2002 Nov
19-24 Nov
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27-June 2
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1-7 March
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11-17
March
4-10 Feb
25-Mar 3 Feb
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11-17
Feb
4-10 Jan
28-Feb 3 Jan
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Jan 14-20
Jan 7-13 2001
archives
2000 archives
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1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Issues
10.For Fun
1.
SPECIAL INTEREST
-
TOO
OLD TO COMPETE? Oxford University
is one of the world's great universities. "Yet today there
is also a sense of malaise, both inside and outside the university:
a belief that Oxford finds it difficult to adapt to changing
educational and social needs, a fear that it can no longer maintain
its pre-eminence." Prospect
12/00
-
COPING
WITH INFO OVERLOAD: How does one cope with the overwhelming
flood of information available today? Who has time to read it
all? "Who has time for old books? To be au courant now
means that the only information really worth having is news
that isn't available yet."
Feed 12/05/00
-
MORE
THAN LIVE: "We all know that what makes theater irreplaceable
(and, on dream nights, irresistible) is that it combines live
performance and fakery in ways no other form of art or entertainment
can match. Call it the unities of the primal, the artificial
and the mythic." New York Times
12/10/00 (one-time registration
required for access)
-
ADVENTUROUS
BUT NOT TOO ADVENTUROUS: The rhetoric of art interpretation
seems to have been frozen for the past century. Pushing the
edge is still valued as an ideal, but not pushing it too much.
"The image reservoir of art can be plumbed without artists
having to be aware of betraying their actual mission, and the
mere fact that they are still individual and autonomous is exactly
what makes them interesting to industry." Frankfurter
Allgemeine Zeitung 12/05/00
2.
DANCE
-
OUTSIDE
INFLUENCE: Before Washington Ballet's recent visit, It had
been 40 years since an American dance company had performed
in Cuba. "I knew the kind of development we've seen in
the United States, melding contemporary ideas and modern dance
and ballet techniques, hasn't existed in Cuba. I think the repertoire
we brought expressed a lot of elements of our own lives and
maybe will contribute to how they'll view or make dance in the
future." New York Times 12/10/00
(one-time registration required for
access)
-
DANCING
FOR PEACE:
Nicholas Rowe, a former Australian Ballet dancer and choreographer,
now teaches dance to Palestinian children in Ramallah as part
of a unique program to use the power of dance to heal. "Giving
them the chance to feel something other than anger is very important."
The
Age (Melbourne) 12/04/00
-
BALLET
SHAKEUP:
The British ballet world has been turned upside down this year,
with directors of three major companies announcing their departures.
English National Ballet’s Derek Deane is the latest to go, citing
insufficient funding and a lack of board support for his more
adventurous work. The
Telegraph (London) 12/05/00
-
OUR
BODIES AT EIGHT: A parent has filed a complaint against
the San Francisco Ballet School for discrimination because the
school rejected her daughter on the basis of her looks. The
eight-year-old girl was told not to try out because of her figure.
The fourth-grader is 3-foot-9 and weighs 64 pounds. The mother
claims the school's criteria used to weed budding ballerinas
from also-rans violates San Francisco's nondiscrimination provisions.
New Jersey Online (AP) 12/08/00
-
ROBBINS
REVEALED: "At Jerome Robbins' death in 1998 at 79,
he had all the awards that movies, theater and dance could offer,
with an unequaled record of ballets and Broadway shows. Yet
he carried with him a shame that would not go away. In 1953,
he named names before the House Un-American Activities Committee,
earning the enmity of many of his fellow artists who were blacklisted
for their membership, however brief or desultory, in the Communist
Party." Chicago Tribune 12/10/00
3.
MEDIA
-
DO
WE REALLY NEED ANOTHER TOP-TEN LIST?
