Week
of January 21-27, 2002
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
GREAT VANILLA MIDDLE: How's this for a definition of the
middle class - "pacific, tolerant, secular, preferring
prudence and profits to glory, conscious of itself as a group and,
crucially, inward-looking to the point of neurosis." A new
book charts how "throughout the 19th century, this minority -
just 12 per cent of western populations - grew in influence until
it ruled cultural and political life. 'The lower orders can feel
but not speak, the aristocracy can speak but has nothing to say;
only the bourgeoisie interpret and express the national will,' the
French critic Emile Faguet wrote in 1890. What was it like to
belong to this elite?" Financial
Times 01/25/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FORBIDDEN
DANCE: Capoeira is "a 400-year-old Brazilian martial art
that arrived in North America only 25 years ago. Developed by
slaves as a weapon to strike for their freedom, it was outlawed in
Brazil for such a long time - it only became legal in the 1930s -
that in order to survive it was disguised as dance. The outcome is
an exhilarating art form that in North America has undergone yet
another metamorphosis." The
Globe & Mail (Canada) 01/26/02
POSITIVELY
PINA: "One of the seminal performance figures of the 20th
century, Pina Bausch is a choreographer who has expanded the
possibilities of modern dance, opening up the genre to snatches of
dialogue, stage visions and chaotic intrusions from everyday life.
She is based in an obscure German town where her avant garde,
often violent, work attracted furious hostility. Her own company
rebelled over her methods but more recently, after she overcame
personal tragedy." The
Guardian (UK) 01/26/02
IN
LOVE WITH ISADORA: Dancer Isadora Duncan was one of the great
dancers (according to some). On the other hand, Balanchine
remembered her as a "drunk fat woman who for hours was
rolling around like a pig." A new book examines her life:
"Isadora's melodramatic death in 1927, at the age of 50, came
too late to save her reputation from ridicule. Blowsy and
reckless, she commandeered a ride in a sports car (the marque was
an Amilcar, not a Bugatti) in order to try out the handsome
driver. The long fringe of her red shawl caught in the rear wheel,
her neck snapped and her body was dragged along the road for 30
metres. The perfect end, according to Jean Cocteau: 'A kind of
horror that leaves one calm'." The
Observer (UK) 01/27/02
SHOOTING
STARS: "Of course, ballet has always been a profession
for the young. What's different right now at the New York City
Ballet is the large number of promising young dancers." Christian
Science Monitor 01/25/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
DANGEROUS
TO BE SO BIG? Clear Channel Communications now has its fingers
in more and more of the average American's entertainment choices.
The company "garnered relatively little attention as it
evolved during the 1990s from a family owned San Antonio radio
chain into an international conglomerate that is now the size of
NBC. Today it is the nation's largest radio owner, and a world
leader in outdoor advertising. And it is the largest promoter and
presenter of live entertainment on the planet; CCE promotes and/or
produces 26,000 events a year, drawing 62 million people to its
135 theaters, arenas, and amphitheaters around the globe, the
company says." Boston Globe
01/27/02
THE
OSCAR SECRETS: Want to win an Oscar? Here's how: "We all
know that the Oscars bear scant relation to the merits of the
films in question. So what do they bear relation to? In order to
answer this question, we processed the winners and losers of the
past 20 years into a computer and asked it to come up with a set
of rules as to how you win an Oscar." Some hints - it helps
to be disabled and have a rousing end to your film. The
Telegraph (UK) 01/26/02
MINORITY
RECRUITING: Two years ago the major American TV networks came
under fire for their lack of minority actors on programs. Now the
networks are hosting "talent workshops" in an effort to
recruit more minority actors. Critics say it's about time:
"We expect to see real change in the new shows, or else we're
going to have a real problem. The new shows will be announced in
May, and we see it as a make or break time for the networks."
Toronto Star 01/23/02
AMÉLIE
OVERTAKES LA CAGE: "Amélie, the little
French movie that could, has broken a longstanding record to
become the highest-grossing French-language film to be released in
the United States. Director Jean-Pierre Jeunet's whimsical tale
has grossed $20.9 million, breaking the previous record, $20.4
million, held by La Cage Aux Folles since 1979. Last week Amélie
crossed the $100 million mark for worldwide box-office
receipts." New York Post
01/23/02
AUSSIE
ASSAULT: With Australian movie folk cleaning up awards at the
Golden Globes this week, "the Aussie assault was the main
topic of conversation at the Globes' after parties and on
entertainment shows this morning." The
Age (Melbourne) 01/23/02
- AUSSIE
HOTBED: Everyone's talking about the film talent coming
from Down Under right now. Says Steven Spielberg:
"Australia has produced the most amazing new wave of
talent since, probably, Britain in the 1940s."
