Week
of November 5-11, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
DOES
TOO MUCH INFO LESSEN UNDERSTANDING? The problem with studying
art history? Too much information. "The piles of information
smother our capacity to really feel. By imperceptible steps, art
history gently drains away a painting's sheer wordless visceral
force, turning it into an occasion for intellectual debate. What
was once an astonishing object, thick with the capacity to mesmerize,
becomes a topic for a quiz show, or a one-liner at a party, or
the object of a scholar's myopic expertise." Chronicle
of Higher Education 11/05/01
WHY
ART? Douglas Coupland wonders: "Where do ideas come from?
That's the last thing people understand about themselves, if they
ever do. I find that if I am really fascinated by something, or
if I'm driven to collect something, that you have to follow your
instinct and collect it or explore it. If you do that, then whatever
it is inside you churning way down deep, if you're lucky, it will
percolate up at the top at a verbal or analytical or critical
level." The
Globe & Mail (Canada) 11/10/01
THE
DISTANCE BETWEEN IDEAS AND REALITY: Why do deep intellectuals
- philosophers - seem so often wrong about political theory? "If
by 'intellectuals' we mean those devoted to the life of the mind,
we can see why they face more intensely a problem all human beings
face: that of negotiating the distance between ideas and social
reality. What intellectuals are prone to forget is that this distance
poses not only conceptual difficulties but ethical ones as well.
It is a moral challenge to determine how to comport oneself simultaneously
in relation to abstract ideas and a recalcitrant world.
The New York Times 11/10/01 (one-time
registration required for access)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SPEAKING
OF DANCE: "In the United States, at least, dance theater
often amounts to mawkish dancing to the choreographer's own low-grade
romantic poetry, clichéd movement interpretations of blundering
political rants, or performance art studded with feeble moments
of affectless gesture. In each case, the perpetrator pumps up
one medium at the expense of the other. But in witty Aerobia,
an agile and nuanced relationship develops between the talking
and the dancing." The New York
Times 11/11/01 (one-time
registration required for access
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
HARRY
VS HOBBIT: Which will do better at the box office this winter
- Harry Potter or the first Lord of the Rings movie?
If you feel strongly about it, you can bet. Oddsmakers are taking
a variety of wagers on the box office: will Harry Potter tie or
break the "first-five-days-of-release gross" record
of $100-million set by George Lucas's The Phantom Menace
in 1999? "The odds are 1 to 2 that it will tie or break,
3 to 2 that it will not." The
Globe & Mail (Canada) 11/10/01
NO
FUN FAT: Plus-size advocates are protesting the new Shallow
Hal movie: "Thin stars wearing fat suits to performing
in blackface, now considered offensive and demeaning to blacks.
If we wanted white actors to play black people, would we paint
their faces black? No way." Hartford
Courant 11/11/01
MEDIA
ART FROM - LITERALLY - THE DUSTBIN: In the early years, TV
programmes on BBC often were not recorded, or the recordings were
lost or destroyed. A recent public appeal has turned up more than
a hundred such "lost" shows. Among the recovered gems,
a 1963 appearance by the Beatles on a TV chart show (they evaluated
an Elvis recording), and a 1962 Benny Hill show. CNN
11/08/01
FILE-SHARING
GOES TO WAR: "The Pentagon is taking a friendlier view
of Napster's file-sharing concept than are America's big entertainment
companies. Rather than trying to shut down the new computer networks
that allow people to directly connect other personal computers,
the military wants to enlist their creators in the war against
terrorism." Washington
Post 11/08/01
WHITE
HOUSE WANTS HOLLYWOOD TO HELP:
"Several dozen top executives in the film and television
industry plan to meet on Sunday morning with Karl Rove, a senior
White House adviser, to discuss what Hollywood can do to aid the
war effort. 'The gathering is to brief studio executives on the
war on terrorism and to discuss with them future projects that
may be undertaken by the industry,' a White House spokesman said.
'The White House has great respect for the creativity of the industry
and recognizes its impact and ability to educate at home and abroad.'
Several executives emphasized today that they were not interested
in making propaganda films." The
New York Times 11/08/01 (one-time
registration required for access)
THE
SOUND OF PUBLIC RADIO: In recent months, protests over program
changes at public radio stations around the country have been
successfully fought. The protests trace back to David Giovannoni.
