Week
of June 16-22, 2001
1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Arts Issues
10. For Fun
1.
SPECIAL INTERESThttp://www.artsjournal.com/Arts%20beat.htm#specialinterest
MUSEUM
CRASH? The growth in the number and interest in museums in the
past decade has been unprecedented. But the growth is
unsustainable, and beneath the boom is the unsettling fact that
many museums are seriously undercapitalized. One expert says it
will be a difficult next decade as museums try to stabilize. The
Art Newspaper 06/15/01
THE
SCIENCE OF POPULAR MUSIC: Scientists have analyzed thousands
of songs trying to identify the popular "DNA" that makes
them appealing. "The Music Genome Project is a computer
assisted method of identifying songs that will appeal to
particular tastes, regardless of conventional ideas of genre or
style." New Scientist 06/18/01
2. DANCEhttp://www.artsjournal.com/Arts%20beat.htm#dance
DANCING
THROUGH LIFE: For all the unfavorable press the dance world
gets for its habit of pushing children to (and past) their
physical and emotional limits in pursuit of a career on stage,
schools like the National Dance Institute, which turns 25 this
year, have a profound impact on the lives of their young recruits.
A recent documentary examines how the school's teachings changed
the lives of its students, even those who hung up their dance
shoes in favor of business suits. The
New York Times 06/19/01 (one-time
registration required for access)
GRAND
PLANS: "The Grand Canyon will serve as the panoramic
backdrop for a single performance combining music, dance and
theater in one of six huge-scale projects announced Monday by the
Wolf Trap Foundation for the Performing Arts." Nando
Times (AP) 06/19/01
DANCE
TO THE BALL: British rugby players are turning to ballet
classes to help with their game. "The gentle training methods
come as a shock to squads used to heaving and sweating in a gym
before a run around the touchline. Sports exercises tend to
concentrate on building the muscles in limbs, while dance
techniques strengthen the trunk so that the body's power can be
transferred more precisely to the area it is required."
Sunday Times 06/17/01
RECOVERING
FROM CLEVELAND: What happened to the 40 dancers of Cleveland
San Jose Ballet last year after the company folded? Many went to
San Jose to be part of the new company forming there.
"Stunned by the cost of living in one of America's most
expensive cities, some dancers dropped out of the new company
midseason to return to Cleveland or pursue new careers elsewhere.
But most completed the 25-week contract, and many have signed on
for the 2001-2002 season." The
Plain Dealer (Cleveland) 06/17/01
CELEBRATING
AFRICAN AMERICAN DANCE: Is modern dance a creation of white
choreographers? A new documentary disputes the conventional
wisdom, showing "how black dance artists honor their heritage
and transform their responses to society into glorious
dancing." The New York Times
06/17/01 (one-time registration
required for access)
3.
MEDIAhttp://www.artsjournal.com/Arts%20beat.htm#media
SORT-OF
FREE SPEECH? The US Congress will consider legislation that
will sic the Federal Trade Commission on entertainment producers
who are accused of marketing adult entertainment to children.
