2002 Nov
19-24 Nov
11-18 Nov
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1-7 March
25-31 March
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11-17
March
4-10 Feb
25-Mar 3 Feb
18-24 Feb
11-17
Feb
4-10 Jan
28-Feb 3 Jan
21-27
Jan 14-20
Jan 7-13 2001
archives
2000 archives
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1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Issues
10.For Fun
1.
SPECIAL INTEREST
- DIRECTING OUR RESOURCES: "The
issue is not whether classical ballet is a great art form; let's
postulate that it is. The question is about the role of art in
the community. Should public money be used to help perfect an
elitist exercise so that all may benefit by watching it, or should
it be used to promote sundry inclusive art forms (Make-A-Circus,
as one example) so that all may benefit by participating in them?"
San Francisco Chronicle 12/14/00
- SPOTTING FAKES:
A new book has the European auction world in an uproar. "The
book, published in France, has attracted attention because of
the author’s ability to explain how fake paintings and furniture
are produced. Experts say the methods are authentic."
The Times (London) 12/11/00
- THE
REAL PROBLEM:
What was wrong with art in the last 15 years of the 20th Century?
"For a number of reasons, art had given up the ghost under
the weight of theory. The breakdown of distinctions between high
and popular culture led to all manner of cultural produce and
effluent being sifted and read as text. We were top heavy with
theorists (not to mention curators), who needed scant visual stimulus
to write the work into the flat ergo of post-modernist irony."
The Guardian (London) 12/12/00
- EARNING IN
THE ARTS: What are graduates of Australia's universities earning?
First-year dentists get $50,000. "At the other end of the
scale, visual arts graduates and linguists remain in the doldrums.
Between 30 and 40 per cent of those graduates looking for work
are still unable to find full-time work four months after leaving
university. Assuming they got work, graduates working in art and
design could expect to earn $28,000, well below the national average."
Sydney Morning Herald 12/14/00
ACTORS
IN POVERTY: The Equity actors' union takes a poll of 408
of its members and finds that the majority of actors (72 percent)
earn less than £10,000 a year from their profession. "Performers
felt they were seen either as glamorous, arrogant, overpaid
slackers or laughable luvvies and that acting is not a proper
job". BBC 12/13/00
- CLEAN
FOR WHAT? To have their music sold in stores like Walmart,
artists whose work contains profanity or controversial lyrics
often record cleaned up versions. "You might think that these
edited-for-content discs would be a popular alternative in an
age of edgy music. Wrong. Young fans and artists hate them, many
merchants disdain them, parents are confused by them, and even
industry honchos find them wanting in quality." Los
Angeles Times 12/12/00
2.
DANCE
- DANCING FOR PROFIT:
Since the South African government has discontinued funding for
dance a new for-profit company has stepped in to see if dance
can be commercially viable. The obvious first choice? "Nutcracker"
of course. The Daily Mail & Guardian
12/12/00
- INSIDE
THE AUSTRALIAN BALLET: It appears from the outside that the
Australian Ballet is in trouble. "Yet, as dancers leave the
company in what look like droves, the board and management react,
as they usually do at times of looming crisis, by appearing not
to notice that something is wrong." So maybe it isn't.
The Age (Melbourne) 12/16/00
- CULTIVATING
THE NEXT GENERATION: Juilliard works at training a new generation
of choreographers. New York Times
12/17/00 (one-trime registration
required for access)
- FIRING
UP THE NATIONAL BALLET: The National Ballet of Canada has
had a rough time in the past year with the public relations fiasco
surrounding the dismissal of dancer Kimberly Glasco. The company
is hoping to relight its image with an extravagant new production
of "Firebird." CBC 12/10/00
3.
