Week
of September 24-30, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10 For Fun
Editor's
Note: We've added 37
arts stories last week related to the
terrorism acts in the United States on September 11. Stories
include news, background, and artists' reaction and interpretation
of the events. Our archive now includes some 200 such stories which you can access here.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
1. SPECIAL INTEREST
http://www.artsjournal.com/Arts%20beat.htm#specialinterest
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ART
IN A TIME OF FEAR: "Art can appear so insignificant when
the world gets crazy. But the world has always been crazy, even if
it hasn't been as horrifying. Art's been around a long time. It
knows how to handle good times and bad. And it's never really been
insignificant. Most art is superficial. However, the aesthetic
experience (the term always rings tinny), the enigmatic interior
place we go when we make or look at art, is still what it's always
been: complex, rich, rewarding, meaningful, and moving. It is a
place we will always return to. A place, presumably, we all come
from. A place, moreover, that tells us things we didn't know we
needed to know until we knew them." Village
Voice 09/25/01
HOW
WE READ/WATCH: A new book suggests "that recent
developments in cultural and critical theory have obscured, or
more accurately ignored, the experience of working-class audiences
of books, plays and paintings. Theorists have been so keen to
speculate on the way in which Great Expectations, Billy
Bunter or the Tarzan films reproduced the dominant class and race
relations of their time that they have not bothered to wonder how
individual men and women received and interpreted these built-in
biases." The Economist 09/28/01
TOUGH
TIMES FOR CULTURAL JOURNALISTS: As the world's attention
focused on the disaster in New York, arts journalists have had to
think hard about their roles. "Interviewers and interviewees
would agree they felt distracted, that today's topic seemed
unimportant in comparison, and then trot through the usual
questions and answers about the forthcoming book or the venerable
dance troupe. Editors and producers were left scratching their
heads as they tried to decide whether they would seem more
insensitive by running unrelated stories ("Orchestra looking
for new conductor") or by running related ones ("Whither
the disaster movie?")" Globe
& Mail (Canada) 09/27/01
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2. DANCE
http://www.artsjournal.com/Arts%20beat.htm#dance
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ATTACKING
THE CRITIC: Houston Ballet didn't like a story about the
company in the alternative weekly Houston Press. So the company
has withheld review tickets from he publication's critic and
refuse to talk to reporters. Houston
Press 09/26/01 [second item]
- WHAT
HOLDS HOUSTON BALLET BACK? "Ben Stevenson is the
longest-serving head of a major American ballet company."
He's built the company into a respected institution. So why is
it that "every five years or so, it seems he might be out
of a job"? Houston Press
09/01
SUZANNE
FARRELL - FROM DANCER TO ARTISTIC DIRECTOR: "The greatest
ballerina this country has produced is moving into a new sphere as
a leader. The woman who for nearly 30 years did what she was told
is now calling the shots. For dance lovers, her arrival here as
artistic director of the Suzanne Farrell Ballet - an entity
conceived and wholly funded by the Kennedy Center - is as
momentous as basketball great Michael Jordan moving in to run the
Wizards." Washington Post
09/26/01
ROOM
FOR POP CULTURE IN THE HIGH ARTS: The Scottish Arts Minister
has attacked what he calls elitism in the arts, saying, "I
think there is, in certain quarters, intense snobbery that still
prevails. People get hung up on classical ballet - the whole point
of the business plan is to have dance in the widest sense."
