2002 Nov
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March
4-10 Feb
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11-17
Feb
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Jan 7-13 2001
archives
2000 archives
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1.
Special Interest
2. Dance
3. Media
4. Music
5. People
6. Publishing
7. Theatre
8. Visual Arts
9. Issues
10.For Fun
1.
SPECIAL INTEREST
- ARE
WE DUMBING DOWN? "There simply is no clear evidence of
any dumbing down except by the most crude and irrelevant criteria.
The accusation is the final gasp of an upper-class male elite
and their co-optees. They took it on themselves to define the
distinction between high and popular culture and then police its
boundaries. They were the high priests guarding the purity of
the canon of cultural tradition. Even the language - high, low,
low brow - demonstrates the snobbish elitism used to buttress
their position of power. They've lost that, and now they've lost
the debate." The
Guardian (London) 11/13/00
-
MAINTAINING
A GOOD IDEA: Five years ago Britain set up the lottery-supported
Heritage Fund, setting forth £1.5 billion in spending on arts
and cultural projects. "Who could have imagined in 1990
that so many longstanding conservation problems would be resolved
or that such bold initiatives would have found funding? Without
it, the world would have been a much duller place. Yet, just
as the achievements of the fund are becoming clear, so are the
dangers that surround it." The
Telegraph (London) 11/19/00
-
HOW
DO YOU CENSOR THE UNCENSORABLE?
"Film censorship nowadays is a mess: it has neither legal
nuance nor intellectual force, and instead it relies on a vague
outrage about the unacceptable. Anyway, the new freedoms instituted
and exercised right now by the internet are making a mockery
of regulation." The
Telegraph (London) 11/19/00
-
IS
PRINT REALLY DEAD? Last week's
E-book publishing conference in New York had everyone pondering
the future of printed books. "Microsoft's vice president
in charge of electronic books and 'tablet' computing devices,
reiterated the company's prediction that the last print edition
of The New York Times would appear in 2018, and you could feel
the thought-wave slither through the room like an eel. 2018?
Hey, I was planning to be around in 2018 - and with some time
to look at the paper finally, too."
The Atlantic 11/00
- LOOKING
BACK, AT A MINIMUM:
In the mid-80s minimalism was a force one had to contend with
- fer or a'gin. "By now, of course, 1988 seems like old times;
and while these sorts of aesthetic wars are never actually won,
so to speak, it's safe to say that the bells have indeed tolled
for minimalism's reign over American fiction." Salon
11/16/00
-
BRINGING
IN THE YOUTH VOTE: Last year
"in a survey of 10 to 14-year-olds in Birmingham and Norwich,
fewer than one in a hundred listed theatre as one of his or
her preferred weekend activities, whereas 100 per cent of the
sample were cinemagoers. Many dismissed theatres as “overpriced,
stuffy and unfriendly”, offering plays that were either 'babyish
or too serious'." Now an attempt to get kids into the theatre.
The Times (London) 11/14/00
-
THE
VALUE OF ART: "The tragedy is that American culture
is increasingly Postmodernist, whether we identify ourselves
as pragmatists or as persons of faith, as defenders of tradition
or as progressives. To ask about the practical value of the
fine arts is to trivialize them as thoroughly as the rabid academic
deconstructionists who argue that standards and canons are simply
tools of oppression and that all art is ultimately political.
Both sides seek to subsume art to base political purposes. The
Right wants to use art to 'remoralize' the society, and the
Left wants to use it for social therapy, to encourage 'oppressed'
groups." American Outlook 11/00
2.
DANCE
-
DANCE'S
ANNUAL PICK-ME-UP: It's "Nutcracker"
season again. Ballet companies all over stage the classic, and
it typically generates at least 40 percent of a ballet company's
income from ticket sales. Dance companies also fill theatres
they otherwise have a difficult time attracting audiences to.
San Jose Mercury News 11/19/00
-
GOT
US A DANCE COMPANY - NOW WHAT?
The celebrated Jose Limón Dance Company comes to San Jose, and
"only about 50 bodies filled the nearly 500-seat theater.
Such a low turnout brings up the question, once again, about
the status of the arts in San Jose. Is the community willing
to support the best that the performing arts world has to offer?