The Age (Melbourne)
01/23/02
NOT
MUCH OF A STRIKE, THEN, IS IT? The UK film industry is reeling
from the effects of an actors' strike that has been going on since
December. Or is it? Despite calls for British actors to refuse all
work until a settlement is reached, the union has allowed some
studios to cross the picket line and sign individual deals with
stars so current big-budget Hollywood productions are not halted. BBC
01/22/02
MOULIN
ROUGE/BEAUTIFUL MIND
BIG WINNERS AT GLOBES: Golden Globes, as chosen by the
Hollywood foreign press, are given out. Best movies awards go to A
Beautiful Mind and Moulin Rouge, which can be
considered front-runners for the Academy Awards.
Los Angeles Times 01/21/02
THE
MOST-HATED FILM AT SUNDANCE: Director Gus Van Sant used to be
an art-film director. Then, after a breakout hit, he wasn't. At
this year's Sundance he was back in high-art form again. "His
feature Gerry may be one of the most hated movies in
American film-festival history." The
Globe & Mail (Canada) 01/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FIGHT!
FIGHT! It's not often these days that a true artistic brawl
breaks out on the pages of a North American newspaper. But
Canadian critic Tamara Bernstein, never one to pull her punches,
picked one with opera director Atom Egoyan recently, and Egoyan
has taken the bait, firing off a furious response to Bernstein's
charges of anti-Semitism and brutality in his production of Salome.
Better yet, the paper is promising a Bernstein response yet to
come. National Post (Canada) 01/24/02
- SHOULD
SALOME BE SANITIZED? Richard Strauss's Salome
has never been an easy-to-swallow opera. It has been panned
constantly since its debut nearly a century ago for being
vulgar, anti-Semitic, and just generally shocking. A new
Canadian production is drawing particularly nasty fire from
one local critic: "I left the Hummingbird Centre in a
rage after Friday night's opening, feeling violated as both a
woman and a Jew." National
Post (Canada) 01/21/02
FOLKLIFE:
There are more venues for folk music in New England than ever
before - hundreds of them - and more musicians making a living
performing. ''The folk world allows a person to be a professional
musician without dealing with the mainstream music industry. That
doesn't mean that everyone decides to go that path, but the
opportunity is there if you want it." Boston
Globe 01/25/02
BACK
TO THE PIANO: Another post-9/11 effect - piano sales are up,
as people spend more time at home. "Some Seattle piano
dealers have seen a 30 percent jump in the number of pianos they
have sold in the past three months compared with the same period a
year ago." Seattle
Post-Intelligencer 01/24/02
A
NEW IDEA IN PIANOS: After 16 years of working on his ideas,
Australian Ron Overs has designed and manufactured a new piano.
"He developed the new action on computer. 'On my computer
screen I had a hammer that strikes the string, and a key. 'Now,' I
thought, 'I'm going to draw the intermediate lever. I'm not even
going to consider what's been done before. I'm going to reposition
the levers so that we reduce energy loss'."
Sydney Morning Herald 01/24/02
BOHEME
ON BROADWAY: The movie Moulin Rouge is a wacky take on
a modern musical form. Now the movie's director Baz Luhrmann wants
to bring the opera La Boheme to Broadway later this year.
"We're bringing it back to the audience for whom it was
written. Opera was like the television of the time, created for
everyone to experience, from the simple street sweeper to the King
of Naples. So it seems a natural for it to play on Broadway. We're
bringing it back to its popular roots." New
York Post 01/23/02
YOU'RE
LEAVING THE CONCERTGEBOUW???: Why would Riccardo Chailly give
up conducting one of the top five orchestras in the world to go to
a lesser band? "For a conductor to abandon a top mount
voluntarily for a lesser one is without precedent in 150 years of
podium history. Conductors are creatures of hunger and habit. Once
they reach the top, they cling on for life. So the shock that
Chailly sprang was felt not just in Holland, where it made the
front pages, but in the nervous system of an already nervous
concert industry. It was the equivalent to George W Bush becoming
governor of Nebraska, or Bill Gates quitting Microsoft to run
Aeroflot." The
Telegraph (UK) 01/23/02
ST.
