Week
of February 4-10, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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STANDARD-ISSUE
TASTE? The tastemakers of yesteryear helped blaze a way
through art. But have the special feelings for art these people
had become too commonplace? "Does there inevitably come a
point, when more and more individuals have a feeling for art, at
which all those feelings become standard-issue feelings? There are
certainly a good many people working in our museums and arts
organizations who seem to believe that this is the case. They
regard the public not as a group of individuals but as a monstrous
abstraction - as a mirage. The very idea of the tastemaker may now
be a paradox. We may be entering a time when what we must
celebrate is the individuality, the privacy, even the loneliness
of taste. To affirm the solitariness of taste may be the best way,
right now, to celebrate the things we love." The
New Republic 02/01/02
BEHIND
THE AVANT GARDE (THERE ARE PROBLEMS): The term "avant
garde" was big in the 1960s. We still persist in calling
anything new or even a bit unusual avant garde. But "through
sloppy and overzealous use, the term has become problematic: Its
attempts to describe work that challenges theatrical conventions
too often end up reinforcing them." The
New Republic 01/28/02
HOW
MONA GOT HER SMILE: In 2000, 85 percent of Italians asked what
was the most famous painting in the world answered the Mona
Lisa. But fame didn't come all at once to Leonardo's
masterpiece. For a couple hundred years she was considered just
another painting in the Louvre. Building a legend takes time, a
series of cultural building blocks that help create an aura.
Washington Post 02/07/02
TIME
BEFORE DIGITAL: "There was a time - fast disappearing -
when tape was wound, reels of film spooled, and images produced by
the physical movement of materials. Etchings were carved in stone,
lead and ink scratched on to paper, and silver oxide shifted on
photographic plates. Matter was displaced so that ideas and images
would place themselves in our minds. As we enter a new millennium,
we are in the process of losing our biblical attachment to an
entire form of communication: the graven image. From the carved
tablets of the Ten Commandments, to walls of stone hieroglyphs, to
the boxes of ancient magnetic tapes that Krapp lugs on to his
desk, there was a physical cumbersomeness to these archives that
related to their human origins. They were expressly handmade. They
couldn't betray their origins. They were touching, because they
were made to be touched. Their exchange required a physical
transfer." The
Guardian (UK) 02/07/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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DANCE
DOESN'T STUNT GROWTH: A new study finds that, contrary to
popular perception, "there is no evidence to show that
rigorous exercise affects a young ballerina’s growth or delays
sexual maturity." The
Scotsman 02/07/02
MEANING
TO DANCE: Is expressing the same as communicating? "Dance
is not a universal language. Movement is human, yes, but dance is
more specific and has numerous dialects that are like foreign
languages to many people. We can’t assume that through our
dancing we will communicate with others."
Dance Current 02/02
PIRATE
DANCE: "Most of the great dance performances telecast in
our lifetimes can't be bought or borrowed, and probably never will
be until their copyrights lapse. If you taped them off the air,
great, and if you can afford to visit archives in New York, Paris,
Copenhagen and other dance capitals to view company collections,
even better. Otherwise, your choice is to do without or to join
the unholy ranks of dance video outlaws." It's a thriving
subculture. Los
Angeles Times 02/10/02
REINVENTING
LES GRANDS: Montreal's Les Grands Ballets Canadiens de Montréal
is one of Canada's premiere dance companies. But two years ago it
was awash in debt and on the downside of a decade of shrinking
audiences. But the company's new director decided to reinvent -
transforming a repertory stuffed with modern abstract classics, to
one featuring new works with strong narratives. Cheering audiences
suggest the strategy is working. The
New York Times 02/10/02
THE
ONCE AND FUTURE KIROV: "The Kirov Ballet is to get modern
new premises that will alter the pre-Revolutionary architectural
landscape of the former Imperial capital of St Petersburg...
