Week
of January 28-February 3, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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STORYBORED:
"It is one of the most notable features of this age of
artistic over-production that just as the quantity of fiction
produced has grown so alarmingly, so too has the number of
observers ready lazily to declare that all life has gone out of
the activity. We no sooner open the cultural pages of a newspaper
than some commentator tells us that the novel, the theatre, the
television play, the poem or the movie has died, but that somehow
nobody else has noticed." The
Guardian (UK) 02/02/02
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
MAN BEHIND MARK MORRIS: Behind every great artist there's a
manager. Barry Alterman plts Mark Morris's course. "Barry
meets people that I don't meet, he knows producers that I've met
and maybe can't even remember the names of, and he's on the phone
with them all the time, encouraging, cajoling."
The New York Times 02/03/02
THE
TYRANNY OF MUSIC: "American dance is obsessed with, or
even tyrannized by, music. Of course, dance and music have been
partners for ages and deserve to continue their pas de deux. Yet
fundamentally dance does not need music. Dance needs rhythm."
The New York Times 02/03/02
GETTING
FIT FOR DANCE: Who's in better shape than dancers? But it
isn't just dance that keeps them fit - members of the Alvin Ailey
Company add swimming, tae-boe, weight lifting, step-aerobics, and
jogging. "Your body is never going to be perfect. You want it
to be better, sure. And you always want what someone else
has." Atlanta
Journal-Constitution 01/31/02
REINVENTING
A CLASSIC: Just how popular is Riverdance? There are some 15
touring companies doing Irish dance worldwide right now. Before
Riverdance came along there was no way to make a living as a step
dancer... Glasgow
Herald 01/31/02
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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BUYING
OSCAR: Movie studios are busting their piggybanks trying to
promote their films' Oscar chances. "Spurred by a wide-open
competition for some of the top nominations, the most aggressive
studios have mounted campaigns that by some estimates have already
cost more than $10 million, easily double what a successful effort
totaled only two years ago. A campaign of that magnitude would
involve spending more than $1,500 per Oscar voter in the effort to
win nominations." The
New York Times 02/03/02
SEE
CANADIAN: In the last two weeks of 2001, Lord of the Rings
took in $40 million at the box office in Canada. By comparison,
the top grossing Canadian-made movie for all of 2001 sold about $3
million worth of tickets. Canada makes some good feature films -
so why won't the multiplexes show them and why won't audiences
demand them? The
Globe & Mail (Canada) 02/02/02
SEE
KOREAN: Since 1967, Korea has had a film quota that requires
local theaters to screen Korean films at least 146 days a year.
The local film industry has been doing well, so now the government
wants to drastically reduce the quota. Filmmakers are protesting.
Korea Herald 02/01/02
LACK
OF DIVERSITY: A new report chides the television industry once
again for its white-maleness. "The report, which examined the
40 most popular series of the 2000-2001 season, reported that
about 80% of drama and comedy episodes—or 663 of the 826
installments—were directed by white males. Black males directed
27 episodes, or about 3% of the total, while Latino males directed
15 episodes, or about 2%. Asian American males directed nine
episodes. White females directed 87—or 11%—of the
episodes." Los Angeles Times
01/30/02
THE
POPULAR NEW BBC - DUMBING DOWN FOR RATINGS? For the first time
since commercial TV was introduced in Britain (in 1954), the BBC
scored more viewers than its commercial competition. Good right?
"But just as BBC executives were congratulating themselves,
the sniping began. The Beeb, as it is widely known here, was
obsessed with ratings, its critics complained. It had not become
the world's most prestigious public broadcaster by kowtowing to
the masses. Indeed, to have nudged ahead of ITV in the scramble
for audiences was the ultimate proof that it had dumbed down its
programming." The New York Times
02/03/02
- BBC
RADIO AT RECORD LISTENERSHIP: BBC Radio listenership is
up, beating out all commercial radio stations. "The
number of people listening to BBC Radio each week has risen by
300,000 since September, taking the total to 32.7 million - a
record since new monitoring methods were introduced in
1999." BBC
02/01/02
THE
BATTLE FOR WNYC: When New York public radio station WNYC lost
its FM tower on the World Trade Center, its classical music
programming got compressed to late night hours on its sister AM
band. Now that FM is up and broadcasting again, the classical
music hasn't expanded to its former proportions again. Changes at
the station signal a rift between WNYC's ambitious corporate-style
managers and more traditional staff. New
York Observer 01/30/02
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AUDIO
DREAMWEAVER: The modern pop music recording features an array
of digital tricks to correct pitch, blend harmonies and manipulate
the sound so it's "perfect." So how come some of the
best selling recordings (hi there Garth Brooks) leave their tracks
raw and "uncorrected"? Denver
Post 02/03/02
THE
POWERHOUSE FINNS: What is it about Finland, these days?
