Week
of October 22-28, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10 For Fun
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1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
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THE
END OF PRIME TIME? American TV networks are getting out of the
big-budget big-show must-watch prime time TV production.
"This week, Fox, the fourth-largest network, shut down its
entire in-house production division. And the other three networks
all announced major cuts and layoffs. ABC, for one, says it will
cut the number of shows it develops by 25 to 40 per cent.
Prime-time TV no longer interests them. This is, in part, because
the big shows are no longer very profitable - the huge star
salaries and development costs have outstripped the advertising
revenues." Globe & Mail
(Canada) 10/27/01
HOW
EUROPE RULED THE WORLD: Why did Europe come to dominate world
civilization? "Why did a relatively small and backward
periphery on the western fringes of the Eurasian continent burst
onto the world scene in the sixteenth century and by the
nineteenth century become a dominant force in almost all corners
of the earth? Until recently, two responses have
dominated..." Lingua
Franca 11/01
MUSIC
SINCE 2001? For several decades, contemporary music has been
defined as 'music since 1945.' The end of World War II marked the
beginning of an era of experimentation and innovation that
simultaneously expanded the way we think of tonality and drove
large portions of the audience away from the concert hall. With
September 11 an obvious new benchmark in the arts, what will be
next? "New music is not going to be less ironic; classical
was never very good at irony to begin with. It may be even more
sincere. But it will surely seek out meaning more than it has in
years." Philadelphia Inquirer
10/23/01
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
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MODERN
TAKE ON BALLET: William Forsyth established his reputation as
a modern choreographer. But now he's taking on ballet: "A lot
of institutions are conservative and frightened. They think they
have to protect ballet because it is so delicate. It's actually
very robust. It needs to be tested, not coddled. The mistake of
balletic modernity was to avoid bravura. I think you should aim
for bravura. If you can dance the shit out of something, that is
what you should do." Financial
Times 10/27/01
THE
NATIONAL AT 50: The National Ballet of Canada is 50 years old.
The company is coming out of a severe mid-life crisis after the
Kimberly Glasco affair, but its books are balanced and director
James Kudelka seems to have a strong direction.
Toronto Star 10/27/01
- REPUTATION
REBUILD: Is the National a good regional company or one
that deserves an international reputation? It's always had
first-rank dancers, but money constraints have kept the
company from touring and establishing its reputation. Toronto
Star 10/27/01
THE
ROYAL'S NEW ERA: Ross Stretton's tenure as director of
London's Royal Ballet officially begins. Already there has been
some controversy as a star dancer quits the company. Stretton says
he wants to make a more welcoming place for choreographers, but
warns there will be some turnover in the company's ranks next
year. The Telegraph (UK) 10/23/01
- DANCERS
ON STRETTON: “Of course there are differences. Ross is a
very young man, very active. He teaches class, he coaches, he
is in rehearsals. He’s there all the time and you feel his
presence constantly. He spends more hours here than we do. And
he’s very easy to talk to, he’s very approachable.”
The Times (UK) 10/23/01
SO
MUCH FOR PRIVILEGED ARTISTS: The Bolshoi's Maya Plisetskaya
was one of the great ballerinas of the 20th Century. "The
humiliations she and other artists endured at the hands of
government handlers and arts bureaucrats challenge popular notions
of the privileged lives of Soviet artists. Always forced to beg
— to travel, to prepare new works, to be paid fairly —
Plisetskaya and her colleagues more closely resembled Russian serf
artists of the 18th century than cultural workers in a modern
socialist state." The
New York Times 10/23/01 (one-time
registration required for access)
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
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DIVERSITY
IN MONOPOLY? The consolidation of media outlets into a few
giant companies the past decade has been breathtaking. But while
the chairman of the FCC concedes "there is 'rightful anxiety'
about concentration of media ownership, he stressed that rules
curtailing entertainment giants are outdated and the government
must be shown strong justification to maintain them. Given the
proliferation of channels, he added, television and media are
'more diverse in 2001 than at any time in their history'."
