their entire professional career." Chicago
Tribune 02/24/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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GUNTER
WAND, 90: German conductor Günter Wand, former conductor of
the BBC Orchestra has died at 90. "He insisted on a minimum
of eight rehearsals for a standard programme, a luxury that only a
broadcasting organisation could afford to offer. His rehearsals
were meticulous and much appreciated by the orchestra, who
respected him as part of a vanishing tradition."
The Guardian
(UK) 02/16/02
HUGHES'
HALLUCINOGENIC REVELATIONS: "IN 1999, a week into filming
[a] television series about Australia, the art critic Robert
Hughes was involved in a near-fatal car crash. During the five
weeks that he lay in a coma in intensive-care, Hughes became
intimately acquainted with the Spanish painter Francisco Goya. He
was visited by a series of powerful hallucinations more concrete
than dreams, more intense than the LSD experiences that he had
sampled when he was younger, in which the Spanish painter appeared
to be inflicting a prolonged torture on him." The
Telegraph (UK) 02/23/02
THAT'S
ALL, FOLKS: "Oscar-winning cartoon animator Chuck Jones,
who brought to life a host of cartoon characters including Bugs
Bunny and Daffy Duck, has died in California of heart failure. He
was 89." BBC 02/23/02
THAT
WACKY MAYOR: "Sometimes the ways of Mel Lastman are just
too bizarre to be explained. Earlier this week, the befuddled
mayor [of Toronto] made headlines by going to Ottawa and demanding
the federal government write a big cheque for the Toronto opera
house. No doubt many people in the arts world will feel grateful
to Lastman for fearlessly speaking out... The only problem is that
at this point his passionate plea is utterly irrelevant." Toronto
Star 02/20/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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WHAT
PEOPLE READ (HAVE READ): Michael Korda's new book traces the
history of best-selling books over the past century. The lists, he
reports, haven't changed much over the years: "These kinds of
books can be easily categorized: dieting, self-help advice
(financial or personal), celebrity memoirs, popular fiction,
scientific or religious revelations, medical advice (sex,
longevity, child-rearing), folksy wisdom, humor, and the Civil
War." But, writes critic Jerome Weeks, if you check the lists
carefully, there's quite a difference in what sells now from what
used to sell. Dallas
Morning News 02/17/02
THE
ELECTRONIC LIBRARY: E-publishing may have slowed with the
dot-com bust, but libraries are starting to get into the
electronic book business. A library system in California is
jumping online. "By clicking on links that are integrated
into the library's own catalog, computer users will be able to
read the full text of any book in Ebrary's database, a collection
of about 5,000 titles. The system enables people to search
electronically through a book and read its pages on the screen,
while ultimately encouraging them to check out a physical copy
when they want to read it in full. No option is available for
downloading the books to portable devices."
The New York Times 02/21/02
THE
SAME READ: Getting everyone in a city to read the same book is
an idea that is catching on big time. Why? "In an age of
multimedia menus, with 24-hour cable TV and movies on demand, it
might seem anachronistic that the low-tech book is occasioning
this sudden civic interest. But some believe the surge of
popularity for communal reading - not just by cities but also by
book clubs and at bookstore events - is a direct response to the
essential loneliness of modern life, an antidote to the 'bowling
alone' syndrome coined by Harvard University's Robert D. Putnam to
describe the recent downturn in civic participation."
Los Angeles Times 02/17/02
WORDS
WORDS WORDS: Britain's poet laureate has written words for a
hymn to mark Queen Elizabeth's jubilee this year. Indeed, the poet
laureate writes words for every official occasion. But why?
"The whole concept of the poet laureate is completely
ridiculous and they shouldn't have one. When the idea of it
started, poets had to have aristocratic and royal patrons in order
to survive, but everything is different now. The masses are not
interested in what the queen wants anyway, so it's all a farce.
And the forced subjects are bound to make the poetry worse." The
Guardian (UK) 02/19/02
THE
EMPEROR'S NEW HORROR STORY:
So Stephen King says he's going to retire. Maybe it's not a bad
idea. "King's retirement may be unlikely, but it's not a bad
idea. In fact, it's a great idea. Truth is, King hasn't reached
the point of recycling; he's been recycling for years. His fans
may not want to admit it, but Stephen King's most recent books are
dull, dreary, repetitive, unoriginal, uninspired hack work. And
the best thing - perhaps the only thing - that King can do about
it is to stop writing."