Are arts marketers willing to roll up their sleeves and promote
such work? If not, why would a company like Limón bother to
return?" San Jose Mercury News
11/13/00
-
PAUL
TAYLOR AT 70:
Paul Taylor is 70 and going strong. "The dancers call him
'Boss' and Taylor describes his company as 'family', although
he adds: 'With all the dysfunctions, too'. It matters to him
that dancers average 'around 10 years' with the company before
they move on. It has hurt him when they have finally gone."
Philadelphia Inquirer 11/15/00
3.
MEDIA
-
OUR
FILM BEGINNINGS: For the first
time since the advent of 'talkies' in the late 1920s, almost
all the surviving classics of silent film are easily available
– and playing at the proper speed, too." Why care? "There
is an easy answer to this – for the same reasons one cares about
Aeschylus and Chaucer, Giotto and Monteverdi. The best of the
silent films show both the embryonic stirrings of an art form
and, however impermanent, its first perfection."
Washington Post 11/19/00
-
COLORLESS
CASTING:
Six months after the major TV networks pledged to improve the
diversity of their casting, a multiethnic coalition of media
and civil rights organizations issued a "report card"
on their progress. And the grades? ABC, NBC, and Fox all received
D’s, while CBS got an F for a total lack of minority representation
on both sides of the camera. "The major TV networks are
making some progress for blacks but almost none for Latinos,
Asian Americans and Native Americans. We still have a long,
long way to go." Variety
11/15/00
-
THE
ART OF FILM:
It was a nice dream - a string of art movie houses across the
US. Alas, it appears not to be. A 3-year joint venture between
General Cinemas and Sundance to build arthouse theaters nationwide
has gone belly up. "The joint venture still exists, but
it's sort of an empty vessel." Variety
11/15/00
-
INSATIABLE
APPETITE:
Bertelsmann, the giant that seems to be gobbling up every media
company in sight, eyes a takeover of EMI. If it happens, Bertelsmann
will control 25 percent of the world's music market.
Variety 11/13/00
4.
MUSIC
-
DEATH
IN VENICE: "Venice was
once one of the great European musical capitals, a city whose
leaders recognised the power of cultural prestige and took care
to attract and encourage composers of the calibre of Monteverdi
and Vivaldi. It became a centre whose excellence in performance
at its churches and the famous foundling hospitals which trained
musicians made it a site of pilgrimage. The effect of decades
of mass tourism in recent years has been to diminish the quality
and range of concerts."
The Independent (London) 11/17/00
-
PHILADELPHIA
AT 100:
The Philadelphia Orchestra turns 100. "Only the orchestras
of Berlin, Vienna, Cleveland and Chicago can claim to be competing
on as high a level. And yet, the orchestra continues to operate
in the same state of institutional uncertainty that has plagued
it for the last six or seven years." Philadelphia
Inquirer 11/16/00
-
PROBING
THE PHILADELPHIA SOUND:
What is it about the Philadelphia Orchestra that makes (made?)
that distinctive sound?
New York Times 11/14/00 (one-time
registration
required for entry)
-
SAWALISCH'S
NEW INTENSITY: Wolfgang
Sawallisch is on his way out the Philadelphia's music director.
But as he's turned 77 the critics are noting a new intensity
in his performances. While Sawallisch notes the change,
he's at a loss to explain it.
Philadelphia Inquirer 11/16/00
-
OLD
TRADITIONS DIE:
The
Vienna Philharmonic is changing, despite itself. "There
are now three Australians in the orchestra. There are also two
Americans, a Canadian, and both harpists are French. Over the
next four years, seven viola-players are due to retire and it
is a safe bet that most of the newcomers will be foreign and
probably female. The pressure for change has come primarily
from guest conductors who, accustomed to industrial-strength
precision playing in American orchestras, have complained about
Viennese frailties - notably the trombones and tuba - without
recognising that those wavery underpinnings were part of what
audiences identified as the Vienna Philharmonic sound."
