Week
of April 20-27, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
AJ EXTRA
GLOBAL
CROSSING: Countries
around the world struggle to shore up their local cultures in the
face of pervasive and seductive American popular culture. Are
Americans the bad guys? Part I - The Movies.
ArtsJournal.com 04/27/01
1.
SPECIAL INTEREST
THE
TROUBLE WITH DANCE: No question dance is having a tough time
these days. What's the problem? Nine dancers, choreographers and
critics write about the difficulties. Village
Voice 04/24/01
MUSIC
OR NOISE? YOUR BRAIN KNOWS:
The same part of your brain that distinguishes between logical
sentences and nonsense also can identify a false chord sequence -
even if you have no musical training. "It raises the
possibility that language and musical ability appeared at the same
time in human evolution." New
Scientist 04/23/01
CAN
WE TALK? "In recent decades what one might have imagined
as a conversation between those who look at a work of art and say,
'It's beautiful' or 'It's new,' and those who say, 'But what is
beauty?' or 'But what is newness?', has become very different.
Basically, there is no conversation. There is hardly even a
debate. Instead there is a rancorous face-off. There are theorists
on one side and appreciators on the other side, and when they look
at one another all they see is cartoons." The
New Republic 04/20/01
AFRAID
TO BE CREATIVE: Is the reason we're creative, the reason we
create culture because we're afraid? After "a survey of
existing literature from social scientists," a Hungarian
sociologist concludes that they have undervalued the role of fear
as a motivating force in the creation of culture."
Central European Review 04/25/01
2.
DANCE
MORE
BALLET STRUGGLES: Ballet Chicago is, to put it bluntly, little
more than an afterthought in the Chicago dance scene these days.
The company, founded as Chicago City Ballet in 1974, has always
relied on a classic, Balanchine-esque style of performance in an
industry that is constantly reinventing itself. But years of
mismanagement and organizational chaos left the troupe in
shambles, and in danger of vanishing completely. Now, backed by
its successful training academy for young dancers, Ballet Chicago
hopes to rise from the ashes of its past failures.
Chicago Tribune 04/22/01
BALLET
WARS: The Kirov Ballet is performing in London, but it will
cost you as much as £170 for a seat. Only a few steps away,
though, the "stars" of the Bolshoi are performing for
about half the ticket price. But you might get what you pay for...
Sunday Times 04/22/01
- A
MATTER OF HONOR: "The Bolshoi or the Kirov? The old
Soviet juggernaut or the jewel in the Tsarist crown? Who will
be the eventual victor? It’s a fight they both want to win,
for whoever does take home the title takes home more than
critical acclaim and public affection. They also take home our
much-needed pounds. Life is tough in Russia these days, even
for much-loved cultural institutions, and both the Kirov and
the Bolshoi depend on foreign trips to keep them going."
The Times (UK) 04/23/01
- THE
LEGEND FLICKERS: A budget version of the Bolshoi wandered
in to London this week. "The Bolshoi makes much of the
financial imperative to mount cash tours like this: at what
cost to its soul? Compare its programmes with current
offerings in our ballet companies, and with the imminent
visiting attractions of the Dutch and San Francisco companies,
and there's no doubt who's being left behind." The
Telegraph (UK) 04/27/01
3.
MEDIA
FOR
THE SOUL OF PUBLIC RADIO: "Public radio has come a long,
long way from the 1970s, when the image it projected was one of
earnest granola-crunchers trying to save the world. Today, public
radio is a big business (if a nonprofit one) with big money and
big egos — a high-quality source of news and information for the
well-educated, well-heeled professionals who can afford to
contribute, and for the corporate underwriters (read: advertisers)
who cater to them." Boston
Phoenix 04/26/01
SENATORS
ATTACK MOVIES: US Senator and former vice-presidential
candidate Joe Lieberman has introduced a bill that would
"make it illegal to market to minors R-rated movies, M-rated
video games and music with parental advisories. Industry officials
said the proposal tramples on free-speech rights and would be
rejected by the courts. The senators disagreed."