As the movie awards season gets underway, the American Film
Institute has announced it plans to name the top 10 films of
the year on Jan. 9 and continue to do so every year. "The
idea is to issue such a list every year of the 21st century
to build a compendium of the best and most important examples
of American filmmaking." New
York Times 12/05/00
(one-time registration required for
access)
-
INTERNATIONAL
PROTECTION: Saying that performers have virtually no rights
to collect royalties off their work internationally, representatives
from as many as 175 countries are "meeting to hammer out
details of an accord on the protection of audiovisual performances.
It would apply to movie theaters, television broadcasts and
the Internet. The accord would probably increase the price of
movie tickets, by a negligible amount." Nando
Times (AP) 12/07/00
- SAVING
A TV HERITAGE: The Library of Congress is working to prevent
the destruction of old TV and radio recordings. "A fatal
mold can grow on the wax cylinders developed for Thomas A. Edison's
first phonographs, making them unreadable. Lacquered discs exude
a white oil that in time shrinks the grooves so that they peel
off. Some early audiotapes, made in layers, begin to "delaminate"
in as little as five years." Minneapolis
Star Tribune (AP) 12/08/00
Plus: Jesse
Ventura changes his mind to support
government funding for public
radio and TV ~ The
Library of Congress
is working to prevent the
destruction of old TV and radio recordings ~ Sundance
Festival
announced next year’s slate of movies.
4.
MUSIC
- WHAT
DEFINES A CLASSIC? "Occasionally
we act as though artistic worth were constant across the ages
- hence the phrase 'timeless classic' - but it isn't so. The past,
as novelist L.P. Hartley remarked, is another country, and the
future another one still. Why assume that audiences in all those
countries value the same things? And why assume that the things
valued by future listeners are more profound and more important
than those that appeal to a composer's contemporaries?"
San Francisco Chronicle 12/10/00
- MAKING
RECORDING PAY: At a time when classical music recording labels
are floundering, the London Symphony Orchestra, which started
its own recording label last year, is actually turning a profit.
"This may not be the answer to all the industry's ills, but
it certainly promises a wider variety of new recordings than might
otherwise be on offer, whatever happens to all those labels that
have dominated the field for so long." The
Guardian (London) 12/08/00
- RESISTANT
TO CHANGE: The apocalyptic wailing we hear from today's music
companies didn't start with Napster. Over the decades, a distinct
pattern has emerged: a new technology is adopted by music consumers.
The music industry, anxious to protect its profits, calls on its
lawyers to litigate until the industry can adapt, co-opt, or,
failing that, crush the new technology. At the beginning of the
last century it was the mechanical piano. In the 1920s and early
1930s, the new enemy was radio." Saturday
Night 12/03/00
- THE
BATTLE FOR JAZZ: "In this month's Jazzwise magazine,
saxophonist David Murray, the most recorded artist in the history
of jazz, issues a declaration of war against Wynton Marsalis.
Murray accuses him of stifling the creativity of a music which
is inherently about change and improvisation, and of using his
power to exclude those who do not adhere to his conservative agenda.
'This is the most non-creative time in the whole history of jazz.
They've stopped the clock and gone back again, to the 1960s and
late 1950s, to define jazz. These guys are not doing jazz a service'."
The Independent 12/03/00
- PIANO
HERO: Li Yundi is only 17, but last month he won the notoriously
picky Chopin International Piano Competition in Warsaw. "Displaying
what judges called virtuosic technique and a poetic style, Li
beat out 97 participants to become the first gold medalist at
the competition since 1985." Now he's a national hero back
home. Los Angeles Times 12/05/00
- WHERE'S
A YENTA WHEN YOU NEED ONE? The New York Philharmonic's search
for a new music director has turned into agony. "The search
could be likened to the plight of picky single New York women.
It’s like being a marriage broker. You ask, ‘Are you interested?’