The Herald (UK) 09/25/01
- CLASSICS
BEFORE MODERN: Scottish National Ballet recently got rid
of its artistic director and announced it was abandoning
classical ballet to reinvent as a modern company. Now top
dancers with the company may strike in protest of the plan. The
Scotsman 09/23/01
- MAD
PLANS: Dancers also object to a board proposal to sell
their historic headquarters. The 36-strong troupe is
"also demanding the removal of the current Scottish
Ballet board and the scrapping of the restructuring plans,
which they describe as 'madness'." The
Sunday Times (UK) 09/23/01
IN
SEARCH OF SUPPORT: Alberta Ballet faces a life-threatening
deficit. The company's "financial problems reflect an
inability to match expansionary artistic ambitions with the
realities of its fundraising prospects. Calgary is a rich city in
a rich province. On a per capita basis, its citizens support
charitable causes as generously as does any other Canadian city,
but they are notoriously niggardly when it comes to supporting
Calgary's struggling non-profit arts groups." National
Post 09/26/01
DISCARDING
A STAR: For the past 11 years, Irek Mukhamedovhas was the
Royal Ballet's biggest star. But 'there was no regretful but
grateful meeting between star and boss to declare time on a
lustrous career, let alone an announcement." The dancer even
had to organize his own public farewell. The Telegraph (UK)
09/25/01
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3. MEDIA
http://www.artsjournal.com/Arts%20beat.htm#media
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
ALL
ABOUT THE PRODUCT TIE-INS: Two blockbuster movies are about to
come out - installing the Lord of the Rings and Harry
Potter franchises on the big screen. But aside from questions
about whether or not the movies will be any good, are the
merchandising issues. There are billions (yes that's with a 'b') at
stake. The Telegraph (UK) 09/29/01
WHAT
MOVIES DO: Do violent movies reflect society or influence it? A
long-pondered question. "Apart from their profitability for
producers, simplified treatments of disturbing topics give audiences
a feeling of togetherness in a world that's sometimes too scattered
and confusing for comfort. This can have a calming effect, but it
can also promote negative attitudes of prejudice and
xenophobia." Christian Science
Monitor 09/26/01
EMMY
AWARDS TO BE LOW-KEY: The TV awards show, postponed from
September 16 to October 7, will be a dress-down affair. No glamorous
outfits, no red carpet. And because of the changed schedule, the new
complications of cross-country travel, and doubts about the
appropriateness of awards at this time, several nominees and winners
may not be there either. New York
Post 09/27/01
HELPING
OR EXPLOITING? "Do movies distort our views of past events?
Or do they do a service by arousing our curiosity to find out what
really happened? At the moment, it's hard to imagine Hollywood
making a movie based on the events of Sept. 11. But the industry
track record shows it is merely a matter of time." The
Christian Science Monitor 09/28/01
SCREEN
TEST: "Using test audiences to see how a film plays
during editing has long been standard practice in Hollywood.
Traditionally, Australian film-makers have filled screenings with
collaborators, advisers and trusted friends without formally
measuring their response. This is partly a reflection of the
industry's defiant independence from Hollywood commerciality;
partly scepticism about using market research to improve films;
and partly a reflection of limited budgets for test screenings and
correcting problems. But faced with the ever-tougher challenge of
competing in cinemas, test screenings are becoming more
frequent." Sydney Morning Herald
09/25/01
CHANGING
HOLLYWOOD: "Everywhere you look in Hollywood since that
tragic day, the entertainment landscape has been transformed, as
if ripped asunder by a massive earthquake. People have come to
work feeling like jittery sleepwalkers, especially after the
studios received FBI warnings late last week that they could be
possible targets for terrorism. Nearly every studio has been
postponing films, giving them face lifts or tossing scripts out
the window." Los Angeles Times
09/25/01
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4.
MUSIC
http://www.artsjournal.com/Arts%20beat.htm#music
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
TOP
10 CONDUCTORS: Who are the top ten conductors in the UK, as
chosen by conductors? A new survey reveals Simon Rattle on top,
American Marin Alsop, the first woman to be music director of a
major British orchestra comes second... The
Independent 09/23/01
TORONTO
SYMPHONY IN PERIL: The Toronto Symphony is one of Canada's
premiere arts organizations. But "due to lower than expected
revenues, the symphony must secure $1.5-million in new operating
funds by Nov. 30 and increase its operating line of credit by more
than $1-million to survive." Otherwise, the orchestra is in
danger of going out of business. National
Post (Canada) 09/26/01
- TORONTO
SYMPHONY IN DISARRAY: Less than a year after taking the
job, Edward Smith is leaving as Executive Director of the TSO.