"A brilliant analyst of public radio's audience — who it
is, how much it listens, when it listens, what it listens to,
when and why it donates money — he is quite possibly the most
influential figure in shaping the sound of National Public Radio
today, the sound heard by upward of 20 million Americans weekly."
The New York Times 11/11/01
(one-time registration
required for access)
DOWNSIZING
PBS: Commercial broadcasting isn't the only sector laying
off employees in the economic downturn. PBS is cutting its staff
by more than 10%, (59 jobs). "The cuts, to be made through
a combination of 27 layoffs and the rest in unfilled positions,
follow a 9% staffing reduction, or 60 positions, in March, and
will bring PBS' total number of employees to just over 500."
Los Angeles Times 11/06/01
THIRD
TIME'S A CHARM: After being canceled twice, the Emmy Awards
finally go off when planned. West Wing wins most statues,
while Sex in the City becomes the first cable comedy series
to win best comedy series. Ten of the 27 winners were not in attendance.
Los Angeles Times 11/05/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
STUCK
IN THE PAST: Why are North American orchestras in danger?
"No other industry has been so resistant to renewal. Orchestras
play much the same menu, at the same time, in the same venues,
for the same duration and wearing the same waiters' uniforms as
they did when Roosevelt was president. Experiment is ruled out
by archaic rules. The culture is governed by compromise and fear."
The Telegraph (UK) 11/07/01
THE
PROBLEM WITH ORCHESTRAS: "Ironically, overall attendance
at symphony concerts rose in the 1990s by 18 per cent, according
to the American Symphony Orchestra League. And yet, about 10 orchestras
have had to declare bankruptcy or undertake major restructuring
within the last decade and a half. The good news is that all but
one of those orchestras have since returned to the stage. The
bad news is that their problems have been recycled by other orchestras.
Why this roller coaster between solvency and panic? Because our
orchestras lack financial security. They are so inconsistently
funded that they lurch from crisis to resolution and back to crisis
again with frightening ease." Toronto
Star 11/03/01
ADAMS
PAST, PRESENT, AND FUTURE: John Adams has faced resistance,
complaining, and outright hostility towards his music on his way
to becoming one of this era's most popular and successful composers.
On the heels of the Boston Symphony's cancellation, for reasons
of subject matter, of Adams's The Death of Klinghoffer,
the composer remains convinced that audiences are more adventurous,
intelligent, and willing to be challenged than they are usually
given credit for. Andante 11/07/01
- SF
CRITIC - BOSTON SCREWED UP: "Ladies and gentlemen,
the Boston Symphony Orchestra will now soothe you with its rendition
of 'Kitten on the Keys,' performed on kazoos. It hasn't quite
come to that, but it just might, given the orchestra's ridiculous
decision last week to cancel performances of "Choruses
From 'The Death of Klinghoffer' by Bay Area composer John Adams."
San Francisco Chronicle 11/07/01
CALGARY
PHIL SETTLEMENT: The Canadian orchestra has settled its contract
dispute with locked-out musicians. The 64 musicians had been locked
out since Oct. 7. Calgary Herald 11/05/01
DOUBLE
BOOKING: Just how bad are the St. Louis Symphony's financial
woes? One set of books "shows year-end deficits going back
to at least 1994 and increasing to more than $8 million for 1999
and more than $10 million in the 2000 fiscal year. For 2001 and
the current fiscal year, which began Sept. 1, [the orchestra's
financial officer] calculated deficits of about $7 million each."
But another set of "audited financial reports and statements
filed with the IRS, show the Symphony operating in the black for
some of the same years, sometimes to the tune of millions of dollars."
St. Louis Post-Dispatch 11/04/01
ST.
MARTIN'S IN THE DOLDRUMS: The Academy of St. Martin's in the
Fields is one of the most-recorded orchestras on the planet -
its recording in the 60s and 70s were ubiquitous. But "does
the orchestra fill any useful niche today? The period-instruments
movement has produced groups that play the classical repertoire
with more fire in the belly and more precision; and for those
who refuse to abandon the old ways, there's a revival of interest
in the big, puffed-up, imperial approach to the 18th century that
flourished before the Second World War. Which leaves the Academy
in no man's land, neither authentic nor truly retro. It's left
trying to make a case for music that is merely pretty."
