Week
of November 19-25, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ATTACKING
ACADEMIA: An advocacy group whose founders include Lynn
Cheney, wife of American Vice President Dick Cheney has been
collecting what it claims is evidence of "unpatriotic
behavior" by US academics. "Calling professors 'the weak
link in America's response to the attack,' the report excoriates
faculty members for invoking 'tolerance and diversity as antidotes
to evil' and pointing 'accusatory fingers, not at the terrorists,
but at America itself'." The
New York Times 11/24/01 (one-time
registration required for access)
A
POEM IS LIKE... Why study poetry? Billy Collins suggests that
"to study poetry was to replicate the way we learn and think.
When we read a poem, we enter the consciousness of another. It
requires that we loosen some of our fixed notions in order to
accommodate another point of view - which is a model of the kind
of intellectual openness and conceptual sympathy that a liberal
education seeks to encourage." Chronicle
of Higher Education 11/19/01
CREATIVITY
IN ITS MANY FORMS: Art and science are both expressions of
mankind's creativity. "Any work of art or science necessarily
draws on many different, apparently unconnected areas. Such highly
creative thinking may be likened to a mosaic of many tiles. In
Picasso's and Einstein's cases, we have identified, among others:
cinematography, geometry, technology, aesthetics, X-rays etc. Both
men were concerned with the same problem – simultaneity and
spatial representation." The
Independent (UK) 11/21/01
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WHAT
BECOMES A CLASSIC? It's always hard to pick a classic. Modern
dance is a particularly difficult art form to figure out what will
endure. "You're never sure of your decisions. People even tire
of the Mona Lisa and `Hamlet.' That doesn't mean they aren't
masterpieces." The New York Times
11/18/01 (one-time
registration required for access)
A
BARBIE NUTCRACKER: Has it come to this? Is Barbie cashing in on
the popularity of The Nutcracker or is this some misguided hope that
more little girls will take to dance if their little plastic pal is
a dancer? "The computer-animated Barbie in the Nutcracker
is a higgledy-piggledy mix of dialogue, action adventure and dance
that owes as much to Disney as it does to Tchaikovsky or ballet. If
you took a Barbie in your hand and made it fly through the air,
you'd get a fair idea of how stiff the animated figures sometimes
seem, not a good sign for a film in which Barbie plays a ballet
dancer who performs the role of Clara and dances a pas de deux with
Prince Eric, played by Ken." The
New York Times 11/22/01 (one-time
registration required for access)
BATTLE-TESTED:
Alina Cojocaru had only been with the Royal Ballet one year when she
was promoted on-stage - a signal honour, comparable to battlefield
promotion for a soldier - to the rank of principal. And she's only
19, daughter of the Romanian proletariat, chosen as a child by
Russian ballet masters for training in Kiev. Is she really that
good? The
Telegraph (UK) 11/21/01
PREPARING
NOT TO DANCE: "Old dancers never die, the saying
goes, they just shuffle off. First a knee goes, then an
ankle, then a hamstring. The paychecks get to be too
skimpy. Or the traveling gets to be too much. Not all
dancers can or want to choreograph or teach. But dancers
possess traits like discipline and vitality that are
treasured by employers." The
New York Times 11/25/01 (one-time
registration required for access)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
A
WAY WITH ART: Critics hated entertainer Rolf Harris's
show on art Rolf on Art last Sunday, deriding its
"patronising format and embarrassing, simplistic
script". Evidently the TV audience disagreed, though.
More than 6.8 million people tuned into the show on BBC1,
the most ever for any cultural show on any channel.
The Guardian (UK)
11/23/01
-
UNDER
THE INFLUENCE: The show was seen by 6.8 million,
"compared to the 800,000 who watched Robert
Hughes' American Visions on the BBC in 1996.
The Australian artist and musician appeared to have
done more to interest the masses in art than any of
the more lofty television critics such as Hughes or
Andrew Graham-Dixon." The
Age (Melbourne) 11/23/01
WHY
FILM SCHOOLS FAIL: "Film schools are flourishing, but
that their graduates seem rarely to realise their filmmaking
ambitions, despite shelling out the same fees as a medical or law
student - up to $100,000 - but with a roughly 5% chance of
recouping a cent. Film schools, are essentially factories whose
primary product is not film-makers per se, but rather the smelly
little orthodoxies of modern film-making." The
Guardian (UK) 11/23/0
TRAILING
EDGE: Want to see the Harry Potter movie? Wait. Literally.
