Week
of November 12-18, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
RELIGION OF ART: All world religions have had to deal with
the issue of art. Is art somehow an affront to God? "Today,
we are so far removed from our cultural ancestors' fear of idolatry
that we forget the ancient but enduring power of the human image.
As we flip through the pages of a magazine, catch a video billboard
out of the corner of one eye or lazily channel hop, it's hard
for us to even conceive of a culture that sees an ancient statue
of somebody else's god as we might view the vilest pornography."
The Globe & Mail (Canada)
11/15/01
BILLY'S
POETRY: Billy Collins, America's new poet laureate, is "the
antithesis of virtually every cultural cliche that Americans have
about poetry - that poets are pompous, that poetry is hard to
read and harder to understand, that poetry is no fun." He
says that much modern poetry isn't very good. How much? " 'Eighty-three
percent of American poetry is not worth reading,' he said playfully,
mocking the American emphasis, especially among journalists, on
statistics. 'I haven't done a study, but 83 percent seems like
the right number. I think 83 percent of movies aren't worth going
to, and 83 percent of restaurants aren't worth eating in'." Chicago
Tribune 11/14/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PLAYING
BY HER OWN RULES: A 650-page biography of the tempestuous
life of Isadora Duncan is out. "Isadora is pieced
together from a vast archive of love letters, magazine clippings,
diaries, drawings and photos - to the extent that Peter
Kurth's job occasionally appears as much editorial as biographical."
Salon 11/12/01
-
ISADORA
- 10 YEARS IN THE MAKING: "I'm lucky. I signed
to do Isadora Duncan's biography 10 years ago, in another
world, nation, century, millennium and life. My agent
worked me like a dog on the proposal -- he kept sending
it back. It's good, he'd say, but not good enough; more
of this, less of that. I came down to New York from
Vermont to meet some big editors, but ultimately decided
to stay with Little, Brown. For a moment, I felt golden
and secure. But I had two secrets no one knew about.
The first was that I was dying of AIDS. The second was
that I knew nothing about Isadora Duncan; nothing at
all." Salon 11/12/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
DOWN
WITH THE ARTS: Has the BBC, once an exemplar of arts programming,
failed the arts? "High culture, alas, is something in which
the mainstream BBC has lost practically all interest. Curiously
this notion that 'the arts' is simply a highbrow ghetto rather
than something that ought to be part of all our individual lives
rises above the current cultural landscape like a kind of mantra."
The Times (UK) 11/13/01
THERE
GOES PUBLIC BROADCASTING: Canada's culture minister suggests
that the publicly-owned CBC ought to make a partnership with rival
commercial network CTV. "Sheila Copps told MPs the multi-channel
universe has left CBC-TV and private broadcasters struggling against
one another for shrinking audiences."
CBC 11/10/01
LA'S
NEW THEATRE FOR A STATUE: Los Angeles has a new opera house.
OK, it was designed for the Academy Awards, and it's located in
a shopping mall. It was also designed "with blind eye and
tin ear." It's designed for TV and it's an "ungracious
building" for a human audience. "Inside the theater,
the assault never ceases." And the acoustics? A mess.
Los Angeles Times 11/12/01
BEAUTIFUL
NEWS: Why must the people who read us the news be "beautiful
people?" "Hiring attractive people is certainly nothing
new in television, but the premium on Barbie-doll looks seems
more pronounced than ever, with newswomen overtly trading on their
sexuality as a come-on to viewers."
Los Angeles Times 11/14/01
BUYING
AUSTRALIAN: A weak Australian dollar brought foreign movie
makers to shoot their films Down Under. Foreign producers spent
"a record $191 million in Australia in the 2000-1 financial
year," and the movie industry increased expenditures to $808
million. The Age (Melbourne) 11/14/01
YOU
DON'T NEED TO TELL THEM TWICE: It raised quite a few
eyebrows last week when word leaked out that the U.S. government
had been prevailing upon Hollywood to get cracking on a new batch
of good old-fashioned, ass-kicking American Patriot movies, preferably
involving shady Afghan terrorists. But as critics are beginning
to point out, Hollywood really doesn't need any encouragement
to churn out such mind-numbing propaganda. The
Globe & Mail (Toronto) 11/17/01
THE
SELLING OF HARRY: Is all the merchandising hype going to ruin
Harry Potter? "Some fans of the book say all this Potter
paraphernalia is ruining a wonderful tale. But pundits of popular
storytelling suggest that this charge may sell everybody short:
Books differ from movies, which differ from video games or Legos
or stuffed animals. Each medium can have something to contribute
to experiencing a great story, they say." Christian
Science Monitor 11/16/01
WHEN
COLLABORATORS TAKE OVER: When the writer of Billy Elliot
went to make his next film, he assumed he'd have more creative
say in the script. "Any screenwriter knows that a screenplay
is more like a recipe than a sonnet, and much of the fun and best
creative discoveries are gained by getting your hands dirty with
your collaborators as you make the pudding." But by the time
the movie came out, it was unrecognizeable.
