Week
of December 3-9, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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BIG
FIVE BEHIND NEW TWO: America's Big Five orchestras haven't
been so big for a long time. That's not to say there aren't plenty
of good performances or that these orchestras aren't relevant
anymore. But as they enter a new era - most of them with new leadership
- they will need to reinvent. And for a model - why not look to
the New Two - the Los Angeles Philharmonic and San Francisco Symphony?
Los Angeles Times 12/09/01
THE
POTENT FORCE OF MUSIC: So the Taliban banned music in
Afghanistan. "Musicians caught in the act were beaten with
their instruments and imprisoned for as many as 40 days." But
throughout history, those in power have often sought to control
music." Why? Because of "the all but irresistible
kinesthetic response that music evokes that makes it such a potent
influence on behavior, thence on morals and belief."
The New York Times 12/09/01 (one-time
registration required for access)
WHY
THERE'S HOPE FOR CLASSICAL MUSIC: "The 'regression
equation' - one of the preferred tools for understanding economies
- shows that for classical orchestras, the likelihood of money
being spent on orchestral music is linked to consumers’
increasing age, education, and income. Graying of classical music
audiences is most often viewed as a serious problem rather than a
valuable asset. Economic demographer David Foote offers telling
arguments as to why aging baby-boomers are likely to increase the
classical music market." La Scena
Musicale 12/01/01
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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LOSING
DANCE: "The issue of preservation is uniquely difficult
for dance. A performance vanishes with the closing curtain.
Afterwards it cannot comprehensively be recaptured either from
notation or video. The camera often misses key detail,
concentrating perhaps on the central action to the detriment of
what may be happening elsewhere on stage. This is true even of
companies' specially commissioned video-records, some of which
fail woefully to document work properly. As a result, much still
depends on dancers' memories; without them it is harder to make a
piece come alive." Ballet.magazine
12/01
LOOKING
FOR HOMEGROWN: "A quiet revolution is taking place in
British ballet, a revolution that has seen the future of dance
at the highest level entrusted – almost entirely – to
overseas choreographers." Now, as another British company
looks for a new artistic director, will the job be entrusted
to a Briton? The Independent (UK)
12/06/01
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ONE
BILLION SERVED: "It is estimated that by the end of its
cinema release more than one billion children will have seen Harry
Potter and the Philosopher's Stone. This is on top of the those
who have read the books, which thus far have sold more than 160
million copies throughout the world." The
Age (Melbourne) 12/08/01
LOWLY
SCREENWRITERS REGAIN THEIR LOWLY PLACE: For a brief time in
the mid-90s, screenwriters were pulling in multi-million-dollar
contracts for scripts they hadn't even written yet. But after some
high-profile flops, "screenwriters are back to being the
bastard children of Hollywood. There was a bit of a backlash to
all the big screenplay deals in the late 80's and early 90's.
We're paying for it now." The New
York Times 12/09/01 (one-time
registration required for access)
TARGETING
KIDS: Last year, the Federal Trade Commission reported that
adult-rated movies, records, and electronic games were being
marketed to children. This year, the FTC reports some improvement.
"The movie and video game industries have largely stopped the
direct targeting of adult-rated materials to children. The bad
news is that the music industry has done little if anything to
curb the marketing of inappropriate records to kids, or to provide
parents with better information about lyrical content."
