Week
of September 3-9, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
INSIDE
FROM THE OUTSIDE (OR THE OTHER WAY 'ROUND): Writer VS Naipaul,
69, has "always sought to position himself as a lone, stateless
observer, devoid of ideology or affiliation, peers or rivals -
a truth-teller without illusion. As Edward Said says, 'He's thought
of as a witness against the postcolonial world because he's one
of "them"; that there's an intimacy with which he can
tell the truth about their pretensions, lies, delusions, ideologies,
follies.' Yet how convincing are these claims? And how far does
the writer's vision transcend the prejudices of the man?"
The Guardian (UK) 09/08/01
THE
GREAT WWII ART CON: At the end of World War II a Yugoslav
con man talked Americans supervising the return of art stolen
during the war into turning over 166 art objects to him. Ante
Topic Mimara claimed he represented the Yugoslav government, but
shortly after he was given the art, he - and it - disappeared.
Now it has turned up in museums in Belgrade and Zagreb... ARTNews
09/01
WHEN
SCIENTISTS POKE ABOUT IN PHILOSOPHY: A poll of 1000 philosophers
ranks Darwin's The Origin of Species as the third most important
tract on the human condition. One critic brands "the choice
'mad' and blamed Darwin's inclusion on the plague of 'retired
Nobel prize winning scientists now poking about in philosophy'."
The Guardian (UK) 09/07/01
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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A
MAN'S WORLD: From the outside, the dance world looks overwhelming
female. But according to a new study of 25 dance theaters and
festivals in New York last season, 147 male choreographers were
produced and only 85 female choreographers. Of publications writing
about dance - including The New York Times and The Village
Voice - and the fund- raising letters of two major producing
organizations last fall, while 70 men were written about, only
25 women were. The New York Times
09/04/01 (one-time registration
required for access)
MIKKO
IN BOSTON: The new artistic director of Boston Ballet is 39-year-old
Finnish dancer and choreographer Mikko Nissinen. He seems to be
"a born impresario, whose dream of leading a major troupe
could give Boston's stumbling dance company the energy and elan
it needs. Nissinen... will commute between Boston and Calgary
until his contract with the Alberta Ballet runs out next June."
Boston Globe 09/07/01
- MIKO'S
BIG PLANS: He thinks the Ballet should be a leader among
dance companies in the United States, performing repertory that
cannot be seen elsewhere. He wants the Ballet to tour internationally,
and he would like its school to become an example for others
across the country. He also intends to cultivate choreographers
from within the company. Boston
Herald 09/07/01
- STORMY
PAST: Nissinen, 39,
has had a stormy tenure with Alberta Ballet. "His appointment
makes him the youngest artistic director of any American or
Canadian troupe of comparable size." National
Post 09/07/01
THE
DIFFICULTY OF DANCE: Why is ballet such a difficult art to
warm up to? "The problem is that we are most comfortable
with art that achieves its effects verbally. It's no coincidence
that the mass art forms are literature, cinema, pop, television
and theatre. Even with a Beethoven or Mozart symphony, it's comforting
to have a programme or sleeve note revealing what the piece is
"about". With dance I always felt as if the audience
had to provide mental subtitles for a silent movie. Some choreographers
compensate with the use of mime, but this further repelled me,
mime being the only art form lower on my list than ballet."
The Guardian (UK) 09/08/01
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
ARTS GHETTO: The BBC declares that niche broadcasting is the
road to the future. So arts programming - better, more arts programming
- ought to get its own digital channel. Critics are skeptical:
"Whether we watch highbrow programmes in droves or not, we
prefer them to be available to all, not hived off to the other
side of the digital divide and held up to ransom." The
Telegraph (UK) 09/08/01
DIGITAL
RADIO IN THE UK - NO SALE: Technically and artistically, digital
radio is a terrific idea. Economically, not so. The former director
of radio at the BBC explains that "listeners really believe
that radio is free. The average UK household owns five radio sets,
scattered around the house or in the car. We might just conceivably
be persuaded to pay a slight premium to replace one of them —
but all five? No thanks." The
Times (UK) 09/07/01
SO
GOOD SHE'S BAD? Pauline Kael was a great film critic. But
was she so good she was bad for film? "The long-term result
of such an influential critic ignoring so much worthwhile foreign
work is that just about every other mainstream critic has followed
suit. This has dampened the desire of filmgoers to see foreign
movies (since they rarely hear about them), with the upshot that
distributors - who pay more attention to critics than you might
think - are much warier of picking them up than they were in the
1970s." The Guardian (UK) 09/07/01
OLD
HABITS DIE HARD: From Birth of a Nation through Gone
With the Wind, Hollywood was accused of fostering racial stereotypes.
