Week
of June 23-29, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
1.
SPECIAL INTERESThttp://www.artsjournal.com/Arts%20beat.htm#specialinterest
"THIS
WASN'T SUPPOSED TO BE WAR": Ten years after the
Congressional dust-ups over Robert Mapplethorpe, Andres Serrano,
and federal arts funding in general, the echoes of what became a
full-fledged culture war still resound. The American arts world
has changed immeasurably in the last decade, and countless artists
and organizations have long since given up trying to get public
support for their work. The next ten years will tell much about
what remains of America's commitment to art, but they could never
be as telling as the last ten. Boston
Globe 07/01/01
NOT
ENOUGH CAR CRASHES, APPARENTLY: "Looking at television
news, you could reasonably arrive at the ridiculous conclusion
that people almost never talk about books, movies, television or
theater. . . Television news has many habits that send occasional
viewers to newspapers or National Public Radio in exasperation,
but one of its most perplexing mistakes, on both the local and
national levels, has been its virtual failure to acknowledge this
most vital aspect of existence, the glass through which we
interpret what it means to be human." Chicago
Tribune 07/01/01
PAYING
FOR THE WEST WING: Even the lowest-paid youngest writer
on a hit American TV drama earns $100,000-$120,000 a season. But
The West Wing is looking to cut costs from its $2 million/show
budget, and so, even though the show's writers were due to get
raises after the recent Writers Guild contract agreement, the show
is declining to grant them. The New
York Times 06/26/01 (one-time
registration required for access)
2. DANCEhttp://www.artsjournal.com/Arts%20beat.htm#dance
BACK
TO BASICS (IN SEQUINS): Dance shows have been big on Broadway
for several seasons. This year there is more dance than ever, but
it's of a throwback variety of the 30s/40s variety. The
New York Times 06/29/01 (one-time
registration required for access)
DANCE
HEAD OUT IN PITTSBURGH: "Gray Montague has been fired
from his position as executive director of the Pittsburgh Dance
Council, 19 months after he was hired to lead the contemporary
dance presenting group." Pittsburgh
Post-Gazette 06/27/01
MULTI
CULTI DANCE: English ballet companies aren't so English
anymore. "As national flagship companies become increasingly
international, the question of company style and national dance
style will become increasingly important. For much of the 20th
century, the old world sent their dance missionaries to the new.
Now the tide is turning. A possible result of all this mixing and
blending is a change to the so-called English style of dancing,
softer, more lyrical, than the American and Russian way." Sydney
Morning Herald 06/26/01
3.
MEDIAhttp://www.artsjournal.com/Arts%20beat.htm#media
A
DIFFERENT KIND OF RATINGS WAR: The dirtiest thing you can say
to a Hollywood producer is "NC-17." The rating, which is
assigned to American movies deemed inappropriate for children of
any age, is considered the kiss of death for a film, and producers
will jump through any number of hoops to avoid being slapped with
it. But "a new wave of explicit films featuring full frames
of hard-core action will soon invade theaters across the country,
as directors and distributors push the limits of what's acceptable
and thumb their noses at the movie rating system." New
York Post 07/01/01
HELP
WANTED. WIMPS NEED NOT APPLY: Somewhat in defiance of his own
name, Sir Christopher Bland says that whoever succeeds him as
chairman of the BBC will have to be controversial. If not,
"you have appointed the wrong man or woman. There are
difficulties attached to any real people and this is a job that
deserves and needs a real person." The
Guardian (UK) 06/27/01
IS
DISNEY CHEAPING OUT? With
its recently released Atlantis, Disney has racked up
another animated dud. Indeed, it's been some time since the studio
produced a quality animated picture. Some say Disney has lost its
creative edge, and, struggling with trying to balance its budget,
that Disney has gone cheap in its production values. New
York Observer 06/27/01
POLS
AGAINST SEX/VIOLENCE: Crusading against violence and sex on TV
and in movies is popular with some US politicians. But "the
main reason these bills are likely to fail, like so many similar
ones in the past, is not the political influence of the
entertainment industry, though the influence is formidable.