"The cancer has spread too far into the body," Smith
explained. "It's not just a matter of treating one limb
or one organ. These are strong words, I know. But that's the
best analogy I can think of. The cancer within the TSO is
everywhere." Toronto Star
09/27/01
- TORONTO
SYMPHONY BLUES: "Now in its 80th season, the TSO has
a cumulative deficit of nearly $7 million. Its subscription
sales over the past few years have declined to 30,000 from a
peak of 45,000. 'Over the past five to 10 years, the capacity
of symphony orchestras to sustain revenues, to hold audiences,
and to deepen the connection to the communities they serve
have all been severely tested...around the world'." CNN.com
09/27/01
- QUITTING
POLITICS: The TSO's executive director resigned from the
orchestra not because of a $7 million deficit, but because of
internal politics, he says. CBC
09/28/01
- WHEN
IN DOUBT - BLAME THE FUNDERS: The Toronto Symphony's
near-bankruptcy is just the highest-profile difficulty facing
Canadian orchestras. Many are on the brink. Could it be the
funders' fault? "What we have now is the blowback from
the Canada Council and the Ontario Arts Council building up
the funding levels [during the eighties] and then dropping
them. That created a void that none of these organizations
ever recovered from." The
Globe & Mail (Canada) 09/29/01
MUSIC,
FOOD & SEX: "Researchers have found that melodies can
stimulate the same parts of the brain as food and sex. 'People now
are using music to help them deal with sadness and fear. We are
showing in our study that music is triggering systems in the brain
that makes them feel happy." Nando
Times (AP) 09/24/01
ORCHESTRA
BATTLES WHEN PEACE HITS: The Ulster Orchestra was founded in
1966 in Belfast, and though it dodged bombs, riots and martial
law, it always played on. Now that the politics have calmed down,
the orchestra's survival challenges are changed.
The Times (UK) 09/25/01
ANOTHER
STERN TRIBUTE: Violinist Isaac Stern "changed the very
idea of what a classical musician does. Musicians once stayed on
the political sidelines, practicing scales and bringing beauty to
the world. Stern was a highly effective activist, so much so that
he was too often guilty of not practicing scales." Philadelphia
Inquirer 09/25/01
CAN
HE DO IT? "As chalices go, the Royal Opera House seems
pretty comprehensively poisoned. Rumour suggests that opera bosses
around the world who were approached just laughed. And yet here is
Tony Hall, an Oxford graduate in politics, philosophy and economics,
a smiling, occasionally giggling and distinctly boyish 50- year-old,
emerging from 27 years at the BBC to take over Covent Garden's cream
gilded palace. Everything about this man is, in the context of the
ROH, improbable." Sunday Times (UK)
09/23/01
CHICAGO
SYMPHONY KILLS BROADCASTS: "Because of a lack of funding,
the Chicago Symphony Orchestra will terminate its 25-year series of
weekly nationally syndicated radio broadcasts after this weekend...
The CSO was the last remaining U.S. orchestra to be heard on the
radio 52 weeks a year." Chicago
Tribune 09/28/01
WHOSE
MUSIC IS DYING NOW? Global recording giant EMI will post
significant losses for the first half of fiscal 2001 due to what the
company describes as "a ‘marked deterioration’ in market
conditions." Interestingly, as record labels worldwide are
junking or severely cutting back their classical music divisions,
EMI Classics was one of the only divisions that did well for it's
corporate parent. Gramophone 09/27/01
ORCHESTRA
LOCKOUT: The Calgary Philharmonic is $650,000 in debt. "The
CPO could be bankrupt by Christmas unless it can sort out its
financial affairs - including reaching an agreement to roll back pay
and benefits for its 65 full-time players." So the orchestra is
asking musicians for a pay cut, or the players will be locked out.
Calgary Herald 09/25/01
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5. PEOPLE
http://www.artsjournal.com/Arts%20beat.htm#people
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
THE
DIFFICULT MR. STOCKHAUSEN: Did composer Karlheinz Stockhausen
really tell a journalist that the attack on the World Trade Center
towers was "the greatest work of art imaginable for the whole
cosmos"? He says not and that he was misquoted. "Stockhausen
the composer, and indeed the man, has always generated both horror
and adulation. His total dedication to his work is admired and
feared, his criticisms of almost every other musical genre (other
than his own) are legendary, his demands that we throw away our
attachments to 'the music of the past' seem like the strictures of
a feared schoolmaster, and his grandiose spiritual pronouncements
are often greeted with derision. And yet he is universally
regarded, even by his opponents, as one of the key figures in
contemporary music, and he is revered by a new generation of
electronic pop and dance acts as a mentor." The
Telegraph (UK) 09/29/01
- DID
HE MISS THE POINT, OR DID WE? "Stockhausen, in
focusing on the formal and visual elements of the terrorist
deathwork, forgot the idea that (as Bach indicated in all of
his manuscripts) all art should be created for the greater
glory of God — unless, of course, you have some perverted
notion of what God is." Andante
09/30/01
- HELP
CREATE OR DESTROY IT? "Karlheinz Stockhausen is one
of the great figures in modern composition, a revolutionary
whose shadow stretches across contemporary music in all its
incarnations. Along with such avant garde goliaths as Pierre
Boulez and John Cage, he embodies the iconoclastic spirit that
has torn away old certainties such as melody and fixed
time-signatures, and recast the fundamentals of music in the
20th century." The
Guardian (UK) 09/29/01
JENS
NYGAARD, 69:
Jens Nygaard, founder and conductor of the Jupiter Symphony, died at
his home in New York. His energetic conducting was legendary, as was
his idiosyncratic programming. "I never programmed a piece I
was not completely, 100-percent committed to," Mr. Nygaard
said. "And I'm fortunate because I can love a Stephen Foster
song, a Spohr symphony, a Caccini motet and a Beethoven symphony
equally." The
New York Times 09/26/01 (one-time
registration required for access)
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6.