Boston Globe 12/06/01
TRAILER
TRASH: Is there a growing backlash against the pile-up of
movie trailers theatres are forcing audiences to watch before the
main attraction this holiday season? "Now, most moviegoers
enjoy a trailer or two. But the half-dozen or more they get during
the holiday season, when the studios trumpet new pictures, strikes
some as too much of a good thing. Traffic in movie trailers has
reached gridlock proportions." Philadelphia
Inquirer 12/06/01
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
HOW
CROSSOVER KILLED CLASSICAL: "This week's top-selling
'classical' album in the US is piano music composed by Billy Joel,
a faded rock star. The top two albums in Britain are punched out
by Russell Watson, an industrial-strength tenor who assaults
football terraces with pop ballads and ice-cream arias in
marshmallowy, Mantovani-like settings. These are the core of
contemporary classics. Were the charts to be purged of such
mongrelisms, there is little doubt that classical sales would fall
below one per cent and the business would be shut down." And
yet, maybe the efforts gone into promoting such crossovers is
killing the legit classical biz. The
Telegraph (UK) 12/05/01
WORDS
OVER MUSIC: Supertitles at the opera have transformed the
artform. Some believe it is the main reason why opera attendance
has soared in recent years. But many stage directors and artists
deplore them. "I have a terrible feeling that when you go to
the opera now, reading the titles becomes the primary experience,
followed by the music, followed by the visual [element], followed
by the performance. Because words have an appearance of exact
meaning, your mind gravitates to the specificity.... The opera
becomes like text with background music." OperaNews
12/01
I'LL
BE SAD FOR CHRISTMAS: Some of the best Christmas songs are
sad, even mournful. And a great many of them are written by Jewish
composers. "Why are there so many Jewish Christmas songs and
so few for Chanukah? Chanukah is a minor holiday that has been
artificially inflated to keep up with Christmas. Accordingly, the
music trails in its wake." The
Observer 12/09/01
NOT
THE WRITE STUFF: What's wrong with music these days? Try
what's wrong with music writers. A new book takes a hard look at
the history of pop music critics, and finds...a lot of bores and
backstabbing. The Guardian (UK)
12/08/01
MUSIC
AS KEY TO THE UNIVERSE: "The very idea of a 'key to the
universe' today seems as quaint as the belief that the Earth is
flat. We are more familiar with concepts such as Heisenberg's
uncertainty principle, or chaos theory, or irrational numbers that
can be calculated to an infinite and patternless number of decimal
places. Even if a key to the universe could be discovered, the
lock that it fits long ago disappeared. But for thousands of
years, from the ancient Greeks to the Church fathers to the
Enlightenment, the existence of such a key was not a fantasy but a
premise of intellectual life, and the key was situated at the
intersection of music, science, and religion." The
New Republic 12/04/01
THE
URBAN COWGIRL RIDES OFF: Few North American orchestras can
boast truly outstanding management these days - stunning
incompetence is much more common. But the San Francisco Symphony
has been flourishing over the last decade, thanks in large part to
its dynamic president, Nancy Bechtle. Bechtle, who is stepping
down after a 14-year reign, was feted this week at Davies Symphony
Hall, even as more good news about the state of the SFS was
released: "The Symphony ended its fiscal year with a $48.7
million budget, retired its accumulated deficit of $597,000, [and]
presented 237 concerts attended by nearly 600,000 people." San
Francisco Chronicle 12/05/01
AVANT
GARDE - MISSING IN ACTION: What happened to the opera avant
garde? Twenty-five years ago Philip Glass's Einstein on the
Beach promised to energize and change the world of
contemporary opera. But that promise was never fulfilled and
today's operas act as if the avant garde never happened. Financial
Times 12/05/01
LA
SCALA'S RISKY RENOVATION: "On Friday, Milan's opera
season will open in Teatro alla Scala, as it has done for 223
years, but will then move for two years to a newly-built
auditorium in an industrial suburb. No one knows if audiences will
follow. In the superstitious art world there are fears La Scala's
rebuilding may be as cursed as that of the Royal Opera House in
London, La Fenice in Venice and Teatro Massimo in Palermo. If the
bureaucratic bungling, mafia infiltration and bad luck of these
other renovations afflicts La Scala, its reopening in June 2004
could be delayed by years." The
Guardian 12/02/01
WHO
LEARNS MUSIC ANYMORE? What's happened to arts education?
"There simply isn't time in our culture to take music
seriously. Mothers who might once have encouraged their children
to take piano lessons or study the violin in order to expand their
minds and acquire the fundamentals of good discipline are now
often forced to tackle two jobs just to make ends meet, leaving
their kids in after-school or day-care programs. That luxury we
used to call 'spare time' is so diminished that families don't
regularly get together at the kitchen table; they now consider a
quick meal at McDonald's a sit-down dinner."