Television, movie and music companies gave a total of $13.7
million to candidates for federal office last year, more than the
oil and gas industry, banks or drug companies. The
New York Times 06/27/01 (one-time
registration required for access)
LOOKING
FOR ART ON TV: Why aren't there more arts on TV?
"Mainstream channels lazily assume we are a philistine nation
made up largely of home-improving cooks. Don't they know more
people go to the theatre than to soccer matches? Haven't they
clocked the astonishing attendance figures for Tate Modern?
Terrestrial TV's treatment of the arts is a shabby disgrace."
Thank god for the new Artsworld channel. The
Guardian (UK) 06/26/01
COMEDY
CLUB OF THE MIND: Radio long ago surrendered to television in
the war for the hearts and minds of the public, and retreated into
the limited world of drive-time music blocks, stock market
updates, and shrieking talk show hosts. But in the UK, radio seems
to be making a stab at returning to the days when the best comedy
on the air was aural, not visual. "While every mediocre
stand-up appears to be given a TV series on the strength of a
couple of years on the circuit and a reasonably well-reviewed
Edinburgh Fringe show, Radio 4 attracts less egotistical, less
pushy talents." The Telegraph
(London) 06/23/01
4.
MUSIC http://www.artsjournal.com/Arts%20beat.htm#music
TOWER
OF DOUR: Tower Records, which has been, in many parts of the
US, the most comprehensive place to buy recorded music, looks to
be on the verge of bankruptcy. The company has closed down its
book business, closed 10 of its music stores and laid off 250
employees. Los Angeles Times 06/23/01
SWEET
HOME, PHILADELPHIA: It's been weird for some time;
Philadelphia has been building a new $260 million performing arts
center, but none of the arts groups for whom it was being built
has signed up to use the hall. But after two years of
negotiations, the arts groups - including the Philadelphia
Orchestra - have agreed to be tenants. Philadelphia
Inquirer 06/28/01
CUP,
NO HANDEL: Is a recently discovered score, touted as a
long-lost work by Handel, really by the composer? Some experts
insist not, now they've heard it. Christian
Science Monitor 06/29/01
RATTLE
GETS HIS WAY: "Sir Simon Rattle appeared to be close to
signing a long-awaited contract with the city of Berlin yesterday,
after politicians in the capital finally bowed to his key funding
demands for its Philharmonic Orchestra." The
Guardian (UK) 06/30/01
NEW
BOLSHOI CHIEF: Wasting
no time after Gennady Rozhdestvensky's resignation as conductor of
the Bolshoi earlier this month, the government has chosen
Alexander Vedernikov as chief conductor. "Apart from serving
as chief conductor of the Moscow Symphonic Orchestra, Mr.
Vedernikov, 38, has performed at La Scala in Milan and the Royal
Opera House in London."
BBC 06/27/01
COMMON
CAUSE: Not since the Vietnam protest era have American pop
musicians united so passionately around a political cause. The
U.S.'s continued reliance on the death penalty as an integral part
of the nation's justice system has sparked a new wave of protest
songs, many of them centered around one or two famous death
penalty cases. The
New York Times 06/27/01
HEALING
MUSIC: A new groundbreaking study says that patients who have
suffered brain injuries can recover significantly faster by
listening to music. "If this were a drug intervention, people
would be clamouring for it. Patients like it, it's cheap and
effective and it has no negative side effects." National
Post (Canada) 06/25/01
5.
PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
THE
BIONIC FIDDLER: "Although born without a right hand,
17-year-old Adrian Anantawan seems poised for a very real career
as a violinist. He's headed this fall to the Curtis Institute of
Music, arguably the world's most selective and prestigious music
conservatory." Philadelphia
Inquirer 07/01/01
NUNN'S
HABITS: Trevor Nunn has come under almost continuous fire
since taking over the helm of Britain's National Theatre, yet,
under his leadership, the National has achieved near-unprecedented
success. This contradiction doesn't surprise one critic:
"Nunn is a hard man to warm to - there is something defensive
in his manner, and a touch of the martyr about him. But it seems
to me that his first three-and-a-half years at the NT, though
troubled at times by flops and disappearing directors, have
produced an often outstanding body of work in which quality has
been mixed with the best kind of populism." The
Telegraph (London) 06/23/01
6.