PUBLISHING
http://www.artsjournal.com/Arts%20beat.htm#publishing
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
IN
GOOD COMPANY: The American Library Association has issued its
latest list of books that have been yanked from shelves or
challenged for their "suitability." J.K. Rowling's Harry
Potter series tops the list with numerous claims that the books
promote satanism, presumably in the same way the Mark Twain promoted
racism and John Steinbeck promoted the beating of people from
Oklahoma. BBC 09/28/01
HARRY
GOES PLATINUM: JK Rowling has won four platinum awards for her
Harry Potter books. "The British book industry created the
prizes, modeled after the music industry's gold and platinum
records. The awards are based on sales in bookstores, supermarkets
and over the Internet. Platinum awards recognize sales of more than
a million books. Rowling is believed to have sold more than 100
million books worldwide." Raleigh
News & Observer (AP) 09/23/01
AUSSIE
BOOK GLUT? Is Australia's book industry publishing too many
books? Some say yes - the 200 or so Australian novels published
this year were almost double the number published 10 years ago.
"This glut on the market has created a 'literary logjam' that
was 'suffocating' readers and cutting into authors' incomes, while
the proliferation of creative writing courses has created a
climate of unrealistic expectations and a 'false sense of reality'
among aspiring writers. More and more novels are then being
published and the infrastructure of reviewing, media attention and
bookshop space is not coping." Sydney
Morning Herald 09/26/01
EDITH
WHARTON COMES INTO HER OWN: For forty years she was dismissed
as "a reactionary, an antimodernist, a rich old-school
genteel snob, and a minor female version of Henry James." Now
it's Henry James who is being overlooked, and Edith Wharton
"no longer has to be judged by his standards." New
York Review of Books 10/04/01
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7. THEATRE
http://www.artsjournal.com/Arts%20beat.htm#theatre
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MISS
SAIGON DIRECTOR TO HEAD NATIONAL: Nicholas Hytner has been
named director of London's National Theatre, succeeding Trevor
Nunn. "Hytner is a director of real distinction, with a host
of successes to his name. He is extremely confident when it comes
to filling big stages, and has been in charge of some of the
National's most ambitious and popular successes over the
years." The Telegraph (UK)
09/26/01
- TAKES
OVER IN 2003: Hytner is the fourth middle-aged, white,
Cambridge graduate to head the National, but Hytner says
"I am not against older folk coming here and having a
good time, but the age of the audience will come down when we
reflect something other than the homogeneous concerns of a
white, middle-aged, middle-class audience." The
Guardian (UK) 09/26/01
- POPULAR
CHOICE: "Is the affable Hytner his own man? What will
he bring to the job that Trevor Nunn didn’t? Hytner has a
five-year contract, but is continuity rather than change
likely to be his watchword? Up to a point, yes." The
Times (UK) 09/26/01
- GOOD
CHOICE: "He's hugely popular within the building and
has real substance. And, although he pays due and proper
tribute to his predecessor, there are already encouraging
signs that, at the National, Hytner will be very much his own
man." The Guardian (UK)
09/26/01
BROADWAY
BACK UP: Audiences returned to Broadway theatres this past
weekend. "A number of Broadway shows played to
standing-room-only crowds on Saturday and Sunday, though tickets
to all but the most popular productions were heavily discounted.