Los Angeles Times 10/24/01
WHY
CANADIAN TV DOESN'T WORK: This week's awards show for Canadian
television isn't likely to be watched by many Canadians. Canadian
TV has difficulty competing with American. "Most Canadian TV,
with the exception of news and sports, is a money-losing
proposition. That's because a domestic drama series costs a
network about $200,000 an episode while earning maybe $125,000 in
ads. That's an automatic loss of $75,000. Meanwhile, a typical
U.S. series costs some $80,000 an episode while generating
$200,000 in ads - for a cool $120,000 profit per hour." Toronto
Star 10/28/01
- SUBSIDIZING
AMERICAN CONSUMPTION? Are "Canada's private TV
networks are using tax-funded subsidies to help finance a
program buying spree in Hollywood?" A new report says the
networks are lessening their commitments to Canadian
programming in favor of American shows. National
Post (Canada) 10/24/01
THE
MATTER WITH HARRY? A documentary film maker charges that the
Harry Potter movie (and books) are anti-Christian and that
"under the guise of harmless children's fantasy literature, a
massive effort to draw children around the world to the occult
threatens to undermine Christianity." New
Times Los Angeles 10/18/01
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
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BSO
GETS LEVINE: The Boston Symphony has hired Metropolitan Opera
music director James Levine as the BSO's new music director,
replacing Seiji Ozawa. "The long-rumored development will
give Mr. Levine control of his own symphony orchestra and an
exalted musical pulpit that he has long sought, associates
said." The appointment begins in 2004. New
York Times 10/27/01 (one-time
registration required for access)
- MUTUAL
ADMIRATION SOCIETY: "Levine, 58, has been the clear
first choice of the orchestra, the board, and the search
committee from the beginning. Securing him would represent a
major coup for the BSO because he is on the short list of the
world's most important conductors." Boston
Globe 10/27/01
- WHO
WINS? The Met might see a lessening of Levine's
attentions, but "most music professionals expect only
benefit for the Boston Symphony, the more so because the
orchestra will be coming off a two-year interregnum after Mr.
Ozawa leaves for the Vienna State Opera next summer. The
Boston Symphony's playing has been uneven over the last
decade, and Mr. Levine is considered a superb orchestra
builder, largely on the strength of his accomplishments at the
Met." New York Times 10/28/01
(one-time registration required for access)
SHOWDOWN
IN TORONTO: Toronto Symphony musicians are to vote Friday on
whether they'll accept a 23 percent cut in salary. "If they
refuse, they're being told, the TSO could be history by this time
next week." But why does the orchestra seem so quiet?
Observers are left with plenty of questions about what the
orchestra could or couldn't do to rescue itself... Toronto
Star 10/24/01
- NOTHING
NEW ABOUT TSO CRISIS: Canadian orchestras have been in
trouble for a long time, ever since politics trumped support
for the arts in the mid-80s. "Since then, watching
orchestras go through near-death experiences has become a
national spectator sport: Symphony Nova Scotia, the Winnipeg
Symphony, the Vancouver Symphony and the orchestras in the
Ontario cities of London, Thunder Bay and Hamilton have all
approached or actually declared bankruptcy over the last
decade." Andante 10/25/01
- LAST
MINUTE DEAL TO SAVE TSO: Facing almost immediate
bankruptcy, the Toronto Symphony made an agreement with its
players Friday on a rescue plan. "The agreement — which
includes a 15 per cent pay cut for musicians and a shortened
season — asks Toronto Symphony Foundation trustees 'to
immediately release $10 million to eliminate the deficit of
the TSO and provide operating funding while other fundraising
efforts are organized'." Toronto
Star (CP) 10/27/01
HAS
THE ORCHESTRA RUN ITS COURSE? There has never been a shortage
of pundits ready to declare at a moment's notice that the masses
are heathens, musicians are greedy, and classical music is dying.
Such rants are frequently disproved by the facts, and usually have
little actual effect. But the financial crises being experienced
by several North American orchestras begs a more specific
question: is the symphony orchestra, a 19th-century creation, out
of place in the 21st? In other words, has the world of art music
begun to move away from the symphonic form, and what will become
of the large ensemble if the trend continues? National
Post (Canada) 10/23/01
SAVING
THE ORCHESTRA: With several major symphony orchestras in
precarious condition, the industry ponders its survival.
"Belatedly realizing that American culture has changed faster
than they have, the country's major orchestras are contemplating
in what form they might endure. The more pressing question: Are
they changing quickly enough and intelligently enough to attract
the new audiences and fresh sources of funding they need? The
answer, according to those who work on the front lines of
classical music, will depend on whether these profoundly
conservative institutions can reinvent themselves for a radically
changing world." Chicago Tribune
10/28/01
PATRIOT
GAMES: What's at the top of this week's American pop charts?