Dallas Morning News 04/27/01
AS
SEEN ON TV... The Australian government has become a big TV
commercial advertiser - ads promoting going to school, promoting
the country's centenary... Just what is government trying to
promote here and why? Sydney Morning
Herald 04/26/01
HOORAY
FOR BOLLYWOOD: The Indian film industry - known as Bollywood -
serves an audience of one billion, with "films that have
transparent plots and enough buoyancy to float the length of the
Ganges. People don't like realistic movies. Day to day life is
tough. When they go to the movies, they want a fantasy trail. Any
movie that touches real life is always a flop." Hundreds of
such films are made each year, and they're beginning to find an
audience in the US. Newsday
04/25/01
THE
BOOK WAS BETTER? "After death and taxes, the third
certainty of life is that the release of a movie adaptation of a
classic novel will be the occasion for some littérateur to
compare the two forms and find movies wanting." But they're
different animals aren't they? Salon
04/23/01
REALITY,
ANYONE? Hollywood has never been about subtlety and nuance,
but many in Tinseltown are disturbed at the seeming inability of
filmmakers to portray Mexicans as anything but the most blatantly
stereotypical characters. In movie after blockbuster movie,
Mexicans show up either as the conniving, evil villains, or as the
poor-as-dirt peasants praying at the shrine of American power for
their salvation. Los Angeles Times
04/24/01
IT'S
A LONG ROAD FROM SUNDANCE TO THE BANK: First prize at the
Sundance Festival went to The Believer, the story of a
young Jewish neo-Nazi. Several major companies were ready to buy
it, until someone checked with people at the Wiesenthal Center in
Los Angeles. They did not like the film. Now, no one seems
interested in buying it. The Boston
Globe 04/22/01
SHOOTING
LOOTING IN CAMBODIA: Phnom Penh is known for cheap dope,
under-age sex and corrupt cops. What better place for Hollywood to
shoot Tomb Raider? The locals are happy to pick up extra
money, but UN officials don't like shooting a movie "among
those ancient temples in northwestern Cambodia. Aside from fear of
physical damage, the film's very title rang foul, given that the
temples are still being mercilessly pilfered by antique
hunters." Fox News 04/21/01
4.
MUSIC
TOO
SEXY FOR MY MUSIC... At the British Classical Brit awards,
a controversy about sexing up classical music to sell it. Should
the girl group Bond, with their skimpy clothes and popped-up music
be part of the show? More traditional musicians object. The
Independent (UK) 04/27/01
PRICES
ON DEMAND: Toronto's Roy Thomson Hall experiments with
price/demand tickets. If a concert is selling well, the price of a
ticket goes up. "When tickets first went on sale for an Oscar
Peterson concert, the best seat in the house was selling for $125.
Because tickets have been selling well, that price has gone up to
$150." CBC 04/26/01
MISSING
TRIO: The classical music world has lost three important
figures in the past few weeks - conductors Giuseppe Sinopoli and
Peter Maag, and educator/composer Robert Starer. Boston
Globe 04/27/01
DSO
SUBSCRIBERS INCREASE:
Auto sales may be down in Detroit, but the Detroit Symphony is
having a record-breaking year for subscription tickets. In fact,
it's the third year in a row that DSO subscription sales have set
a record. "If we can get someone to attend once a month, that
person is really involved. We're a part of their life, and they're
very likely to stay with us." The
Detroit News 04/25/01
PLAYING
WITH BACH: Some classical music purists object to director
Peter Sellars' stagings of a couple of Bach cantatas. But maybe
experiments such as these are exactly what are needed to
reinvigorate the art form. New
Statesman 04/22/01
DEATH
OF AN ORCHESTRA: Philharmonia Hungarica, an orchestra founded
in Germany by Hungarian refugees, has disbanded after more than
forty years. The ensemble was renowned for its complete recording
of Haydn symphonies in the 1970s, but fell on hard times earlier
this year when the state support it had relied on was withdrawn. Andante
04/24/01
REDEFINING
"CUTTING EDGE": When John Corigliano won the
Pulitzer Prize for his "Symphony No. 2" last week, a
number of questions were raised about the piece, the composer, and
the state of composition. The winning work is a rewrite of an
earlier work, which apparently did not merit any similar
recognition. The composer has been accused of playing to audiences
while ignoring "serious" musical convention. But what
good is convention if no one wants to hear it? Philadelphia
Inquirer 04/24/01
THINGS
GO BETTER WITH COKE? Opera Australia wanted to cash in on some
sponsorship dollars for its production of Donizetti's Elixir of
Love. So it decided some strategic product placement was in
order - Coke became the "elixir" of the title. No big
bucks were forthcoming, though. The
Age (Melbourne) 04/23/01
RESPONSIBILITY
OF THE NEW: What do orchestras owe to audiences when they
present new music? New music often requires repeated hearings
before it can be appreciated. Should performers expect audiences
to put in that work? Sequenza/21
04/18/01
ARTS-GRANT-IN-RESIDENCE?