Opera News 12/01
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WALT'S
CENTENARY: "Hollywood is celebrating the life and career
of one of entertainment's most influential figures. Walt Disney,
who would have been 100 years old on Wednesday, played a pivotal
role in developing family entertainment - most significantly as a
pioneering animator. The Academy of Motion Picture Arts and
Sciences, the organisation which stages the Oscars, is presenting
a special tribute at its Samuel Goldwyn Theatre in Beverly
Hills." BBC 12/05/01
- HATING
DISNEY: What could be more American than the love of that
creator of Snow White, that father of The Mouse, that
delighter of children worldwise, Walter E. Disney? Um,
despising him, actually. Washington
Post 12/05/01
HOSTILE
WITNESSES: The trial of Sotheby's chairman Al Taubman is the
stuff Hollywood dreams are made of. (In fact, HBO is already
planning a movie about the trial.) Character assassination, barely
veiled threats, and repeated assertions that Taubman is a
brainless idiot who "couldn't read a balance sheet if his
last million depended on it" are par for the course in a
trial that was supposed to be about price-fixing in America's
auction houses. Chicago Tribune
12/03/01
- NOTHING
NEW HERE: The Taubman trial is just the latest in a long
line of Love-Money-Betrayal in New York stories stretching
back to America's Gilded Age. Chicago
Tribune 12/03/01
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PROTECTING
ENDANGERED WRITERS: Salman Rushdie is the most famous, but
there are many writers living under death sentences. To try to
help protect them, The International Parliament of Writers was set
up in 1993, "in the wake of the Rushdie fatwa and the growing
incidence of similar attacks on writers. It aims to protect not
only freedom of speech and publication but also the physical
safety of writers. In its early days, the IPW (or PIE, as it is
known abroad) came up with the idea of providing cities of refuge
for writers forced to live in exile. There is now a flourishing
network, hosting writers from many countries, writing in many
languages." The
Guardian (UK) 12/08/01
OPRAH
THE GOOD: At first look, the highbrow literary book clubs of
yesterday might seem not to have much in common with today's Oprah
Book Club. But "their respective goals are similar: to
enlighten and to instruct and, importantly, to somehow elevate
their audience in so doing." The
Atlantic 12/01
CANADA'S
WELL-READ GIRLS: A new international test measuring the
reading ability of kids, shows that Canada ranks high in the
world, second only to Finland. But the terrific showing was due
entirely to Canada's girls, who scored well . Canada's boys scored
significantly lower - an average of 30 points lower - causing some
to call for a plan to raise boys' literacy. National
Post 12/06/01
THE
POWER OF AN UNREAD BOOK: Recently, Canada's largest bookseller
announced that it would not carry, or place orders for, Mein
Kampf, Adolf Hitler's infamous manifesto. The announcement
caused much discussion of the dangers of censorship, but, asks one
critic, do you know anyone who has read Mein Kampf?
Assuming not, isn't the real power of the work its very existence,
rather than its availability? The
Globe & Mail (Toronto) 12/05/01
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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OUT
OF WORK AGAIN: You're an actor and your show has come to an
end. When are you officially unemployed? "Is it when your
final curtain falls? The next morning? Or the start of the
following week? If you finish on a Saturday night, as I've just
done, you should at least be able to afford yourself a Sunday
without anxiety, but some actors I know are making frantic phone
calls to friends and contacts even before the Sunday omnibus of The
Archers has started." The
Guardian (UK) 12/05/01
SUN
SETTING ON LLOYD-WEBBER? "For the first time in many
years, there is not a single Lloyd Webber musical touring. His
latest musical, "The Beautiful Game," never made it to
the United States, while its predecessor, "Whistle Down the
Wind," had its world premiere in Washington, D.C., but folded
before getting to Broadway. Are we approaching the final curtain
of the Lloyd Webber saga? Don't bet on it just yet."