Then you go out on a date. But it seems the best ones are always
taken." Handicapping the field. New
York Observer 12/06/00
- DEATHWATCH:
A mood befitting a bedside vigil has descended on Chicago's classical
music community, with tributes issued, guarded hopes expressed
and numerous experts trying to determine whether WNIB's situation
was symptomatic of some grave illness plaguing America's classical
music scene. Chicago Tribune 12/04/00
Plus:
MP3.com
is back online with two new levels of service - one free, the other
for a charge ~ Critics
have changed their minds about Anthony Panye's completion of
Elgar's Third Symphony ~ Pianist
Maurizio Pollini discusses the crisis in classical recording
~ Jazz
books are flooding the market ~ Up
With People closes down ~ 70
year old conductor Lorin Maazel is still looking for new challenges
~ Britain's
channel 4 sees historic bad ratings for opera broadcast ~ Archeologists
excavating a 4,300 year-old Egyptian tomb have found what they believe
is the world's oldest known written music — a love song ~ St.
Louis Symphony Orchestra will receive a record-breaking $40
million gift, the largest single personal contribution ever made
to an American orchestra for its operations.
5.
PEOPLE
-
TERRY
GROSS AT 25: When National Public Radio's "Fresh Air"
went on air 25 years ago in Philadelphia, it was a modest effort.
"Now 'Fresh Air' has a larger staff, has contributing critics
and commentators, and goes out to 330 NPR stations with 2.9
million listeners in the United States, Europe and Japan."
Orange County Register (AP) 12/10/00
-
CALLAS-MANIA:
Maria Callas fans spent $1.25 million buying the late singer's
personal things at auction this week. "A Pyrex measuring
cup sold for $938, while a French museum paid about $5,000 for
a sea-green Christian Dior girdle. The girdle was among numerous
intimate objects and underclothes sold by two private collectors."
Chicago Sun-Times (AP) 12/05/00
-
KLEMPERER
DIES AT 80: Werner Klemperer, actor, and son of famed conductor
Otto Klemperer has died. "Mr. Klemperer performed in many
opera productions and, in the last two decades, served as narrator
with virtually every symphony orchestra in the United States.
New York Times 12/08/00 (one-time
registration required for access)
-
DISTRESS
SALE: Margot Fonteyn's personal effects, costumes and clothes
are to be auctioned off next week, but her friends and the dance
community are protesting. Sydney
Morning Herald 12/07/00
6.
PUBLISHING
-
I
WROTE IT NO YOU DIDN'T: Nega Mezlekia, who won the Canada's
Governor General's Award for non-fiction last month, is battling
the novelist he hired to edit his book. Anne Stone claims she
wrote much of the book, but Mezlakia denies it and sent letters
to her accusing her of being ''dull, colourless, humorless,
vulgar, and a complete failure." National
Post (Canada) 12/04/00
-
STEEL-REINFORCED
SUCCESS: Danielle Steel's
new book is promoted as a "bestseller" on its cover
even before it's published. How do they know? "Such is
Steel's reputation and following - she has produced 49 best-selling
novels in the last 25 years, for total sales of 430 million
books - that 'Journey' is guaranteed to be a success."
National Post (Canada) 12/09/00
-
PHILOSOPHY
OF SELF-PUBLISHING: Self-publishing in the field of philosophy
is tempting. "One problem is perceived to be that the system
makes it virtually impossible for non-academics to get published,
no matter what the quality of their work is." But to the establishment,
self-publishing is the kiss of death - no one of standing
will take a self-published work seriously.
The Philosopher's Magazine 12/00
-
NOT
LONG ON LONGFELLOW: Drop Longfellow into a literary conversation
nowadays and you will get some odd looks. For all that, Longfellow
has been a continuous presence in our language since Voices
of the Night was published in 1839, and his lines are still
familiar today, though many who know them could not tell you
who wrote them. New Criterion 12/00
-
PERILS
OF PUBLISHING, CANADIAN EDITION: As Canada's superstore
bookseller struggles to keep alive, one thing is obvious: "This
country is simply too sparsely populated over too great a geographic
diversity to allow for the kind of volume turnover that a chain
of 77 big-box stores and more than 200 smaller outlets requires
to keep its bottom line from turning red." So does Canada
need more competition or less? The
Globe & Mail 12/04/00
PLUS:
Bestselling
writers
auction off the names of characters in their next books to the highest
bidders ~ Did
Clement Moore steal credit for writing "The Night Before
Christmas?" ~ Korean
writers wonder about the chances of a Korean winning the Nobel
Prize for literature.