Meanwhile a watchdog group is calling for a common rating system
for TV and movies. Washington Post
06/21/01
INDIA
WANTS TO GO GLOBAL: India's Bollywood film industry is by far
the largest in the world, producing about 800 feature movies a
year (compared to the 100 or so made in Hollywood). But Indian
filmmakers "desperately want to increase their market share
of $3.5 billion in a $300 billion global industry. There are just
12 cinemas per million people in Indian compared to 116 per
million in America." BBC 06/21/01
WAITING
FOR DIGITAL: One in three U.K. households now has digital
television, with at least five years to go before analog signals
are switched off permanently. But although Britons appear to be
ahead of (ahem) certain other countries in preparing for
the transition to digital, concerns remain about how to get the
entire country switched over in time. BBC
06/22/01
CBC
CUTS JOBS: Canada's public broadcaster CBC yesterday announced
the elimination of 50 jobs, "mostly in the arts and
entertainment production section of CBC TV." Ottawa
Citizen 06/20/01
- CBC
WANTS MORE: Over the past decade the Canadian government
has slashed the budget of the Canadian Broadcasting
Corporation by $400 million. This year it restored $60 million
of those cuts in a one-time programming boost. Now CBC
president Robert Rabinovich says the increase should be
permanently renewed. "Iif tomorrow the money disappeared,
we'd be in a deep hole. We'd be in a very serious programming
problem." The Globe &
Mail (Canada) 06/20/01
IGNORING
DIVERSITY: Apparently, the six major U.S. broadcast TV
networks are not frightened of the NAACP and it's influential head
man, Kweisi Mfume. A few short months after promising Mfume and
his organization that they would do everything possible to
increase diversity on network television, all six networks have
unveiled fall lineups that are as white as a poodle in a
snowstorm, seemingly challenging the NAACP to make good on its
boycott threats. The Plain Dealer
(Cleveland) 06/19/01
REALITY
IS BORING: For as long as filmmakers have been making movies
about classical music, musicologists have been complaining about
the lack of historical accuracy. But now, a historically perfect
film about music has arrived, and it is so boring that no one
cares how truthful it is. Is there a middle ground, or are these
musical biopics doomed to be exercises in either fantasy or
monotony? Minneapolis Star Tribune
06/24/01
NOT
MUCH LEFT OVER AFTER $20 MILLION: One of the big issues in
current negotiations between actors and producers is pay for
mid-tier actors. "With $20-million paydays for major box
office stars, the working men and women of the film and television
industry, those actors not always in the spotlight, are being
squeezed." The New York Times
06/18/01 (one-time registration
required for access)
PSYCHOANALYZING
THE MOVIES: Psychoanalysis and the movies are closely linked -
those images you see up on the screen play on our subconscious.
"At least since the Seventies, film theorists have used
psychoanalysis to interpret movies, applying its tools to both
content and form. The First European Psychoanalytic Film Festival
will bring together psychoanalysts, filmmakers and film historians
from different countries." The
Observer (UK) 06/17/01
4.
MUSIC http://www.artsjournal.com/Arts%20beat.htm#music
THE
GREAT VIOLINS: By the time he died in 1992 Gerald Segelman had
collected one of the great troves of precious violins. His
"is a tale of the violin trade at its most excessive, with
large sums hanging on whether a violin was made in one year or
another. And it is the latest chapter in the biography of the most
enduring icon of Western musical culture, the violin, with some of
the most coveted instruments increasing in value 300 times since
Segelman began collecting them." Chicago
Tribune 06/17/01
NEW
HOPE FOR ELITISM: "Scientists believe they may be closer
to understanding why some people like pop music and others like
classical. Psychiatric consultant Dr Raj Persaud of Maudsley
Hospital in London believes his studies of dementia patients show
a link between taste and 'hard-nosed intellectual function' - in
other words, appreciation of classical music may require more
brain power." BBC 06/24/01
HOW
TO MAKE AN AMERICAN MAESTRO: The dearth of top-quality
conductors of American extraction is a favorite subject of U.S.
critics, particularly at a time when many of the nation's top
orchestras have been appointing new music directors. But while the
press complains, the National Conducting Institute quietly
continues its quest to train, encourage, and give exposure to
America's top conducting talents. The
New York Times 06/24/01 (one-time
registration required for access)
ON
THE DISABLED LIST: Most audience members never think of the
performers in a symphony orchestra as athletes, but every year,
countless musicians see their careers threatened, or even ended,
by severe muscle strains, crippling tendonitis, and other
afflictions. The fact is, the physical strain of performance is
often as taxing as the mental component. Pittsburgh
Post-Gazette 06/24/01
TENORS
AND TRUNCHEONS: The Three Tenors performed in Beijing's
Forbidden City this weekend, and Chinese officials hoped that the
huge event would demonstrate to the International Olympic
Committee that Beijing is capable enough to host the 2008 Summer
Games. Of course, the IOC may have a few questions about China's
crowd control methods: at least one concertgoer was beaten and
dragged away by police, who also assaulted a news photographer. Nando
Times (AP) 06/23/01
LESSONS
NEEDING LEARNING: Last week the Bolshoi lost its director,
while Simon Rattle warned the Berlin Philharmonic he might not be
its next music director unless the orchestra reinvented.