The New York Post 12/09/01
THEATRE
CRASH: Losses to New York theatres since September 11 have
been substantial, says a new study. And with an economic slowdown,
things aren't likely to get better soon. "Using the
information supplied by the 101 companies who participated in the
survey, the report estimates that the direct loss of income for
these groups was nearly $4.8 million through Oct. 31."
Backstage 12/05/01
CRITICAL
DIRECTIONS: Eight Toronto theatre critics changed roles last
weekend, leaving the audience to direct short scenes from Canadian
plays. "The theatre provided the venue and technical support.
The would-be directors had final say over casting. In the interest
of justice for all the poor, victimized theatre folk whose
livelihoods and careers have been tragically affected by unfeeling
pundits, it would be fun to report that the critics failed
miserably at their new tasks. But the evening was both fun and
enlightening." National
Post 12/06/01
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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CREED
WINS TURNER: Scottish artist Martin Creed has won this year's
Turner Prize, presented Sunday night in London by Madonna. Creed's
minimalist installation that consisted of an empty room with a light
flashing on and off, had drawn the most controversy of this year's
finalists. The Scotsman 12/10/01
- WHY
CARE ABOUT THE TURNER? Is there really any point to being
interested in the Turner Prize? It's become so much more about
the "idea" than anything visual. "There are
still plenty of painters. There are still plenty of paintings
which cannot be described because they are indescribably
dreadful. And there are plenty of conceptual works which make
a powerful visual impact. But when 'the idea' has become so
dominant that it ousts the image from art, and when all the
candidates selected for Britain’s premier prize represent
one particular trend of thought, you do have to wonder
why." And yet there is a bigger idea behind it all... The
Times (UK) 12/08/01
- THERE'LL
ALWAYS BE A TURNER: People get in a huff about the
controversial Turner Prize and decry the aesthetic that it
pushes. But this is nothing new. "The Turner Prize is our
modern-day equivalent" of the great historic salons and
annual official art shows of the past "in that it creates
a moment when art becomes fully public. The prize is sometimes
talked about as if it had no historical precedents, but in
fact it fits into a history of exhibitions - more common in
the 19th century than the 20th - that gave contemporary art a
high public profile. In Turner's Britain the Royal Academy
show was just as popular and contentious as the prize that now
bears his name." The
Guardian (UK) 12/08/01
BUT
IT'S JUST NOT DONE... "The auction market has had
its share of corruption and dishonesty in the past - the Sevso
silver scandal, fakes galore, the selling of Nazi loot - but no
one ever imagined in their most cynical dreams that the very
pinnacles of the establishment, the chairmen of Sotheby's and
Christie's, could take it upon themselves to filch millions of
dollars from their wealthy customers." And yet they did...
The Guardian (UK) 12/07/01
AFTER
ELI'S ART: Eli Broad is "possibly the richest man in Los
Angeles and one of California’s heavyweight power brokers. Broad
has purchased more than a thousand works of art since 1972, either
personally or through his eponymous foundation. Broad’s the
largest single charitable donor in the U.S. after Bill Gates, and
gave away some $137 million last year." Who will get his art
when he's ready to give it away? He's being coy, and three museums
across the country are hosting exhibitions from his collection. A
tryout perhaps? New York Press
12/05/01
PROPOSED
CUTS TO SMITHSONIAN: The Bush administration is proposing big
budget cuts for the Smithsonian, including transferring $35
million from the Smithsonian's research offices, stopping
restoration of the Old Patent Office building and taking $20
million from the institution's budget to pay for security. "A
congressional source familiar with the proposals said the OMB plan
essentially cuts the Smithsonian's mission in half because its
scientific research programs would be decimated. 'They could go
down the tubes,' he said." Washington
Post 12/06/01
STAR
SEARCH: Dallas wanted a star to design its new performing arts
center. Instead it got two, and they're two of the hottest
architects working today - Norman Foster and Rem Koolhaas. The
question is - can they work together in a city that's known for
the generic modernism of its buildings? "Generic modernism is
never more generic than it is in Dallas," says Koolhaas.