But hasn't the big West Coast Fantasy Factory learned its lesson?
Not really. Minorities are still underrepresented in the movies,
and "the lack of minority images in the movies is even more
destructive than the stereotypes. When minorities do appear, critics
say, they tend to be in the background, or cast as expendable
sidekicks to white male star." NPR
09/06/01
MAD
AS HELL AND CONTINUING TO TAKE IT: Has the entertainment industry
become so dedicated to appealing to the lowest common denominator
that it is dragging the nation's critics down into lowbrow hell?
"I find myself constantly reading favorable reviews of lousy
films. . . written by estimable critics who have been around a
long time and who, 10 or 15 years ago, wouldn't have had any patience
with any of these movies. But like everyone else, critics have
been conditioned to give in and go along -- or be branded a 'drag'
and left behind." Sacramento
Bee 09/04/01
WHEN
ALL ELSE FAILS, TELL A STORY: There's good news and bad news
about the increased capability and lowered costs of special effects
in the movies. The good news is, small companies can now compete
with the big ones. The bad news is, companies big and small are
subordinating story to technical wizardry. "I think it's
very important to have a message. Storytelling is not just 'this
happened and this happened and this happened'." Wired
09/05/01
ROGER
DOES TORONTO: The Toronto Film Festival is one of the world's
busiest. Roger Ebert tries to sort it out: "The opening three
days are so insanely front-loaded that critics go nuts trying
to map out their schedules; they stand in the lobby of the Varsity,
crossing screenings off their lists." National
Post (Canada) 09/08/01
THE
MEANING OF (ELECTRONIC) ART: The Ars Electronica Festival
is a "mecca for Internet artists, computer-music composers
and others working in the digital realm." The Festival awards
a prize for best electronic art. But what exactly qualifies as
digital art? Software code? Music? Videos? It's a question even
the artists are confused about. The
New York Times 09/03/01 (one-time
registration required for access)
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
FAN WHO SAVED OPERA: When Washington DC classical music radio
station WGMS decided to drop weekly broadcasts of the Metropolitan
Opera, one outraged opera fan vowed to get it back. He organized
opera fans, petitioned other stations, and convinced one - WETA
- to bring back the opera. The Idler
09/05/01
THE
EXPLOITED ROCK STARS? Music stars converge on Sacramento for
Legislative hearings on how long recording companies can tie artists
to contracts. Courtney Love and Don Henley argue that record producers
exploit successful artists, while the companies say their risks
with unknown musicians justify restrictive contracts. Salon
09/07/01
DEATH
RATTLE: "As a business opera is doing very well. There
are more performances today than ever. From Tokyo to Tel Aviv,
you can be sure to find Puccini and prima donnas. Opera has become
the opium of a rich and educated minority, a launch-pad for millionaire
singers who jet from one hemisphere to the other, garnering bouquets
of adulation for their silken-lunged arias. But they're all singing
an old tune. Forget the composer - today, the interpreter is king.
Look at the programme of any number of opera houses. Of the 22
operas to be performed in the new season at Covent Garden in London,
just one was written in the past half-century." Financial
Times 09/07/01
OPERA
COMING ON STRONG: In the UK opera audiences are small, but
growing fast. "Although only 6.4 per cent of the population
attended an opera in 1999/2000 - compared with 11.6% who attended
a classical concert, 23.4% plays, 21.5% art exhibitions and 56%
films - only film audiences are growing faster than opera. Between
1986 and 2000 the number of opera goers increased by 25.6%."
The Guardian (UK) 09/03/01
THE
PRODIGY GAME: The music prodigy business is booming. "The
increasingly tough competition scene is driving a growing market
of 'music factories' and professional tuition providers."