LOUIS CUTS SEASON: Musicians of the financially troubled St.
Louis Symphony have agreed to take cuts in their season. The
agreement "cuts 10 weeks from the playing season but keeps
salaries at a level competitive with peer ensembles." What
programs the orchestra will cut will be announced later this week.
St. Louis Post-Dispatch 01/22/02
SONG
RECITALS FOR THE CAPTION-IMPAIRED: Opera companies have used
supertitles for several years now, and the captioning of operatic
lyrics are popular. So why not use the system for song recitals?
As it turns out, there are several reasons... The
New York Times 01/23/02
LA
SCALA OPENS IN NEW TEMPORARY HOME: A first performance (of
Rigoletto) by La Scala in the company's new temporary quarters is
judged a success. "In Europe's second-largest auditorium
after the Opera Bastille, the Arcimboldi theatre is a jewel-case
of metal, glass and precious woods and has been described as a
cross between a conference centre and the Palais des Festivals in
Cannes." The
Guardian (UK) 01/21/02
WORRIED
MUSIC INDUSTRY MEETS: The international music industry is
meeting in Cannes this week to talk business. Things aren't good.
Global sales of recordings are down 10% after poor figures in the
world's two biggest markets - the US and Japan. "The music
industry needs to re-invent itself. By 2005, we will be looking at
a very different music industry than today."
BBC 01/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PEGGY
LEE DIES: "Soulful singing legend Peggy Lee has died of a
heart attack at the age of 81... Lee is best known for her
rendition of Fever and in 1969 she won a Grammy award for
best contemporary female vocal performance for the hit Is That
All There Is?" BBC 01/22/02
TAUBMAN
APPEALS: Former Sotheby's chairman Alfred Taubman, convicted
in December of price-fixing, has filed a motion for a retrial,
saying the case against him was presented unfairly. Among other
things, Taubman says the government was "wrongly allowed to
read a quotation at trial from Adam Smith to the effect that
higher prices invariably result when people in the same trade
meet." The Art Newspaper 01/22/02
IT
IS BETTER TO SOUND GOOD...(BUT DON'T LET THAT STOP THE MARKETING):
Magdalena Kozena is 28, and "the blue-eyed, blonde Czech
mezzo-soprano is the classical recording industry's latest hot
property. But does Kozena owe her success to her looks?"
The Guardian (UK) 01/21/02
- SOUND
BEFORE LOOKS? "A tall and willowy 28-year-old, Kozená
is a delightful girl with a crisp sense of humour and - sorry,
chaps - a nice new French boyfriend. More important, she is
blessed with an impressive vocal technique and a clean, warm
and alluring mezzo-soprano that reaches, in the modern style
of Anne Sofie von Otter, Ann Murray and Susan Graham, into
soprano rather than contralto territory."
The Telegraph (UK) 01/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RENOVATING
OUT THE LIBRARY EXPERIENCE: The New York Public Library of the
Performing Arts at Lincoln Center has a great collection. It
recently reopened after an extensive renovation. "But — a
sign of the times? — the research division is no longer a
pleasurable place in which to read a book or listen to a
recording." The
New York Times 01/27/02
THE
BEST BOOK REVIEW? "The Times Literary Supplement - known
universally as the TLS - is a hundred years old this month. From
its first densely printed, eight-page edition of Jan. 17, 1902, to
its special bumper 48-page centenary issue currently on
newsstands, it has carved out a unique position in the world of
papers and journals as the reviewer of all that is best and most
important in new books, from novels and poetry to academic studies
and biographies." Los
Angeles Times 01/24/02
TRANSLATING
THE UNTRANSLATABLE: The poet Czeslaw Milosz once wrote that
"exile is the worst fate that may befall a poet, since poetry
cannot live without its roots in native speech," and another
poet, Robert Frost, wrote that "Poetry is what gets lost in
translation." Still, translators continue trying to wrestle
the poetry of one language into another, and sometimes bring it
off. The Economist 01/24/02
WHO'S
"BORROWING" FROM WHOM? The issue of plagiarism is
more complex than black-and-white. "On the one hand, formal
rules against plagiarism grow ever more abundant and ever more
stringent (even if no more original), and Op-Ed columnists wax
furious in their condemnation of plagiarism by public officials.