"Half a century after the death of Jean Sibelius, his tiny
Nordic homeland has emerged as a musical superpower of the new
millennium. A fierce national commitment to musical culture has
made the Finnish scene the envy and the talent reservoir of
countries throughout Europe and North America." The
Globe & Mail (Canada) 02/02/02
CRUSADING
FOR MENDELSSOHN: Mendelssohn is certainly a solid member of
the classical music canon. And yet, two scholars, say - he is
underappreciated for his accomplishments. The pair have been
cataloging and recording what they say are "hundreds of
unpublished or rediscovered pieces," and they're pushing
scholarship on the composer. The New
York Times 01/31/02
REINVENTING
ST. PAUL: The St. Paul Chamber Orchestra, which bills itself
as "America's Chamber Orchestra," is reinventing itself,
making changes in its home concert hall, and planning more tours
to large cities. The goal? To be "the beacon for cultural
excellence" in the Twin Cities. "Thirty years from now,
when people talk about Twin Cities arts groups, we’d like the
first thing off their tongues to be the St. Paul Chamber
Orchestra. It’s no different than what the arch did for the city
of St. Louis." St.
Paul Pioneer Press 01/31/02
THE
WELL-TRAINED SINGER: "Since the 1950's American singers
have been valued for their solid musicianship. But the current
generation of Americans in their 30's and early 40's, by and
large, is especially well trained. These artists have been through
the rigors of species counterpoint, keyboard harmony, ear
training, dictation: the works. Such extensive preparation shows
in their ability to learn music thoroughly and handle contemporary
scores." The
New York Times 02/03/02
GLASS
PANEL CRASHES AT LA SCALA HOME: A glass panel crashed into
seating during a performance at La Scala's temporary theatre in
Milan. "No-one was hurt as the panel, one of 100 attached to
the side walls of the new Arcimboldi theatre, crashed onto empty
seating on Wednesday during a performance of the ballet Excelsior."
BBC 02/01/02
TOON
TUNES: The Sydney Symphony Orchestra is performing scores from
classic Bugs Bunny cartoons while projecting the cartoons above
the stage. "We ended up finding bits and pieces of it in
attics, garages and personal collections. The cartoons were then
edited so that their scores were removed - allowing the music to
be performed live - while leaving the sound effects and dialogue
intact." Sydney
Morning Herald 02/01/02
AND
YOU THOUGHT THIS STUFF ONLY HAPPENED IN ALABAMA: The Catholic
hierarchy in Naples, Italy is taking a cursory shot at the city's
leftist government, denying permits for the use of several of
Naples's historic churches for concerts. Among the well-regarded
guest musicians who may be left out in the cold is La Scala
director Riccardo Muti. The local monsignor is questioning
"whether performing artists should be chosen "mainly for
their showmanship and social acceptance rather than for their
personal commitment in bearing witness to the values of the
Gospel." Andante 01/28/02
REPORTS
OF MY DEATH... So some orchestras are struggling in the
business of survival of late. And some may even go out of
business. But the orchestra is hardly dying as an institution,
writes David Patrick Stearns. There is too much evidence to the
contrary. Besides, "those orchestras will survive, because
the public, more unconsciously than consciously, knows that when
its opera company and symphony orchestra go away, the only thing
left in many cities will be congested strip roads, plastic burger
signs, abandoned bowling alleys and cable TV." Andante
01/27/02
CANNIBALIZING
THE MUSIC BIZ: The music recording industry is weak right now,
and the very structure of the business is changing. Recording
companies are cutting artists from their rosters, and musicians,
sensing weakness, are trying to get more control and better deals
for themselves: "After years of being taken advantage of by
the large recording companies, we realize we do have some power.
We are doing it because now is the time."