Nowadays almost every orchestra runs some sort of
composer-in-residence program. But are such programs really useful
to composers, or are they about getting money from arts councils?
The Guardian (UK) 04/21/01
5.
PEOPLE
(NEW)
LIFE BEGINS AT 90? Composer Elliott Carter is still going
strong at the age of 92. "Even now Carter's stature is more
thoroughly appreciated in Europe than it is in his native US,
where he has always been regarded with some suspicion. His music
has always demanded concentration and never provided easy,
ephemeral rewards." The Guardian
(UK) 04/27/01
THE
NEW TENOR: José Cura is the next Placido Domingo, and if you
don't believe it, just ask him. The feisty and self-promoting
Argentine has been building his reputation for years, and now, as
the Three Tenors start to fade from public view, Cura is more than
ready to assume the mantle of the new operatic superstar.
National Post (Canada) 04/25/01
6.
PUBLISHING
DIFFICULT
TRANSITION: "As if in microcosm of the rest of society,
the book business is being changed by the rise of
mega–corporations and new technology. It's being made further
tumultuous by issues of consumerism and individual rights that
can't keep up. And the spate of court cases may have just put the
tumult into hyperdrive." Mobylives
04/22/01
RACISM
IS... Last week, a panel of teachers in South Africa ruled
that Nadine Gordimer's book July's People was unsuitable
for high schools, and, said the panel of white South Africans, the
novel was "deeply racist, superior and patronizing. It is no
wonder that this message is not very popular in South Africa, even
10 years after the end of apartheid: It is one of those unpleasant
truths that are likely to be ignored or suppressed for the sake of
political correctness." Frankfurter
Allgemeine Zeitung 04/27/01
WRITING
MANUAL: Want to be a writer? Here are 13 helpful rules to
getting in print - "Avoid clichés
like the plague." National Post 04/26/01
THE
BOOK DONE GONE: The author of The Wind Done Gone, a
parody of Gone with the Wind says she's shocked at the
outcome of a court case that says she ripped off characters from
the original Gone with the Wind and that she violated
copyright. "I did not seek to exploit `Gone With The Wind.' I
wanted to explode it." The New
York Times 04/26/01 (one-time
registration required for access)
NOW
THEY LISTEN: When he was alive, Kenneth Burke's books and
ideas puzzled his colleagues. "But in recent years, critics
have read them with something like deja vu: Burke's literary
analysis extends to the most far-reaching speculations about those
familiar topics in contemporary theory: language, power, and
identity." Chronicle of Higher
Education 04/23/01
FLAT
BOOKS: Exports of American books to the rest of the world
stayed flat last year. It "marked the fourth year in a row of
little change in book exports with export sales ranging between
$1.90 billion and $1.84 billion in the 1997 through 2000 period.
Exports to the top 15 markets for American books rose 0.4% in
2000, to $1.662 billion, and represented 88.5% of all
exports." Publishers Weekly
04/23/01
THE
MAGIC OF THAT FIRST BOOK: An author always remembers the
thrill of seeing that first book in print. "Whether you're a
novelist, a poet or a nonfiction writer, initially there's
something giddy and unreckonable to that process by which an
untidy manuscript is converted into the neat, durable-looking,
hinged rectangle of a book." The
New York Times 04/23/01 (one-time
registration required)
THE
E-MAIL EFFECT: Is the informality of e-mail dumbing down our
literateness? There's no question it's having an influence. The
e-mail genre affects "contemporary American writing courses,
in particular the principle that content is not to be sacrificed
to form. Thus creative writing, according to the latest
methodology and the e-mail genre, gives preference to the
spontaneous word over all formalism - a bold thought that provokes
contradiction." Frankfurter
Allgemeine Zeitung 04/23/01
7.