7.
THEATRE
- NUNN
SPEAKS OUT:
The press continues to dog Trevor Nunn and speculate over his
departure, despite the National Theatre’s continued success -
including earning five of nine "Evening Standard" Awards
last week. Nunn’s response: "Some of the suggestions about
what should happen are the equivalent of somebody offering help
to a brain surgeon by giving them a hammer and chisel." The
Independent (London) 12/06/00
- MAYHEM
GOES MAINSTREAM:
David Blaine’s recent death-defying ice stunt looks an awful lot
like the performance art of the ‘70s. The difference? Now it’s
televised and nobody’s shocked. "What used to be some of
the more extreme or esoteric forms of performance are suddenly
crossing over into the mainstream. It brings up a familiar question:
Is it possible to be adversarial anymore?" The
Village Voice 12/12/00
- TRANSLATE
THIS: Translations of plays into English can often sound fussy
or academic. Now there is a "growing movement to take the
job of translating foreign-language classics away from scholars
and linguists and hand it over to dramatists - whether or not
they speak the original language." The
Globe & Mail (Canada) 12/07/00
- LESS
REJECTION: Performance artists are moving out of the museums
and performing arts centers and into nightclubs. These nightspots
are far from the galleries, museums and other art spaces that
historically hosted performance art, and they attract a different
crowd. The clubs, in need of performers, are embracing the artists.
Los Angeles Times 12/07/00
- THE
ALLURE OF LIVE: Regular theatergoers take it for granted that
there's nothing like a live performance - which, I think, is why
the theater is perennially in trouble. The uniqueness should not
be taken for granted. Boston Globe
12/10/00
- ALL
ABOUT THE BUILDINGS: "Truth
being stranger than cliché, the very notion of re-inventing theatre
spaces - or, to borrow estate agent terminology, location, location,
location - is spreading through theatre like wildfire for the
simple reason that the biggest problem facing the allegedly dying
art form is the buildings themselves." The
Observer (London) 12/10/00
- REGIONAL
THEATER BOOM:
Taking advantage of the strong economy and unprecedented production
support from commercial producers, regional theaters are booming
across the the US, presenting ever more adventurous work and strengthening
ties with local audiences. "The point is that the American
theater gospel is no longer being spread papally from New York.
It has its own independent denominations." New
York Times 12/05/00
(one-time registration required for
access)
Plus:
"Merrily
We Roll Along," a flop in its first run, is being revived
in London ~ Australian
$12 million "Peter Pan" sinks owing everyone money
~ "The
Mousetrap"
notches its 20,000th performance ~ Canada's
Straftford Festival reports record audiences/profits ~ Manhattan
Theatre Club storms
the commercial climes of Broadway.
8.
VISUAL ARTS
- WHAT
ABOUT THE ART?
At a recent symposium for curators there was a lot of talk about
museum expansion, but very little about the transformative power
of art. "Museums are great. The problem is, too many of them
have started to believe what they're doing isn't just good, but
necessary. Too many curators seem to want to teach or preach to
us; many are more interested in being do-gooders than in doing
good by art." The
Village Voice 12/12/00
- THE
ART OF CANCELLATION: "In the last three years alone,
the Chinese government has closed at least 10 art exhibitions,
offering in most cases no other excuse to exhibitors than an announcement
that they failed to properly complete the official application
process. The hitch is, the government has never really explained
that process. An intriguing exhibition at the University of Chicago's
David and Alfred Smart Museum of Art takes a look at one such
closing that occurred two years ago in Beijing." Chicago
Tribune 12/10/00
- GENDER
CONFUSION: Recent trends suggest there is an increasing
convergence of commerce and culture, where "shops are becoming
more like museums – places for visual and aesthetic display –
while museums are
becoming more like shops." The
Independent (London) 12/08/00
- BIGGER
IS BETTER? "Nowadays, museums
build bigger buildings and erect huge impersonal additions to
house uneven collections. Trustees, millionaires and board members
pick architects; they help lay out loading docks. Museums are
becoming architectural attractions in and of themselves. But is
bigger better? Is more more?"