Yesterday a design by Eric Owen Moss, a Los Angeles-based
architect, was presented in the Kremlin. Ultimately, President
Putin will decide whether his home town will make the jump from
the architecture of the 18th century to that of the 21st. If he
favours the project, he will face tough opposition from St
Petersburg’s snobbish cultural elite, its hardened Soviet
architects and city planners." The
Times (UK) 02/07/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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WHY
AMERICAN TV "STINKS": American network television is
bad and getting worse, says Jeffrey Katzenberg, one of the
founders of Dreamworks Studios. Speaking at the World Economic
Forum last week in New York "Katzenberg blamed the ownership
structures of the networks — and their quest for greater profits
— for how bad their programming is." Toronto
Star 02/06/02
STUFFING
THE BALLOT BOX LEGALLY: Politicians and Oscar-award nominees
have something in common: well-established rules about what they
can and cannot do to win votes. They also have something else in
common: a penchant for loopholes. The
New York Times 02/06/02
HANDICAPPING
THE OSCARS: "No matter what the critics think, the Oscars
mean more to people - inside and outside show biz - than any other
entertainment award. The Academy Awards may not recognize
everyone's favorite films and performances, but they at least tend
to honor the highest meeting point of critical and popular
tastes." Chicago
Tribune 02/10/02
HEADING
NORTH: American film workers are increasingly upset about the
number of productions leaving the US for Canada. "The U.S.
Center for Entertainment Industry Data and Research estimated
that, between 1998 and 2000 (the last year for which figures are
available), cumulative budgets of features shot in Canada more
than doubled to over $1-billion (U.S.). In the same period,
feature spending within the United States shrunk by over
$500-million to $3.37-billion. The centre also pointed out that in
2000, 37 U.S. movies were shot in Canada, compared with 18 the
previous year, and 23 in 1998." The
Globe & Mail (Canada) 02/06/02
GETTING
IN TOUCH WITH THE BBC: Is the BBC out of touch with its
audiences? Greg Dyke, the corporation's general director, thinks
so. So he's launched a plan to "urgently address the fact
that young people and ethnic minorities feel that the BBC is out
of touch, and get rid of the image of it concentrating on south
east England." BBC
02/07/02
BRITNEY
BEAT PATRIOTS (ON TV, AT LEAST): What did viewers most want to
see on Sunday's Superbowl TV broadcast? Tivo, the device that
enables viewers to do their own instant replay, "used its
technology to analyze which football plays or TV ads its
subscribers chose to view again or to see in slow motion. TiVo
viewers did more instant replays of Super Bowl commercials than of
the game itself, and the Pepsi ads featuring Spears were the
MVP." Nando
Times (AP) 02/04/02
THE
SECRETIVE CENSOR: Two years ago Australia passed a law to
censor internet sites that put up "overly sexually explicit
or violent" material. Has the law been a success? Hard to
know, since getting regulators to even say what they've censored
hasn't been possible...Wired 02/03/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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TITLE
TRADEOFFS: Some call supertitles at the opera one of the
biggest advances in the artform in the past 50 years. But there
are tradeoffs. "Over the course of more than four hours of
dense, nonrepeating dialogue, the compulsive reader at War and
Peace will be scanning some 1,000 captions, each conveying a
potentially vital piece of information. For each, we sacrifice,
say, two seconds' attention to the stage, which adds up through
the evening to a whopping 33 minutes. How to sort out the costs
and benefits of these constant illuminations and
distractions?" The
New York Times 02/10/02
THE
MOST EXCITING ORCHESTRA IN AMERICA? In the past seven years,
Michael Tilson Thomas has turned the San Francisco Symphony into
one of the most talke about orchestras in America. "The
charged chemistry among maestro, players and community undoubtedly
owes much to the nature and size of the city and the Bay Area, and
it may be hard to replicate elsewhere. Still, it becomes all the
more striking now that several other major American orchestras
have lined up their next music directors. In large part, those
orchestras were seeking expertise in contemporary and American
programming like that Mr. Thomas has long demonstrated."