The Guardian (UK) 11/16/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MUSIC
RETURNS TO KABUL: After years of exile, secular music returned
to Afghanistan's major cities this week, as Northern Alliance
forces swept across the country. Music had been largely banned
by the Taliban, causing many prominent Afghan musicians to flee
the country. Now, from synthesized pop to folk and classical traditions,
Afghans are renewing their love of music. Hartford
Courant 11/16/01
PROMO
INSTEAD OF PAY: Microsoft's new video games contain music
by numerous band. But in most cases MS isn't paying for use of
the music. Instead, the company got musicians to give them music
as a way to "promote" themselves with game players.
Some bands aren't so happy with the arrangement, even though they
went along. The
New York Times 11/15/01 (one-time
registration required for access)
WHAT
THE GRUNTS THINK ABOUT THE MAESTRO: It's the man with the
baton who takes the bows, and often, the brickbats from critics
when a performance doesn't live up to expectations. But the conductor
is more than a figurehead - he is the literal boss of each of
the musicians arrayed on stage in front of him. So what do the
musicians think of conductors? Well, let's put it this way: what
percentage of the time do you like your boss? San
Francisco Chronicle 11/18/01
PATRONAGE
OR EXTORTION? Chicago's Bein & Fushi, dealers of some
of the world's top string instruments, have been accused of price
fixing, collusion, and generally unsavory practices for the way
they buy and sell their Strads, Guarneris, and Amatis. But the
company also runs the Stradivari Society, which lends priceless
violins to promising young performers, courtesy of various rich
patrons. What's the catch? The recipients of the Society's "generosity"
are expected to kowtow to their patron's every want and Bein &
Fushi's every demand or risk having their instrument taken away.
Chicago Tribune 11/18/01
FINALLY,
SOME GOOD NEWS: To judge from what's being written on the
arts pages these days, you'd think that every orchestra in North
America is about to fold like a pup tent. "But the American
Symphony Orchestra League, a New York-based service organization
whose members include virtually every professional orchestra in
the United States, says orchestra concert attendance increased
almost 3 percent between 1995 and 2000, to 32 million. Meanwhile,
the percentage of orchestras reporting deficits declined from
49 percent in 1990-1991 to 29 percent in 1999-2000." Dallas
Morning News 11/18/01
- OR
IS IT? Even orchestras that are doing comparatively good
business are suffering from the weakened economy and the supposed
decline of interest in classical music. In Minnesota's Twin
Cities, the presence of two major orchestras and countless smaller
ensembles is making it difficult for anyone to take the chances
necessary to stay ahead of the curve, musically speaking. St.
Paul Pioneer Press 11/18/01
LIFE
AND DEATH: The Toronto Symphony is locked in negotiations
with local and federal governments trying to come up with a bail-out
plan to keep the orchestra alive. "But realistically, in
a best-case scenario, even with hotshot new executives and a fresh
board, how many seats a year can the orchestra hope to fill? And
even if it improves its lacklustre performance in the area of
corporate fundraising, how much money can it hope to raise given
the current state of the economy and the TSO's affairs?"
Toronto Star 11/14/01
DAD,
CAN I HAVE THE KEYS TO THE CAR? The BBC Scottish Symphony
Orchestra just turned over its musical direction to a 25-year-old
who's never been in charge of an orchestra of his own. Choosing
"Ilan Volkov as the BBC Scottish Symphony Orchestra’s chief
conductor is a brave one. Whether it is a wise one is a question
no one can answer yet." The
Scotsman 11/14/01
STARS
IN A TIME OF WAR: Since September 11, "orchestral managers
are using the emergency to cut back on soloists who have wavered
in this crisis. 'We'll honour current commitments,' says one manager,
'but that's as far as it goes.' Festival dates are being dropped,
programmes revised. 'We should all be pulling together,' wail
the artists' agents, but solidarity was the first casualty after
September 11, when stars looked to their own safety." The
Telegraph (UK) 11/14/01
THE
POLITICS OF CANCELING: When the Boston Symphony canceled a
performance of excerpts from John Adams' opera The Death of Klinghoffer
because of sensitivities over its terrorism subject matter, Adams
protested vehemently. But the orchestra is defending its decision:
"John is angry, and I feel terrible that this has hurt him. I'm
a big supporter of his music. I perform it all the time, and I
will continue to, and I'm sorry he took offense. But I don't agree
with him that we did the wrong thing."