Why (Canadian) Celine Dion's emotive rendition of God Bless
America, of course. "The album sold 180,984 copies in its
first week to debut at No. 1 on Billboard's top 200 album charts.
And it's not the only patriotic hit on the charts. The re-release
of Whitney Houston's Star-Spangled Banner is a best-selling
single, and Lee Greenwood's American Patriot album sales
have surged based on the popularity of his 17-year-old hit, God
Bless the U.S.A. Nando Times
10/25/01
NIMBUS
NO MORE: "Nimbus – the UK independent classical label
and distributor – has gone into receivership, the company
confirmed yesterday... The collapse of one of Britain's most
stalwart classical companies comes during a period of increasing
difficulty for the UK record business, a period marked by
retrenchment and restructurings." Gramophone
10/24/01
ORCHESTRA
CRISIS: In St. Louis, Toronto, San Jose and Chicago, symphony
orchestras are on the ropes. The first three orchestras could be
out of business within the season (Toronto as soon as next week)
and the financial prospects are bleak. The
New York Times 10/25/01 (one-time
registration required for access)
OPERA
BY PIANOLIGHT: Dallas Opera musicians have decided to strike.
So the company decided Wednesday night to go ahead with its season
anyway. "In an extraordinary move, the company decided to
perform Verdi's Simon Boccanegra with only a piano
accompaniment starting Nov. 3 after negotiations with striking
musicians broke down." Dallas
Morning News 10/25/01
UNION
WOES: After a year of infighting, the old guard establishment
of the British Musicians Union managed to edge out the
reform-minded leader that the musicians elected last year. But
does anyone care about the musicians union anymore? "Seen
from the outside, all this looks like the dancing of dinosaurs to
an antedeluvian tune. The MU seems unaware that unions are no
longer meant to be run by intimidatory hierarchies. Musicians are
mostly too busy to notice." The
Telegraph (UK) 10/24/01
RESISTING
MUSICAL SOCIALISM: Ottawa's National Arts Centre Orchestra is
successful at the box office (no small feat these days). But its
commitment to Canadian music is shabby. Music director Pinchas
Zukerman has "missed no opportunity to broadcast his
indifference to Canadian music in general, and to the expectation
that the director of an orchestra that receives roughly half of
its $11-million budget from the federal government should support
music created in this country. 'I don't care where it's from. You
have to be careful with national socialism. It's not good for
anybody." The Globe & Mail
(Canada) 10/24/01
NEXT
ON SPRINGER: Improbable as it might seem to some, the
opera based on Jerry Springer has become a big underground hit it
London. "The production has become so popular in Britain that
there are discussions for the opera to move to a larger venue in
London's hoity-toity West End" and a possible move to the US
is possible. Chicago
Tribune 10/23/01
UNDERSTANDING
SHOSTAKOVICH: "When he was alive, Shostakovich was
paraded, with what seemed to be varying degrees of willingness on
his part, as the Soviet Union's greatest composer. As a result,
although he was much admired, he was also widely seen in the west
as a compromised genius." Since his death 25 years ago, he's
been seen as a much more complicated figure. Now some of his few
letters have been published for the first time in English...The
Guardian (UK) 10/26/01
LITTON
TO NORWAY: Andrew Litton is one of the few American conductors
leading a major American orchestra, and his reputation as a
"musicians' maestro" has stood him in good stead in
appearances both in the U.S. and abroad. Now, Litton, music
director of the Dallas Symphony, has been handed the reins of
Norway's Bergen Symphony, one of Europe's oldest orchestras. Gramophone
10/22/01
MUSIC
APPETITE: Which country's consumers buys more recordings than
any other? Try Norway. And the fewest? Brazil, which buys 1/20th
of what Norwegians do. Here's a chart that shows how countries
stack up. The
Economist 10/19/01
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
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THEROUX:
UNDERSTANDING NAIPAUL: "About a month ago, without any
noticeable provocation, VS Naipaul attacked the work and
reputations of EM Forster, James Joyce, Dickens, Stendhal, JM
Keynes, Wole Soyinka and the recently deceased RK Narayan. We who
know Naipaul understand that gratuitous outbursts such as this
nearly always precede the appearance of a Naipaul work. In spirit
it is like a boxer’s frenzy of boasting and threats before an
important match. The fact is that, even though I have suggested
that Naipaul is a sourpuss, a cheapskate and a blamer, I have the
highest regard for his work." Daily
Mail & Guardian (South Africa) 10/24/01
HOWARD
FINSTER, 84: One of the most well-known outsider artists has
died. "Finster was considered a pioneer among self-taught
artists, advancing the 'outsider' movement with his unique
personality, unflagging salesmanship and resolute work ethic. For
more than three decades, he traveled Alabama, Georgia and
Tennessee preaching at tent revivals and supplementing his income
with odd jobs, including plumbing and bicycle repair."