Washington Post 11/05/01
IRON
MAN DOMINGO: Five years ago Placido Domingo said he thought
he had about five years of singing left in him. But one of the
world's busiest musicians is making vocal commitments five years
from now. Will he know when it's time to quit? "I have a
good ear and a good sense, and my wife would tell me."
The Sunday Times (UK) 11/11/01
EMERSON
ON TOP: The most venerated string quartets tend to stick together
for a long time. The Emerson Quartet is 25 this year, and arguably
at the top of its field. A set of birthday concerts in London
explain why. The
Sunday Times (UK) 11/11/01
UNDER-PERFORMERS:
For all the operas that have been written in the last few hundred
years, the standard repertory is quite small. Opera Magazine asks
a couple dozen music critics, artists and opera administrators
which operas they'd like to see more often performed. La Wally?
Really? Opera News 11/01
THE
KING OF MELODIOUS OPERA: Let's hear it for Bellini. Better
yet, let's hear Bellini. Verdi said that his music was "rich
in feeling and in a melancholy entirely his own," with "long,
long melodies such as no one wrote before him." And even
Berlioz, who didn't like Bellini, admitted that, near the end
of the first act of I Capuleti, "I was carried away
in spite of myself and applauded enthusiastically."
The Irish Times 11/06/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
PRANKSTER
SLEEPS: "Ken Kesey, whose LSD-fueled bus ride became
a symbol of the psychedelic 1960s after he won fame as a novelist
with One Flew Over the Cuckoo's Nest, died yesterday morning.
He was 66." Baltimore Sun (AP)
11/11/01
ISLAND
OF GLOOM: VS Naipaul just won the Nobel Prize for literature.
But he's still not very happy. "Asked if he reads reviews
of his books, he almost - but not quite - snickered, twitching
his head in silent mirth. 'No, no, no.' So others' opinions about
his work have no value? 'No, no, no'." Chicago
Tribune 11/09/01
SONY
CHAIRMAN COLLAPSES CONDUCTING CONCERT: "Norio Ohga, 71,
the chairman of Sony Corporation, was conducting the Tokyo Philharmonic
Orchestra at the Beijing Music Festival last night when he collapsed
during the performance of Tchaikovsky’s Symphony No. 5. He is
currently recuperating, in a stable condition, at the China-Japan
Friendship Hospital in Beijing." Gramophone
11/08/01
THE
GREAT AUCTION HOUSE TRIAL: The trial against Sotheby's ex-chairman
opens this week. "For the incestuous art world, where auction-house
proles can grow up to be lordly dealers, the price-fixing trial
has a certain Freudian tone. Alfred Taubman, the former Sotheby's
chairman - and still its largest shareholder - plays the role
of overbearing father, and Dede Brooks, his former protégée, is
the bossy big sister. 'Of course he's guilty,' said one spectator,
relishing the Lear-like scene. 'He's such a megalomaniac'."
New York Magazine 11/05/01
POET
CANNED: The American Academy of Poets has fired its popular
executive director. "William Wadsworth, 51, a poet and former
wine store owner, ran the 65-year-old organization for 12 years,
during which he updated its image, increased its profile, created
a popular Web site to encourage poetry reading and turned April
into poetry month." But the organization has racked up hundreds
of thousands of dollars of debt... The
New York Times 11/07/01 (one-time
registration required for access)
SIR
ERNST GOMBRICH, 92: The eminent art historian's "The
Story of Art (1950, 16th edition 1995) has been the introduction
to the visual arts for innumerable people for more than 50 years,
while his major theoretical books, Art and Illusion (1960),
the papers gathered in Meditations on a Hobby Horse (1963)
and other volumes, have been pivotal for professional art historians.
The Guardian (UK) 11/06/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MORE
FRANZEN FALLOUT: What does the Oprah Winfrey/Jonathan Franzen
flap say about today's literary world? "Franzen has to grapple
with a serious paradox here, which lies in being so blatantly
image-conscious, even while he criticizes the image-makers. His
concern is not about what he writes, and whether it connects with
readers, but how he is perceived, and what kind of readers he
connects with. This is the very kind of attention to branding
that he claims to deplore." National
Post 11/06/01
- SOMEWHERE
BETWEEN ART AND COMMERCE: It's easy to condemn Jonathan
Franzen's tactless swat at Oprah's Book Club. But the sentiment
is not foreign to serious writers - of course writers want audiences,
and the bigger the better. But that doesn't mean they necessarily
want to go whoring after them. Not that being an Oprah writer
is whoring, but maybe... Boston
Globe 11/10/01
- THE
LAST WORD ON OPRAH: Critic Jonathan Yardley's no Oprah fan,
but he's respectful of what her book club can do for a writer.