MEDIA
- NEW
ARTS CHANNEL: Last week a new all-arts TV channel debuted
in the UK. "The importance of Artsworld succeeding, however,
is hard to overstate. But to survive, Artsworld will have to be
more than good; as a brand, it will have to be as tough as old
boots." New Statesman 12/11/00
- IS
THE NEW YORKER'S ANTHONY LANE REALLY A BAD CRITIC? "What’s
at issue here has nothing to do with 'opinion', or whether one
likes or dislikes 'Crouching Tiger'. It has to do with the critic’s
basic grasp of his subject. He’s not really a film critic but
a quip-minded belletrist who happened into a lucrative gig and
appears to have no inclination, now, to patch up the gaping holes
in his knowledge of film." New
York Press 12/12/00
- ART REBORN:
There has been concern for much of this year that art films had
died. But "driven by a handful of recent hits, the fourth
quarter of 2000 is on track to become the most lucrative period
for art films in nearly two years." Inside.com
12/12/00
- CLASSIC WEB TV:
The Museum of Radio and Television says it will make available
on the internet "almost every radio and TV broadcast ever
aired. The massive assortment includes Neil Armstrong's first
steps on the moon, Yankee Don Larsen's perfect World Series game
in 1956, the first few hours of MTV and thousands of television
shows, including the pilot episode of 'Seinfeld', and once-thought-to-be-lost
episodes of 'The Honeymooners'." New York Post 12/13/00
- A HUGE GREEN LIGHT: After weeks of delay, the Federal
Trade Commission approved the proposed merger of America Online
and Time Warner, clearing the way for the creation of the largest
media company in history. New
York Times 12/15/00
(one-time registration required for access)
Plus: Doing
Shakespeare on the screen - a leap in updating ~ Hollywood
Boulevard gets a major cleanup ~ Jackson Pollock movie
a hit with critics ~ Australian
Broadcasting Corporation expected to cut its budget for FM programming
by 34% ~ China's
efforts to crack down on CD and video bootleggers is ineffective.
4.
MUSIC
- TAKING
A CHANCE ON SOMETHING NEW: "Most orchestras are still
wedded to the time-honored image of a paternalistic European music
director steeped in the Romantic tradition. And as luck would
have it, right now there simply aren't enough of those guys to
go around." So how about a new approach? How about some moxie
and inventiveness? San Francisco Chronicle
12/17/00
- A SEASON FOR VERDI:
La Scala, just down the road from the hotel where the composer
died in January 1901, is dedicating its season to him, and the
city has mounted a magnificent and comprehensive Verdi exhibition
in the Palazzo Reale. The Times (London)
12/11/00
- VERDI
CELEBRATIONS: "It will be 100 years ago next month
that Giuseppe Verdi died, and Italy has been yearning ever
since for his unifying genius. But while Italy is playing
up the Verdi year for all it is worth in tourist dollars and
Rome-promoted national cohesion, the uncomfortable questions
are not being asked. Verdi represents an end, not a renewal."
The Telegraph (London) 12/13/00
- DUTCH OPERA CANCELED:
"An opera about a strong-minded wife of the prophet Muhammad
has been canceled in the Netherlands after the Moroccan cast and
composer were pressured into withdrawing by Muslim clerics. The
intimidation of the cast has caused a stir in Dutch cultural circles
because it is seen as reminiscent of the censorship and the threats
against Salman Rushdie and other Muslim writers who have touched
on subjects involving the Koran." New
York Times 12/10/00 (one-time registration
required for access)
- HIP
HOP PROFILING? "The usual argument in support of the
rappers-are-criminals theory boils down to this: If an artist
boasts on record about beating people, shooting people, taking
or selling drugs or abusing women, why shouldn't the police consider
them to be prime suspects? The answer is we should expect people,
especially police, to distinguish between fantasy and reality."
Boston Herald 12/12/00
- MAKING MUSIC:
"While our word processors, spreadsheets, and graphic applications
share the same basic conventions as their predecessors from the
early nineties, the software employed by actual musicians to create
and edit their sounds on the PC has undergone a dramatic transformation.