The New York Times 01/28/02
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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NEW
NEA CHIEF DEAD: Michael Hammond, who became the chairman of
America's National Endowment for the Arts only a week ago, was
found dead in Washington Tuesday. "Hammond, 69, a composer
and former dean of Rice University's Shepherd School of Music, had
told his staff on Monday that he was sick, and stayed home that
day. Monday night he attended a dinner and cocktail party at the
Shakespeare Theatre but left halfway through. When Hammond didn't
show up for meetings Tuesday morning, several members of the staff
went to the house he had borrowed in the American University Park
neighborhood. When no one answered the door, they called the
police." Washington Post 01/30/02
PARALYSIS
CAN'T DERAIL CONDUCTOR: Mario Miragliotta was a promising
conductor who had recently finished his term as music director of
the Santa Barbara Symphony and had been appointed assistant
conductor of the Los Angeles Chamber Orchestra, when he got into a
car accident last June that left him paralysed, unable to move his
hands or legs. Determined to overcome the injuries, he's been
working daily to get back on the podium, and he's got a concert
coming up... Los Angeles Daily News
01/28/02
AMERICAN
TRUMPETER BEATEN BY SPANISH POLICE: American trumpeter Rodney
Mack, currently living in Spain and serving as principal trumpet
of the Barcelona Symphony Orchestra, was viciously beaten by a
gang of out-of-uniform Spanish police two weeks ago. The officers
did not identify themselves to Mack, who thought he was being
mugged, and offered up the explanation that they thought he was a
car thief who had been seen in the area. Mack's injuries are
preventing him from performing with the BSO on its current tour of
the U.S., and he is preparing a lawsuit against the police. The
New York Times 01/31/02
FAMILY
BUSINESS: When Michael Stern (son of violinist Isaac) was
starting out his career as a conductor, his father told an
interviewer it was "unlikely" his son would have a
performing career. Paavo Jarvi (son of conductor Neeme) says
trying to make a career as a conductor is tougher when you have a
famous parent in the business. "People are rightly suspicious
of nepotism and family connections, and that is something I can
understand.'' Miami
Herald 02/03/02
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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TO
THE AUTHOR WHO STICKS WITH IT: There aren't many places to
publish fiction anymore. That hasn't stopped people from writing
it though - The Atlantic gets about 250 short stories a week
submitted by hopeful authors. That works out to one story
published for every 1000 sent in. Even if you get rejected though
- keep trying. The Atlantic has rejected writers for years before
finally publishing them. Those "who just keep writing sooner
or later find a workable voice and form, in ways that are
unconscious." Hartford
Courant 01/31/02
TOLKIEN
RULES CANADIAN PUBLISHING: What was the biggest selling book
in Canada last year? Tolkien's The Lord Of The Rings series
and its prequel, The Hobbit, which sold 1.5 million copies.
"That's more than the combined number of books Canada's
medium-sized publishers sell in a year. A bestselling book in
Canada usually accounts for 70,000 copies (a John Grisham or
Danielle Steel, for example)." So much for the Canadian book
business. Toronto Star 02/02/02
THEY
BUY POTTER, BUT THEY BORROW POOH: When Britons go to the
library, they go for AA Milne. The author of Winnie the Pooh is
the most-borrowed British author, well ahead of JRR Tolkien in
second place. Beatrix Potter is in third place, Jane Austen
fourth, and Shakespeare fifth. JK Rowling, creator of the Harry
Potter series, is in 57th place. The
Guardian (UK) 02/01/02
STICKING
TO THE TRAIL: How to have a successful career as a writer?
Novelist/playwright Michael Frayn says: "The only advice that
I could think of giving to a young writer is to write the same
thing over and over again, changing things very slightly and going
on delivering it until people accept it. Very simply, people want
reliability and continuity in a writer. If you buy cornflakes you
want cornflakes." The
Guardian (UK) 01/31/02
ANTI-THEFT:
After the rash of high profile authors recently caught
plagiarizing, one critic wonders how to stop plagiarism. Shame,
that's how. Letting authors make financial settlements with those
they have stolen from doesn't help the reader. Slate
01/30/02
STEPHEN
KING SAYS NO MORE NOVELS: Stephen King has a new novel coming
out. So what? He publishes so many books in a year that he even
made up a pseudonym so publishers could handle the overflow. So it
may be his last. "You get to a point where you ... basically
recycle stuff," he says. "I've seen it in my own work.