MSNBC (AP) 10/23/01
ARTISTS
WIN GENIUS AWARDS: The MacArthur Foundation has announced the
recipients of this year's "Genius" awards. Among them,
English pianist Stephen Hough; he'll get $500,000. BBC
10/24/01
PROMINENT
COLLECTOR DIES: "Daniel Wildenstein, one of the world's
leading art dealers and collectors whose family owns two
prestigious Manhattan galleries, has died, the Wildenstein
Institute said Thursday. He was 84." Washington
Post (AP) 10/25/01
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
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PISSING
OFF OPRAH: Jonathan Franzen's new book The Corrections
is the most-hyped publishing project of the year. Among the stars
aligning right for it was Oprah's decision to make it an Oprah
Book Club selection. But then Franzen dissed O and her fans not
once, but twice in the media. So Oprah withdrew the choice and
Franzen's scrambled to apologize. Too late. "One can only
wonder why Franzen went after her, and not once but twice, and in
such ugly fashion. All she offered Franzen was a significantly
increased readership. What's to not like? " Mobylives
10/24/01
- ALL
ABOUT THE STICKER: "Franzen didn't go so far as to
reject Oprah per se. The essence of his complaint, as he cast
it, was that the label signified not simply Oprah's
endorsement of the book, but the book's endorsement of Oprah.
Franzen seems to want us to believe that his
anti-establishment sensibilities have been trampled." The
Plain Dealer (Cleveland) 10/25/01
BILLYBALL:
When Billy Collins was named America's new poet laureate earlier
this year, critics couldn't help but note that he was one of the
few poets who actually makes decent money at his craft. "All
of this man-bites-dog astonishment condescends to poetry, where
such small sums count as fortunes. Yet the very existence of a
'popular poet' is reassuring for an art seemingly doomed to
ivory-tower irrelevance." So what is so appealing about
Collins' work that makes him stand out? The
New Republic 10/23/01
- ANTHRAX
SCARE POSTPONES POET: New American poet laureate Billy
Collins "was to have read from his poetry Thursday night
at the Library of Congress, one of the main duties of the poet
laureate. The reading was canceled because of tests of the
library buildings for anthrax and was tentatively rescheduled
for Dec. 6." Nando
Times (AP) 10/25/01
HAS
THE LITERARY SCENE CHANGED IN 20 YEARS? Let's see. Twenty
years ago "Philip Roth was happily living with Claire Bloom.
Salman Rushdie was just a mild-mannered lapsed Muslim with one
novel under his belt. Allen Ginsberg was still alive and wandering
the East Village. Zadie Smith turned five." Yep, things have
changed. Village Voice Literary
Supplement October 2001
GOVERNOR
GENERAL'S SHORT LIST: Canada's Governor General Award for
fiction announces its shortlist. Jane Urquhart and Richard B.
Wright picked up nominations after earlier this month being named
to the Giller fiction short list. "The other English fiction
nominees for the GG awards, announced by the Canada Council for
the Arts, are Yann Martel of Montreal for Life of Pi, Tessa
McWatt of Toronto for Dragons Cry and Thomas Wharton of
Edmonton for Salamander." Toronto
Star 10/23/01
PUBLISHING-NOT-SO-ON-DEMAND:
An on-demand publisher tries to put out a book of essays about
September 11 in New York, with proceeds going to the Red Cross.