Indeed, today's audio-production software features some of the
most radical interface design anywhere. The funny thing about
that transformation, though, is how backward-looking it turns
out to be." Feed 12/11/00
- BAYREUTH
STALEMATE: The culture secretary for the state of Bavaria
says the state "cannot continue to devote taxpayers' money
to the Bayreuth festival, given the uncertainty of its future.
He has made no secret of the fact that he would like the 81-year-old
Wolfgang Wagner to step down by the end of 2002. Despite the fact
that all the festival performances are heavily sold out, Wagner
is not prepared to give up the job or state subsidies, and pressure
over the financial situation is growing." Frankfurter
Allgemeine Zeitung 12/15/00
- COMMITMENT
TO CLASSICAL? Chicago's mom-and-pop classical music station
WNIB was a labor of love - a low-budget affair that survived decades
of buy-out offers on the strength of its owners' commitment. But
$165 million is too much money to turn down... Also too much money
for the new owners to continue the classical format. Chicago
Tribune 12/13/00
Plus: The
Toronto Symphony Orchestra has accumulated its largest debt
in its 78 year history ~ Mariss Jansons
not likely to be next New York Philharmonic director ~ John
Eliot Gardiner loses his Deutsche Grammophon recording contract
~ London's
Royal Opera House to name BBC's Tony Hall as new director ~
Lincoln
Center Jazz director resigns suddenly, sparking questions.
5.
PEOPLE
- THREAT
OF VIOLENCE: The winner of this year's Governor General's
Award for Fiction apparently wrote of his elaborate plans to slaughter
professors at McGill University over a dispute about his thesis.
He evidently went so far as to drive to Detroit to purchase weapons
for the job. University officials are investigating. National
Post (Canada) 12/11/00
- WORKING
THROUGH THE ILLNESS: Nobel literature laureate Gabriel Garcia
Marquez says being diagnosed with lymphatic cancer last year was
an impetus to get him to write his memoirs. "More than a
year ago I was put under treatment for three months for lymphoma,
and today I am surprised at the enormous stroke of luck this stumbling
block has been in my life." Dallas
Morning News 12/11/00
- FRANK RICH, CRITIC: "Although
to this day he modestly maintains he did not have the influence
others attributed to him (he says that bad shows were the problem,
not his reviews) the fact remains that the reputation of Frank
Rich, the critic, will be as one of the most-feared and most powerful
journalistic voices in the history of New York. Today's reviewers
don't have even the shadow of the impact Frank Rich could command."
The Idler 12/13/00
6.
PUBLISHING
- REALITY
AND E-PUBLISHING: Stephen King's decision to pull the plug
on his online serial novel because not enough readers were paying
for it, has publishers lowering their expectations for online
publishing. The Age (Melbourne) (AP)
12/11/00
- NARROWLY
DEFINING POETRY: The editor of The Spectator recently announced
he would start publishing poetry in the magazine again."But
then he named his terms: the poems should rhyme and scan. No modern
poetry is 'any bloody good', he said, and wagered that none of
the verse rattling around our heads was written in the past 30
years." The Telegraph (London)
12/16/00
- STAR-STRUCK:
Britain's richest prize for writing, the Whitbread, went ga-ga
for celebrities this year when it chose its judges. "For
the first time in the 30 years of the awards, half the judges
are showbiz, television or sporting faces rather than authors
or critics. Last year Whitbread drew criticism over the choice
of one judge, the actress and model Jerry Hall." The
Guardian (London) 12/15/00
- RECORD
FOR JOYCE: "An autographed and hand-written chapter of
James Joyce's novel Ulysses has raised a record $1.5 million at
auction - and is going back to Ireland. It was bought by the National
Library of Ireland, in Dublin." BBC
12/15/00
- ONLINE PROMOTION:
Websites have become a step beyond the chat show - writers' websites
try to make friends with readers, all in an effort to sell more
books. If the efforts are somewhat clumsy... The New York Times 12/14/00 (one-time
registration required for access)
- WHAT
I LEARNED FROM THE INTERNET: Stephen King says he learned
a lot about the internet with his failed serialized novel. "First,
many Internet users have the attention span of a grasshopper.