"Both the Bolshoi and Berlin should have learnt from the
unravelling of Covent Garden that, in modern times, it is not
enough for an elite ensemble to have traditions and vision. It
needs to nurture its roots in a fast-changing society, to be
conscious of its responsibilities to those who do not share its
privileges." The Telegraph (UK)
06/20/01
WOLFGANG
WINS: Eighty-one-year-old Wolfgang Wagner has won the latest
power struggle for control of the Bayreuth Festival. "This
obtuse and power-hungry patriarch is still insisting that his
contract for life be honored to the letter, no matter how many
derisive write-ups his own productions may reap or how much damage
his autocratic regime is likely to cause. Unbending to the last,
he has made it clear that he will not go of his own free will. And
as bizarre as it may sound, his behavior is not without moments of
grandeur." Frankfurter Allgemeine
Zeitung 06/19/01
DEFINING
PLAGIARISM: When composer Tristan Foison was recently caught
trying to pass off someone else's Requiem as his own, his response
was breathtakingly audacious: he simply denied the charge
outright. Even more shocking is that no one has yet been able to
prove beyond a shadow of a doubt that Foison is lying. The fact is
that music's tradition of "borrowing" and its overall
abstract nature make it extremely difficult to catch composers who
cheat. Philadelphia Inquirer 06/19/01
WHERE
ARE THE CANADIAN CONDUCTORS? American orchestras aren't quick
to hire home-grown conductors, but in Canada the situation is even
worse. To look at the rosters of Canadian orchestras, you'd think
that the species of Canadian had yet to make an appearance on the
earth. Why? "We would still rather hire a third-rate European
than a second-rate Canadian." Montreal
Gazette 06/16/01
RATTLE
MIGHT PASS ON BERLIN: Superstar conductor Simon Rattle says he
may not take over the Berlin Philharmonic after all if the German
government doesn't agree to a series of changes he wants to make
in the way the orchestra runs. These include an extra $1.5 million
to bring players' salaries up to par with other top orchestras,
and a measure of self-governance for the orchestra. The
Guardian (UK) 06/16/01
GETTING
PAST THE CONTEXT: Is music the ultimate chameleon art form?
Should we not listen to Carmina Burana because someone
suggests it might have been conceived in a Nazi context?
"Words and visual images are, by nature, specific,
particularly when representing or expressing an idea. Not so
music. It's a splendid vehicle for emotion but fares badly with
the specificity that ideas require." Philadelphia
Inquirer 06/17/01
SUMMING
UP THE CLIBURN: What does the recent Van Cliburn competition
tell us about the current state of piano playing? "All told,
the 11th Cliburn Competition suggested that the technology of
piano-playing – the speed and power – may have reached
unprecedented heights. What I often missed was a sense of style
and scale. And charm was in seriously short supply." Dallas
Morning News 06/17/01
5.
PEOPLE http://www.artsjournal.com/Arts%20beat.htm#people
A
POET LAUREATE FOR THE MASSES: The U.S. has a new poet
laureate, and if you were hoping for a seriously high-minded,
no-nonsense craftsman, you're going to be disappointed. Billy
Collins, who teaches at Lehman College in upstate New York,
believes that humor "is a door into the serious," and
his irreverent style has made him a favorite of magazines like The
New Yorker and radio programs like A Prairie Home
Companion. Dallas Morning News
06/22/01
A
HISTORIAN WHO MAKES UP HIS OWN HISTORY? Joseph Ellis is a
Pulitzer Prize–winning biographer and professor of history at
prestigious Mt. Holyoke College. Make that beloved professor of
history. With an incredible resume and loads of talent, why did he
make up some crucial parts of his past?