The New York Times 11/14/01
(one-time registration
required for access)
LA
SCALA'S MURKY REBUILD: La Scala is set to shut down its house
for two years while a major redevelopment plan is undertaken.
If only it were that simple. The costs aren't nailed down yet,
funding's a mess, and Italian politics loom large... Andante
11/12/01
KEYS
TO CONDUCTING: Pianist Leon Fleisher makes his living as a
conductor these days. "I had a couple of lessons from a couple
of friends, but the secret of conducting? The eyes are very important.
More than that, it's what the conductor hears in his inner ear.
It has less to do with time-keeping and traffic control. As with
any musician, it is a question of listening to the implications
of the notes. Once an orchestra gets tuned into them it can be
quite wondrous." Toronto
Star 11/11/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
OF WINE: Robert Mondavi made millions selling wine. Now he's
giving some of those millions away to the study of wine and the
arts. Sacramento Bee 11/14/01
LA
STUPENDA AT 75: Joan Sutherland is 75, an amazing age when
you consider she was still singing romantic leads until 1990.
What does she think about modern opera companies? Too many "don't
care about singing, are not interested in whoever wrote the opera,
know nothing of the period and try and dress it out of the cheapest
shops". The
Age (Melbourne) 11/14/01
WHAT
HO, WODEHOUSE? P.G. Wodehouse, creator of the wildly popular
"Jeeves" stories, and a national hero of humor in the
U.K., has been dead for more than a quarter of a century now,
but still, clouds of controversy continue to swirl around the
details of his life. The most disturbing allegations, which dogged
the writer for his last thirty years, had Wodehouse betraying
his country and siding with Hitler during World War II. In truth,
writes his biographer, Wodehouse's relationship with the Third
Reich was much more complex. The Observer
(UK) 11/18/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WRIGHT
SWEEPS CANADA'S TOP LIT AWARDS: Last week Richard B. White
won Canada's Giller Prize. Now he's won the Governor General Award
too. "Wright's winning novel, Clara Callan, tells the story
of two sisters who correspond with each other during the 1930s
from their respective homes in New York and the fictional Ontario
village of Whitfield." National
Post (CP) 11/14/01
SHORT LIST FOR THE WHITBREAD:
The Booker sometimes gets more attention, but the Whitbread is
worth twice as much in cash. The shortlist for the Whitbread novel
award includes Ian McEwan, Andrew Miller, Helen Dunmore, and DJ
Patrick Neate. McEwan appears to be the favorite, but then he
also was the favorite for the Booker, which went to Peter Carey. The Guardian (UK) 11/14/01
MODESTY
IN GREAT ONES: "Chekhov's modesty, both in his youth and when he was a mature
writer, draws his reader toward him, as if it produced a kind
of unspoken bond between them. Thomas Mann, a writer by no means
remarkable for this virtue, observed that true modesty was the
rarest gift a great writer could have, and that Chekhov not only
possessed it but, like Shakespeare, gave no indication that he
was even aware of the fact." New York Review of Books 11/29/01
BIG
AND SMALL: Is this year's crop of Canadian books "small"
because they concentrate on small-town themes? "Regionalism
is dead. The notion that the particular may be made to stand for
the universal in art is passé. William Carlos Williams's belief
that 'localism alone can lead to culture' doesn't apply in the
age of the global village." GoodReports
11/16/01
THE
BATTLIN' BIBLE: What's the biggest selling book in Manhattan
this week? Wrong if you answered Jonathan Franzen's The Corrections
(that's so last week's news). No, number one with a bullet
is Desecration: Antichrist takes the Throne, a Christian
book based on the Biblical book of Revelations. "The book,
written from a spiritually based outline penned by LaHaye, a minister,
follow the adventures of Rayford Steele and his Tribulation Force
as they battle to save the world from the evil warmonger Carpathia."
New York Post 11/13/01
BOOKS,
BOOKS, EVERYWHERE... Last year 120,000 books were published
in the UK, and the number will probably grow again this year.
So there's no shortage of something to read. But what to read?