The New York Times 02/10/02
JAZZ
IN THE TEMPLE OF CULTURE: Chicago's Symphony Center, home to
the Chicago Symphony, has embraced America's popular classical
music - jazz. "The hall is embracing jazz more ardently than
ever. Should the audiences stay large and the programming continue
to blossom, Symphony Center could become the most important
institution in Chicago for promoting jazz performance and
intellectual inquiry." Chicago
Tribune 02/10/02
THE
ORCHESTRA DEBATE: A debate is under way about what kind of
leadership American orchestras need, how active they should be in
programming new music, and whether they have lost their sense of
artistic mission. Behind the debate lurks a more fundamental
question: has the symphony orchestra become marginal to US
culture?" Some say the orchestral world has never been
healthier, though. A recent survey by the American Symphony
Orchestra League revealed that "far from dipping, audiences
between 1990 and 2000 rose from 22 million to 34 million." Financial
Times 02/08/02
NO
MORE EMPTY SEATS: Armed with a new music director and a desire
to dig its way out of artistic and financial mediocrity, the
Liverpool Philharmonic has been scoring new support. The latest
comes from the Liverpool Council, which increased its support
almost 500 percent - from £165,000 to £800,000 a year. The money
comes with a catch though. The orchestra must adopt a "no
empty seats" policy and give away any tickets remaining on
the day before a performance to people who can't afford them.
Liverpool Echo 02/06/02
SOMETHING
WE ALL KNEW: ''I do think that the best producers and editors
are musical people. There is a musicality to a good program. It
has a pace; it picks up and slows down. Musicians have a good
sense of timing and of pacing, of how long something should go.''
Boston Globe 02/07/02
THE
MUSICAL MEMORIAL: The New York Philharmonic is commissioning a
piece of music to open next season with a memorial to the World
Trade Center. Will this be a significant musical memorial?
"The odds, it seems to me, are low that the music will be up
to the occasion — that a composer, asked to interpret in tones a
calamity mere months after it has happened, will have the clarity
and the inner urge to write just the piece we need." Andante.com
02/06/02
NATIONALISM
TO A REGGAE BEAT? Worried that French school children
increasingly don't know the French national anthem, the government
compiled a CD with dozens of versions of the Marseillaise, and is
sending copies to every school in France. Along with traditional
versions, there's also a reggae version, an arabic version, and a
samba version. "The aim of the project is to make children
better understand their history and heritage," says culture
minister Jack Lang. The
Globe & Mail (Reuters) (Canada) 02/07/02
PARIS
- AN OPERA BARGAIN: So you're an opera fan and you live in
London where going to see the opera is an expensive proposition.
The budget alternative? Take the Eurostar to Paris, catch some
first rate productions and stay in a "homey" hotel. The
whole trip will cost you less than a ticket for the Royal Opera
(and the experience might even be better). Really. Truly. The
Times (UK) 02/05/02
BUDGET
CRUNCH IN BALTIMORE: "Rising costs, an economy that made
grants and donations hard to come by and a stock market that
pummeled endowments have all converged to put the [Baltimore
Symphony Orchestra] in a tight financial spot. Even though the BSO
is making more money than it spends, the tight times ended up
squeezing out the symphony's 147-person chorus last month... Wall
Street's dismal 2001 took its toll. The symphony's endowment
investments lost more than $9 million in value in 2001 compared
with an almost $15 million profit from those investments a year
earlier." Baltimore Business
Journal 02/01/02
FIGHT
OVER CD's: CD-maker Philips and the big recording companies
are in a fight over copy protection. Recording companies want to
embed "errors" into CD's that help prevent them from
being copied. Philips, which helped determine technical standards
for CD technology, says it won't go along. The fight could
"hasten the death" of the 20-year-old format. Wired
02/04/02
LA
SCALA PERFORMANCES CANCELED: As investigations begin as to why
a glass panel crashed into the seats at La Scala's temporary home,
more performances are canceled and the blaming begins. Andante
02/02/02
WHERE
ARE THE WOMEN? Why are there no women in the Lincoln Center
Jazz Orchestra? "While historically big band leaders have
hired (and fired) their side musicians at will, these band leaders
were private employers, neither accountable to others nor the
beneficiaries of public funding and support. That is not the case
with the LCJO. The absence of women now and throughout the band's
history, indicates that a different, more contemporary, hiring
process is necessary if women are ever to become members of the
ensemble." NewMusicBox.com 02/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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WHO'S
WHO OF SHAKESPEARE: Who was Shakespeare? The question is a hot
one right now. The leading contender? Edward de Vere, the 17th
Earl of Oxford. "In 2000, a Massachusetts scholar
successfully defended a dissertation based on the premise that de
Vere wrote the Shakespeare canon. Hailed as a Rosetta stone of
Oxford theory, the 500-page doctoral thesis discusses, among other
things, the history of Oxford's life as reflected in the plays,
and correspondences between the works of Shakespeare and verses de
Vere marked in his copy of the Geneva Bible."