THEATRE
RETURN
TO DRAMA: Musicals are still the hot fare on Broadway, but
serious drama is back. "Six dramas and one comedy-drama -
nearly double the number in recent seasons - are currently on
Broadway stages. And make that eight dramas, if you count Neil
Simon's The Dinner Party, which is advertised as a comedy
but is more serious than a typical Simon play." Christian
Science Monitor 04/27/01
ME
AGAINST THE WORLD: How can one play change so much? A
playwright marvels at how interpretations of his play change when
it is transferred from one country to another. "Cultural
assumptions were batted back and forth, cultural specificity went
clean out the window, and time and again I was forced to ask not
what could my writing do for the rest of the world, but what could
the rest of the world do for it?" The
Guardian (UK) 04/21/01
PRODUCING
AN INVESTMENT: Theatre is a risky investment. But Mel Brooks' The
Producers had such potential it easily attracted
financial backing. Now those backers stand to make a big return on
their investments. The New York Times
(AP) 04/25/01 (one-time
registration required)
- A
GOOD REVIEW CAN HELP: The Producers, which opened
this week on Broadway to rave reviews, broke Broadway box
office records Friday, selling $3 million worth of tickets on
a single day. (Lion King previously held the record for
$2.7 million in single-day sales). The
New York Times 04/21/01 (one-time
registration required for access)
A
VIEW OF THE NEW: It's generally considered a good era for new
British theatre. English theatres are hot for new material.
"According to Arts Council statistics, new writing made up 20
per cent of staged work in subsidised theatres from 1994-96, more
than the classics." The Times
(UK) 04/25/01
8.
VISUAL ARTS
CASHING
IN ON ART: "For years synonymous with showgirls,
gambling, and glitz, Las Vegas is reinventing itself: High culture
is the gambit this time, and, in true Vegas style, there's nothing
small about these new ambitions. "If you look at the history
of art in the Western world, where the support is you are going to
find art being made, whether that support is coming from banks or
businessmen. Now, we're finding casinos with the money, and they
are investing in art and culture." Christian
Science Monitor 04/27/01
ANOTHER
DOTCOM CASUALTY: Last year, as everyone was getting into the
dotcom business, the Museum of Modern Art and the Tate Museum
announced a joint web project. So where is it? The project's been
dissolved... The New York Times 04/27/01 (one-time
registration required for access)
SMITHSONIAN
TURMOIL: Lawrence Small, a former investment banker who was
president of Fannie Mae, is only the second non-scientist to lead
the Smithsonian in more than 150 years. But his leadership so far
has riled almost everyone. "In the short 15 months since he
assumed that office he has become what is surely the most reviled
and detested administrator in the Institution's history."
Washington Post 04/27/01
IS
THE BUST A BUST? A marble bust on display at New York's
Metropolitan Museum of Art was suddenly and quietly removed a few
weeks ago. Now some critics "want to know why, if the museum
was so confident the bust was genuine, did it take the piece down
so quickly and refuse to provide evidence to back up its
claims?" Forbes.com 04/26/01
STEAMED
BACON: Francis Bacon's estate has filed suit against the
artist's former gallery, alleging "undue influence" and
breach of duty in a claim which could be worth £100 million The
estate claims Marlborough kept up to 70 percent of the revenue
from sales it made. BBC 04/25/01
HYPE
OVER CRITICISM: How many Guggenheims are too many? Hard to
say. Director Thomas Krens suggests there may one day as many Goog
outposts as there are Starbuck's. The museum buildings themselves
have become as big an attraction as the art inside.
Frankfurter Allgemeine Zeitung 04/24/01
A
HIT WITH THE CROWDS: Though its former curator continues to
criticize it, Australia's Museum of Contemporary Art had its most
successful year last year, with a 74 percent increase in
attendance. Sydney Morning Herald
04/25/01
FAKE
STOLEN TURNERS: It looked like two Turners stolen from the
Tate were finally about to be returned. But at the
"drop" it was obvious the canvases were fakes.
"They weren't just bad fakes, they were awful. It became
clear the whole thing was just a scam by two chancers."
The Guardian (UK) 04/23/01
THE
BUSINESS OF MUSEUMS: "In recent years, California
politicians have learned that providing the home folks with
swimming pools and fire trucks would win them front-page
publicity, which is why the state budget has been saturated with
such items. But perhaps the most intriguing form of contemporary
pork barrel spending is an explosion of state-financed museums
commemorating one thing or another."
Sacramento Bee 04/23/01
NUTTY
GENIUS: Le Corbusier may have been a genius at architecture.