Artnet.com 12/08/00
- THREE-RING
MUSEUM: "Considering the Guggenheim’s latest proposal,
to appropriate a sizable portion of lower Manhattan for the purpose
of creating a mammoth fun-and-games cultural emporium: The Guggenheim
Museum is itself no longer a serious art institution. It has no
aesthetic standards and no aesthetic agenda. It has completely
sold out to a mass-market mentality that regards the museum’s
own art collection as an asset to be exploited for commercial
purposes." New York Observer
12/06/00
- OF
IMAGES MOVING AND STILL: Painting and cinema are still handcuffed
together on a one-way ticket to the morgue. When artists appropriate
images from film they always seem to be drawn to the melancholy
underside of the tinsel factory. Painting and cinema both create
fictional spaces, but the space of painting is static. So when
a moment in a film is snatched and turned into a painting, it
becomes deathly: you might call it painting noir."
The Guardian (London) 12/07/00
- BRITISH
MUSEUM GREAT COURT OPENS: The Queen opens the British Museum's
new Great Court. "She hailed the £100m development, with
its sweeping roof designed by Lord Foster, as a landmark of the
millennium." BBC 12/07/00
- SCHOLARSHIP
TAKES A BACK SEAT:
The British Museum’s redesign is certain to drive up attendance
and draw viewers who care more about the architecture than
the collection. "A more fundamental question, however,
is how much the museum's rush to modernize itself will threaten
its scholarly mission." New
York Times 12/06/00
(one-time registration required
for access)
- ARCHITECTURE'S
CHAMPION: For nearly four decades, Daniel Patrick Moynihan
has been a champion of architecture in the US senate. "The
secret is that, to Moynihan, aside from the gravest matters of
war, peace, and social stability, other issues simply are not
more important than the building and rebuilding of our cities."
Now that he's retiring, who will take his place? Metropolis
12/00
- HILLARY
THE PRESERVER:
Hillary Clinton is a fitting successor to New York Senator
Daniel Patrick Moynihan in more ways than her political acumen.
New
York Magazine 12/11/00
- ART
STING:
U.S. Customs officials in New York marked the opening of a new
art fraud investigation center by returning to Germany a 16th-century
painting stolen from a German castle by American soldiers after
World War II. About 65 percent of all U.S. art imports arrive
through the port of New York - investigations there this year
alone have already seized $10.5 million worth of stolen art. CNN
12/05/00
Plus:
Queen
Elizabeth opens the British Museum's new Great Court ~ The
National Gallery in Ottawa searches its collection for looted
art ~ Curators
talk more about museum expansion, than about the transformative
power of art ~Storm
damage at the Palace of Versailles is largely repaired ~ Rio
looks
to be the Guggenheim's next outpost ~ US
government is aggressively going after Bernard Taubman, formerly
chairman of Sotheby's, trying to tie him to the price-fixing scandal
with Christie's.
9.
ISSUES
- INTERNATIONAL
ARTS: At a world conference on the arts in Ottawa, 50 "arts
councils and funding bodies from around the globe voted unanimously
yesterday to establish an international federation to foster the
arts." CBC 12/04/00
- CONTROLLING
THE CRITICS: It's tough to Intimidate theatre or art critics.