Yesterday, many producers said 25 percent to 50 percent of their
business this past weekend came from the half-price TKTS booth in
Times Square." New York Post
09/25/01
- NY
THEATRE FAMILY CRISIS: Broadway's sudden downturn is the
worst and most abrupt ever experienced in New York. "Will
the tourists return? Will old shows close? Will new shows come
in? The questions affect everyone from the makers of wigs,
shoes and marquees to restaurateurs, fight directors, ticket
sellers and those who write advertisements or publish
programs: all of whom depend for their livelihoods on the
Great White Way." The New
York Times 09/25/01 (one-time
registration required for access)
- BRIGHT
FUTURE FOR BROADWAY? One of New York's senior theatre
critics thinks that the doomsayers are overstating the crisis
facing Broadway. "During World War II in London, I recall
watching theater while Hitler's doodle-bug, pilotless missiles
droned and spluttered overhead. Later, von Braun's rockets
plopped down and caused indiscriminate devastation. There was
nothing one could do about them. The thinking was: One may as
well go to the theater." New
York Post 09/30/01
- ACTING
PROACTIVE: No sector of the arts world has suffered in the
wake of the September 11 tragedy like the theatre. While many
people look to music, literature, and visual art to help sooth
their troubled souls, the prospect of an evening of song and
dance or high drama still appears to be uninviting to most of
the public. In Boston, one of America's great regional theatre
centers, companies have banded together to try and draw the
public back into their world. Boston
Globe 09/28/01
- PROFESSOR
HAROLD HILL LEAVES TOWN: "Broadway's most powerful
union has told the The Music Man to take a hike. The
International Alliance of Theatrical Stage Employees is the
only union that has not offered to help The Music Man.
The other theater unions - including Actors' Equity - have
agreed to the cuts. IATSE, which represents stagehands and
other members of the backstage crew, has also suspended
discussions with two other shows, Proof and The Tale
of the Allergist's Wife." New
York Post 09/26/01
- KEEPING
KATE ALIVE: "Kiss Me Kate posted its closing
notice last week on Broadway after business bombed. But on
Sunday, the show's cast and crew decided not only to take a 25
percent pay cut to keep the show open, but also to spend 25
percent of their salaries on buying tickets to the show, which
they'll then donate. Sunday "the play began with an actor
walking on stage, sweeping off the closing notice and singing
the first few words of the first song in the Cole Porter
musical, Another Op'nin', Another Show. The audience
cheered." Nando
Times (AP) 09/24/01
FROM
STREET TO GLOBAL ENTERPRISE: Cirque du Soleil has made the leap.
But how to keep the creative edge without becoming corporate? Maybe
by expanding beyond tents. "We're talking about a hotel where
basic hotel services would be offered, but there might also be a
butler character that pops up at different occasions during the
daytime with surprises for the customer that would make them crack a
smile. A butler with a crazy face would serve you breakfast in the
morning, so maybe that would brighten your day. But we're also
talking about restaurants, clubs, spas and bus stations."
Globe & Mail (Canada)
09/25/01
WEST
END WORRIES: As Broadway ticket sales tank, London's West End
worries it too will find business dissolving. "In an average
year, Americans and Canadians buy between 7 and 10 per cent of all
West End seats, and overseas visitors account for about a third of
the total. The concern in and around Shatfesbury Avenue is that,
unlike during the Gulf War, when there was only a significant drop
in the number of North American tourists, the West End’s
continental and Australasian customers will also dwindle, as
thousands cancel international flights." The
Times (UK) 09/24/01
SELLING
THE NATIONAL THEATRE: The president of Nigeria wants to raise
money for his impoverished government. So he's planning to sell off
government enterprises - including the country's National Arts
Theatre - to the highest bidders. "But groups of Nigerian
musicians, actors and actresses are staging a series of performances
and road marches in protest at the sell-off plans. 'We have made it
clear to the government that the National Arts Theatre is the soul
of the nation and it should not be sold'." BBC
09/28/01
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8.