Sydney Morning Herald 09/07/01
ASSESSING
A NEW SHOSTAKOVICH: In 1939 Shostakovich was commissioned
to write a piece that the Soviets intended to use on the occasion
of their defeat of Finland. The Finland thing never happened of
course, and the music was forgotten. Now it's had its premiere;
and what's it like? "Shostakovich can hardly have expected
the suite to be a propaganda tool in a military campaign; if he
did, he made sure there was nothing triumphalist in it. More likely,
he wanted the Party men off his back, and threw them a bit of
jobbery to keep them happy." The
Telegraph (UK) 09/06/01
TROUBLE
IN SAN JOSE: The San Jose Symphony has seen its deficit zoom
in the past four months to $2.5 million. The orchestra's top executive
says the symphony will have to downsize. San
Jose Mercury News 09/30/01
- PROBLEMS,
PROBLEMS, PROBLEMS: Orchestra's unpaid CEO struggles with
band's spiraling insolvency. "Beneath the financial woes
are nagging personnel issues, questions about the orchestra's
musical appeal and deep uncertainty about its ability to cultivate
broader community support." San
Jose Mercury News 09/02/01
FOUR
STRADS UP FOR GRABS: A truly great set of instruments can
do wonders for a string quartet's sound, but most young chamber
musicians can only dream of acquiring even one of the million-dollar
group of instruments, let alone a matched set of four. This week,
though, the Library of Congress announced that its 40-year affiliation
with the Juilliard Quartet would end next year, freeing up the
library's collection of Stradivarius instruments for other quartets'
use. The residency through which the instruments are "shared"
will continue, but with a new quartet every couple of years. Gramophone
09/04/01
AYE,
MORPHEUS: A new file-sharing software program lets users download
anything on the net. It's fast, efficient, and since there's no
centralized computer system (like the one that hosted Napster),
it's impossible to shut down. Free movies, music, pictures, books?
it's all there. The Globe & Mail
(Canada) 09/03/01
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PAULINE
KAEL, 82: Film critic Pauline Kael has died at the age of
82. "Kael was probably the most influential film critic of
her time. She reviewed movies for The New Yorker from 1968
to 1979, and again, after working briefly in the film industry,
from 1980 until 1991. Earlier, she was a film critic for Life
magazine in 1965, for McCall's in 1965 and 1966 and for
The New Republic in 1966 and 1967." The
New York Times 09/04/01 (one-time
registration required for access)
A
FALLING GIANT: Last year at the first Latin Grammys, producer
Emilio Estefan was named Person of the Year. "Such has been
Estefan's impact on the industry that admirers and detractors
alike ascribe him almost supernatural power." But this year
his top artists are pulling out of his company, and the 2001 Latin
Grammys, set to be held in Miami, his home town, pulled out at
the last minute. Miami New Times 09/06/01
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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YOUR
AD HERE: They do it in movies - why not in books? Product
placement, that is. Why should it be just a plain jewelry store
when it could be a Bulgari jewelry store? International
Herald Tribune 09/04/01
WILL
ANYONE USE A GREAT LIBRARY? Alexandria Egypt has spent the
better part of two decades and $200 million building a library
reminiscent of the city's ancient fabled library. "But while
no expense has been spared, the library's cultural significance,
and indeed its political prestige, appears lost on the vast majority
of Egyptians, who have little interest in their country's pre-Islamic
past. The likelihood of their ever being able to use it seems,
in spite of refutation, undeniably slim." New
Statesman 09/03/01
THE
ART OF A BESTSELLER: A book review editor is reading an advance
copy of a new book, when he notices the book has already scaled
the Bestseller lists. How can this be? It's all in the art of
advance marketing a hot property. Christian
Science Monitor 09/06/01
GREAT
EXPECTATIONS: Expectations couldn't be higher for James Franzen's
new novel. So how are the reviews? "Though often self-indulgent
and long- winded, the novel leaves the reader with both a devastating
family portrait and a harrowing portrait of America in the late
1990's — an America deep in the grip of that decade's money madness
and sick with envy, resentment, greed, acquisitiveness and self-delusion,
an America committed to the quick-fix solution and determined
to try to medicate its problems away. The
New York Times 09/04/01 (one-time
registration required for access)
WRITING
FASTER THAN YOU CAN READ: A Vancouver publisher is sponsoring
a writing competition, with the winner having her/his work published
nationwide. The catch? All works submitted (and they must be full-length
novels) must be written entirely in a single three-day period.