But Hollywood and the fashion industry have so much control over
their products (stars) that an indiscreet word (or even question)
can put your access (and your job) in jeopardy. The
Globe & Mail (Canada) 12/07/00
-
WHO
NEEDS ART CRITICS? Here and there in a few major periodicals
one can find art critics who realize they are writing for
a mass medium and general audience, and not for a rarefied
elite of cultural academics, museum docents and fellow critics.
But then there are those who conduct themselves as though
the masses who have lined up in such volume for recent Vermeer,
Monet and Cezanne exhibitions were beneath contempt for
their lack of art history degrees. Chicago
Tribune 12/07/00
-
THE
DEVALUED CRITIC: Where do those amazingly obscure rave
blurbs for this or that movie come from? With a proliferation
of easy-to-access opinions on the internet, how does one
sort out who's credible and who's not? *spark-online
12/00
-
STILL
ROOM FOR TEACHERS? As the internet rises and distance learning
increases, is there still room for old-fashioned teachers? "Perhaps
it is inevitable that those whose business it is to flog Rabelais,
Montaigne, and Neo-Platonic poetics to technology-savvy, career-conscious,
and heavily indebted students should begin to wonder whether
their role as teachers is superfluous. After all, teachers,
in general, are the apotheosis of human inefficiency."
Chronicle of Higher Education 12/04/00
-
BEATING
UP ON UNCLE SAM: At an international conference in Ottawa
on arts issues, delegates slam "the Uncle Samming of the
world, noting that movies and TV have now displaced aeronautics
as America's number-one export industry. America's trade negotiators
are less likely than ever to understand that culture, for most
nations, is about identity, not dollars. Bill Ivey, head of
the National Endowment for the Arts, and Jonathan Katz, the
well-informed head of the National Assembly of State Arts Agencies,
let it be known that they were feeling a little beaten up."
The Globe & Mail (Canada) 12/06/00
-
LEARNING
TO GIVE:
In this unprecedented age of philanthropic generosity (a recent
study found US arts donations up 43% last year), Europe still
lags way behind the US in private support of the arts. "There
are two indigenous deterrents. The first is a woeful lack of
professionalism in the field of fund-raising. The second, more
serious, impediment is the composition of the boards that govern
arts institutions." The
Telegraph (London) 12/06/00
10.
FOR FUN
-
GRAZIE,
PREGO AND BRAVOS: Pavarotti, Domingo and Carreras get together
for a rare conference call joint interview. But can anyone get
a word in edgewise? Chicago Tribune
12/10/00
-
ART
IMITATES LIFE (OR NOT): Last year a London artist won a
£1,500 grant. But rather than spend the money on supplies or
even food, she invested in the dot-com stock market. The stocks
trade under the ticker symbols ART and LIFE. "They're both
doing really badly. But ART is doing better than LIFE, which
is a good lesson for me." Red
Herring 12/05/00
-
THE
CAT SWINGS BACK: The "Seussical" cast has written
a "Cat in the Hat"-like review of critics in verse:
"I do not like reviews that pan, I do not like them, actor
I am. Could I, would I like to see Clive Barnes swinging from
a tree? Could I, should I, hope in vain To see them writhing
in such pain? I could, I would, oh what the heck, Make them
go through four months of tech." New
York Post 12/06/00
-
YO-YO
MA'S BIGGEST SELLER? "Costco is our No. 1 outlet for
Yo-Yo Ma. Bigger than Tower Records? A nod. Amazon.com? Another
nod. Ma sells about 20,000 units a year, at $11.99 apiece retail.
Who sells more? Ricky Martin sells about 60,000. But how many
years will he last?'' San Jose Mercury-News
12/05/00
-
OOPS:
"For decades, guides have directed countless tourists to
a red-roofed, beamed cottage near Shakespeare's birthplace at
Stratford-on-Avon to pay homage at the place where his mother,
Mary Arden, was thought to have been born in the early 16th
century. Now it has emerged from new research that she was not
born there at all, but in a house some 30 yards down the road
in the same village." New York Times 12/07/00 (one-time
registration required for access)
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