Second, users believe that everything on the Web should be free
or almost free of charge. And third, book-readers don't regard
electronic books as real books. They're like people saying, 'I
love corn on the cob but creamed corn makes me gag'.” Frankfurter Allgemeine Zeitung 12/15/00
PLUS: Two of America's biggest publishers
- HarperCollins and St. Martin's Press, had their best run in years ~ Spanish
writer Francisco Umbral has won the Cervantes Prize - the Spanish-speaking
world's highest literary honor.
7.
THEATRE
- WHY
IS BROADWAY SO STAR STRUCK? Broadway grossed a record $603
million in the 1999-2000 season. "We're talking about the
average cost of a musical being $8 (million) to $10 million, and
the average cost of a play being $1,250,000 or a million and a
half. So it's no surprise that many producers are now saying that
unless they can identify some component that will give them a
broad popular audience, they're not going to take a chance."
USA Today 12/15/00
- THE
CIRQUE IN LONDON: Cirque du Soleil is expected to announce
an ambitious plan today for a 2,000-seat circus theatre and a
"revolutionary entertainment hotel" as part of a £500-million
redevelopment of London's historic Battersea Power Station. The
plan is to create "an international entertainment village"
along the Thames River. The Globe &
Mail (Canada) 12/11/00
- THAT'S ENTERTAINMENT: Cirque
du Soleil, the Canadian troupe that reinvented circuses a
decade-and-a-half ago, says it plans to reinvent the entertainment
center idea. Announcing an ambitious new project for the bank
of the Thames, Cirque says it will also develop "multifaceted
entertainment centres in New York, Hong Kong, Las Vegas and
London over the next decade." The Globe & Mail (Canada) 12/12/00
- THEATRE
OF THE RICH AND FAMOUS: Some are bemoaning the rise of what
one newspaper has called "popcorn theatre" in London's
West End. "That scenario frets about serious fare being shunted
aside as London becomes a playground for famous names wanting
to refuel their careers. Or, as The Guardian's Michael Billington
called it in a cautionary turn of phrase, "box-office bait
for unwary tourists." Sydney Morning Herald (AP) 12/11/00
- BETTER
BLACK? The Guardian's theatre critic wrote that Stephen Jeffreys
new play would have been better if he was black. The playwright
disagrees: "One of the basic requirements for being a playwright
is to be able to inhabit other people's skins. But why, when no
one has ever questioned my right to create roles for women, old
people and gays, am I supposed to baulk at the barrier of race?"
The Guardian (London) 12/13/00
- CLEANING UP TIMES
SQUARE: When the cleanup of Times Square was begun ten years
ago, the street's dilapidated theatres were seen as a liability.
But in fact they became the key to the project. "Restoration
of the theaters would be tied to construction of new buildings;
every time a new tower went up, another theater would be saved.
New York Times 12/10/00 (one-time
registration required for access)
Plus: Rosie O'Donnell
will play the Cat in the Hat in "Seussical" ~ English
town prohibits actors from dressing up in black face ~
Goodman
Theatre opens in Chicago ~ Mass
commercial appeal overshadows creativity on Broadway ~
Melbourne's
commercial theatres are complaining
about life in the city.
8.