The New York Times 02/10/02
NORMAN
MAILER'S LITERARY HEIR: No such animal. "You get very
selfish about writing as you get older," he says.
"You've got only so much energy and you want to save it for
your own work. I'm much more interested in being able to do my own
work than bringing a wonderful new writer into existence. Because
my feeling is that if he or she is truly a wonderful new writer,
they're going to come into existence on their own." The
Guardian (UK) 02/05/02
PINTER
ILL: Playwright Harold Pinter has been diagnosed with cancer.
"The 71-year-old was diagnosed with cancer of the esophagus
last month and is undergoing chemotherapy."
The Guardian (UK) 02/01/02
VONK
STOPS CONCERT: St. Louis Symphony conductor Hans Vonk stopped
his musicians in mid-performance Friday night and had to be helped
off the stage. "Vonk, 60, revealed last month that he was
suffering from a relapse of Guillain-Barre syndrome. He resumed
conducting Friday after a break of about 45 minutes."
St. Louis Post-Distpatch
02/02/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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WANNA
READ A GOOD FIGHT? When it comes to slinging words and hurling
phrases, lightning adjectival jabs and roundhouse predicates, a
roomful (or a pageful) of cantankerous poets is where you'll find
world-class vituperation. Look at what broke out after one poet
won the Eliot Prize, and another complained about it. The
Guardian (UK) 02/02/02
A
NEW E-PUBLISHING PLAN: A company called Chapter-A-Day is
trying to hook readers on buying its books by e-mailing them the
first parts of a book over several days. For free. But if you get
hooked, you've got to buy the rest of the book. Some 90,000 people
have signed up for the daily installments. And sales are good. Wired
02/05/02
FRANZEN
IN 4,934 PAGES: A booklover takes Jonathan Franzen's The
Corrections with him to Europe as an e-book. Prepared to be
skeptical of reading on a little screen (The Corrections measures
out in 4,934 pages in e-form) he finds all sorts of advantages to
e-reading. Publishers
Weekly 01/31/02
SPIKE-BOZZLE?
TOO BAD WE LOST THAT ONE: You don't know what Eurocreep is?
How about bed-blocking, or MVVD? Don't feel bad. They're brand new
words this year; dictionary editors are still trying to figure
them out. For comparison, consider words that were new a century
ago. Several from the 1902 list are still in use - cryogenic,
suitcase, floosie. And several are not, such as spike-bozzle and
maffick. The Guardian (UK)
02/04/02
THE
LIBRARY PROBLEM: Libraries are having difficulty getting
people through their doors, as more and more research is done
online. "Ironically, although library visits nationwide are
on the decline, library resources are being used now more than
ever, librarians and students say. The new digital library gives
students and faculty 24-hour access to databases and catalogs from
nearly anywhere in the world. Users, who can search through years
of materials with the click of a mouse, are swamping librarians
with e-mailed reference questions." San
Francisco Chronicle 02/10/02
WON'T
YOU BE MY POET... "California's newly established poet
laureate program has run into a problem. Not enough poets - just
seven - have thrown their hats into the ring as nominees for the
two-year office that was established last year to promote poetry
in the state. 'I wouldn't say we're in a panic,' said Adam
Gottlieb, spokesman for the California Arts Council, 'but we're
close'." Sacramento Bee 02/06/02
OF
COPYRIGHTS, HOBBITS, AND PARODY: How far do copyrights extend,
anyway? Does an author own not only the sequence of words in
his/her work, but the characters and events as well? Almost a year
after the controversy over a parody sequel to Gone With the
Wind, another legal storm is brewing over a companion book to
J.R.R. Tolkien's Lord of the Rings trilogy. Coincidentally,
Houghton Mifflin, the publisher which defended the Wind
parody, is the group suing the author of The Lord of the Rings
Diary. Boston Globe 02/07/02
A
POEM AS LOVELY AS A... "The Academy of American Poets
yesterday named Tree Swenson its executive director, succeeding
William Wadsworth, whose departure after a dispute with the
organization's board last fall provoked angry protests from some
prominent poets. Ms. Swenson, 50, is the director of programs for
the Massachusetts Cultural Council. From 1972 to 1992, she was
co-founder, executive director and publisher of Copper Canyon
Press in Port Townsend, Wash., which became an important nonprofit