"If I were forced to choose - perish the thought - between
reading a year's worth of Oprah selections or the top dozen
books on the fiction bestseller list, I'd make a beeline for
Oprah. The literary taste of the American mass market is execrable.
Oprah Winfrey is doing her part to elevate it. If in the process
she's elevating herself as well - this is, after all, the woman
who publishes a magazine named after herself with her own picture
always prominent on the cover - so what?" Washington
Post 11/05/01
POETS
CUT BACK: After ousting its popular executive director earlier
this week, the board of the Academy of American Poets has decided
"to lay off 8 of its 17 employees and to sublease half of
its office space in SoHo" in an effort to stave off a looming
financial crisis. The
New York Times 11/09/01 (one-time
registration required for access)
RANDOM
HOUSE DROPS E-BOOK LINE:
"The Random House Trade Group, one of the first publishers
to announce the creation of a line of purely digital books last
year, became the first to cancel that idea yesterday, quietly
scuttling its AtRandom imprint in recognition of the scant consumer
demand for books that can be read on screens. But the company
will continue to publish electronic versions of books."
The
New York Times 11/09/01 (one-time
registration required for access)
THE
ARTIST WITHIN: When he's not busy being a dictator, Saddam
Hussein is an artist. "Underneath a seemingly tyrannical
nature, there lives a passionate soul yearning to share his deepest,
most delicate and intimate thoughts. Saddam has written a romance
novel. Released earlier this year, Zabibah and the King
appears to have won the hearts and minds of the Iraqi people and
made Saddam Hussein a best-selling novelist - according to the
Iraq Press it has been selling out of Iraqi bookstores and there
are already over 1,000,000 copies in print." The
Weekly Standard 11/08/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THEATRE
IN NEW YORK: A group of cultural leaders gets together to
talk about the state of theatre in New York: "Theater-making
is bracketed by the need for money and space, and the talks centered
on such crucial issues as public policy, real estate, and the
relations among theater, film, and television industries. A flurry
of reports made clear that the events of 9-11 have exacerbated
preexisting trends: people choosing stay-at-home entertainment,
audiences hesitating to purchase tickets in advance, and government
abandoning its support of the arts."
Village Voice 11/06/01
-
THEATRE
SINCE 9-11: "One of the panel's most salient points
was the growing gap between Hollywood, which has moved on
from the events of September 11, and New York, where artists
are still digesting the effects of the attack and searching
for meaning within their own work."
Actors Update 11/06/01
- WHO
GETS WHAT IN NY THEATRE: It's a $13 billion industry. "Twenty-nine
companies with budgets of $10 million or more, representing
the largest arts organizations, account for 70.7 percent of
the total revenue among arts groups. Meanwhile, at the bottom
of this pyramid, 185 organizations with budgets under $100,000
constitute one half of one percent of total revenue." Actors
Update 11/06/01
BARNUM,
THE FATHER OF POSTMODERNISM? "The fragmentation of truth,
the ascendancy of appearances, the fluidity of self, the breakdown
of master narratives, the triumph of ironic detachment: all the
tendencies that we loosely label 'postmodernism' are commonly
assumed to be the products of mass-media technology and multinational
capital." But look back a century farther, to the P. T. Barnum
who observed that "The public appears disposed to be amused
even when they are conscious of being deceived." The
New Republic 11/12/01
MAYBE
IT'S JUST BAD THEATRE: West End theatre business is down 15
percent from last year. Eight shows have closed recently. But
is the current crisis to blame? Nope. "Would an all-male
Canadian play about an obscure Antarctic expedition have done
any better in boom times? Would Ronald Harwood's ridiculous Hollywooden
exploration of a composer's private problems - with dialogue like:
"Hello Freud." "Hello Mahler"- have wowed
them even if the midwest tourists had been arriving as usual?
I can't think of a single show that doesn't owe its demise either
to its own internal failings, rotten reviews, or the simple fact
that it had exhausted its audience."