VISUAL ARTS
- WHAT
MUSEUMS SHOULD BE? "If the first idea informing much
cultural planning is a version of technological determinism, then
the second is a belief in the increasing convergence of commerce
and culture. In this version of futurology, shops are becoming
more like museums - places for visual and aesthetic display -
while museums are becoming more like shops." The
Telegraph (London) 12/16/00
- RIGHT
OF SALE:
The UK is strongly resisting a European proposal to give all EU
artists a share of the resale value of their work. The British
government has warned that its art auction businesses could suffer
greatly if the law is passed and sellers begin to take their work
elsewhere to avoid handing over a cut of every sale. BBC
12/14/00
- GET
YOUR GOLDEN AGES STRAIGHT: It's quite easy to pick on the
follies of Post-Modernism. But to harken back to some "Golden
Age in the 1960s, as a new critique of po-mo does, is just wrong-headed.
The book appears "fixated on some late 19th century concept
of order on the art scene - the artist in his (yes, his) studio,
the work displayed in its correct place in the museum, the audience
properly intimidated by Masterpieces, the moral value of Art interpreted
by beady-eyed critics - perhaps the unhappy author of this book.
But much has changed since the 19th century, not all for the worse."
The Idler 12/14/00
- DESTROYING
TIBET: According to recent reports from Lhasa, capital of
Tibet, "much of the area around Barkhor Square, the centre
of the Tibetan city, has been fenced off, apparently but unconfirmably
for demolition. Such destruction has already happened in much
of the old town, although it is unclear whether this is due to
corruption or official policy." The
Art Newspaper 12/12/00
- NO SALE:
A small Quebec auction house thought it had scored a coup when
it got a Renoir to sell and touted it as potentially "one
of the most important art sales in Canada." But the painting
"went as high as $1.45-million, but stalled before the auctioneer
pulled the painting off the block because it did not meet the
minimum price set by the owner. It had been estimated at $1.5-million
to $2-million." The Globe & Mail (Canada) 12/13/00
- FAILURE
TO KEEP TRACK: Did the Pompidou lose a sculpture? A nine-foot
tall one at that? The museum's director admits it was probably
destroyed. The New York Times 12/12/00
(one-time registration required for access)
- OLD MASTERS AND EUROPEAN BIDDERS:
An interesting trend emerged at Christie’s successful old master
auction this week (during which a Rembrandt portrait sold for
$28.6 million): "British and European bidders accounted for
82.5 percent of the buyers, while Americans made up only 15 percent.
For a while now, we've been hearing that New York was becoming
the center of the old master market, but this is not the case."
New York Times 12/15/00 (one-time
registration required for access)
- THE
ART-LOVING SPY: The National Gallery of Canada is investigating
the provenance of some of its artworks after it was revealed that
they were purchased on the advice of a British art connoisseur
who was later unmasked as a Soviet spy. "Anthony Blunt drew
on a network of fellow spies who acted as art dealers in Europe
to make some of his acquisitions for the National Gallery."
National Post (Canada) 12/14/00
- POPULARITY
KILLED THE MUSEUM? "Are museums going to hell in a touring
exhibition of hand baskets? Is buzz a thing to be feared in a
place of high culture?" Directors of Boston's Museum of Fine
Arts and the Harvard Museums debate buzz and bang-for-the-buck. Boston Herald 12/15/00
Plus: Record
price for a Rembrandt "Portrait of a Lady" - $28.7
million ~ Art
dealers are against taking thumb prints of customer to help
track stolen art ~ The
National Gallery of Australia chooses Melbourne businessman
and philanthropist as its new chairman ~ Impressionist
exhibition draws big crowds in Connecticut ~ German
government has decided to buy the Berggruen collection containing
more than 170 works ranging from Cézanne to Matisse ~ Dresden
museums recorded an enormous increase in attendance this year,
even as other German museums were scrounging for visitors ~
Pew
Charitable Trusts gives the financially-strapped Barnes Foundation
$500,000 ~ Vancouver
Art Gallery appoints Kathleen Bartels, currently assistant director
of the Museum of Contemporary Art in Los Angeles, as its new director
~ National
Gallery of Canada adds two Spanish paintings to a list of suspected
Nazi art booty ~ Seventeen
paintings, including works by Renoir and Chagall, are discovered
missing from a Japanese department store.