Salon 02/19/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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GLOBAL
CONTRACTS FOR PERFORMERS? As the entertainment industry
becomes more globally centralized and mega-corporations control
film TV and stage, performers are looking for ways to protect
themselves. Performers' unions are trying to put together a global
contract. "Our experience has been that a diversity of voices
and viewpoints in the marketplace is something that cannot exist
in a massively consolidated industry; that ultimately the voices
that emanate from those different consolidated TV and radio
stations are coming from a single source which dictates that those
voices are going to be singing the same tune." Backstage
02/20/02
WELL,
THERE'S ONLY SO MANY WAYS BOY CAN GET GIRL: "A funny
thing happened to the modern musical on its way to the theater: it
became serious — boy usually doesn't get girl anymore — and
the endings are not always neat and tidy. Has musical theater
changed in any lasting way? Must an audience always leave a show
humming?" The New York Times
02/24/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ARNAULT
BAILS ON PHILLIPS: When Bernard Arnault's LVMH Moet Hennessy
Louis Vuitton acquired Phillips auction house in November 1999,
"reportedly for $115 million," Arnault made an
aggressive play to overtake the larger but troubled Sotheby's and
Christie's. It didn't work, and now the opportunity has apparently
passed, so LVMH is selling its stake in Phillips.
International Herald Tribune
02/20/02
INSIDE
OUTSIDERS: The phenomenon of "outsider" art has
gained traction in recent years, to the point that the definition
of "outsider" has been stretched to the point that no
one seems particularly sure what it means. And in today's
media-saturated world, where self-promotion is as easy as getting
a web site, has the whole concept become outdated, as outsiders in
the art world become the rule rather than the exception? Milwaukee
Journal Sentinel 02/20/02
STOCKHOLM
ART THEFT: Five paintings, including a Brueghel, were stolen
over the weekend from an arts and antiques fair in Stockholm.
"The paintings, worth over £1.7 million, were part of the
stock of an international art dealer." The
Guardian (UK) 02/20/02
THE
MODERN CONNOISSEUR: There is a difference between being an art
lover and being a connoisseur. The former requires only love of
art, the latter a deep understanding of what makes art, what
differentiates one artist from another, and the context in which a
given work exists. But "connoisseurship looks at the end
product, while much contemporary art is process-oriented." A
new exhibition in Boston aims to upgrade the art world's concept
of the connoisseur. Boston Globe
02/24/02
FOSTER
AT THE TOP: Norman Foster is arguably Britain's
most-successful architect ever. "He has achieved this as a
modernist architect in a notoriously conservative country, a mere
decade after the traditionalism of Prince Charles seemed
all-conquering and as an outsider in this allegedly class-ridden
land. How? The short answer is talent and determination. Yet these
alone cannot explain his appeal to institutions as diverse as the
British Museum, Wembley Stadium, Sainsbury's, the Royal Academy
and the mayoralty of London. It would be nice to believe that they
have all suddenly converted to beautiful and radical architecture;
nice but, alas, not plausible." Prospect
023/02
BRINGING
HOME THE BACON: When painter Francis Bacon died in April 1992,
"he left everything - an estate valued at some £11 million,
including the mews studio in South Kensington - to John Edwards,
an illiterate East London barman. Why? In the years since, Bacon's
legacy has proven to be complicated. The
Telegraph (UK) 02/19/02
JOAN
OF ARCHITECTURE: Phyllis Lambert's father already had an
architect picked to design New York's Seagram's building. Lambert
was 27 at the time, and protested. "She picked Ludwig Mies
van der Rohe instead. His bronze-covered Park Avenue Seagram
Building turned out to be his signature building, an aesthetic
triumph and a world landmark." Some 50 years later, she
reflects on the course of architecture since.
Chicago Tribune 02/19/02
CYBER-COLLECT:
The Guggenheim has acquired its first internet art for the
permanent collection. But "how do you collect art that exists
everywhere — and yet nowhere — in cyberspace? What does one
acquire when there is no tangible object to possess? The artists
have conceived two new works, but what they have created is
computer code, the underlying set of software instructions that
determine what is seen on the screen and how it responds to user
input. So what does a museum pay for online art and what does it
get?"