On the other hand, many Op-Ed columns are written by individuals
other than the one whose name appears on the byline, and for that
matter many newspaper stories are more-or-less verbatim versions
of press releases sent out by political organizations, trade
associations, or other interest groups."
The Idler 01/23/02
BLACK
HOLES: "Six months ago, the U.S. Supreme Court ruled that
publishers don't own the rights to online freelance articles. The
publishers have responded by purging freelance articles -
sometimes entire newspaper archives - from online databases.
Almost 20 years' worth of newspaper history, a vital source of
information for those studying history, politics, society, the
media, and other subjects, is shot through with more holes than a
block of Swiss cheese. Scholars worry that they might find holes
in their research. No one in academe seems to know how many
articles, and which ones, are missing from the databases. After
all, online databases, with their ethereal form, aren't like
broadsheets of newsprint - you can't open them like you would a
morning paper and see the holes cut out."
Chronicle of Higher Education
01/21/02
GOODWIN
CHARGED WITH COPYING: Now it's historian Doris Kearns
Goodwin's turn to be accused of plagiarism. A letter to The Weekly
Standard (the publication which revealed historian Stephen
Ambrose's plagiarism two weeks ago) pointed out that
"Goodwin's The Fitzgeralds and the Kennedys borrowed
with insufficient attribution from three earlier works by other
authors." The magazine's "examination of the works in
question confirmed the correspondent's allegation."
The Weekly Standard 01/28/02
- BY
WAY OF EXPLANATION: ''All that really happened was she
sent me a letter saying not all the passages that relied on
her work had been as fully footnoted as she would have
liked,'' said Goodwin. ''I agreed with her.'' A monetary
settlement was paid. Boston
Globe 01/22/02
- WHAT'S
THE STANDARD? "Goodwin has not only committed
plagiarism, but lied about whether it was plagiarism (and,
incidentally, paid hush money to one of the people she
plagiarized)." Slate 01/22/02
SO
WHAT'S A LITTLE PLAGIARISM...: Historian Stephen Ambrose may
be scorned for his plagiarism revealed in the past few weeks. But
in his hometown of New Orleans, few seem to care. The
Times-Picayune wrote in an editorial Jan. 11: "He has been 'a
great friend to this community ... No one wants to see Mr.
Ambrose's numerous achievements diminished by the present
allegations." Others wonder: "So what if he plagiarized?
Everyone plagiarizes to some extent. He has raised awareness of
history among a whole new population of Americans."
Nando Times (AP) 01/21/02
THE
CLASSICS, ONLINE: "Project Gutenberg, named after the
inventor of the printing press, Johann Gutenberg, is an online,
worldwide database of books in electronic form - and it's free.
Since 1971, volunteers have transposed or scanned more than 4000
books on to the US site." The Age
(Melbourne) 01/22/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
GREYING OF BROADWAY: This season Broadway stages are populated
with senior citizens. "The aging of Broadway is a serious
matter, and many theater people say that its impact on their
industry, and the new stage generation, is crucial. Some say the
presence of so many theater veterans is an exciting chance for
Broadway giants to display their wares to those who know them and
those who don't. But other people in the theater see it as a
symptom of what they consider major problems: the age of the
theater audience, the inability to attract and keep young,
innovative playwrights, and the unwillingness of Broadway to take
a chance on anything but the familiar." The
New York Times 01/27/02
SHAKESPEARE
SENSIBILITIES: Are "ethnic sensibilities" hindering
American theatres from producing some Shakespeare plays? That's
what one theatre company manager told the annual conference of the
Shakespeare Theatre Association of America last week. The group
includes more than 70 companies of the 130 to 150 that use the
name of Shakespeare in their title. Chicago
Sun-Times 01/21/02
SUPER-SIZE
IT? When planning a new show for New York, one of the first
things a producer must ask is - how big a show should it be?