poetry publisher." The New York
Times 02/08/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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REGIONAL
THEATRE REVIVAL: While London's West End may still be
suffering for ticketbuyers, an unexpected theatre revival is
happening elsewhere in England. "In a resurrection of which
even Lazarus would have been proud, audiences have begun to return
in their thousands to theatres which only two years ago were being
written off as embarrassing anachronisms." And those
audiences are younger too... The
Guardian (UK) 02/04/02
QUESTIONING
COPENHAGEN: Playwright Michael Frayn's popular
Tony-award-winning play Copenhagen, about a meeting between
physiicists Neils Bohr and Werner Heisenberg may have to be
revised. A Danish institute has released a series of
correspondence between the two that calls into question elements
of the play. "The release of this material - mostly drafts of
unsent letters that the Danish physicist Neils Bohr wrote to
German physicist Werner Heisenberg - was not scheduled to occur
until 2012, 50 years after Bohr's death. But the controversy and
debate triggered by Frayn's play, which was first produced in
1998, convinced the archive's overseers that now was the moment to
present more information." Chicago
Sun-Times 02/07/02
WHAT
HAPPENS BETWEEN WHAT HAPPENS ON STAGE: "People have
always come to the theatre to flirt, to politic, to talk, to
traduce, to gossip, to fight, to face out social disgrace or to
enjoy it. Whether it's Athens or Jacobean London, or 17th-century
Paris, or late 19th-century Moscow, showtime is not just about
what the actors do to the audience; it's more about what the
audience do to each other. You sometimes get the impression, from
the past, that the shows were a rather unnecessary distraction
from the main event." New
Statesman 02/04/02
BROADWAY
IS BACK: Following one of the roughest periods in memory, when
tourists stayed away from New York in droves fearing terrorist
attack and some shows closed, Broadway is bouncing back. And now
2002 is promising to be a busy year. True, there are not as many
splashy new musicals as in some recent years, and plays and
one-person shows seem to be the most popular additions to the
Great White Way, but the most important component - the audience -
seems to be returning. Dallas Morning
News 02/05/02
SCIENCE
ON STAGE: "Science is sexy, and not just in the
media-friendly, zeitgeist-riding sense of the word. Now Broadway
and Hollywood are getting in on the act." But can a drama do
a good job at conveying complex scientific ideas?
The Telegraph (UK) 02/10/02
THE
MAKING OF SECOND CITY: Chicago is a great theatre town. But it
didn't get that way all at once. The Chicago Tribune's longtime
theatre critic Richard Christiansen traces what made Chicago
theatre great. Chicago
Tribune 02/10/02
KATE'S
WEST END WIN: The flashy revival of Kiss Me Kate has
won London's West End Critics Circle Theatre Award for best
musical. Humble Boy, written by Charlotte Jones, won the
best new play award. BBC 02/05/02
NEW
BIALYSTOCK AND BLOOM: March 17 will be the last performance of
The Producers for Nathan Lane and Matthew Broderick. Both
men turned down substantial increases to continue, Lane citing his
health and Broderick, film commitments. British actor Henry
Goodman will replace Lane; no final decision has been made yet on
a replacement for Broderick. The
New York Times 02/06/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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BROKEN
LOUVRE: The Louvre Museum is a mess, says a new French
government audit report. The museum "does not know how many
paintings it has, how many staff it employs, or how much time they
spend on the job, the report says. It blames the mess on the fact
that two-thirds of the 1,800 staff are civil servants. It says the
museum is strapped for cash because the state takes nearly half
its earnings." The
Guardian (UK) 02/01/02
NO
9/11 IMPACT: Despite anecdotal evidence, a survey of 134
American museums by the US Association of Art Museum Directors
shows that 80 percent have had no drop in attendance since
September 11. The Art Newspaper
02/01/02
MOST-VISITED:
What show drew the most visitors last year? "Vermeer and
the Delft school at the Metropolitan Museum in New York was
the most highly viewed show last year with 8,033 visitors a day
(554,287 total)." In second place, Jacqueline Kennedy: the
White House years at the Metropolitan Museum. The Art
Newspaper ranks the most-visited art exhibitions worldwide.