People when they read Buick Eight are going to think Christine.
It's about a car that's not normal, OK?" A couple more
projects, "Then that's it. I'm done. Done writing
books." CNN 01/29/02
PLAGIARISM
AND TECHNOLOGY: In the last month, two prominent American
historians have faced charges of plagiarism, and lately, it seems
that not a month goes by without some well-known author or other
standing accused. It's not that the problem of plagiarism has
become appreciably more widespread than it used to be - it's that
new computer programs can compare texts far more efficiently than
ever before. San Francisco Chronicle
01/29/02
STANDARDS
OF FAIRNESS: A new copyright law has been passed in Germany
that mandates that publishers must pay freelance writers a
"fair" compensation that is "standard in the
trade." The big question is how this will be enacted. What is
fair? and if "standard" practice is unreasonably low,
will it be fair? Perhaps predictably, publishers are unhappy with
the new law. Frankfurter Allgemeine Zeitung
01/29/02
IT'S
NOT PLAGIARISM, IT'S A TRIBUTE: Olaf Olafsson is "vice
chairman of Time Warner Digital Media, father of the Sony
PlayStation and an acclaimed novelist." But his latest book
contains numerous passages stolen word for word from "the
late, great Bay Area food writer M.F.K. Fisher." Contacted
about the copying, Olafsson says what he did wasn't copy but pay
"tribute." He says that "readers familiar with
Fisher, who died in 1992, will recognize the borrowed passages and
understand he's paying homage." Siliconvalley.com
01/27/02
HOW/WHY
TO READ: Who needs a book to tell them how to read?
"Professorial how-to-read books have always struck me as
eminently avoidable, in part because such lamentations are
wearisome, even if not altogether untrue. If the lay reader knows
enough to know that she needs to pick up a book on reading, why
must her self-knowledge be met with a harangue against
philistinism? Besides, all criticism teaches us how to read;
literary essays instruct best when they are not overtly
instructive. Or so I thought." The
New York Times 01/27/02
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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THE
BROADWAY AUDIENCE: Who goes to Broadway shows? White (81
percent) college-educated (75 percent) women (63 percent) over 40
from out of town (47 percent) with an average annual income of
$93,000. New
York Daily News 01/28/02
THRILLED
BY HIS SUCCESS...SORT OF: Playwright Mark Ravenhill's play was
such a success at London's National Theatre that it's moving to
the West End. He's thrilled - sort of. "Only in Britain can a
play - and a playwright - slip easily from the subsidised theatre
into the commercial sector. Only in Britain can a writer move
freely from Artist to Entertainer and back again - or indeed
dispense with any concerns about what is Art and what is
Entertainment and just write. But is this a good thing?" The
Guardian (UK) 02/02/02
SONDHEIM
SUIT SETTLED: The backer who financed Stephen Sondheim's Gold
and then sued for rights to the production has dropped his
lawsuit. "In exchange, if the show is produced commercially,
he will be reimbursed the approximately $160,000 he had invested
in its development." The New York
Times 02/02/02
SHARING
THE RISK AND REWARDS: "Some of the biggest names in UK
theatre including Andrew Lloyd Webber and Stephen Fry are
appealing to wealthy stage fans to back a new company that will
share the risk of putting on costly stage productions.
Theatreshare, headed by Fry and allied with Lloyd Webber's Really
Useful Group, hopes to become a major player in the West
End." BBC 01/29/02
LONG
WHARF'S NEW DIRECTOR: New Haven's Long Wharf Theatre has hired
Gordon Edelstein to be its new artistic director. Edelstein is
currently director of Seattle's A Contemporary Theatre, where he's
credited with reviving the company's artistic and financial
fortunes. Seattle
Times 01/28/02
- RESCUING
LONG WHARF: Gordon Edelstein's appointment as new director
of New Haven's Long Wharf Theatre "is seen among theater
insiders as a much-needed lift for Long Wharf, which has been
experiencing decreased revenue, declining subscriptions and
mixed notices. It is difficult to interpret whether the slide
is because of the recession, the shock of Sept. 11, a reaction
of the loss of [previous director] Doug Hughes' leadership, or
programming." Hartford
Courant 01/30/02
NOISES
ON: The hit musical in London right now is Umoja, a
survey of South African culture and history. A big part of the
show is the drumming. Fast. Furious. Loud. Mostly loud, so loud
that neighbors are complaining and officials are threatening
fines. The producers, who may have to pay for insulating the
theater, argue that "In all fairness, you don't buy a flat in
the West End and not expect some level of music and noise - this
is the entertainment capital of the world." BBC
01/30/02
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MAKING
SCOTTISH GALLERIES WORLD CLASS? Scotland is spending £26
million to refurbish the National Gallery of Scotland and Royal
Scottish Academy. The Playfair Project has been "heralded as
the country’s most important visual arts event for years,"
intended to ensure that the galleries "achieve an
international status on a par with the Louvre in Paris and the
Metropolitan Museum of Art in New York." So why has the
ambitious project polarized Scotland’s artistic community?