"In some ways this is always the question a producer asks in
trying to balance the art and commerce of putting on a show. But
over the last few seasons, with more musicals crowding into the
pipeline, musical-friendly theaters in short supply and Broadway
economics more daunting than ever, the conventional wisdom
regarding what size show belongs in what size theater has been
challenged as never before." The
New York Times 01/25/02
SO
MUCH FOR THE 21st CENTURY: Theatre Basel has just opened a new
theatre - one its artistic director proudly proclaimed on opening
night is a "theatre for the 21st Century. "The audience,
not sure it had heard correctly, was sitting on wobbly seats in a
gray, cold and uncharismatic concrete house with two galleries and
cheap chipboard walls. To get in, people had crossed a foyer as
charming as a baggage-claim office and clambered up small wooden
stairways to narrow gallery passages squeezed between red concrete
walls and the glass facade of the building, all the while feeling
like uninvited guests in the proverbial can of sardines. If this
was the theater of the 21st century, you would not want to see any
theater again in this century. Or else the artistic director was
telling tall tales." Frankfurter
Allgemeine Zeitung 01/22/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
POLLOCK'S
MATHEMATICAL APPEAL: A mathematician contends that Jackson
Pollock's drip painting appeals to the logic "not in art but
in mathematics, specifically in chaos theory and its offspring,
fractal geometry. Fractals may seem haphazard at first glance, yet
each one is composed of a single geometric pattern repeated
thousands of times at different magnifications, like Russian dolls
nested within one another. In Jackson Pollock's drip paintings, as
in nature, certain patterns are repeated again and again at
various levels of magnification." The
Age (Melbourne) 01/25/02
THE
WEIGHT OF EXPECTATION: When it opened 25 years ago, Paris'
Pompidou Centre was meant to stem a sense of decline in French
art. But while the building has been an undeniable success in
other ways, the Pompidou "did nothing to reverse that
decline. For all its architectural radicalism, it has not infused
new energy into French culture. Visitors come to see its
outstanding collection of classic modern art - the art of Picasso,
Braque and Matisse - or for temporary exhibitions on the same
subject. Almost without exception, what is of interest had been
created before 1971. The contribution of the Pompidou Centre, and
indeed Paris, to art since that date has been minimal."
The Telegraph (UK) 01/26/02
WHAT
ROCKWELL MEANS TO THE GUGGENHEIM (OR IS IT THE OTHER WAY AROUND?):
"Until very recently, any art insider would have found the
notion of the Guggenheim playing host to a Rockwell show laughable
and absurd. Founded as the Museum of Non-Objective Art, the museum
promoted abstract art - art that depicts no object - and opposed
everything Rockwell stood for." But he brings in the crowds
and "it was a win-win situation, so the Guggenheim sold its
soul and signed onto the exhibition tour, and in so doing
ratcheted up Rockwell's reputation and legitimized a show other
museums might have regarded as a dangerously kitschy gamble."
Baltimore Sun 01/27/02
THE
SMITHSONIAN PROBLEM: In the weeks after September 11,
attendance at the Smithsonian museums plunged 40-45 percent as
tourists stayed away from Washington. Over the week between
Christmas and New Year's visitor numbers bounced back up, leading
to hope that things were getting back to normal. But January has
busted again - the second week of January numbers were down 55
percent. "Life at the Smithsonian, said Lawrence Small [the
Smithsonian's secretary], is "a dramatically different
situation" than last summer, when an attendance record seemed
likely." Washington Post 01/23/02
CONTEMPORARY
ART THAT HAS TO BE REINVENTED: Documenta is one of the most
anticipated forums for contemporary art. This year's edition is
supposed to open in Kassel, Germany in May, but even now it's
difficult to get a sense of what exactly will open. "It is
certainly true that the Documenta has to be reinvented every time.