"There is a way of building here that is so typical and so
featureless that it creates an opening for something really
interesting." Dallas
Morning News 12/08/01
UNDER
THE BIGTOP: The Los Angeles County Museum of Art is a jumble
of rundown buildings. In reimagining what it might be, Rem
Koolhaas, who won the competition for a new design this week, has
"literally wiped away the past, obliterating almost all of
the existing LACMA campus. It is a brazen move that transforms a
muddled collection of undistinguished buildings into a cohesive
architectural statement of piercing clarity. The entire complex is
reconceived as a system of horizontal layers, with the exhibition
spaces stacked above an open-air plaza and offices." The
entire complex will be covered by "an organic, tent-like
roof." Los Angeles Times 12/07/01
THE
REAL PROBLEM WITH THE BRITISH MUSEUM: "The British
Museum's difficulties are not just the well-reported cock-ups -
the debts, the confusion about the Portland stone that has dogged
the otherwise successful Great Court. The museum's real problem is
that it has no brain, just diverse limbs, flopping about. It
doesn't seem to know who it is for, or why, and is run by scholars
and marketing people, two groups that often seem to regard the
general public as idiots. The Guardian
(UK) 12/06/01
OUTLAWING
TECHNOLOGY IN THE MUSEUM: Simon Thurley is director of the
Museum of London and a young rising star. But he's banning
technology that has become commonplace in museums. "He claims
that the gadgetry so many museums have invested millions in during
the past decade is 'nonsense... A lot of it is rubbish and doesn't
work anyway. You press the buttons too hard and you break
it'." The
Guardian (UK) 12/06/01
NEW
GERMAN LAW FOILS STOLEN ART RECOVERY: A new German law applies
a statute of limitations of 30 years on property claims.
"Among the big implications is on artwork seized by the
Nazis. "Among other implications for the art trade, this
would make it impossible for works stolen by the Nazis to be
returned to claimants, despite repeated declarations by German
governments that they will do anything to achieve a just and fair
solution in such cases. The German museums association issued a
press release deploring the new law." The
Art Newspaper 12/05/01
LET'S
GET REAL: When the National Gallery of Australia and a major
bank announced a new $50,000 National Sculpture Prize, it was
widely assumed that many of the entries would be abstract and
conceptual. Surprise - most of the work is decidedly realist. The
show "could have been designed as an argument for the
resurgence of anatomical concerns in contemporary object-making,
or at least as proof of sculpture's traditional obligation to
represent things." Sydney Morning
Herald 12/05/01
PRADO
DIRECTOR QUITS: Fernando Checa has resigned as director of The
Prado Museum, Spain's most visible and visited art museum. The
resignation appears to be the culmination of a long-running feud
with the president of the museum's oversight board. BBC
12/04/01
BERLIN
MUSEUM REOPENS: Berlin's Old National Gallery has reopened
after a £50 million renovation to "erase some of the scars
of World War II and the communist era behind the Berlin Wall. The
ornate, neoclassical building houses about 500 of the most
important German paintings and sculptures of the 19th
Century." BBC 12/04/01
MAKERS
BEHIND THE ART: So you think artists actually make their own
big-scale works? "A lot of people don't get it, because they
still think that artists make their own work. They imagine that
Damien Hirst is welding and grinding, when actually he's off on a
four-day bender." Meet the man and his crew who fabricate
some of the art world's most famous sculptures.