Since the canon of books everyone agreed was worth reading went
away, quantity has ruled over quality, and the news isn't necessarily
good. The
Observer (UK) 11/11/01
A
POSTMODERN POOH: Frederick Crews has written another parody
of literary critics, using Winnie the Pooh as his subject.
"Crews' targets - Deconstructionists, Poststructuralist Marxists,
New Historicists and others - are so egregiously fatuous and self-righteous
that Crews' parody is overshadowed by the quotations he lifts
from their actual books." Toronto
Star 11/11/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
FINDING
A NEW NICHE FOR THEATRE: No corner of the arts world has
suffered since September 11 to the degree that large-scale theatre
productions have. And although ticket sales are beginning to
rebound from their disastrous slump, tourists are still staying
away from the big shows in New York and London. Does this mean
that theatre will finally turn away from the sort of big-budget,
flashy spectacles designed to draw out-of-town rubes, and back
to serious displays of acting? Maybe, but the industry has to
get through the winter first. Boston
Herald 11/18/01
A
PASSION FOR AMERICANA: For some reason, the British love
American theatre, perhaps more than most Americans do. "You
could, if you were a dyspeptic American theatre critic, attribute
this to schadenfreude on the part of the British public,
ever eager to extract solace from writers who have found cause
to question the sanctity of the American Dream, but you would
be entirely wrong. First of all, far from being cynical about
American culture, for more than 50 years the British have had
a love affair with it." The
Telegraph (UK) 11/17/01
STRASBERG
AT 100: Acting teacher Lee Strasberg is a legend (and still
a living one). "Because of the on-camera success of so
many of Strasberg's students - Al Pacino, Robert De Niro, and
Dustin Hoffman among them - he gained a worldwide reputation
as the father of modern film acting." On the other hand,
"The estimable director/critic Robert Brustein once labeled
Strasberg a 'highly overrated cultural icon,' and Marlon Brando
wrote that it wasn't Strasberg who taught him to act but Stella
Adler and Elia Kazan." Backstage
11/14/01
PRINCESS
DI ON STAGE: A new musical about Princess Di has opened
in Germany. "This is only the latest in a line of art events
based on or dedicated to Diana, Princess of Wales in the four
years since her death. It is performed in German for now, but
will switch to English when it moves on a tour of the Netherlands,
Denmark, Sweden and Finland. The musical interprets the story
of Diana's life from her first public appearances to her now
famous interview with Martin Bashir to her last evening in Paris."
BBC 11/12/01
PUBLIC
DOWNTURN: New York's Public Theatre has laid off 20 percent
of its staff to balance its budget. "The theater's endowment
is now down to about $23 million from $40 million, largely because
of its two consecutive Broadway flops — On the Town,
and The Wild Party, which together lost $14 million —
and the closing of successful Public productions on Broadway
like Bring In da Noise, Bring In da Funk." The
New York Times 11/15/01 (one-time
registration required for access)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
RELEVANCE
OF ART: Artists try to sort out what art to make after September
11. "The mundane and banal, ironic and frivolous have never
been obstacles to contemporary art—far from it—but that was 'before.'
Now, as in 'after,' artists feel impelled to defend their vocation,
even as they struggle to find applications for most of their strategies.
Postmodernism, some commentators argue, has been swept aside by
this event, where reality has clearly superseded metaphor."
ARTNews 11/01
AUCTIONEER
ON TRIAL: The price-collusion trial of Sotheby's former chairman
gets underway. First you have to explain to jurors how the auction
business works. "By the measure of his wealth, Mr. Taubman
is hardly being judged by a jury of his peers. One is a health
aide taking care of an Alzheimer's patient. There is a Transit
Authority ironworker and another transit employee, a station agent.
There is a letter carrier, a forklift operator, a second-grade
teacher, a former corrections officer and a deli owner and restaurateur."