9.
ISSUES
- WHAT
DOES EUROPE KNOW ABOUT ART? "Cultural protectionism is
in vogue throughout Europe, evidence of a growing fear that the
continent's old national cultures are under threat. The EU's role
is significant. Although it claims to act benignly, serving as
a mere facilitator of culture, its policies display somewhat different,
culturally integrationist aims. It believes in the propagation
of an official European culture." The
Telegraph (London) 12/16/00
- CULTURE
COST: So how are kids supposed to be exposed to the arts when
it costs so much? "Two adults taking two children to a big
show won't see much change from $250. To put that in perspective,
most people earn less than $800 a week. After tax, groceries,
mortgage and car costs, it's hard to see where the 'Annie' tickets
are going to come from." Sydney
Morning Herald 12/13/00
- CENSORSHIP
TO LEARN FROM: In Singapore artists announce a new website
on which they will post work censored by the government. Surprisingly,
the government does not object: "The archive hopes to 'compile
case studies, so we know what were the reasons for the censorship,
and to learn from it. We hope that it will promote understanding
and meaningful dialogue on artistic freedom and responsibility."
The Straits-Times (Singapore) 12/10/00
- WATCHING
HOME-GROWN: A new law in Korea mandating that a percentage
of the films theatres show should be Korean seems to be working.
Screening of Korean films has soared. Korea
Times 12/11/00
- IT'S JUST AS
EASY TO DATE A RICH ONE: Earlier this week the National Gallery
of Australia appointed Melbourne multi-millionaire Harold Mitchell
as its new chairman. Yesterday Mitchell launched a $10 million
arts and health foundation, which will distribute a minimum of
$500,000 in grants a year for arts and health projects in the
first five years. Sydney Morning Herald
12/13/00
Plus:
US
National Medal of Arts winners include Maya Angelou, Mikhail
Baryshnikov, Itzhak Perlman, and National Public Radio’s Cultural
Programming Division ~ Australian
artists win the right to "stop their work being mistreated
or wrongly attributed under laws passed last week ~ Los
Angeles unveils plans for a cultural corridor to link its cultural
institutions ~ Hollywood
welcomes Bush administration ~ Canada's popular
culture minister hints she wants to change jobs.
10.
FOR FUN
- BETTER
READING THROUGH PSYCHOANALYSIS? A psychological assessment
of A.A. Milne's children's books suggests Winnie the Pooh's seemingly
tranquil forest is full of characters afflicted by obsessive compulsion
behaviour, anxiety, dyslexia and severe depression. "It is
clear to our group of modern neuro-developmentalists that these
are, in fact, stories of Seriously Troubled Individuals, many
of whom meet [medically standard] criteria for significant disorders."
National Post (Canada) 12/12/00
- STILL
JUST A KID: Charlotte Church may be selling a ton of recordings
and making a fortune, but she's still a kid:" I suppose,
yeah. I'm not evil. I'm not that much of a devil. (Turning to
mother) Am I acting a little more devilish as I get older, Mum?
She says sometimes. There's a lot she doesn't know."
San Francisco Chronicle 12/17/00
- THE COW IN BARBARA
HENDRICKS' POOL: "The intruder, either hungry for better
grazing or charmed by the American diva's voice, had broken through
a series of fences before ending up in the water."
Ninemsn (AAP) 12/12/00
- FAKE
FRIENDSHIP: A book and letter that seemed to reveal a warm
friendship between F. Scott Fitzgerald and Sinclair Lewis have
been proven fake. Nando Times 12/13/00
- NEXT
TIME SEND A CARD: An Oslo art student glued labels on about
20 soft-drink bottles filled with chocolate milk or his homemade
beer and mailed them as invitations to his art exhibition. But
beer in one of the bottles sent to someone in the Norwegian parliamnent
continued to ferment and it exploded in the parliament building.
New Jersey Online (AP) 12/14/00
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