The Telegraph (London) 11/15/00
-
BUILDING
A HOUSE OF JAZZ: The Lincoln
Center jazz program is establishing a place for itself among
New York's cultural institutions. But what about those who say
that institutionalizing jazz is to kill it? Wynton Marsalis:
Those who say
that are "closet oppressors armed with a 'fake mythology'—the
kind of people who not only don’t play it, but don’t even like
it. It’s like telling somebody who’s in a two-room house, ‘You’ve
done OK in a two-room house—why y’all want to build a five-room
house?’” Metropolis 11/00
-
THE
JUKEBOX OF ALL JUKEBOXES:
Recent developments in the digital music industry (like Napster’s
partnering with Bertelsmann and announcements of enhanced security
systems) spell disaster for some proponents of freely accessible
downloadable music. But maybe "what's really at stake is
not whether music will be expensively secure or freely exchangeable
- but simply how soon the recording industry will assemble the
music delivery system that is inevitable, the ‘celestial jukebox.’
In layman terms, a networked device that will allow you to download
any song your heart desires, anytime." Salon
11/13/00
-
RETHINKING
BOCELLI:
Has a singer ever been trashed so thoroughly by the critics
as Andrea Bocelli has? Yet his first recording of a complete
opera ("La Boheme") has some critics rethinking their
assessments. "Judged as a recording experience, Bocelli's
Rodolfo, which he has performed onstage in Sardinia, offers
a great deal. His pop-crossover background may be responsible
for his unusual attention to words; try his wistful query about
Mimi in the Act IV duet with Marcello, "L'hai visto?"
(have you seen her?). This Rodolfo simply sounds young, a bit
light in the head and endowed with the soul of a poet."
San Francisco Examiner 11/16/00
Plus:
Isn't
pop music supposed to offend the establishment? ~ Conductor
Kent Nagano is a rising star in Europe. So why aren't major
American orchestras in need of new music directors clamoring after
him?
5.
PEOPLE
-
JAMES
LEVINE, OPERA CONDUCTOR: James
Levine is in his 30th year at the Metropolitan Opera. "The
man is simply wedded to the job. He even speaks the way he conducts,
in long, flawlessly constructed paragraphs. He pays attention
to verbal detail, too, rather as he might with some orchestral
point in rehearsal, pausing to find just the right word or phrase
to express what he wants to communicate. And then there is also,
unmistakably, a certain personal reserve, a distancing that
is sometimes a feature of his performances, a sense of his own
importance that is conveyed by a reluctance to talk in depth
about anything except conducting."
The Guardian (London) 11/17/00
-
GREENSPAN
A SWINGER:
Dour-looking US Fed chairman Alan Greenspan "studied music
at Julliard, and long before he was tracking interest rates
he was mastering music scales. Early on, in fact, he spent a
year on the road playing saxophone and clarinet with the acclaimed
Henry Jerome band." National
Post 11/15/00
-
PINTER
BY HIS PEERS:
Harold Pinter’s theater-world friends discuss the man many consider
to be England’s greatest living playwright. The 40th
anniversary production of his play "The Caretaker"
is about to open in the West End, and Pinter has four new plays
under his belt in the last decade. The
Telegraph (London) 11/13/00
6.
PUBLISHING
- SUSAN
SONTAG WINS NATIONAL BOOK AWARD
for her novel "In America." The nonfiction award went
to Nathaniel Philbrick for "In the Heart of the Sea: The
Tragedy of the Whaleship Essex;" the poetry prize went to
Lucille Clifton. New
York Times 11/16/00
(one-time registration required for
entry)
- THE
BIG DEAL ABOUT LIT PRIZES: "A
shiny medallion-shaped sticker, stamped with the word 'winner,'
affixed to the otherwise enigmatic cover of a new novel, has a
formidable power to sell books - sometimes thousands of them.
But what do these prizes really mean? How are they chosen, and
which of them, if any, is the most reliable?" A look at the
prizes and their processes.