The Guardian (UK) 11/07/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MUSEUM
DIRECTORS' SALARIES: The salaries of museum directors in the
US and Canada have risen fifty percent in the past four years,
according to a survey by the Association of Art Museum Directors.
In Britain, salaries are dramatically lower: the top British salary,
$160,000 (£110,000) at the Tate, is the same as the mean US salary.
The top US salary is $1.7 million (£1,170,000), in Houston.
The Art Newspaper 11/09/01
VATICAN
ART SCANDAL: Two Vatican officials "are accused of trying
to sell works of art falsely attributed to artists such as Michelangelo,
Guercino and Giambologna, to art institutions such as the Metropolitan
Museum in New York and the National Gallery in Washington."
The Guardian (UK) 11/07/01
AFGHAN
ART IN PERIL: As bombs fall on Kabul, those interested in
art worry about the safety of what's left of Afghanistan's cultural
heritage. Ironically, there was a plan two years ago to rescue
remaining artwork for safekeeping. "Were it not for the red
tape surrounding the movement of cultural heritage, at least part
of these collections could have been safely moved to the West."
The Art Newspaper 11/06/01
WHAT
IS IT ABOUT VINCENT? A new van Gogh show is a big hit in Chicago.
But why? "More than a century after van Gogh's death, many
of his images are entrenched in the cultural conscience, and his
name attracts people in a way that curators and art historians
struggle to understand." The
New York Times 11/08/01 (one-time
registration required for access)
HIDDEN
MASTERS: For years, a Detroit-area cardiologist and his wife
collected art by some of the most important names of the 20th
Century. They kept a low profile, kept the work in crates, and
told few people they had it. Last week, when the collection was
donated not to the big Detroit Institute of Art, but to the smaller
Cranbrook Art Museum, there were a lot of surprised Detroiters.
Detroit News 11/11/01
ART
OF ENLIGHTENMENT: This year's Turner Prize exhibit is up, and
what's grabbed the early attention? Martin Creed's empty room with
a light that flips on and off at intervals. "Creed's installation
does exactly what is says. Every five seconds the lights go on and
off in the biggest and emptiest room of this year's show at Tate
Britain. There was also much muttering about whether Creed, 33,
had simply recycled a five-year-old piece and why the electrician
who had made it had seemingly not been credited."
The Guardian (UK) 11/07/01
THE
BIG AUCTION HOUSE TRIAL: The former heads of Christie's and
Sotheby's auction houses go on trial next week "as the masterminds
behind a conspiracy to fix prices and cheat more than 130,000
customers over six years. Next week's courtroom drama will feature
a cast of characters as diverse as the treasures that fill the
refined and hushed halls of the two auction houses on Manhattan's
upper East Side." New
York Daily News 11/04/01
- POSSIBLE
JAIL TIME: "If past cases are anything to go by, the
odds are against [former Sotheby's chairman] Alfred Taubman's
acquittal, as 60 per cent of defendants in recent American anti-trust
trials have been found guilty. If convicted, he could go to
prison for up to three years." The
Telegraph (UK) 11/05/01
RUSSIAN
MUSEUMS UNIONIZE: Some 600 museums across Russia have formed
a museum union to lobby for the industry. "The Museums' Union
must define and defend the professional interests of the country's
existing museums and create a basis upon which new museums can
emerge and develop." St.
Petersburg Times (Russia) 11/2/01
MILWAUKEE'S
NEW STAR: The Milwaukee Art Museum Calatrava-designed addition
is a big hit, and crowds have been coming to see it. "It
is an astonishing thing, an engineering feat made of 72 fins of
white painted steel that unfurls at the touch of a button. In
the course of a few minutes the hydraulically powered tubes rise
into the air, transforming a steep, stable conelike form into
a graceful creature whose mighty wings, spreading 217 feet, run
parallel to Lake Michigan's distant horizon."
Washington Post 11/04/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
LINCOLN
CENTER EXPLAINED: Why is Lincoln Center's $1.2 billion plan
for a fix-up so fraught with controversy? "It is clear that
the spending on Lincoln Center's infrastructure is necessary and
that some additional expenses are justified. It remains to be
seen how much of the 'wish list' will ultimately be incorporated
into the project — and to what extent, and with what enthusiasm,
the constituents will support the inevitable fundraising to be
done (in addition to their own development efforts) in this restricted
charitable climate." Andante
11/09/01
BOSTON
ART SCENE, GLUM BUT NOT GRIM: "It was only last spring
that Boston-area cultural groups had heady hopes of raising as
much as $1 billion to rebuild and burnish Boston's long-neglected
museums, theaters, and concert halls. These days, talk of expansion
in cultural institution offices and board rooms is reserved. No
organization has canceled building and renovation plans outright
- yet. But many are delaying or downsizing their dreams and schemes."