But it turns out that "on-demand" is at the mercy of
traditional distribution systems. Getting big distributors like
Amazon to carry the book proves...how shall we say...a demanding
proposition? Salon
10/20/01
OVERCOMING
AGE: "Who has it worse: young writers or old? Ageism, it
would appear, is a double-edged sword. In columns littering the
opinion pages from London to New York to Toronto, the Old Guard
and the Young Turks are lining up. Not, as one might have
expected, to say who is best. As Robert Hughes has it, ours is a
culture of complaint. The most important thing our artists have to
establish is their victim credentials." GoodReports
10/24/01
THE
LITTLE MAGAZINE WITH BIG FANS: At its peak, Lingua Franca
magazine had a circulation of only 15,000. Newstand sales never
topped 2000. But its fans in academe were many - far beyond its
circulation base, even as it announced it would shut down last
week. "This can't work as a conventional business. It can
only work as something dynamic and risky. It can only work for an
investor who wants to do something dazzling and sexy to get
attention." Chicago
Tribune 10/22/01
THE
HUNDRED YEARS WAR: Think America's war in Afghanistan is
anything new? A hundred years ago the British were embroiled in
the region. And "Rudyard Kipling's novel Kim – as
well as his 1888 short story, The Man Who Would Be King –
provide lessons on the risks the country now faces, even lessons
on the quagmires of nation-building." Dallas
Morning News 10/21/01
THE
ESSENCE OF WRITING: "Literature is amoral, like biology,
like physics, like the universe itself – and like the letters of
the alphabet we use. Literature is an energy, an imaginative
energy, which reflects all aspects of human nature. It is not part
of our schoolmastering, but part of our learning in a wider and
more imaginative sense. It teaches us to refute simplicities,
simplicities which neatly separate good and evil. Above all, it is
not just a set of cautionary or exemplary tales, but
unpredictable, awkwardly shaped, not leading directly to bigger
salaries and wages." The
Independent (UK) 10/22/01
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
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CONTROL
OR GREED? Is Broadway only for the rich? Many are asking,
after producers of The Producers jacked up prices for some seats
to $480 a ticket. "The scalpers have snatched up and
warehoused thousands of our seats. You cannot get good seats for
at least six months because they are in the hands of scalpers. We
are simply trying to regain control of some of our
inventory." New York Post
10/27/01
PUBLIC'S
DONORS QUIT: New York's Public Theatre is in trouble, losing
lots of money. Now, two of the theatre's largest donors have
resigned from the board, citing the "theater's poor financial
management. The resignations present the often turbulent Public
with one of its most pointed crises in years." The
New York Times 10/23/01 (one-time
registration required for access)
WHAT'S
A THEATRE "VILLAGE"? The Royal Shakespeare Company
defends its plans to tear down its Stratford theatre and build a
new "theatre village." "The rebuilt RST will be the
most significant new theatre building of the new century, with the
ambition to be one of the world's best playhouses for
Shakespeare." The Guardian (UK)
10/23/01
THE
NEW BROADWAY: A new generation of young producers is making a
mark on Broadway. "Experimental theatre has been around
forever. What's new [as vividly embodied in 'Blue Man Group'] is
the blending of an experimental aesthetic with a sound fiscal
property." Backstage 10/19/01
THE
MISTAKEN ROYAL: London's National Theatre is marking its 25th
anniversary... er, make that the Royal National Theatre,
its full name (which is almost never used). Turns out the
"Royal" designation was an accident, a mistake, reveal
the theatre's leaders at the 25th anniversary party. The
Independent (UK) 10/26/01
NOT
ON OUR LIFE: Lincoln Center Theater has removed a new musical
from its schedule next year. Jason Robert Brown's The Last Five
Years is loosely based on his failed marriage. But Brown's
wife, said to be unhappy with the script, had her lawyers contact
Lincoln Center to tell them that the couple's divorce settlement
bars Brown from writing about certain aspects of the
marriage...and when the lawyers get involved... New
York Post 10/26/01
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
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PRIVATIZING
ITALY'S MUSEUMS? Italy's new right wing government has plans
to privatize the country's museums, including the Ufizzi. The plan
assumes that private operators would make a profit, some of which
they would pay to the government. Concerned directors from around
the world from 37 leading museums - including Philippe de
Montebello of the Metropolitan Museum, New York, Thomas Krens of
the Guggenheim, New York, Henri Loyrette of the Louvre, Paris and
Neil Macgregor of the National Gallery, London have written a