National Post (Canada) 09/04/01
REPEALING
HOMEGROWN: For 20 years the British Columbia government had
bought up to $150,000 worth of books by homegrown BC writers for
each school in the province. Now the new Liberal government, looking
for ways to save money, has canceled the program. CBC
09/05/01
ADOPT-A-BOOK:
Do you long for the days when artists and writers were supported
by their own personal impresarios, benevolent moneymen who bankrolled
every new play, treatise, and opera that ever flowed from a visionary's
pen? Well, you're in luck: "For amounts ranging from $250
to $50,000, book lovers can become art patrons -- patrons of the
art of literature. They can adopt a particular book by a particular
favorite writer and guarantee that it will always stay in print.
Or, like a literary Santa Claus, they can donate an entire set
of great works at cut-rate prices to a school or library."
Chicago Tribune 09/05/01
ANOTHER
MIDDLEMAN IN THE AUTHOR-TO-READER CHAIN: Not very many people
seem to be buying e-books, but more and more people are getting
ready to sell them. Latest to join the marketplace is Yahoo! Inc,
which has signed contracts with Penguin Putnam, Simon & Schuster,
Random House, and HarperCollins. Yahoo officials say it gives
"publishers a neutral ground, so to speak, in which to sell
their books, and allows them some direct contact with online buyers."
atnewyork.com 09/06/01
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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WHAT'S
NEW? The new Broadway season is set to go. Lots of new musicals,
including the ABBA invasion ready to take on The Producers.
Lots of plays too, but proactically no new plays...The
New York Times 09/07/01 (one-time
registration required for access)
THEATRE
WITH A POINT: "Political theatre has not fared well of
late. It has, over the past few years, acquired all the style
of chintz curtains, the charisma of a scout master and the intellectual
independence of the Catholic Church." New
Statesman 09/03/01
A
BREAK FROM THEATRE: Village Voice theatre critic Michael Feingold
is taking a break from the critical grind. Why? "If writing
and thinking about theater becomes a grind that needs relief,
the problem may be the extent to which it isn't at its best. That's
no surprise. To cite Shaw, 'The theatre is, was, and always will
be as bad as it possibly can'." Village
Voice 09/04/01
HEY,
IT WORKED FOR THE PRODUCERS: Sylvester Stallone says on his
website that he's
planning to bring a musical version of his movie Rocky
to Broadway. He won't star, but he's planning to write the script.
Chicago Tribune 09/03/01
CAMERON'S
LONDON: Theatre producer Cameron Mackintosh has slammed London
and defended National Theatre director Trevor Nunn. “No other
country in the world does everything in its power to stop the
public from visiting its centre. More go to the theatre and cinema
that football matches, yet the whole place is grinding to a halt…"
Theatre.com 09/04/01
THE
FANTASTICKS WILL CLOSE AFTER MORE THAN 17,000 PERFORMANCES:
It's the longest running musical ever, playing for forty years.
But finally, the seemingly indestructible The Fantasticks
is closing, ending its off-Broadway run on January 6 next year.
The problem, as usual, is finances. Don't feel too bad for the
producers: in a 153-seat theater, The Fantasticks has grossed
over $23 million. Nando Times
(AP) 09/15/01
THE
OVERTIME PENALTY: When a kid's show ran over its alloted time
in LA's Ford Theatre last week, the sound suddenly went dead on
stage. “We were running a little long. Apparently the [Ford’s]
managing director told the show’s director to stop the show. She
said, ‘No, we have eight minutes left.’ So he instructed his crew
to stop running the sound." LA
Weekly 09/07/01
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
ON TV: An ambitious new PBS series Art21: Art in the 21st
Century debuts this week. "Art21 rewrites the
possibilities for art on television. Its true subject is inspiration,
and its method scraps all the formulas by getting rid of narrators
and allowing artists to tell us in their own words how they work
and why they do what they do." The
New York Times 09/09/01 (one-time
registration required for access)
- HOW
WE DO IT: "The series features 21 contemporary artists,
famous and little-known. It's refreshingly free of artspeak.
The artists have been encouraged to talk plainly about what
drives them to make their art and to show how they go about
it. The series avoids traditional art terms that might help
explain some of the work at the price of distancing viewers
from it. Here there's no choice but to consider the art on its
own terms without the security blanket of labels."