Warner had so much clout with this hit that it forced movie
theatres to show twice the number of trailers usually shown before
the movie. And theatres are loading up on commercials before the
feature starts, so after eight or nine trailers and commercials,
15 minutes or more has gone by before the movie begins.
Washington Post 11/25/01
WHO
CARES ABOUT THE CRITICS? When a blockbuster movie like Harry
Potter comes out, who cares about the critics? Masses of
people will go to it no matter what. For that matter, what use are
newspaper movie reviewers anyway? "In these days of massive
promotional campaigns and instant Internet buzz, has the newspaper
reviewer gone the way of shepherds and 8-tracks? Does the consumer
really need yet another guide? In short, movie boy, rationalize
your existence, justify your salary." The
Globe & Mail (Canada) 11/24/01
GIVE
US THIS DAY OUR DAILY ELVIS: What becomes a classic?
Advertisers would like us to believe that anything we've heard of
a few times qualifies. A new TV program "takes real things,
but shows how we imbue them with meaning which they never had and
how that becomes an important part of who we are as
Americans," thereby making them classics.
Christian Science Monitor
11/23/01
TIME
STEALER: A new machine that discreetly shortens live TV
programs by fractions, allowing stations to insert extra
commercials has irked producers of programs, who object that their
content is being altered. "The device, which sells for
US$93,000, is able to generate millions of dollars in extra
advertising revenues for the stations, but it comes at the expense
of discreetly altering the content that people tune in to
see." National
Post (Canada) 11/21/01
THIRST
FOR MOVIES: Crowds packed a Kabul movie theatre Monday as the
theatre reopened with first movie to be shown in Afghanistan in
five years. The departed Taliban had banned entertainments such as
movies. "Hundreds of people were turned away from the packed
theater, which was showing the popular Afghan film Ascension.
Finally, soldiers with rifles intervened, pushing the crowd away
from the front gate." Nando
Times (AP) 11/19/01
NOT
JUST THE POPCORN: A Toronto filmmaker is deconstructing the
movie-going experience in an attempt to find out how movies take
hold of an audience. He "believes movies have a direct
conduit to our emotions through our eyes. That's because humans
rely on subtle movements of facial muscles to tell them how others
are feeling, and a movie screen, of course, is like looking
through a magnifying glass at an actor's face. If the actor is
convincing, then it enables us to suspend our disbelief by
plugging us directly in to the emotional content of the
film." The
Globe & Mail (Canada) 11/20/01
BOOSTING
RATINGS WITH THE ARTS: The UK's channel 5 is known for its
tacky lowbrow fare. But with ratings slipping and advertising
down, the channel is trying a surprising tactic - going up-market
with new arts programming. The
Independent 11/18/01
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
UNITING
THROUGH MUSIC: Afghanistan has a rich heritage of music and
art, and before the Taliban took over and banned such creative
expression, "the nation's radio, more than any cultural bond
beyond Islam itself, had helped unify the country's 32 tribes,
which enjoyed their respective ethnic sounds too." Now that
radio and music has been restored, will there be a new flowering
of artistic expression?" Village
Voice 11/21/01
SOMETHING
ABOUT FINLAND: In the past decade Finnish conductors and
performers have become prominent on the world stage - prominent
out of all scale to the country's tiny size and population. But as
for composers, Finland has still been considered a one-composer
country - and Sibelius stopped composing 50 years ago. Now a new
generation of Finnish composers looks to emerge just as performers
did in the 90s. The
Telegraph (UK) 11/22/01
WHERE'S
THE BUZZ? Just as the Tate Modern helped make contemporary art
cool, so must classical music find a way to reinvent itself and
acquire some buzz, warns the head of Britain's BBC Radio 3.