letter to the Italian government appealing for it 'to discuss this
proposal widely both at home, and to move with due deliberation
before transferring the running of the museums to private
enterprise'." The
Art Newspaper 10/22/01
LATIN
AMERICA'S NEW STORY: A Major new museum of Latin American art
opens in Buenos Aires. "Art scholars say the privately funded
museum is among the most comprehensive of a handful of
institutions dedicated to the major artists who documented the
divine lunacy of Latin America in the 20th century. Indeed, most
museums in the region tend to stress national greats alongside a
smattering of European artists; Chilean museums stick largely to
Chilean art, Uruguayan museums to Uruguayan painters. But the new
museum here reaches farther, seeking to capture Latin America's
diverse societies in one broad stroke." Washington
Post 10/28/01
LOUVRE
REOPENS AFTER STRIKE: Striking workers at the Louvre agreed to
suspend their strike and reopen the museum. "The museum is
one of many Paris tourist sites – including the Orsay Museum and
the Arc de Triomphe – that have been closed due to a 20-day-old
strike by Culture Ministry workers. At times during strike, Louvre
workers have let visitors in free as part of the protest, but it
was closed for eight straight days before Saturday's
opening." Dallas Morning News
(AP) 10/27/01
REGIONAL
MUSEUM CRISIS: While London's museum scene is flourishing,
regional museums are struggling. A government commission studying
the problem says £270 million over five years is required to
rescue the regionals. 'The task force has spent nine months
interviewing regional directors heartbroken at the state of their
museums, and visiting poorly lit galleries with outdated displays
or the leaking stores that hold 95% of regional collections."
The Guardian (UK) 10/24/01
- MONEY
IS CRUCIAL: “If we carry on like this, more museums will
have to close, collections will have to move This position is
now critical.” The Times (UK)
10/24/01
- PROBLEMS
FOR BRISTOL MUSEUMS STAFF: "A roof that leaks into a
gallery containing works by Monet and Renoir... backlog of
maintenance work... fabric coming off the walls... only 10 per
cent of [1.75 million items] on regular display... only one
natural history curator to care for more than 600,000
items." The Times (UK)
10/24/01
BUILDING
ON UNCONVENTION: The Smithsonian hopes soon to name a new
director for the Hirshhorn Museum. He won't be like the old one, a
former social studies teacher who had no degrees in art, a man who
lunched on Snickers bars and wore rumpled clothes. And that's too
bad, because James Demetrion made the Hirshhorn what it is today.
Washington Post 10/24/01
SHRINKING
ART MARKET: Art dealers worry that the demand for buying art
is down. "As perceptions of risk and questions about the need
for liquid assets increase, the demand for art might be
temporarily reduced. In addition, the huge drop in the stock
market this year certainly has reduced the wealth of many
potential buyers." The Art
Newspaper 10/22/01
THIS
YEAR'S ENDANGERED LIST: The World Monuments Fund (WMF) has
announced its 2002 World Monuments Watch List of 100 Most
Endangered Sites. The list is intended to draw attention to world
historical sites that are in danger. "In an unprecedented
move, the organisation notched the list up to 101 sites with the
addition of Historic Lower Manhattan" as some of the area's
historic landmarks were damaged in the September 11 attack.
The Art Newspaper 10/22/01
CZECH
ART BAN: The Czech government has ordered a ban on transport
of any artwork out of the country. The government is being sued
for $500 million by American Ronald Lauder, and officials are
worried that Lauder will try to impound state-owned artwork.
BBC 10/26/01
CHOOSING
A CITY'S ART: Toronto businessman Lou Odette has been donating
big sculptures (24 so far) to the nearby city of Windsor, which
set up a prominent downtown waterfront sculpture garden for the
art. "The city has taken flak for allowing Odette to decide
what the citizens of Windsor will see on their waterfront
promenade, but the mayor countered that beauty is in the eye of
the beholder and any debate fosters art appreciation." The
Globe & Mail (Canada) 10/24/01
REMEMBERING
THE WTC: The owner of the lease on the World Trade Center site
has already begun plans for new buildings there. Meanwhile others
are concerned with coming up with a memorial that "not be a
footnote to a large development project." The
New York Times 10/25/01 (one-time
registration required for access)
MODERN
ART AMONG ANCIENT MONUMENTS: The Istanbul Biennial, which runs
through the middle of November, is "one of the most exciting
and accessible of the big international art shows. Since 1987 the
organisers have invited curators from across the world to come to
live in the waterfront city and fill its historic spaces with
cutting-edge art." The
Economist 10/25/01
WILL
SELL ART FOR FOOD: Britain's museums have a lamentable record
of selling national art treasures when they need to raise money.