VISUAL ARTS
http://www.artsjournal.com/Arts%20beat.htm#visualarts
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
SMITHSONIAN
HIT HARD: The world's most-visited museum complex has been
crippled by the September 11 events. "Some days
Smithsonian-wide attendance has dropped almost three-quarters from
the same day last year. For example, last Sunday only 22,000 people
visited the Smithsonian's museums on the Mall, compared with 75,000
on the same Sunday a year ago." Washington
Post 09/28/01
IS
VAN GOGH ACTUALLY A GAUGUIN? Is a sunflower painting thought to
be by Van Gogh really by Gauguin? "After examining letters
between the two artists and other correspondence" a respected
Italian art magazine says the painting "was copied by Gauguin
from a genuine Van Gogh." National
Post (Canada) 09/26/01
WHAT
IS POSSIBLE: "What was possible in Berlin in 1995 after
decades of preparation is no longer thinkable today. The euphoria
has faded, disillusionment and skepticism have taken over. Also,
discourse in art has struck more solemn notes in recent years. The
gestures and services known as "social action" are
preferred to singular, monumental works." Frankfurter
Allgemeine Zeitung 09/27/01
HOW
SHOULD ARCHITECTURE WORK? Is a building important mostly for how
it looks or for how people interact with it? "Why are
architects so obsessed with models, which always take pride of place
in their offices? Why are buildings always photographed empty? Too
often, the 'user' is seen as an annoyance who gets in the way of the
rationality of the structure. But life is messy and buildings have
to take account of that." The
Guardian (UK) 09/29/01
TOWERING
LIGHTS: "A team of artists and architects is planning to
erect a massive light sculpture to simulate the outline of the
110-storey World Trade Center. Beams of xenon light stabbing skyward
would coalesce into a kind of apparition of the fallen twin
towers." Toronto Star (first item)
09/29/01
A
LAND NO LONGER THERE: "Written in 1977 by Nancy Hatch
Dupree, An Historical Guide to Afghanistan is a painful read. The
book evokes a country that has now completely vanished: of
miniskirted schoolgirls cruising round Kabul; of fascinating
Buddhist relics; and of donkeys plodding across the mountains loaded
with the wine harvest. Most of the chapters are now redundant. The
Taliban has pulverised the Kabul museum (chapter four) and dynamited
the Bamiyan Buddhas ('one of man's most remarkable achievements',
chapter seven)." The Guardian (UK)
09/29/01
THE
GREAT AUCTION FRAUD: Now it can be revealed that a glittering
art auction held 11 years ago, involving work by Picasso,
Modigliani, Dubuffet, Derain and Miró and netting £49 million,
involved a tangled story of embezzlement, paper companies, and
"the exploitation of two elderly art lovers who entrusted
their collection's disposal" to the respected Drouot auction
house. The Observer (UK) 09/23/01
WHY
HER? What is it about the Mona Lisa that has made it such a
cultural icon? "The renown and meanings of the Mona Lisa have
been the product of a long history of political and geographical
accidents, fantasies conjured up, connections made, and images
manufactured. There is no single explanation for the origins and
development of the global craze surrounding this painting." New
Statesman 09/24/01
THE
ON-LINE HERMITAGE: With 3 million items spread over 14 square
kilometers, Russia's Hermitage Museum is one of the largest - and
least-fully-explored - art treasuries in the world. Many of its prized
pieces from each period are now on display on-line, along with
views of the inside of the museum itself. The
Moscow Times 09/26/01
ENSURING
ADDED COST: A new Australian law mandates that Aussie museums
start getting commercial insurance for exhibitions. "The
outsourced insurance policy supersedes a Commonwealth-managed,
self-funded insurance program, Art Indemnity Australia, which for
20 years operated with internationally recognised success at
almost no cost." The new commercial alternative will cost
$1.5 million a year." Sydney
Morning Herald 09/26/01
SCROLLING
ON BY: The Dead Sea Scrolls were supposed to be put on display
in Salt Lake City during the 2002 Olympics. But concerns over
travel and the precious documents' security have forced
cancellation. BBC 09/25/01
WTC
ART LOSSES: Estimates of losses of art (only in the destroyed
World Trade Towers, not in surrounding buildings) are estimated at
$100 million by AXA Nordstern Art Insurance, the world's largest art
insurer. The Art Newspaper 09/24/01
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9.
ISSUES
http://www.artsjournal.com/Arts%20beat.htm#issues
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
LINCOLN
CENTER EXEC RESIGNS: Gordon Davis has resigned as president of
Lincoln Center, amidst rumors of infighting between Davis and
chairwoman Beverly Sills. "Arts executives, speaking on
condition of anonymity, said that department heads at Lincoln
Center complained to Ms. Sills that Mr. Davis had dealt harshly
with staff members and driven some to tears. Ms. Sills, they said,
initially defended Mr. Davis but eventually saw merit in the
complaints." The resignation throws into doubt the center's
$1.5 billion refurbishment plans. The New
York Times 09/29/01 (one-time
registration required for access)
PROTECTING
INTERNATIONAL CULTURE: "Artists from 33 countries are
calling for a treaty on international culture. Eighty-five members
of the International Network for Cultural Diversity wound up a
two-day meeting in Lausanne, Switzerland. The artists say it's
time governments took their concerns for protecting culture
seriously." CBC
09/26/01
RUMORS
OF OUR DEATH... So irony is dead now, at least according to
numerous U.S. pundits. So are beauty, truth, innocence, and trust.