"Standing still is not an option. Simply because
organisations... have existed for a number of years does not mean
that they have a right to continue as they have since they were
founded, their work unchallenged." The
Independent (UK) 11/22/01
PLAYER
PIANO: It's a misconception that pianos just got progressively
bigger and more powerful since their invention in the 1820s. The
Frederick Historic Piano Collection in New England has collected
up a good sampling of instruments from across the eras, and unlike
most museums, this one invites you to come try and hear for
yourself what the differences are. What, for example did Liszt's
music sound like on instruments of the day?. The
New York Times 11/22/01 (one-time
registration required for access)
CRACKING
BACH'S CODES: A new cd that tries to unravel the compositional
codes Bach used in writing his famous Partita in D Minor, has
become a hit on the music charts. "As presented in Morimur,
Bach was musically inspired, like Elgar, but went for symbolism,
like Shostakovich. With chorale and partita movements set side by
side, the listener must crack open all preconceived notions about
the partita to hear references between the two. Close, repeated
listening is needed. And something this heady is now so hot on the
charts?" Philadelphia Inquirer
11/25/01
CUTTING
TO THE MUSIC: "The portable stereo has become an integral
tool for surgeons, who say the soothing strains of Bach, and Van
Halen, improve their performance in the operating room. Scientific
research supports his theory. According to a study published in
the Journal of the American Medical Association, background music
chosen by doctors helps them excel in their work."
National Post 11/24/01
FACTOR
OF EIGHT: "Few besides students of music theory are aware
that in 1600 what has become our modern scale was regarded as a
heretical notion, which sought to substitute many of the
numerological harmonic principles, passed down from the ancients
as theological truths, with the inferior and unworthy demands of
practical expedience. Its introduction was fiercely contested and
still occasionally rejected as late as 1800. Without tempered
tuning, however, the classical and romantic movements could not
have found expression." The
Economist 11/23/01
THE
SKY IS FALLING...ISN'T IT? Sure the classical music world's
got troubles. Most businesses do these days. But why are so many
people running around predicting the end of classical music?
"Perhaps classical leaders are so pessimistic because they
feel they are guarding something more important than the kind of
commercialism that guides their pop-music counterparts. After all,
if the execs at MTV need to goose up revenues, they figure out
what's selling, develop product, and send it to South Beach in a
bikini. Classical leaders don't have that much flexibility, and,
more important, they feel the weight of being flame-keepers of an
important body of culture." Philadelphia
Inquire 11/20/01
WILLING
TO PAY: Legal battles over transfers of digital music
continue. But an industry consultant says sales of online music
will top $1.6 billion by 2005. "There's a growing population
of music enthusiasts that are ready to embrace paid downloads,
streaming on demand, and online radio" Nando
Times (AP) 11/19/01
PLAYING
IT SAFE: Composer John Adams, reflecting on the Boston
Symphony's canceling one of his pieces, thinks one of the reasons
classical music has lost its way is its wariness about taking
risks: "I was concerned about what the reasons given for the
cancellation had to say about classical music. I do think that
symphonies and opera companies are very skittish in this country,
and I'm sorry that they are, because it confirms the distressing
image of symphony-goers as fragile and easily frightened. That's
really a shame, because I want to think of symphonic concerts as
every bit as challenging as going to MOCA or to see 'Angels in
America'." Los
Angeles Times 11/20/01
THE
SOUND OF MUSIC: Is sound art music? "If there's such a
thing as sound art then it's certainly sound art as well. Sound is
the consequence of an idea, and maybe that's sound art; and if you
take that sound and make something else of it then maybe that's
music." The
Guardian (UK) 11/18/01
TORONTO
OPERA PROJECT REVIVED: Toronto has been trying for some time
to put financing together to build a new opera house. The project
was presumed dead last year after long delays and political
deadlock. Now Canada's federal government has approved $25 million
for the project, and its fortunes are suddenly revived.
Toronto Star 11/19/01
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RICH
BUT UNKNOWN: Who's the richest painter in Britain? Forget the
usual suspects - it's Andrew Vicari. This year alone he sold a
series of paintings to a Saudi company for $28.6 million.
"Unlike his rivals in wealth, though, Vicari is practically
unknown in his homeland. No matter that in China they hold loving
retrospectives of his work, or that there are three museums
devoted to his oeuvre in Saudi Arabia. Or that Vicari is the
official painter for Interpol and the CRS, France's much-hated
elite police force. No matter at all." The
Age (Melbourne) 11/25/01
DEPRIEST
TO GET TRANSPLANT: James DePriest, conductor of the Oregon
Symphony, will get a kidney transplant December 3. DePriest has
been on dialysis for two years, and the donor "is a close,
personal friend of his" who wants to remain anonymous.