MobyLives 06/21/01
- ELLIS
GONE: Holyoke College has removed Ellis from teaching his
class on Vietnamese and American culture for lying about his
past. "Ellis's biography of Thomas Jefferson, American
Sphinx, won the 1997 National Book Award, and he won the
2001 Pulitzer Prize in history for his book Founding
Brothers: The Revolutionary Generation." Washington
Post 06/21/01
NUNN'S
HABITS: Trevor Nunn has come under almost continuous fire
since taking over the helm of Britain's National Theatre, yet,
under his leadership, the National has achieved near-unprecedented
success. This contradiction doesn't surprise one critic:
"Nunn is a hard man to warm to - there is something defensive
in his manner, and a touch of the martyr about him. But it seems
to me that his first three-and-a-half years at the NT, though
troubled at times by flops and disappearing directors, have
produced an often outstanding body of work in which quality has
been mixed with the best kind of populism." The
Telegraph (London) 06/23/01
6.
PUBLISHING http://www.artsjournal.com/Arts%20beat.htm#publishing
THE
PERVERSION OF COPYRIGHT: "Try to talk to any normal
American about how this country’s copyright law has gone off the
rails, and you’ll likely witness a new speed record for how
quickly his eyes glaze over. That’s why, when I want to
communicate the horror of modern copyright law, I use the example
of horror writer Stephen King, who (at least in theory) is a
potential victim of the current state of the law."
Reason 06/18/01
COPYWRECK:
Proposed changes to Australian copyright law will allow European
and American publishers free access to Australia. "The effect
will be that new Australian writers will find no financially
viable local publishers able to pick up their work and nurse and
carry their first few relatively unprofitable books during the
time that it takes for a writer to mature and find a substantial
readership." Sydney Morning
Herald 06/21/01
E-BOOKS
ARE COMING. SLOWLY, BUT THEY'RE COMING: "To expect a
practical business plan for unmediated electronic publishing to
arise full blown from the existing industry would be to disregard
the waywardness of human endeavor, the complexity of the emerging
digital future... the wish of today’s publishers to enter the
digital future in approximately their present form. But to assume...
that a reasonable business plan may not sooner or later emerge would
be to ignore the persistence and ingenuity with which human beings
have invented their world so far." New
York Review of Books 07/05/01
A
FRENCH BOOK INSTITUTION: Bernard Pivot is a literary institution
in France, where, for 28 years, he's hosted a TV program on books.
Times have changed since the program started, though, and as Pivot
retires this summer, many fear the French government television
network will not replace Pivot and continue the show. The
New York Times 06/18/01 (one-time
registration required for access)
UNIVERSITY
E-PRESS: While e-publishing bedevils most commercial publishers,
university presses are forging ahead with e-projects. The advantages
are many for academic books, and since university presses tend to be
collegial with one another rather than competitive... Publishers
Weekly 06/18/01
TRACKING
BOOKS: Accurate statistics on book sales have always been
difficult to come by. Now Bookscan, a unit of Soundscan, the company
that brought order to recording sales stats, hopes to tame the book
industry; it has signed up major chains and booksellers. The
New York Times 06/18/01 (one-time
registration required for access)
7.
THEATRE http://www.artsjournal.com/Arts%20beat.htm#theatre
IRRATIONAL
NATIONALISM: British theatre critics have made a habit (and,
some would say, a crusade) of beating mercilessly any London
production that has enjoyed previous success in America.
"Having a hit in New York seems to be the best way to ensure
that your play is panned in London, so why do so many American
dramatists persist in casting their pearls before swinish British
critics?" The Observer (UK)
06/24/01
THE
POLITICS OF BUILDING: Dublin's Abbey Theatre has a long and
glorious history. But its building is decrepit and hardly worthy
of a national institution, and there are plans to replace it. But
how to do it? Controversy dogs all the options.