Salon 11/16/00
- CANADIAN
PUBLISHING'S NEW STAR:
She is 34, the youngest ever to be appointed to such a senior
position in the Canadian publishing industry. Maya Mavjee is the
lead editor behind the Giller Prize-winning "Mercy Among
the Children" by David Adams Richards and the newly appointed
publisher of Doubleday Canada, which makes her a star just beginning
her ascent. Globe & Mail (Toronto)
11/16/00
- ROWLING
ROUTED:
The shortlist for the Whitbread Book of the Year Award (which,
unlike the more revered Booker, proudly honors what’s popular,
not just literary) was announced yesterday, and J K Rowling was
noticeably absent. "The judges have thought the almost unthinkable
by overlooking J K Rowling, author of the Harry Potter children's
books, while including the former drug addict and ‘gonzo’ journalist
Will Self, who has declared: ‘My books are crap.’" The
Telegraph (London) 11/15/00
- E-BOOKS:
MORE QUESTIONS THAN ANSWERS:
Is the electronic book really going to democratize publishing,
as its proponents hope? Or simply flood the market with content,
without a filter for quality or a universal format for downloading
and reading? "Last week's e-Book World Conference showed
an industry riven by as much schizophrenia as the presidential
elections. For now, anyway, the e-book industry is more rumpus
than reality." Village
Voice 11/21/00
Plus:
A
group of Chinese poets
was arrested in China and charged with "illegal assembly"
at a literary symposium on the future of Chinese poetry ~ The
manuscript of a key chapter of James Joyce's novel Ulysses,
expected to fetch up to £1 million ($2.7 million) at auction next
month, reveals how the author agonised over the epic work.
7.
THEATRE
-
RIGHTING
WRONGS SELDOM WORKS: "Within
my memory, there has not been a successful major revival with
a revamped book of a problematic show. Yet the lure of going
back in time to make things rights persists. Composers sometimes
yearn to solve the problems that weren't addressed when the
show was in try-outs in Boston, Philadelphia or New Haven. If
only they had just a little more time, a little more money,
a little more luck."
Hartford Courant 11/19/00
-
ANOTHER
DAY AT THE OFFICE: David Shiner,
the star of the troubled musical "Seussical," apparaently
can't sing, dance or act. In trying to fix the show before it
opens for real on Broadway November 30, the producers decide
to replace him with Andrea Martin. But the show's creative team
fights the move. New
York Post 11/17/00
-
THE
UNION LABEL:
The Screen Actors Guild may have recently settled the strike
with Hollywood's commercial producers, but an internal report
says the union is fractured and lacking focus. "SAG lacks
a clear, shared mission and strategy, which is the foundation
of an effective organization," the report says. "There
is no consensus regarding SAG's mission, which is essential
for establishing a shared consensus about SAG's goals."
Backstage 11/16/00
-
BOW
WOW: "London's West End,
after a recent extraordinary period of revitalisation, has gone
to the dogs. That's the worry voiced by many London critics
in the last couple of months." And it's not just star casting
that's to blame.
The Independent (London) 11/12/00
-
WORLD
REFERENCE: It was a project
that was supposed to take a year or so. But the six-volume World
Encyclopedia of Contemporary Theatre, just released, ended up
as a 15 year project that always seemed to be about a year behind
in its funding.
National Post (Canada) 11/14/00
Plus:
New
York's Public Theatre, under fire
recently for some of the artistic and business decisions that have
been made, gets some expert help ~ Is
there a place
for supertitles in the non-opera theatre? The Royal Shakespeare
Company experiments.
8.
VISUAL ARTS
-
DEBATING
ART PRIZES: Is the Turner Prize
good for art? Is it valuable because it "gets people talking
about creativity and ideas" or is is bad because it steers
art in the directions championed by a select elite few?"
The Observer 11/19/00
-
WHEN
DESIGN ENTERS THE MUSEUM: "Leading
curators all over are bringing design into their art galleries,
in an effort to expand the scope of their programming, and of
their audience." But, as in the Guggenheim's Armani show,
why do it if all you end up doing is making an expensive commercial
for a designer? The
Globe & Mail 11/19/00
-
THE
HUMAN BODY: "Though nudes
are one of the most coherent traditions in photography of the
last century, a serious public discussion about the motif of
the human body, which has been used extensively in all forms
of communication and especially in advertising, could not take
place in such a codified area." But in the last century,
medical-technical photography, which goes from X-ray images
and video probes to the screening and scanning of single cellsit
has delivered increasingly spectacular and at the same time
abstract views of the human body.