PUBLISHING http://www.artsjournal.com/Arts%20beat.htm#publishing
SUPREMES
- WRITERS RETAIN E-RIGHTS: The US Supreme Court strikes a blow
for freelancers, ordering publishers to treat electronic rights
for published material as separate. Now publishers, including The
New York Times, "face the prospect of paying substantial
damages to the six freelancers who brought the lawsuit in 1993 and
perhaps to thousands of others who have joined in three
class-action lawsuits against providers of electronic databases,
which the court also found liable for copyright
infringement." The New York Times
06/26/01 (one-time registration
required for access)
- ANYTHING
NOT TO PAY: Publishers are busy removing freelance
material in their archives rather than pay free-lancers for
electronic rights after Monday's Supreme Court ruling in the
free-lancers' favor. The Writers Union says "These
threats are a slap in the face of the United States Supreme
Court and they are particularly distressing because we, from
the very beginning, really put out the olive branch to the
industry saying, 'We'd like to work these solutions out with
you'." Inside.com 06/27/01
- WIN
WITHOUT WINNING: So the US court says publishers owe
freelance writers extra money for electronic publishing
rights. Publishers just include electronic rights with paper
rights in a take it or leave it deal. So freelancers are
unlikely to come out ahead. Wired
06/28/01
TOO
POPULAR? "Could it be that accessibility is a dirty word
for many literary pundits? Certainly the great postwar movements in
literature — the nouveau roman in France, the formlessness of much
American beat literature, the disjointed anti-narratives of John
Barth, Donald Barthelme and Thomas Pynchon — helped marginalise
the conventional novel, depositing it in that critical file marked
Antiquated and Reactionary." The
Times (UK) 06/28/01
BASIC REVIEW:
What
is happening to the art of book reviewing? "There is nothing
the book industry - and, I suspect, many authors - would like more
than to get rid of reviews entirely. We are not effective
advertising. Our focus on content rather than image makes us
hopelessly out of step with the times. In the twenty-first century
we may well become an endangered species - a few of us kept alive in
captivity to serve as quote whores, but otherwise extinct in our
native habitat of books."
Good Reports 06/28/01
MARK
TWAIN'S LATEST STORY: "The Atlantic Monthly's publication
this summer of Mark Twain's "A Murder, a Mystery, and a
Marriage"—a story Twain submitted to The Atlantic in 1876
that was essentially forgotten and remained unpublished until
now—has drawn renewed attention to the author and his connection
with the magazine. The relationship began in December, 1869..."
Atlantic Unbound 06/25/01
7.
THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
FOR
WHAT AILS YE: Shakespeare fans aren't happy with recently
announced plans to restructure Britain's Royal Shakespeare
Company. "It seems that the RSC's artistic director, Adrian
Noble, became bored with directing Shakespeare a few years ago -
indeed, he has pretty much said so. Now he seems also to have got
bored both with the Stratford theatres and with London's Barbican
spaces. I am sorry for him, yet, I must confess, not all that
sympathetic." New Statesman
06/25/01
WHYFORE
ART THOU DRAMATURG? It seems like every theatre these days
employs a dramaturg. But these so-called "conscience of the
theatre" figures are a sign of something wrong in the
creative process. "There are many excellent dramaturgs, just
as there are many excellent designated hitters in the American
League. But the designated-hitter rule, because it creates an
unnecessary team member, is a disservice to baseball, and the
emergence of the dramaturg as a distinct position is likewise a
disservice to the theater." Chronicle
of Higher Education 06/25/01
COLD
- REAL COLD: Now they're voting not only on who ought to be
the National Theatre's next artistic director, but when current
director Tony Nunn ought to leave. "A British poll reports
that The poll of 1,000 theatre goers showed that 88% would prefer
Trevor Nunn to step down as soon as possible." BBC
06/25/01
COPYCATS
WANTED: With the success of The Producers acting as a
sort of artistic sparkplug, Broadway types are swinging into high
gear in an attempt to continue the reinvigoration of the musical
theatre form. Of course, the success of such endeavors is somewhat
dependant on there being enough good musicals to throw at the
public, and some observers are already worried about the potential
for a glut of mediocre song-and-dance shows. Hartford
Courant 07/01/01
ABBA
DABBA DOO: Mamma Mia!, a mother-daughter story built
around 22 songs by Swedish vocal group that collapsed twenty years
ago, opens on Broadway in October. Not just opens, but opens big.