But he was also completely nuts - indeed, it's amazing he ever
managed to design anything, says a new book. London
Evening Standard 04/22/01
AIN'T
IT GRAND: Venice is
planning a new bridge across the Grand Canal. "The design by
Spanish architect, Santiago Calatrava, combines an innovative
shape with a span of 83 metres and a width of nine. It will be the
only bridge in Venice to be illuminated at night." It should
be completed by next year. The Art
Newspaper 04/23/01
SHOULD
COLLECTIONS BE OPEN? Few museums have more than a tiny
fraction of their permanent collections on display at any one
time. But some museums are trying to make more of their
collections available. Some laud the new openness. Others think it
a bad idea. "Big collections are treasures, but you have to
put it in some context people can relate to. The public wants
stories – they don't want row upon row of stuff." US
News 04/30/01
LOSING
THE INITIATIVE: Have other media surpassed traditional visual
arts? Jean-Christophe Ammann, director of the Museum für Moderne
Kunst in Frankfurt thinks so: "The problem is that artists
today react rather than act. With all the media available to them,
they have somehow still failed to create valid and uniquely
identifiable models." The Art
Newspaper 04/20/01
9.
ISSUES
NEA
CHIEF TO LEAVE JOB: Bill Ivey has resigned as chairman of the
National Endowment for the Arts. Ivey, appointed by Bill Clinton
had said he'd like to stay on in the job in the Bush
administration, but evidently the administration had other plans.
"Ivey's quiet manner was credited as setting a harmonious
tone with Congress." Washington
Post 04/25/01
- BILL
IVEY'S NEA STYLE: Not many post mortems yet on departing
National Endowment for the Arts chairman Bill Ivey's term.
Here's an earlier assessment. "To be sure, his
willingness to avoid language that strikes some as elitist has
helped the NEA's standing both on and off Capitol Hill. But
does it really help the agency fulfill its mission to improve
the arts in America?" The New
Republic 04/26/01
WHY
SPORT AND NOT ART? When international athletes come to
Australia to compete, their every move is dissected in the press.
But when a large gathering of artists comes, there's nary a
mention. Why is that? Sydney Morning
Herald 04/27/01
BLAME
THE CULTURE? The problems in aboriginal communities are often
blamed on colonization. But an Australian anthropologist says
"immense social problems being experienced in Aboriginal
communities do not stem only from a history of colonial conquest,
prejudice and racism but may also be maintained by certain
indigenous traditions and beliefs." Sydney
Morning Herald 04/26/01
SLEEPING
WITH THE ENEMY: Ten years ago newly-elected Michigan governor
John Engler announced plans to "eliminate the state arts
council and drastically cut public funding to the state's cultural
institutions," earning the wrath of the state's arts
organizations. In a bizarre turnaround, this week Michigan arts
advocacy group ArtServe is awarding Engler a special award for his
service to the arts. Detroit Free Press 04/24/01
HEADS
ARE ROLLING: Venezuela's president Hugo Chávez has launched a
campaign to free Venezuela from what he calls a "rancid
oligarchy." And the first victim of this "cultural
revolution is Sofía Imber. "Imber, 76, an art critic,
founded the Caracas Museum of Contemporary Art in 1971 in a garage
and made it into one Latin America's most admired arts
institutions." The New York Times
04/23/01 (one-time registration required
for access)
SOME
HELP FOR THE STATES: "The Wallace-Reader's Digest Funds,
a leading supporter of arts and cultural programs, is giving state
arts agencies $9.6 million to broaden
interest in the arts. The initiative, which the New York-based
foundation plans to announce today, will help the agencies rethink
the way they operate." Washington Post 04/24/01
NO,
AUSTRALIA LOVES THE ARTS: Last week a report was released that
said audiences for the arts in Australia are declining. But a
survey of major arts organizations contradicts the report's
finding. Indeed, audiences are growing... Sydney
Morning Herald 04/23/01
BOSTON
T1 PARTY: Perhaps it's still a sign of its immaturity as an
artform that art created in a digital medium is all lumped
together as "digital art." After all, digital includes
music, computer and video art. The biggest digital art festival
opens in Boston, home to one of the largest communities of digital
artists. Boston Globe 04/21/01
10. FOR FUN
TV
SHOW SETS UP ARTISTS/CRITICS: British TV show takes a
decorator and gives him a four-week crash course in contemporary
art, then passes him off to critics. They're fooled.
The Observer (UK) 04/22/01
YEAH,
BUT CAN THEY PLAY "DON JUAN"? Richard Lair is the
conductor of the world's first and (one hopes) only orchestra made
up entirely of elephants. They have a new CD. It is getting good
reviews. Seriously. Philadelphia
Inquirer 04/23/01
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