During a "somewhat dry tutorial on auction house practices
and terminology, one of the jurors, the ironworker, appeared to
be fighting to stay awake." The
New York Times 11/12/01 (one-time
registration required for access)
CROWDED FIELD:
With Philips auction house spending lavishly trying to establish
itself as a major player, and Sotheby's and Christie's having
down years (for a variety of reasons), something will have to
give in the auction business. Is consolidation in the works? Forbes
11/14/01
WHITNEY
BIENNIAL TO GET LOCAL: "After curators at the Whitney
Museum of American Art visited artists' studios in 43 towns and
cities in 27 states and Puerto Rico, plans for the 2002 Whitney
Biennial are in place. Unlike the mammoth survey of contemporary
art two years ago, organized by six outside curators, this Biennial,
opening March 7, will be a homegrown affair." The
New York Times 11/16/01 (one-time
registration required for access)
THE FATE OF
CORPORATE ART: Aer Lingus is selling some of its art collection
to pay corporate bills. A trend? "Whatever really motivates
big commercial concerns to amass art collections - investment
value, tax dodge, chairman’s whim or altruism - the current world
recession, and some recent well-publicised sales in the auction
rooms, have prompted some observers to speculate that more collections
might follow." The
Scotsman 11/13/01
JUST
SAY NO: They all want you to love Norman Rockwell. "A
cadre of museum directors, curators, national critics, art historians,
and suddenly populist art theorists want you to love him. Rockwell
is a postmodern fad. He's hip. He's also a big moneymaker and
crowd pleaser, an everyman artist everyone can understand. He
gives good box office where museums are concerned (over a million
people have seen the current traveling retrospective); lends street
(or it is suburban?) cred to those who don't want to seem snobbish;
and revs up hucksters like Thomas Hoving, who spouts gibberish
in the catalog about the cooling of 'the obsession for abstraction'."
But really, people...resist the hype. Let good sense prevail.
The Village Voice 11/13/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CREATIVE
COMPUTING: "Could there ever be a day when computers
are composers, theoretical physicists, or artists? There are already
a number of projects in artificial intelligence that try to recreate
creativity in computers." BBC
11/11/01
SELLARS
GETS THE BOOT: After months of controversy and a festival
program announcement that didn't exactly wow critics, Peter
Sellars has been forced out of directing next year's Adelaide
Festival. "Mr Sellars, a charismatic Californian who persuaded
many of his radical community vision, resigned after the festival
board lost faith in his limited program and asked him to broaden
its appeal. He refused and yesterday issued a statement from
Paris." The
Age (Melbourne) 11/13/01
-
"CALAMITOUS
AS IT GETS": Sellars's resignation yesterday -
four months from opening night - is as calamitous as it
gets. The responsibility for Sellars's departure must be
borne by the festival's board because there is little doubt
Sellars was pushed. Until last month there was the hope
he would live up to his vision splendid and present a festival
that was truly radical, remarkable and inclusive. But once
the meagre program was seen - at a desultory launch in Port
Adelaide while Sellars was doing his own thing in Paris
- that hope had gone." Sydney
Morning Herald 11/13/01
NO
AGENDA HERE: Last week a Globe & Mail critic attacked
the National Post for being negative about Canadian artists. A
Post critic replies: "We are always being told that Canadians
have a national inferiority complex that makes them resent any
of their compatriots who get ahead of the pack. (We hear it, amusingly
enough, from both the left and the right, though usually in different
contexts.) I don't see it." National
Post (Canada) 11/12/01
WEST
SIDE STORY: Why is Lincoln Center having such a tough time
getting its renovation plans in order? "It isn't a prosaic
matter of upkeep or real estate. The troubles in our idealistic
(if hardly idyllic) paradise involve internal unrest among the
constituents: nasty rivalries, power contests, unreasonable ambitions,
turf wars, ego conflicts and, ultimately, the worst-laid schemes
of mice and managers. It's all so operatic."
Andante 11/14/01
NYC
ARTS FEELING THE PINCH: "Already reeling from plummeting
ticket sales after Sept. 11, museums and theatres across New York
City are beginning to lay off staff and cancel exhibitions and
programs after city and state governments slashed funding in anticipation
of lower tax revenue." The Globe
& Mail (Toronto) 11/18/01
OHIO
ARTS TO BE SLASHED: "The Ohio Arts Council, its budget
slashed by another 6 percent, has issued letters saying its grant
recipients can expect to receive approximately that much less
money over the final three quarters of the current fiscal year.
The arts council's annual budget was reduced virtually overnight
by nearly $1 million, from $15.6 million to $14.6 million in round
figures. It's the second cut since July." The
Plain Dealer (Cleveland) 11/16/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MAJOR
FAN: Serbian pop star Goca Trzan came out for her sold-out
concert in Belgrade last week to find only one seat occupied.
An unknown fan - a wealthy Serb businessman - had bought up all
4000 seats, and sat in the 20th row. The value of the tickets
added up to $35,645. Sydney Morning
News 11/12/01
WHY
PROFESSIONALS DO IT BETTER: "The brain waves of professional
musicians respond to music in a way that suggests they have an
intuitive sense of the notes that amateurs don't have. The research
offers insight into the inner workings of the brain and shows
that musicians' brains are uniquely wired for sound."
Nando Times (AP)
11/15/01
HOME
|