London Evening Standard 12/03/01 '
SFMOMA
STILL HEADLESS: "David Ross' abrupt departure from the
San Francisco Museum of Modern Art has left the director's
position at the high-profile local institution empty for more than
three months now. But in an interview last week, SFMOMA chairwoman
Elaine McKeon said the search for his successor proceeds at full
speed." Still, the museum has had three directors in the last
three years, and some wonder about the intraoffice politics. San
Francisco Chronicle 12/04/01
WHITNEY
MAKES CUTS: New York's Whitney Museum has seen its attendance
fall by more than 25 percent since September 11. So the museum is
moving to cut $1 million from this year's budget. "The
70-year-old facility will trim 14 workers from its 210-person
staff and cut back on its scheduled roster of 2002
exhibitions." Nando
Times (AP) 12/01/01
PRIVATIZING
A HERITAGE: Watching over the cultural and artistic riches of
Italy is a massive job, and prime minister Silvio Berlusconi,
Rome's answer to Rupert Murdoch, says the government just isn't up
to the task anymore. Accordingly, Italy's 3,000 state-run museums
will be at least partially turned over to private management in
the near future, with the government maintaining only a cursory
oversight role. The New York Times
12/03/01 (one-time
registration required for access)
RUNNING
OUT OF ART: Even though London's auction houses hailed last
week's sales as including "important English art," there
wasn't much important up for bid. "With so many pictures in
museums, supplies of great British art are gradually drying
up." The
Telegraph (UK) 12/03/01
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NEA
CHAIRMAN HOLDS UP GRANTS: The acting chairman of the National
Endowment for the Arts has delayed awarding two grants recommended
by Endowment panels and the National Council on the Arts. One
grant was for $100,000 to Berkley Repertory Theatre for production
of a new Tony Kushner play. The
New York Times 12/04/01 (one-time
registration required for access)
THE
LINCOLN CENTER MESS: "Lincoln Center's constituents are
bound together by architecture, and that architecture is in need
of repair. They are not bound together artistically and never have
been. The redevelopment proposal, now projected at $1.2 billion,
seems focused on initiatives that have little direct relation to
their artistic mission. Making the public space more attractive
and accessible is a worthy goal but not the most important. The
project should be a visionary effort, a chance for each
organization to address longstanding issues that have affected its
artistic growth. The problem is that each organization has its own
agenda." The New York Times
12/04/01 (one-time
registration required for access)
THE
IMPOSSIBLE FUNDING GAME: The Ontario government has made $300
million available for arts projects in the province. But $1.2
billion in requests has come in. And, in order to navigate the
politics and rules for getting the money, you have to turn
yourself in knots. Is this any way to run a lottery? Toronto
Star 12/02/01
THE
ART OF SCIENCE? Art has long been influenced by science. But
science has rarely taken inspiration from art. "When an
artist walks into a lab and sees equations written on the board,
his usual response is to say, 'I don't understand any of this - it
must be brilliant,' But when an engineer wanders into an art
gallery and sees stuffed animals, he's very likely to say, 'I
don't understand any of this - it must be garbage.'" Wired
12/04/01
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10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
CUTTING
UP FOR JACK THE RIPPER: American novelist Patricia Cornwell
has gone on an elaborate (and expensive) campaign to prove that
Victorian painter Walter Sickert was Jack the Ripper. "Even
in the context of the crackpot conspiracy theories, elaborate
frauds and career-destroying obsessions that London's most grisly
whodunnit has spawned, Cornwell's investigation is extreme. Not
only did she have one canvas cut up in the vain hope of finding a
clue to link Sickert to the murder and mutilation of five
prostitutes, she spent £2m buying up 31 more of his paintings,
some of his letters and even his writing desk."
The Guardian (UK) 12/07/01
BET
THE NY PHIL THINKS THIS IS HILARIOUS: In what may be the
strangest development to come out of the current world tensions,
renowned French conductor/composer Pierre Boulez was detained by
Swiss authorities, and informed that he was on their list of
potential terrorists. Apparently, back in his impetuous youth in
the 1960s, Boulez publicly declared that opera houses should be
blown up. BBC 12/04/01
THE
MUSICAL PSYCHIC: Psychic Rosemary Isabel Brown has died at the
age of 85. "She claimed to have been in touch with Beethoven,
Liszt, Chopin and some 20 other composers who had employed her as
their contact on earth to receive their latest compositions. How
was it that a woman apparently of little musical ability had one
day sat at a piano and had begun to play Chopin with ease, and
Chopin music that no one had heard before?"
The Economist 11/30/01
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