It's now booking through September 2002, and at $100 a ticket, it
ties The Producers as the most expensive show in town.
New York Daily News 06/29/01
8.
VISUAL ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
STOLEN
TO ORDER: Two paintings - a Gainsborough and a Bellotto - were
stolen in a three-minute raid on an 18th-century house in Ireland
Tuesday. "They are valued at £3 million, and were almost
certainly stolen to order." A pair of latex gloves left
behind may be the crucial clue. Irish
Times 06/27/01
- FUNDRAISING:
Dissident or Provisional IRA fundraising was suspected as a
possible motive for one of Ireland’s most daring art
robberies." The Times (UK)
06/27/01
TILTING
AT ART: London has embraced modern art in a big way.
Contemporary artists are stars. So how peculiar that national
portrait prize-winner Stuart Pearson Wright should lash out
against the type of contemporary art that has made Tate Modern a
star. The Times (UK) 06/27/01
STOP
THE PRESSES - VERMEER NOT PERFECT: With British museumgoers
lining up for blocks to purchase tickets to a rare exhibit of the
works of newly trendy painter Johannes Vermeer, some critics worry
that the buzz surrounding the exhibition will lead many patrons to
be disappointed by the reality of what they find on display. London
Evening Standard 06/29/01
JACKO
AND THE LADYBUG: A Styrofoam cup with dead ladybug, $29,900.
Jars of internal cow organs, $250,000. A life-size sculpture of
Michael Jackson with his pet chimpanzee, $5,600.000. "Who, in a
troubled economy, is buying this stuff? Do they really believe
they'll enjoy looking at it for the rest of their lives? And perhaps
most important, where do they put it?" Slate
06/28/01
ON
THE TRAIL OF STOLEN ART: Theft
of art seems to be on the rise. "Most of the stolen art comes
to London or America. Some of it goes to museums, but much of it is
bought secretly by private collections for a fraction of market
value. And this at a time when the focus on the uncovering and
repatriation of hot art - from the Holocaust, the Soviet era,
illegal digs at ancient sites, etc .- is at an all-time high in the
US."
Forbes.com
06/27/01
SURVEYING
ARCHITECTURE: "While architecture is the most public of art
forms, it's the least subject to public debate in most of the
nation's newspapers. That's one of the findings of the first-ever
online survey of 40 architecture critics writing for daily American
newspapers. . . Only about a fourth of the critics have degrees
specific to the field of architecture, the survey found, but about
half report having practical work experience in architecture or a
related field." Pittsburgh
Post-Gazette 06/27/01
EMPTY
ISLAND: The buildings on Berlin's Island of Museums have been
closed for some time, with major plans for renovation stalled by the
city's perilous financial condition. Now one of the museums has
reopened after three years of renovation. Okay, there's no art
inside yet, but...Frankfurter Allgemeine
Zeitung 06/26/01
THE
NEW VAN GOGHS: In Berlin, a flourishing trade in commissioned
"fakes." "Under German law, the work of any painter
dead for at least 70 years can be reproduced, provided the copy is
an inch shorter than the original, and its origin clearly marked at
the back." The Independent (UK)
06/26/01
AMATEUR
STING: Archeologists in Egypt are protesting the allowance of
amateur diggers on archeological sites. "The experts, who often
fail to make headlines after years of painstaking work, have been
stung by the amateurs' sometimes spectacular finds, like the
discovery of the lost underwater city of Herakleion" Middle
East Times 06/22/01.