Boston Globe 11/09/01
NEW
LINCOLN CENTER PLAN: Lincoln Center organizations agree on
a $1.2 billion renovation plan to submit to New York's City Hall.
But observers say that "even as the parties shook hands on
the submission to the city, elements of the package were still
in dispute and could change in the coming months and years."
The New York Times 11/07/01
(one-time registration required
for access)
THREE
REASONS TO END GOVERNMENT ARTS FUNDING: "If we want the
arts to thrive, we must largely decommission the Canada Council,
and the provincial arts councils, and ask our artists to grow
up and learn how the real world works. Then, perhaps we will have
a vital arts community, one that lives in the entire community,
not at a smug superior distance from that community. And that
creates plays, ballets, symphonies, operas, literature that is
engaged with the real world, not diddling with the notion of a
cockeyed destructive dream of a socialist utopia."
National Post (Canada) 11/02/01
BOLDLY
FORWARD IN TIMES OF ADVERSITY: Kennedy Center president Michael
Kaiser says cutting back on arts funding initiatives and arts
employment in the current economic downturn would be shortsighted.
"It is these two very activities that encourage income flow
to the arts," he said. "Donors and ticket buyers are
attracted to exciting artistic adventures and the marketing that
explains these new initiatives." Washington
Post 11/02/01
WHAT
FESTIVALS OUGHT TO BE: This year's Melbourne Arts Festival
was unlike any other. "When the Melbourne Festival officially
opened at the Sidney Myer Music Bowl on October 11 with a poem
for peace read by East Timorese resistance leader Xanana Gusmao,
followed by massed choirs singing Berlioz' Te Deum and fireworks,
you could sense this was going to be no ordinary arts festival."
The Age (Melbourne) 11/05/01
WHY
IDEAS DIE: Britain ruled the world of invention in the 1800s.
But that dominance has long since passed, and the UK files fewer
patents with each passing year. Why? "We now live in a commercial
culture that in many ways is counterproductive to invention. The
first thing I teach new engineering and design recruits is that
they will learn more from failure than from success. Failure is
exciting. It leads to new ideas. And it teaches the process of discovery
by making single, small changes. Unfortunately, that spirit requires
long-term investment and does not square with an ethos that wants
immediate results." Britain has not made the investment in
a long time. The
Telegraph (UK) 11/10/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
10. FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
NATTERING
NABOBS OF (CANADIAN) NEGATIVISM? Canada's artists and critics
have always had something of an inferiority complex when it comes
to comparisons with its much-larger neighbor to the South, but Toronto's
National Post seems to engage in the self-loathing culture
bashing more often than most. What exactly does such smirking negativism
accomplish? Only the further weakening of the country's arts infrastructure,
according to a rival critic. The Globe
& Mail (Toronto) 11/07/01
TWO
MINUTE WARNING: Artist Jonty Semper has spent two years collecting
every surviving recording of the two minutes of silence marking
Armistice and Remembrance Days since 1929. In the 1988 ceremony
a baby cried. It's a double-cd. He'd like you to listen. "I
really don't think people will find it boring. All the silences
are quite distinctive. What is remarkable is how different they
are." The Guardian (UK) 11/09/01
DICKENS?
DOYLE? FLEMING? MILNE? NO, IT'S....Rowling who has created
England's most famous imaginary hero. In a nationwide survey,
asking people of all ages to name the first fictional character
who came to mind, 22 percent said Harry Potter. Tied for second
place, with 2 percent each, were Sherlock Holmes, Oliver Twist,
James Bond, and Winnie the Pooh. New
York Post 11/07/01
HARRY
POTTER, OCCULT SEDUCER? One of Britain's biggest teaching unions
has issued a stern warning to parents and teachers that J.K. Rowling's
phenomenally successful creation could lead schoolchildren into
the sinister world of the occult. The
Guardian (UK) 11/06/01
HOME
|