The Scotsman 02/02/02
YA
GOTTA BELIEVE IN IT, AT LEAST: The director of London's
Institute for Contemporary Art - a hotbed of conceptual art - has
called for the sacking of the organization's chairman of the
board. A few weeks ago, chairman Ivan Massow derided current
conceptual art and many of the artists who practice it as a waste
of time. The Guardian (UK) 01/30/02
MONKS
PUT IMPRESSIONISTS ON THE BLOCK: Christies's will auction
three Impressionist paintings February 4: Vlaminck's La Seine a
Chatou, Renoir's L'Estaque, and Monet's Golfe
d'Antibes. They are expected to bring in about $20 million for
their owner, the Franciscan order of monks. The paintings were
donated to the Franciscans anonymously; the auction money will
fund projects in Africa and Latin America. CBC
01/31/02
EXPANSION
PLANS IN PHILLY: "The Philadelphia Museum of Art, which
ran out of exhibition space in the mid-1970s, is finally ready to
expand. It announced yesterday that it had hired a nationally
known museum designer to convert a landmark art deco building on
Pennsylvania Avenue into galleries and offices... The renovations
will take about two to three years and cost $25 million, museum
director Anne d'Harnoncourt said." Philadelphia
Inquirer 01/31/02
REBUKING
THE LOUVRE: French culture minister Catherine Tasca has
publicly rebuked Henri Loyrette, the new director of the Louvre.
Loyrette had earlier lamented that "budget restrictions
required the museum to close one-quarter of its galleries every
day because of a shortage of security guards." Tasca accused
Loyrette of lack of discipline and grandstanding. "Tasca's
reprimand has stunned many of France's cultural leaders, not only
because bureaucratic power struggles rarely go public here."
The New York Times 01/30/02
ANCIENT
DIVIDE: A prominent New York antiquities dealer has gone on
trial charged with dealing in ancient objects said to have been
smuggled out of Egypt in the early 1990s in violation of Egyptian
law. "The case, seen by many as a test of the American
government's resolve on stolen antiquities, has divided the art
world. It has sent a chill through antiquities dealers who fear
more aggressive policing in an area where proof of provenance can
be hard to come by, and it has greatly cheered archaeologists who
hope that such prosecutions will help cool the illicit antiquities
trade." The
New York Times 01/30/02
MAKING
THE SMITHSONIAN SMALL: Milo Beach, former director of the
Freer Gallery, joins the growing chorus of those who believe that
Smithsonian chief Lawrence Small has ruined the Smithsonian:
"Judging from recent words and deeds, the present
administration of the institution views the life of the mind with
astonishing indifference. The secretary, for example, spoke to the
assembled staff of the National Museum of American History and
left the distinct impression with many that the day of
curiosity-driven research was over at the Smithsonian." Washington
Post 01/27/02
FRENCH
MUSEUMS SUFFERING: Last year was a disaster for Parisian
museums. After September 11, attendance dropped by as much as 30
percent. Aggressive security scared off some visitors, and strikes
at some museums meant that even if you did try to visit a gallery,
it might be closed. "At the Louvre, visitor numbers for 2001
have fallen to 5.2 million compared to 6.1 million in 2000, down
by 13.9%. This includes all the visitors admitted for free during
the strikes. If only the paying visitors are compared, numbers are
down by almost 25%." The Art
Newspaper 01/25/02
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
BEWARE
- ARTISTS AT THE GATES: In the UK, enrollment is down in
university science courses, and up in arts and humanities. Whether
that's good news or bad depends upon your outlook: the information
was presented to Members of Parliament as warning; it indicates,
said one MP, a "slide toward the cheap end" of
academia." The Guardian
(UK) 01/31/02
LANGUAGE
OF ART AND SCIENCE: Science, like art, helps explain the world
around us. And yet the language of science, the words used to
explain it, are often not easy to understand. Likewise, art has
not often helped us to learn about science. But there are signs
that art is taking new interest in expressions of science. National
Post (Canada) 01/30/02
WHERE
ARE WE GOING? When you're right in the middle of consuming
contemporary art, it's difficult to see where its going.