ASSEMBLY-LINE
FORGER: "By French law, an artist is allowed to make twelve
copies of any bronze sculpture, all to be numbered. Any further
copy, even if made in the artist’s lifetime and under his
supervision, is legally considered a reproduction." So the some
6000 bronze fakes perpetrated by French entrepreneur Guy Hain and
sold for $18 million are grounds for some good long jail time.
The Art Newspaper 06/22/01
THE
MUSEUM'S BIGGEST CHALLENGE: Outgoing Louvre director Pierre
Rosenberg is pessimistic about the future of museums. "Until
now there was art education in schools. You had a little bit of
knowledge about antiquity and Old and New Testament. Now this
knowledge is lost all over the world. What is the Annunciation, for
example? The Louvre does deal with 1 million children each year. But
that’s not enough. If the problem is not taken up by the Ministry
of Education, it won’t work. And that’s everywhere. Without
education, I am sure we are lost for the future." Newsweek
06/25/01
9.
ISSUES http://www.artsjournal.com/Arts%20beat.htm#issues
INVESTING
IN CREATIVITY: A new New England report urges major new
investment in the region's arts. "Among the suggestions:
setting up a Creative Economy Council to spur economic development
and promote partnerships between arts groups, educational
institutions, government, and business."
Boston Globe 06/28/01
LEAVING
JAPAN INC: "Thousands of Japan’s most talented and
creative individuals are joining the flight into exile. In the
past 10 years the number of Japanese who are permanent residents
abroad has risen 23 percent to a record level of nearly 900,000.
They are out of patience with Japan’s leaden conformity, its
stultifying bureaucracy and its moribund economy—and they have
the skills, resources and adaptability they need to leave." Newsweek
07/03/01
WHOSE
COMMUNITY STANDARDS? Last summer a community radio station in
Oregon played the hip-hop song Your Revolution, only to be
slapped with a citation and a $7,000 fine from the FCC, which said
the song contained "unmistakable patently offensive sexual
references." Wonders the station manager: "Why the move
to determine whether artistic content is obscene or indecent?
These are things that have a whole host of problems attached to
(them)." FreedomForum 06/27/01
RIGHT
WRITE? What
does it say about English education when tests to measure grasp of
the language don't ask a student to write even a single word? Can
one really learn to use the language well when the tests are
multiple choice?
Sydney Morning Herald 06/28/01
RECALIBRATING
IN BOSTON: "Boston's largest cultural institutions are
seeking more than $1 billion in philanthropic donations to
renovate and expand facilities. But plans were developed during
one of the greatest periods of prosperity in U.S. history. Now
they're slated to be carried out amid an economic downturn that
leaves many wondering which projects actually will get done."
Boston Herald 06/26/01
STATE
OF THE ARTS: The state of Connecticut has a budget surplus,
and legislators are considering making a big new investment in the
arts. The boost would be large enough to make Connecticut the
largest per capita state spender on the arts. Hartford
Courant 06/24/01
MIDDLE-VALUE:
The American Midwest is reinventing. "The cultural makeovers
currently under-way in towns like Milwaukee, Cleveland, Des
Moines, Pittsburgh, and Indianapolis were hardly elective. Crisis
and pain spurred their innovation. Today, despite lousy weather
half the year, there's a newfound lightness to these places, a
flexibility mirroring that of the new arrivals who work for the
new capital-unintensive companies that don't manufacture
anything." New Art Examiner 06/01
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
EMBRACING
THE FORCE: Australian Star Wars fans want to have the
Jedi philosophy counted as an official religion, and will mark it
on upcoming census forms. "We have submitted a written
proposal to have the Jedi Faith entered into the, already
substantial, Religions Database. If this is approved, the Jedi
figures (on the census forms) will be recorded." The
Age (Melbourne) 06/27/01
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