The Art Newspaper 02/01/02
DONOR
TAKES BACK $38 MILLION FROM SMITHSONIAN: Catherine Reynolds,
who last year announced a donation of $38 million to the
Smithsonian for an exhibit on "individual achievement"
at the National Museum of American History, has canceled the gift.
The idea had been loudly protested by curators at the museum, who
questioned Reynolds' involvement with the project and questioned
whether the "Smithsonian hierarchy was putting fundraising
ahead of scholarly integrity." Reynolds said, in taking back
the offer, that the criticism had changed her mind.
"Apparently, the basic philosophy for the exhibit - 'the
power of the individual to make a difference' - is the antithesis
of that espoused by many within the Smithsonian bureaucracy."
Washington Post 02/05/02
DON'T
TOUCH THAT LEONARDO: Experts have ruled that restoration of
the Ufizzi's The Adoration of the Magi, Leonardo da Vinci's
unfinished masterpiece, would damage the painting and shouldn't be
carried out. "Critics of the proposed restoration, which was
to have begun last spring, see the decision as a moral victory and
a personal vindication. More than 30 Renaissance scholars signed a
petition just before the work was to begin, pleading that the
painting, commissioned in 1481, was far too fragile to be
overhauled." The
New York Times 02/05/02
WEARING
DOWN BRITISH CATHEDRALS: British cathedrals get more than 19
million visitors a year. But the crush of tourists is damaging the
buildings, says a new study. But "although heritage groups
are naturally concerned about the negative impact of tourism, the
religious community is much more tolerant, arguing that cathedrals
are part of living religion and some wear and tear is
inevitable." The
Art Newspaper 02/02/02
HOW
MONA GOT HER SMILE: In 2000, 85 percent of Italians asked what
was the most famous painting in the world answered the Mona
Lisa. But fame didn't come all at once to Leonardo's
masterpiece. For a couple hundred years she was considered just
another painting in the Louvre. Building a legend takes time, a
series of cultural building blocks that help create an aura.
Washington Post 02/07/02
CRITIC
HUGHES TO DIRECT VENICE BIENNALE? The Venice Biennale
president and the Biennale committee unexpectedly resigned last
week. That should clear the way for Time Magazine critic Robert
Hughes to be director of the visual arts show (he's reportedly
been asked and says he's interested). Meanwhile, director Martin
Scorsese, who was asked to direct the biennale's film exhibition,
has declined the invitation. The
Age (Melbourne) 02/05/02
THE
IRRELEVANCE OF A FORMER TEMPLE OF THE AVANT GARDE: Time was
when London's Institute for Contemporary Art was a hotbed of
creative tension and outrageous experimentation. No longer -
"It has become more of a drinking club with a cinema."
When the ICA's chairman got removed last week for denigrating the
current state of the "avant garde" more than few
observers wondered that the ICA still had any relevance in a
discussion of contemporary art... The
Observer (UK) 02/10/02
- WRONG
MAN, WRONG ROLE: Why did the ICA have someone like Ivan
Massow as its chairman in the first place? "Inviting a
publicity-seeking self-made millionaire whose views are so out
of sympathy with the anti-establishment iconoclasm the ICA
supposedly represents is patently absurd. With the best will
in the world, a fox-hunting ex-Tory candidate for Mayor of
London who once wrote 'there's something about old buildings
that makes me want to own and restore them' was never likely
to be a convincing champion of the avant-garde."