The Oregonian 11/21/01
ARGERICH
CANCELS: Pianist Martha Argerich has canceled all her concerts
through February, on the advice of doctors. "The 60-year-old
Argentine-born pianist, whose melanoma was believed to have gone
into remission, had been scheduled to perform in New York, Paris
and London. But those concerts have been canceled."
Chicago Sun-Times (AP) 11/20/01
CURATOR
JAILED: A former curator with the Wisconsin Historical Society
Museum was sentenced to 15 years in jail for stealing American
Indian artifacts from the museum. He took items "valued at
more than $100,000, including a rare war club, beaded buckskin
bag, cradle board cover, quiver and silver earrings."
New Jersey Online (AP) 11/19/01
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SUBSIDIZING
THE WRITING LIFE: The sad fact is that even good writers with
reputations can't make a living from their art these days. They
have to subsidize their writing with other jobs. "Forget
about the National Endowment for the Arts or Humanities. What
underwrites culture in America are libraries, newspapers, schools,
foundations, magazines, flop films and, yes, tips in restaurants.
And let's not forget spouses. If an author isn't making a living,
the wife or husband often is." Dallas
Morning News 11/19/01
NO-STYLE
SCHOOL: Why do so many writers on today's bestseller lists
have no style? In great literature - that is, the swirling,
surprising and sometimes unsettling prose that saves souls and
redefines reality - plot, detail, language, characters, point of
view, truth, beauty and other intangibles all clamor to be at the
top." The no-style school of writing goes "for a
rhythmless beat, and a straightforward approach to writing that
ranks zippy, superinventive plot first, stating the obvious
second, concrete details third, and language, artistry, character
development and the exploration of universal truths somewhere near
the bottom of the list." Washington
Post 11/19/01
BE-LITTLED:
Why did Lingua Franca Magazine fold, despite its glowing
reputation? Because it's a little magazine. "The problem with
little magazines is that they're little. Their limited subject
matter consigns them to audiences so small no one can make money
off them. Big magazines make their money on advertising, but
advertisers aren't interested in little-magazine-size
audiences." The
New York Times 11/20/01 (one-time
registration required for access)
ALL
ABOUT ME: In an increasingly globalised world, where chain
stores and franchises replicate and spread with only scant
reference to pre-existing culture, where is the value in going
anywhere?" So travel writing has increasingly become more
about the traveler than the place. "This sense of the travel
writer inserting his or her personal frame of reference into the
narrative is so commonplace these days that it seems
obvious." The
Age (Melbourne) 11/22/01
WHAT
STUTTGART ASPIRES TO BE: "Until now, Stuttgart, the urban
center of Swabian diligence and pietistic inwardness, has been
better known as a stronghold of the visual arts and theater."
But the city has just opened a new writers' center called
Literaturhaus, and meant to be "a meeting ground for modern
culture." Frankfurter
Allgemeine Zeitung 11/22/01
BOOK
SALES DOWN: "With terrorism, war and the threat of
recession dominating consumers' attention this autumn, the major
publishers are having decreases in their sales of as much as 15
percent from the lackluster levels of last year, according to
executives at several big publishers and distributors. .
Publishers say that sales of the best-selling novels, even by
blockbuster authors, are off by 25 percent to 40 from last
year." International
Herald Tribune (NYT) 11/21/01
PLEDGE
DRIVE PUBLISHING? "Non-profit book publishing has long
been largely dependent on foundation money. But as grants dry up
and sales become increasingly unreliable as a source of revenue,
many literary non-profits are turning to an area they once
ignored: The individual contributor. The result, experts say, is a
model that every day looks less like that of, say, an art gallery
and more like the democratically funded approach of public
television." Publishers Weekly
11/19/01
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GOLD
STANDARD: Stephen Sondheim and John Weidman have filed a $5
million lawsuit against producer Scott Rudin, claiming he is
trying to kill a musical they have been working on for nearly 10
years. GOLD! was scheduled to open in Chicago next year,
but the pair say legal threats by Rudin have scared off the
director and the theater operators." Nando
Times (AP) 11/23/01
BACKSTAGE
ETIQUETTE: What should you say to your friend the actor when
you go backstage after the show? Careful, It's "a diplomatic
minefield. In fact it's a nightmare. What should you say? How
frank should you be? Speak honestly? Lie through your teeth? Or
adopt a middle way, seasoning your praise with a few genuine
observations in the hope they'll be helpful? Like, "The more
you can smile, the better it is." My advice is to lie through
your teeth. Actors require only one thing - to be told that they
were superb and that the piece as a whole was a life-changing
experience." The
Guardian (UK) 11/22/01
TAKING
THE BARD TO THE HOME OF THE BARD: Shakespeare is the
most-performed playwright in America. Now, for the first time, an
American company has been invited to perform at the Royal
Shakespeare Company's Stratford home. "Exchanges like this
are a good way of overcoming the purely artificial prejudices
which say that Americans can’t do Shakespeare.” The
Times (UK) 11/19/01
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CRISIS
IN PRESERVATION: "The combination of preservation
legislation and explosive growth in the Southwest over the last
decade has created an archaeological boom that has completely
overwhelmed the region's museums and anthropological centers,
archaeologists, museum executives and government officials say.