It does not exist in the sense of an institution that can by
definition guarantee continuity. Inevitably, curators believe they
have to come up with a completely new idea rather than merely
gathering all the art world's current representatives together in
Kassel." Frankfurter
Allgemeine Zeitung 01/24/02
CHAGALL
IN KANSAS: "A painting believed to be a Marc Chagall work
stolen last year from the Jewish Museum in New York City turned up
at a postal installation in Topeka, Kansas." Nando
Times (AP) 01/22/02
DOES
NOT PLAY WELL WITH OTHERS: Because artists are often highly
individualistic people, artistic collaborations are generally
fragile constructions. When, on top of that, the collaboration is
national as well as personal, chances are someone will be unhappy
about it. That's what happened to the shared Czech-Slovak pavilion
at the Venice Biennale this year. Central
Europe Review 01/22/02
PARIS
ON THE WANE? A new show in London examines the place of art in
Paris. "Perhaps it is the problem of Paris - too many echoes,
too many connections, too much art and history. Maybe this is why
Paris is no longer, in 2002, capital of the arts. 'Why did Paris
decline?' is the big, unanswerable question of the
exhibition." The
Guardian (UK) 01/22/02
- FADED
PARIS: Since national schools of art faded away into
globalization, Paris has lost its claims to be central to the
world of art. "Paris has surrendered - not without a
fight - to New York and possibly even London. Whenever I
travel to Paris I have the feeling that I am entering a museum
city, a place not only replete with magnificent museums, but a
city whose very appearance has been turned into an exhibit. It
is difficult to take a photograph of Paris and not produce a
visual cliche." Financial
Times 01/22/02
REMMING
UP: "For years, Rem Koolhaas was famous as an innovative
architect who’d built almost nothing but had written the
fabulous cult book “Delirious New York.” When he won
architecture’s top prize, the Pritzker, in 2000, he still had
almost no projects in the United States. But now, look out.
Koolhaas’s unorthodox architecture is invading America, starting
with the launch last October of a Guggenheim branch in Las
Vegas." Newsweek 01/28/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TAKING
A NATIONAL VIEW: The Scottish Arts Council's new chairman has
a reputation for being tough. He's set himself a big task.
"The arts council must match the significance of the
circumstances. It’s got to take a national view, to lift its
head from administrative purposes and say: ‘Look what can we do
to push Scotland on’. It has to make far more impact, so it’s
got to be riskier as well." The
Scotsman 01/23/02
MARKERS:
What is an appropriate memorial for the destruction of the World
Trade Center? New York is full of memorials to other tragedies.
"Those commemorating large-scale tragedy assume an
astonishing variety of forms, from a 148-foot Doric column to a
pocketful of blackened dimes and nickels. But each embodies the
notion that even the most appalling catastrophe is part of a
living continuum." The
New York Times 01/25/02
- INSTA-ART:
A flood of new artwork coming out responds to the events
of September 11. But "can good art can really be summoned
up on demand like that, even in response to cataclysm?"
Some of the best, most enduring artistic responses to tragedy
haven't appeared until years after the events. Public
Arts 01/24/02
- ARTISTIC
OUTPOURING: "Immediately after Sept. 11, thousands of
people in New York and around the world set out to capture the
meaning of those events through artistic expression. In the
intervening months, thousands more have joined the effort,
resulting in what may turn out to be the largest creative
response in history to a single day's event. Poetry, prose,
dance, architecture, photography, soundscapes, TV, popular
music, theatre, comic books, film, painting and sculpture:
They have all grappled with the attacks and their aftermath,
in the process provoking questions about the nature of art,
its practical usefulness, and the legitimacy of artistic
aspirations by non-artists." But while such art may be
therapeutic, is it good? "With art that is made in
response to an immediate situation, it is rare that that kind
of work is able to go beyond commemorating or documenting in
the most straightforward manner." The
Globe & Mail (Canada) 01/26/02
ENGLISH
AS AN ENCROACHING LANGUAGE: English is turning up more and
more in German speech and writing. "The unhostile takeover of
English in trade journals, at conventions and in scientists' and
economists' 'speechlessness' with regard to German have fostered a
dilution of democratic discourse." Will the Germans follow
the French and set up a national council to "protect"
German from the encroachment of English? Frankfurter
Allgemeine Zeitung 01/21/02
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TAKEOUT
BARD: If you can order pizzas and Chinese food to be
delivered, why not Shakespeare? A small company of actors in New
York has started a business delivering The dozen or so actors
"offer Bard specials that can be ordered a la carte and
performed in your home. Prices start at $50."
New York Post 01/27/02
AND
THIS AFFECTS LAW ENFORCEMENT HOW? Okay, follow closely: The
police department of Penryn, Pennsylvania, is boycotting this
year's YMCA triathlon, refusing to direct traffic and stand around
looking important. Why? The YMCA apparently reads Harry Potter
books to children. So? Well, the wee wizard is all satanic and
stuff, y'know. Nando Times (AP)
01/24/02
HOME
|