"Certainly, in the free-for-all that is contemporary art, the
challenge is to find any connection within the chaos of its
styles, influences, cross-influences and impulses. As art critics,
we're largely dancing in the dark." Hartford
Advocate 02/01/02
HOW
ARTISTS MAKE A LIVING: The Urban Institute has announced plans
to study the support structure for artists in nine major American
cities. According to the Institute, there has never been a
scientific investigation into what types and amounts of support
are available to assist artists, and the information found in the
study will be used to compile a national database for artist use. The
Plain Dealer (Cleveland) 01/31/02
SLOW
TALKING: Does the ease of e-mail and instant messaging and
cell phones degrade our ability to communicate eloquently? "I
have witnessed a manifest decline in the grammar, literary style,
and civility of communication. People are less likely these days
to stroll down the hall or across campus to converse. Our
conversations, thought patterns, and institutional clockspeed are
increasingly shaped to fit the imperatives of technology. It is
time to consider the possibility that—for the most
part—communication ought to be somewhat slower, more difficult,
and more expensive than it is now." Utne
Reader 01/30/02
THE
LINCOLN CENTRE MESS: "Lincoln Center is a community in
deep distress, riven by conflict over a grandiose $1 billion
redevelopment plan that was supposed to repair its deteriorating
buildings and bring the cultural jewel of New York into the
twenty-first century. But instead of uniting the center's
constituent arts organizations behind a common goal, the project
has pitted them against one another in open warfare more
reminiscent of the shoot-out at the OK Corral than of a night at
the opera." New
York Magazine 01/28/02
SO
NO ARRESTING SALLY MANN, GOT IT? "Massachusetts' highest
court has overturned the child pornography conviction of an art
student who photographed a 15-year-old girl with her breasts
exposed. The Supreme Judicial Court said Monday that John C. Bean,
who was taking courses at the Worcester Art Museum, 'had no
lascivious intent' and the pictures were 'neither obscene nor
pornographic.' A judge had sentenced Bean to six months' probation
on a charge of 'posing a child in the nude.' Bean also faced
having to register as a sex offender." Nando
Times (AP) 01/28/02
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
JUSTICE
MAY BE BLIND BUT NOT ASHCROFT: Washington's Justice Department
building has a Great Hall where department events and ceremonies
are held. The grand room is decorated in Art Deco style, and the
walls feature great figures in history. Also two enormous
partially nude statues - "on the left, the female figure
represents the Spirit of Justice; the male on the right is the
Majesty of Law." But it seems that Attorney General John
Ashcroft, known as a "strongly religious and conservative
man" is embarrassed by the statues, so the department has
ordered the statues be covered up with draperies installed last
week "at a cost of just over $8,000." ABCNews.com
01/28/02
MY
FAIR HEADLOCK: A Broadway show based on the life of a real
person? Sure, lots of them. But, a politician? Well, yes, it's
been done. But, I mean, this one's about Jesse Ventura. Jesse
Ventura, the former wrestler who's governor of Minnesota? Yeah,
him; and it's a musical. Um... I think that will be a first.
Baltimore Sun (AP) 01/31/02
CRITICAL
WRECKAGE: The wreckage of the car art critic Robert Hughes was
driving in Australia when he had an accident, has been put on
display in an art exhibition at the Perth International Arts
Festival. "The car, reduced by wreckers to a block, is being
displayed in a perspex box littered with fishing lures, lines and
hooks, a crushed pair of spectacles, brake-light fragments and a
crumpled beer can. Also in the box is a mangled copy of Hughes'
most famous work, The Fatal Shore, as well as a battered
edition of The Cooking of Japan, a Time Life book." The
Age (Melbourne) 02/01/02
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