San Jose Mercury News 09/09/01
JEWISH
MUSEUM OPENS: Berlin's Daniel Libeskind-designed Jewish Museum
opens tonight (Sunday). "The opening is being celebrated
as a state occasion, attended by Chancellor Gerhard Schröder and
President Johannes Rau. Berlin's great Jewish tradition will certainly
be mentioned on Sunday, not only because the new Jewish Museum
grew out of the Jewish department of the Berlin Museum, but above
all because it also reinforces the city's status as the old-new
capital." Frankfurter Allgemeine
Zeitung 09/09/01
INCONCEIVABLE:
What's wrong with conceptual art? "The sad and very pertinent
fact is this: Conceptual artists haven't escaped the confines
of media. They've simply chosen a very crude and rudimentary form
of media—the artist statement—and they've chosen to channel all
of their 'pure' ideas through that thin and puny medium. Without
the artist statement, the concept simply ain't shared." *spark-online
09/01
CLIPPING
A CLASSIC: Eero Saarinen's swooping TWA terminal at New York's
JFK airport is one of the city's architectural wonders. But a
proposal to expand and preserve it by fitting an enormous bland
collar around it is a defacement of criminal proportions. "The
oafish design being proposed must be reconceived top to bottom:
TWA can't be isolated as an object but has to be lived in - arrived
at, walked through, flown from." New
York Magazine 09/03/01
PERUVIAN
PYRITE: Over 20% of a Lima museum's prized 20,000-piece collection
of Incan and pre-Incan gold is fake, according to a government
investigation. How the fakes found their way into the collection
is not known, but the museum is removing the offending pieces
for "further investigation." BBC
09/04/01
STRAIGHT-UP
TRADE: A new program promotes exchanges of art between regional
French and American museums. "The American museums have been
given the kind of access to the French system hitherto available
only to major museums and, at the same time, are learning to cooperate
regionally in this country themselves. The French museums are
learning about the great cultural diversity of American collections,
which range from antiquities to contemporary art (as well as about
American-style fund-raising)." The
New York Times 09/04/01 (one-time
registration required for access)
SELLING
ART TO LIVE: The Church of England has decided it must sell
a valuable collection of art. The church says its "financial
problems means it has not much option but to sell the collection
of paintings by 17th Century Spanish artist Francisco de Zurbaran."
Some fear the paintings will be sold outside the country. BBC
09/03/01
WEIGHING
THE RISKS: London's National Gallery is opening a show that
reunites the surviving panels of a 1426 altarpiece by Masaccio,
one of the most important painters of the early Renaissance. The
panels are being loaned from four museums, but a leading art historian
charges that "the risks in transporting the works far outweigh
any benefit to the public." National
Post (AP) (Canada) 09/03/01
BLOCKING
A LOAN? Italy's undersecretary of culture says Italy might
prevent panels by the 15th century painter Masaccio from being
loaned to Britain's National Gallery because "it would amount
to 'sexual tourism' in which art was abused. Other paintings would
be banned from travelling to the UK unless its museums and galleries
became more generous in lending artworks to Italy, he said."
The Guardian (UK) 09/03/01
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
EXITING,
STAGE LEFT: As Bill Ivey leaves as director of the National
Endowment for the Arts, he reflects on his term and the role of
America's arts agency. "The NEA is the only agency that wakes
up every day and thinks about how the arts are doing and how the
nation's cultural heritage is faring." Hartford
Courant 09/09/01
KENNEDY
CENTER AWARDS: This year's Kennedy Center awards will go to
Jack Nicholson, Julie Andrews, Quincy Jones, Luciano Pavarotti,
and Van Cliburn. Washington
Post 09/06/01
SIZING
UP (MORTIER'S) SALZBURG: Gerard Mortier's reign as head of
the Salzburg Festival was hardly revolutionary. Yet as he leaves,
"one thing is clear: Thanks to Mortier, art is at last being
discussed and taken seriously again in Salzburg." Frankfurter
Allgemeine Zeitung 09/04/01
LEARNING
TO LOVE CONCRETE: London's concrete Barbican Centre has been
described as "off-putting on the outside, labyrinthine on
the inside and underperforming all round." It's the public
building Londoners love to hate. Yet in a retro kind of way, it
is becoming fashionably admired, and now the Britain's minister
of arts has "slapped a preservation order on the brutalist
complex once described as 'not so much a concrete jungle as a
concrete bungle'." The Guardian
(UK) 09/06/01
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
AS
SLOW AS POSSIBLE - LITERALLY: A performance has begun in a
German town of John Cage's Organ2/ASLSP (As Slow as Possible).
The piece was originally a 20-minute piano piece, but organizers
of the performance have inflated it to 639 years. "The audience
will not hear the first chord for another year and a half. All
they will get is the mellow sound of the organ's bellows being
inflated." BBC 09/06/01
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