"The concept of a deadly terrorist attack fuelling an
international debate on what was once just a literary term seems a
bit odd. However, the temptation for commentators to sound the
death knell is nothing new." National
Post 09/28/01
WHY
ART: Robert Brustein ponders the role of art in dark times.
"It is necessary to look past the waved flags, and the silent
moments of prayer, and the choruses of God Bless America,
and try to keep the arts in focus. By lighting up the dark
corridors of human nature, literature, drama, music, and painting
can help temper our righteous demand for vengeance with a
humanizing restraint. The American theater presently stands, like
Estragon and Vladimir, under that leafless tree in Beckett's
blasted plain. The show can't go on. It must go on. There can be
no time when it's no time for comedy." The
New Republic 09/27/01
THE
PROBLEM WITH AUSSIE ARTS: Australia's arts are in their
greatest crisis in 30 years. A panel, made up of arts
professionals, has been studying the problems, including "a
shrinking middle-class market - traditionally a core audience base
- and rising production costs." Solutions include
"greater focus on Australian stories and voices, more risk
taking and a culture of United States-style private
patronage." Sydney Morning Herald
09/24/01
HOW
THE ARTS MAY CHANGE: "If the consensus is correct, the
arts may change dramatically. No one can know what those changes
will look like. In Western society, the response of art to a
change in social conditions is never uniform and rarely obvious.
And there is no guarantee whatsoever that art will rise to the
occasion. Frivolous, decadent periods can produce brilliant art;
serious times can produce pious bunk. If there is to be a profound
change in art, however, its early harbinger will be impatience -
even disgust - with the broad worldview that has sustained art
during the past 40 years." New
York Magazine 09/24/01
BIGTIME
DONATING: Friday night's Hollywood telethon broadcast on some
40 channels to raise money for disaster relief raised $150
million, organizers say. "The money will be distributed
through the United Way with no administrative costs deducted,
organizers said on Monday." Nando
Times (AP) 09/25/01
WHO
GETS TO REMEMBER: Historians debating their role in society
suggest that they have been pushed into a role of merely
collecting facts for the future. Telling the narrative of history
has been taken over by the media. Frankfurter
Allgemeine Zeitung 09/26/01
CONTEXT
CHANGES ART: Art is changed by the context it is in. And that
can change with events. "With the destruction of the World
Trade Center this dynamic went into play. American culture was on
instant high alert, scrambling both to accommodate what was
happening and to avoid giving offense. Television shows were
rescripted; films were pulled from release; Broadway plays
discreetly dropped bits that might seem insensitive. By contrast,
gallery shows opened pretty much as planned. Most art isn't
amenable to last-minute editing. And the art world resists
self-censorship, for good reason." The
New York Times 09/25/01 (one-time
registration required for access)
RETHINKING
AFTER TERRORISM: What's a play, movie, book or recording to do
after September 11's terrorism? "The self-scrutiny is
unprecedented in scale, sweeping aside hundreds of millions of
dollars in projects that may no longer seem appropriate. Like the
calls to curb violence in popular entertainment after the 1999
shootings at Columbine High School in Colorado, the reaction may
be helpful in the short term. But creators and producers are just
beginning to grapple with more difficult, long-range questions of
what the public will want once the initial shock from the
terrorist attacks wears off." The
New York Times 09/24/01 (one-time
registration required for access)
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
9.
FOR FUN
http://www.artsjournal.com/Arts%20beat.htm#forfun
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
MAKE
'EM LAUGH:
Ever since the attacks of September 11, comedians of all stripes
have been walking on eggshells. Some offer deadly serious messages
of condolence, some skirt the subject entirely, but no one has
tried to make comedic hay from the tragedy. Then, this week, the
latest issue of the satirical newspaper The Onion hit
newsstands, with content devoted entirely to the fallout from the
attacks. Daring? Yes. In poor taste? Perhaps. But very, very
funny. Wired 09/27/01
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