The New York Times 06/21/01 (one-time
registration required for access)
MERCHANT
OF STEREOTYPING: Canada's Stratford Theatre has made changes
in its production of Merchant of Venice after Canadian
Muslims protested the production's stereotyping of a minor
character. "Apparently, [the director] inhabits some cultural
bubble where anti-Semitic jokes have been banished but
anti-Islamic ones are still hilarious." The
Globe & Mail (Canada) 06/21/01
MIDDLE
AGE BLUES: Last week's abrupt resignation of Doug Hughes as
director of Connecticut's Long Wharf Theatre "raises larger
questions facing regional theaters as they move from an era based
on the vision of its founding fathers (and mothers) to one based
on new generations of artistic leaders dealing with boards more
willing to shape the institution. One thing is clear. This matter
has nothing to do with art but rather the art of getting
along." Hartford Courant 06/17/01
8.
VISUAL ARTS http://www.artsjournal.com/Arts%20beat.htm#visualarts
THEFT
EVERYWHERE: A new report on looted art in Europe is alarming.
"New research shows that in Italy alone more than 88,000
objects have been stolen from religious institutions over the past
20 years, while the Czech Republic has lost 40,000 objects since
1986." The Times (UK) 06/21/01
- THE
HEART OF RICHNESS: "Africa, already plundered of its
people by slavers, its animals by big-game hunters and
poachers and its mineral wealth by miners, is now yielding up
its cultural heritage. Across the continent, art and artifacts
are being looted from museums, universities and straight from
the ground. Most of the objects end up in Europe or the United
States." Time 06/18/01
VIRUS
ART: Conceived and compiled for the invitation to the 49th
Venice Biennale, 'biennale.py' is the product of the collaboration
of two entities, 0100101110101101.ORG and epidemiC, already known
for other shocking actions, often bordering with crime. 'biennale.py'
is both a work of art and a computer virus. Exquisite
Corpse 06/18/01
LEAVING
THE TATE: The head of the Tate Modern, Lars Nittve, has
announced he is quitting the museum to become director of
Stockholm's Moderna Museet, the country's national museum of
modern art. "Friends said that he was partly influenced by
homesickness and denied that the complicated management structure
at the Tate, which effectively made him Number Two at the gallery,
played a part in his decision to leave." The
Telegraph (UK) 06/21/01
- WHAT
SEROTA MEANS TO THE TATE: Figurative artists criticize
Tate director Nicholas Serota for his taste in collecting. And
true, you're not likely to see figurative work at the Tate
under his regime. But at mid-20th Century the Tate missed out
on some of the most compelling art of its time by being too
conservative. Serota, by contrast, is building one of the most
important collections of late-20th/early-21st Century art.
The Telegraph (UK) 06/22/01
- TATE
WATCH: The Tate has been completely transformed from what
it was a few years ago - good and bad. With Tate Modern
director Lars Nittve leaving, where should the Tate go from
here? And who are the
main contenders for the job? The
Times (UK) 06/22/01
- GREAT
EXPECTATIONS: "As the intelligentsia speculates on
who will be Tate Modern’s new director — the glamorous
Julia Peyton-Jones, director of the Serpentine, is this
country’s most obvious candidate — the role is starting to
emerge as something of a mixed blessing. Success may breed
success, but Tate Modern’s start is intimidating — even
the lavatory paper budget has had to be multiplied as the
building creaks with an unforeseen quantity of visitors."