Their institutions cannot handle all the artifacts found and
excavated during publicly financed projects. The logjam is so bad
that some museums like Northern Arizona are closing their doors to
the resource materials, and others are limiting what they will
accept, while a third group has increased their fees for
cataloguing, analyzing and storing them by as much as
10-fold." The
New York Times 11/24/01 (one-time
registration required for access)
THE
BIGGER THEY ARE... The Guggenheim has been the highest of the
high flyers among museums in the past decade. But that just means
the crash is louder when times turn bad. And bad they apparently
are: "Admissions are down by almost 60 percent, revenue is
running about half of what it is supposed to be, and as of Friday
80 employees — roughly one-fifth of the staff — had been given
pink slips in what [director Thomas] Krens described as the
initial round of layoffs. Besides the staff cuts, which reportedly
may reach 40 percent, the museum has scaled back its exhibit
schedule, postponing exhibitions by Matthew Barney and Kasimir
Malevich. Its SoHo museum on Prince Street will close at the end
of the year, and the fate of its $20 million Web site, guggenheim.com,
is still unclear." The
New York Times 11/20/01 (one-time
registration required for access)
A
BIGGER BUDDHA: A group upset at the Taliban's destruction of
the giant Bamiyan Buddhas in Afghanistan earlier this year has
announced a plan to rebuild the statues, only larger than before.
"The desire is to show that 'an act of international
destruction cannot erase the memory of those things which are
valuable to humanity and its heritage'." But UNESCO is
opposed to the idea saying that "an international agreement -
the Venice charter - forbids the reconstruction of monuments that
have been destroyed." Nando Times
(AP) 11/21/01
OPTICAL
ILLUSION: "The hottest, and most contentious, topic in
art history at the moment is the longstanding but murky
relationship between painting and optics. And painting exhibitions
all over the place now boast a photographic element."
The New York Times 11/24/01
(one-time registration
required for access)
CHINA
TO BAN FOREIGN ART TRADERS: China has introduced a new law
that would ban foreigners from the antique business. "The ban
includes auctions, and covers both wholly foreign-owned
enterprises and joint-ventures. The National Relics Bureau
specifically mentioned Sotheby’s and Christie’s as a
target." The
Art Newspaper 11/21/01
THE
WHITNEY'S 113: The Whitney announces the lineup of artists for
next March's Whitney Biennial. With 113 artists and collaborative
teams, the 2002 edition will be the largest since 1981.
Whitney.org 11/01
BRASSED
OFF: The Churchill Society - dedicated to preserving the
memory of the great British prime minister - is protesting a new
sculpture commissioned by the Victoria & Albert Museum for its
newly refurbished British galleries. The complaint? Cornelia
Parker's Breathless is composed of brass instruments the
artist had crushed in the hydraulics of the Tower Bridge.
"The society is angry because, it says, instruments that
might have been repairable were sacrificed on the altar of
conceptual art." The Society calls the piece an "act of
vandalism". "Little wonder that extremists in the Muslim
world think western civilisation is decadent ... we are breathless
with disbelief." The
Guardian (UK) 11/20/01
FAKE
ARTWORK SEIZED: French police have confiscated about 40 works
from a Paris gallery purported to be by the French sculptor Cesar.
"Police say several dozen fake works have been sold in France
and in neighbouring Belgium, with estimated gains running into the
millions of dollars." Cesar, who died in 1998, made
sculptures by compressing car wrecks into cubes.