"Now a foundation in London has decided to defy this trend
and sell works worth up to £3 million to finance a new home for
its collection." The
Telegraph (UK) 10/22/01
THE
UTILITY OF ART: What turns a ceramic pot or plate into a work
of art? What transforms a utilitarian object into something
artistic? The Guardian (UK) 10/21/01
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
GIVING
TO ARTS/CULTURE DRYING UP: Contributions to non-profits are
down about 20-25 percent this year due to the bad economy.
"The nonprofits in the most jeopardy are arts and cultural
institutions, smaller organizations, those relying on only one or
two large sources of funding and, especially, any group that
hasn't worked diligently over the last several years to nurture
its donor base and demonstrate its value."
BusinessWeek 10/25/01
SOUTH
AFRICA'S RAW EDGE: South Africa's post-apartheid arts and
artists are struggling. "The institutional framework for the
arts, culture and heritage has changed significantly and for the
better since 1994. The list of new policies, structures and
legislation generated by the Department of Arts, Culture, Science
and Technology is impressive, but adequate funding and efficient
implementation are lacking in all areas, and some are in crisis."
Daily Mail & Guardian (South Africa) 10/24/01
THE
LANGUAGE THAT REFUSES TO DIE: "Dead" languages are
those which no one uses any more. So, is Latin a dead language?
That's the general attitude, but there's evidence to suggest it's
reviving; perhaps it never died. "If Latin could survive
being a required subject, it can survive anything. Epitaphs - even
lapidary ones in capital letters - are premature." The
Guardian (UK) 10/25/01
LINCOLN
CENTER RESIGNATION: Lincoln Center loses another top exec.
"Marshall Rose, who has served as the unpaid chairman of the
center's redevelopment corporation, said he was stepping down
because he had completed his work on a master plan. But it was
widely known within Lincoln Center that he was intensely
frustrated with the internecine battles that were hindering the
project's advancement." The New
York Times 10/23/01 (one-time
registration required for access)
TESTING
THE STANDARDS: Is the American SAT test endangered?
"Today's critics have opened an assault on the use of what is
essentially an IQ test to measure students' ability to learn. The
outcome of the debate will affect how colleges with competitive
admissions pick students, how racially diverse those students will
be, and how high-school students prepare for college." Chronicle
of Higher Education 10/22/01
WHERE'S
THE DEBATE? Since September 11, many college campuses have
seen "attacks on professors who have been censured by
administrators, deluged with hate mail, or otherwise intimidated
for claiming that the United States is to blame for the terrorist
assaults. In large measure, responsibility for the tattered
condition of our campus culture of free speech must be assigned to
the very professoriate that now seeks the shelter of that
tradition's tolerance. Students, and the public at large, no
longer believe that the academy is capable of providing the
country with a balanced assessment of our national dilemma."
Chronicle of Higher Education
10/22/01
ALWAYS
THE FIRST TO GO: The city of Phoenix is feeling a bit of a
financial pinch, and members of the city council are turning
against funding for local arts groups. The city's ballet and opera
companies have been specifically targeted for cuts by two powerful
councilmen. Arizona Republic 10/24/01
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
WELL,
BOTTLED WATER SOLD, DIDN'T IT? "A British artist is
planning to record the sound of silence in radio broadcasts and
sell the recording as a collector's item. Matt Rogalsky plans to
spend 24 hours monitoring the BBC's flagship current-affairs
channel Radio 4 on Dec. 12, collecting the gaps between the words
with his custom-designed software." The
Globe & Mail (Toronto) 10/25/01
MAKING
OUT IN MUSEUMS: A new study says that 20 percent of Italians
going to museums have had an erotic experience there.
"According to the study, a Caravaggio painting or a Greek
sculpture is more likely to lead to sex than works by Tiepolo or
Veronese. The experts have even compiled a hit parade of Italian
museums, listing the institutions in order of their ability to
awaken Eros." ARTNews 10/01
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