The Times (UK) 06/22/01
ARE
YOU NOW OR HAVE YOU EVER BEEN? Postmodernism in architecture
is dead isn't it? At the least, no one wants to admit to being a
postmodernist. "We must offer respect for the dead, but I’m
not sure to whom the condolences should go if no one admits to
really being a postmodernist, and if most of those presumed to
have been such are still thriving, and, in some cases, are
designing in more or less the same style." Architecture
Magazine 05/01
THE
TWO FACES OF... As the US government investigation of auction
houses Christie's and Sotheby's for collusion wound up, Christie's
negotiated an amnesty agreement. But secret internal documents
recently obtained show that what the company was saying to
investigators and what it was actually doing were two different
things. The New York Times 06/17/01
(one-time registration required for
access)
VERMEER/NOT
VERMEER: Is it a 36th Vermeer or not? London's National
Gallery plans to display the disputed painting thought to be a
Vermeer next to two verified originals and let the public judge.
The Telegraph (UK) 06/17/01
CLEANING
BILBAO: About a third of the 42,000 titanium sheets cladding
the outside of the Guggenheim Bilbao are discolored with red
stains. Earlier this year architect Frank Gehry criticized the
museum for not maintaining the building; now the sheets will be
cleaned at a rate of about 150 a day. CBC
06/15/01
PISA
REOPENS: After 11 years of working to stabilize it, the
leaning tower of Pisa reopened this week. "The $30 million
project to stabilize the 12th century tower and return it to the
sustainable tilt of 163 years ago is being hailed as one of the
great engineering feats of all time." San
Francisco Chronicle (Boston Globe) 06/17/01
9.
ISSUES http://www.artsjournal.com/Arts%20beat.htm#issues
NEA
SCORES EXTRA $10 MIL: "The National Endowment for the
Arts survived an attempt in the House of Representatives last
night to eliminate a $10 million increase agreed to just hours
before. The federal arts agency has struggled since the mid-1990s
to rebuild its appropriation after a severe cut by the
Republican-led Congress. Last year, under a Senate initiative, the
NEA gained $7 million, its first increase in nine years." Washington
Post 06/22/01
INVESTING
IN CANADA: The Canadian government is investing a half-billion
dollars in a new initiative for the arts. This week the government
announced $100 million of that will be spent on new media. CBC
06/21/01
CULTURAL
DOMINATION WORKS BOTH WAYS: It might seem that American
culture is taking over the world, aided by digital technology.
Then again... "The lower production costs and smaller
shelf-space requirements of CDs have dramatically expanded the
diversity of today's music store... contemporary college students
now sample the once-exotic sounds of African pennywhistle, Tuvian
throat singing or Scandinavian mandolin as casually as they choose
between tacos, pizza and sushi." Technology
Review July/August/01
10.
FOR FUN http://www.artsjournal.com/Arts%20beat.htm#forfun
ONE
WAY TO STEAL ART... Then there was that day in 1995 when a
visitor to the Museum of Modern Art in New York walked up to
Duchamp's famous bicycle wheel, pulled it off its pedestal, walked
through the galleries, down the escalator and out the front door,
escaping in a cab. The next day the artwork mysteriously
reappeared, thrown over the museum's fence... Forbes.com
06/21/01
DANCERS
MAKE BETTER LEADERS? Ex-Canadian prime minister Pierre Trudeau
once did a pirouette behind the Queen's back. Trudeau, it turns
out, had taken six months of ballet lessons. He and a friend quit
when their teacher "proposed to include us in the spring show
that Pierre and I looked at each other. We told her, 'Well dear,
I'm sorry, but we're going to be very busy.' So that ended
that." Ottawa Citizen 06/16/01
ONE
WAY TO GET A CONDUCTOR: Want to conduct the Los Angeles
Philharmonic? Some guy named "esa-pekka" has an item on
eBay you might be interested in - a chance to conduct the Star
Spangled Banner at the opening night gala at the Hollywood Bowl
next week. It's valued at $8000, but though it's been up for
auction since June 15, there's not yet one bid . Only four days
left. eBay 06/15/01
BESTSELLING
WHAT? Few Americans read. Those that do...well, a look at the
bestseller lists is not encouraging. "This is not progress.
This is not reading. These are not books. They're feel-happy lists
clotting pages." Philadelphia
Inquirer 06/17/01
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