The New York
Times 02/18/02
THE
BILBAO EFFECT LIVES: The Guggenheim Bilbao drew 930,000
visitors last year, down just slightly from the year before.
"The museum with its dramatic architecture therefore
continues to be a major draw, attracting people who would
otherwise not come to Bilbao. The museum estimates that its
economic impact on the local economy was worth Pta28 billion last
year (up from Pta24.8 billion in 2000), and it also brought in a
further Pta4.5 billion to the Basque treasury in taxes. This
represents the equivalent of 4,415 jobs. A visitor survey revealed
that 82% came to Bilbao exclusively to see the museum or had
extended their stay in the city to visit it."
The Art Newspaper 02/15/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
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BUSH'S
ARTS COUNCIL APPOINTMENTS SEND "MIXED MESSAGES":
President George Bush has appointed six new members of the
National Council on the Arts. The Council advises the National
Endowment for the Arts. "However, the nominations to serve on
this Council, which oversees the selection of grants for all
American artists, send mixed messages about the President's
support of diverse art forms and of the Arts Endowment
itself." One of the appointees, for example, belongs to an
organization that advocates abolishment of the NEA. Artswire
Current 02/21/02
A
COPYRIGHT TOO FAR? The US Supreme Court has agreed to hear a
case that will review whether Congress' 1998 copyright law went
too far in protecting the rights of those who create intellectual
property. Plaintiffs "argue that Congress sided too heavily
with writers and other creators when it passed a law in 1998
retroactively extending copyright terms by 20 years." Wired
02/19/02
PUBLISHING
DEFENSIVELY: Want to protect your great idea from being stolen
by others? Tell the world. "Such disclosure, known as
defensive publishing, is an increasingly common tactic for
protecting intellectual property. Publishing an innovation means
that competitors have access to it, of course. But many companies
say the competitive risk is outweighed by the benefit of making it
difficult for someone else to win a patent — a patent that could
give the holder the right to demand licensing fees from all other
users of the technology or technique."
The New York
Times 02/18/02
PURELY
PURITAN: Oh, let's all dump on the Puritans, shall we? Those
odd folk of 17th Century England weren't appealing? "A
puritan is a censor, a prude, an enemy of the arts." And yet,
the Puritans "were certainly united in their belief that
works of art were necessary adjuncts of political greatness."
The Guardian
(UK) 02/17/02
THE
DEATH OF CITY LIFE? "James Howard Kunstler's 1993 book The
Geography of Nowhere was an impassioned rant against suburbia,
shopping malls, cheap disposable architecture and the
fragmentation of communities fostered by an increasingly mobile,
car-oriented culture. His latest book, The City in Mind, is
a sort of companion to that earlier volume, a jeremiad against
poor urban planning and the decline of the American city. His
outlook is pessimistic, to say the least." The
New York Times 02/22/02
SAYING
NO TO CIVIC ART SINCE 1911: Pittsburgh, Pennsylvania is a
textbook example of a city risen from the ashes of a bleak,
post-industrial malaise that many thought it could never dig out
from. But although many aspects of Pittsburgh life are much
improved, the realm of public art is still a difficult area. The
city's Art Commission, when it is mentioned at all, is usual cited
as a bunch of folks determined to put a stop to civic art projects
for one reason or another, rather than a group encouraging new and
diverse public art. Pittsburgh
Post-Gazette 02/20/02
WHO
NEEDS LONDON? "The decision as to which UK city will be
appointed European Capital of Culture in 2008 will be made in
March," and at least one British writer is pitching an
unlikely candidate. "To argue against Belfast winning the
honour because it has no opera or ballet and has not produced a
Belfast Ulysses is to deny the aspirations of present and
future generations - culture pitches itself endlessly forward;
culture is a debate, an argument." The
Guardian (UK) 02/23/02
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
EXTRA WHO WENT ASTRAY: Somehow in the onstage confusion of the
finale of the Metropolitan Opera's War and Peace, an extra
(dressed as a French soldier) ended up off the stage and into the
orchestra pit. "Was it a fall? Or more of a leap? Opera fans
are gossiping and performers, from the Russian soprano Anna
Netrebko to the American bass-baritone Samuel Ramey to extras to
orchestra members are still scratching their heads in this latest
mystery at the Met, itself no stranger to intrigues onstage and
off."
The New York
Times 02/20/02
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