The Observer (UK) 02/10/02
REATTRIBUTING
THE MASTERS: Berlin's Kupferstichkabinett Museum has a
prestigious collection of 15th Century Dutch drawings. The museum
has recently taken a hard new look at its collection and decided
on some surprising reattributions. Interestingly, in the process,
copies and copyists are finally getting some new respect. Frankfurter
Allgemeine Zeitung 02/09/02
MAYBE
HE COULD'VE SOLD 'EM TO THE BRITISH MUSEUM: Antiquities dealer
Frederick Schultz is on trial in New York, accused of trying to
sell stolen property belonging to the Egyptian government. The
larger subtext of the trial is the desire of international
regulators to shut down the segment of the antiquities trade that
operates like a cross between Indiana Jones and the characters in The
Maltese Falcon, appropriating objects in dubious legal
circumstances and reselling them for huge profit. NPR's
Morning Edition (RealAudio file) 02/07/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AN
END TO DECENCY: Ex-New York Mayor Rudy Giuliani's
"Decency Commission," set up after the mayor objected to
an art exhibition at the Brooklyn Museum, finally came up with a
report. But that report will likely never see the light of day now
that Giuliani is out as mayor and Michael Bloomberg is running the
city. Says Bloomberg: "I am opposed to government censorship
of any kind. I don't think government should be in the business of
telling museums what is art or what they should exhibit." Nando
Times (UPI) 02/08/02
COPYWRONG:
Last week a judge ruled that the new Austin Powers movie couldn't
use the name "Goldmember" because it infringes on MGM's
James Bond copyright. "The Goldmember affair - which riled
MGM because it parodies the 1964 Bond film Goldfinger in
which Sean Connery uncovers a plot to contaminate the Fort Knox
gold reserve - is just one in a long line of copyright battles
that continue to erupt over the ownership of everything from book
and movie titles to acronyms, initials, images, even single words
or catch phrases." The
Globe & Mail (Canada) 02/09/02
BUSH
ASKS FOR MORE ARTS/HUMANITIES MONEY: "As part of its
fiscal 2003 budget proposal, the Bush administration yesterday
requested an increase of $9 million for the Smithsonian for a
total of $528 million, an all-time high in its federal
appropriation." Bush also asked for $2 million increases for
the National Endowment for the Arts and the National Endowment for
the Humanities. This would be the fifth
year in a row the NEA has had a budget boost. Washington
Post 02/05/02
THE
BEST WE CAN BE: For a long time we humans have believed that
humankind would always continue to evolve, to get better and
better. Look at all the improvements in our species in the past
few hundred years. But a scientist says we may have peaked - that
this is the best it gets, that it's all downhill from here...
The Observer (UK) 02/03/02
RESTORING
AFGHANISTAN'S CULTURE: UNESCO has made the reconstruction and
preservation of Afghan heritage the focus of "International
Year of Cultural Heritage - 2002." "The immediate
priority is the formation of a cultural policy by the Afghan
government, revival of Kabul museum and the reconstruction of
Islamic cultural heritage in Herat city."
Asia Times 02/06/02
INDEPENDENT
ANALYSIS OR LAZINESS? Some critics decline to do independent
research into the subject they are reviewing, claiming some
invisible line between critic and journalist. But the "rigid
segregation of the critic and the work has always seemed both
precious and limiting to me. It suggests both a haughty distance
from the thinking, breathing creator and a fear that the critic's
pristine sensors might be blunted or corrupted by deigning to talk
with artists about their work. Being able to engage in spirited
discourse, rather than unthinking boosterism or jealous sniping,
is the first sign of a mature cultural society." The
Globe & Mail (Toronto) 02/05/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NAME
THAT TUNE: Ah, pity those who cannot carry a tune. Not a happy
condition. "There is nothing quite so vulnerable as a
person caught up in a lyric impulse. The singing-impaired are
forever being brought up short in one. When the singing-impaired
chime in, they may notice a sudden strained silence. Or just a
sudden loss of afflatus in the music about them. (The
singing-impaired can tell.)" The
Atlantic 02/82
GROSS-OUT:
Terry Gross, known as one of America's more thoughtful broadcast
interviewers, invited Gene Simmons of the band Kiss on her show.
The exchange got a bit heated - not your typical public radio
exchange: Gross: "I'd like to think the personality you
presented on our show today is a persona that you've affected as a
member of Kiss, but that you're not nearly as obnoxious when
you're at home or with friends." Simmons: "Fair enough,
and I'd like to think that the boring lady who's talking to me now
is a lot sexier and more interesting than the one's who's doing
NPR, studious and reserved." New
York Post 02/06/02
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