The Globe & Mail (Canada)
11/23/01
BLIND
BID: London's Royal College of Art is having a secret-art
auction. The art is by students and well-known artists whose work
sells for hundreds of thousands of pound. Buyers can see the
postcard-size art but "the identity of the artist remains a
secret until the time it is bought. The artist signs the picture
on the back and it is only revealed once it is taken off display
and given to its new owner." BBC
11/21/01
THE
ART OF MONUMENTS: "Some people still think monuments
should be monumental, with classical architectural references -
big and white and grand." But "a new generation of
artists and architects has grown skeptical of traditional
monumental form. This generation questions the assumption that
big, concretized forms can tell people how to think and remember.
Christian Science Monitor
11/23/01
THE
SAD TRUTH ABOUT CONTEMPORARY ART: "Despite contemporary
art's massive propaganda, public funding, seeming popularity and
apparently accepted cultural importance, most people are not
sure what it is supposed to do or be; in their uncertainty they
remain silent, and in their silence their numbers are counted by
the Tate to legitimise the now ludicrous Turner Prize."
London Evening Standard
11/19/01
WHEN
ART MOVES: "Contemporary art as a whole has become more
like film, dealing with duration and movement and with problems of
realism and representation." Organisers of next year's
Documenta debate the role of film in contemporary art. Frankfurter
Allgemeine Zeitung 11/18/01
THE
ARTIST WITHIN (THE SCREEN): Can't draw or paint? Want to be an
artist anyway? Producing or manipulating digital images on a
computer has become a popular at-home art. "Doctoring images
- or Photoshopping, as its practitioners call it - is a booming
online pastime for hobbyists and graphic designers whose altered
documents have taken up residence in the popular imagination
alongside political cartoons and satirical text."
Wired 11/19/01
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
LAYOFFS
ARE JUST A START: A new study quantifies the losses of New
York arts groups since September 11. The challenges are many:
Attendance is down, "city and state budgets have been
slashed, individual giving is being re-directed to September
11–related causes, annual fundraisers are being dropped or
pulling in a lot less money than anticipated, public schools are
canceling field trips and cultural program contracts in all five
boroughs, and capital campaigns have all but ground to a
halt." Center
for an Urban Future 11/01
DOES
MULTICULTURALISM EXIST? A professor at Pennsylvania State
University argues that multiculturalism doesn't exist. His
"criticisms of the multiculturalist project are novel
precisely because he does not find fault with the tenets of the
movement, but doubts the very existence of multiculturalism in
American life. True multiculturalism, he argues, would demand an
understanding of and immersion in cultures so radically different
that deference to all of them would cause major rifts in
society." Partisan
Review 11/01
TELLING
THE FUTURE: "In a funny turn, trends are a hot, new
trend. Trend-spotting – the art and science of identifying new
trends and predicting future trends – is a booming industry
filled by a swelling rank of new professionals who go by a grab
bag of titles. Trend-spotter, cool-hunter, pop futurist – all
these new-fangled terms to describe what amounts to one of the
world's oldest professions: fortune-telling."
Dallas Morning News 11/24/01
TEACHING
HUMANITIES IN A TIME OF WAR: "When colleagues and
graduate students who are teaching this term gather, the
conversation often turns to how to bridge the chasm between the
syllabus - whatever it contains - and the students who are looking
for help in figuring out how to sustain a humane connection to a
world that's overwhelming them. I listen to these conversations,
then I look at recent issues of scholarly journals in my field,
and I feel as if I'm in two different worlds. For years, literary
scholarship has been refining the art of stepping away from humane
connection." Chronicle
of Higher Education 11/19/01
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SELLING
CENSORSHIP: After a Baltimore radio talk show host attacked
Andres Serrano's Piss Christ earlier this month for "defiling
a sacred image" and denounced the Baltimore Museum of Art for
selling post cards of the image, a listener bought the museum
store's remaining 13 post cards "to prevent anyone else from
being offended by the controversial photograph. You could call
that a form of private censorship, since the person who bought the
images did so for the sole purpose of precluding anyone else from
seeing them. But it raises a knotty problem for whoever took them
off the market: Now what? Destroy them? Keep them? Return them to
the publisher?" Baltimore
Sun 11/20/01
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