Frankfurter Allgemeine Zeitung 11/17/00
-
A
DEALER'S MEMOIR: Chicago art
dealer Richard Feigen sees art endangered everywhere — "by
a misplaced egalitarianism, by a trendy, superheated market
in contemporary art, by the fads that museums do not always
have the willpower to resist, by trustees who wrest control
from more knowledgeable museum directors and curators, and by
opportunists who use collections for their own aggrandizement.
Indeed, he provides plenty of scandalous examples of exactly
these problems as they have affected major collections."
Book Magazine 11/00
-
MOVE
OVER, GIOTTO:
Recently discovered Roman frescoes by Pietro Cavallini have
thrown into question the entire history of Western art, beginning
with who actually painted the Assisi basilica, long considered
Giotto’s masterwork. "Even in Italy, a country where it
seems a priceless work of art is uncovered every other week,
Dr Strinati's discovery was something of a surprise. The fragments
found so far have been enough to cause the first tremors of
what could turn out to be an earthquake in the history of art,
dethroning Giotto from his time-honoured position as the creator
of the realistic tradition of painting in Western art and replacing
him with an obscure Roman artist." The
Telegraph (London) 11/15/00
-
A
DAMNING REPORT:
The British Museum is reportedly holding on to a report about
the fiasco surrounding the use of the wrong stone for the museum's
new portico. "Although it was supposed to provide transparency
and soothe anxieties over the portico affair, informed sources
say its disclosures are so embarrassing to the museum that the
museum's chairman will not countenance its appearance until
well after the Queen opens the Great Court on 6 December."
London
Evening Standard 11/15/00
-
THE
OLD SUPPLY AND DEMAND PROBELM:
Last week’s big auction sales in New York starkly reflect the
problems of an almost overly robust art market: There are now
so many wealthy buyers ready to throw their disposable income
onto their walls that the auction houses are having trouble
meeting demand with high-quality works. "Rich collectors
are under no financial pressure to sell, and when they decide
to do so they often have hopelessly unrealistic, some would
say greedy, expectations of the prices they will get. This problem
is compounded by the fact that three auction houses are now
fishing in a pool where once only two cast their bait."
The Telegraph
(London) 11/13/00
-
BUILD
ON THIS:
Promoting a movement called the "second modernity"
Holland is considered to be Europe's top nation for architecture.
Is it? The Independent 11/13/00
Plus:
The Barnes Collection gets expert help from the Getty Trust
~ Norman
Foster's £18 million Millennium Footbridge across the Thames
will require £5 million and take six months to fix ~ Vandal
who defaced a Chris Ofili painting in last year's "Sensation"
show at the Brooklyn Museum, gets a $250 fine for the act
~ French
courts order the seizure of a Cézanne painting currently on
show in the Musée du Luxembourg to sort out claims it was stolen
during World War II ~ Christie's
and Sotheby's express growing
concerns over the problem of war loot ~ Las
Vegas' Venetian Hotel
is spending $20 million on its share of the new Guggenheim project
that brings the museum to the hotel ~ Turkish
police recover a fifth stolen Picasso in Turkey.
9.
ISSUES
-
USING
THE ARTS FOR COMMUNITY REGENERATION:
In Britain's "vast, scorched, abandoned" industrial
outposts, traditional industries are in full retreat. "What
can save these places? Enter the good fairy of the arts with
her magic wand and her bag of enchanted lottery dust. Hey presto
- cultural regeneration!" But wait just a minute..."
The Sunday Times (London) 11/19/00
-
SAVING
THE NEA: NEA chairman Bill Ivey
on the NEA's travails in the past decade: "Our supporters
in Congress, in the administration, and around the country in
state arts agencies and arts organizations have become a lot
more sophisticated and organized around their advocacy efforts.
Some of that came from the need to protect the agency when it
was under attack a few years ago. In the long run, I think we'll
look back and say [those] attacks were actually beneficial to
the Endowment." Pittsburgh
Post-Gazette 11/18/00
-
LEGISLATING
TASTE:
It's election time in Canada, so of course silly season is in
full flower. An Alliance Party member says the party believes
that the federal government ought to only fund art that at least
one-third of Canadians can be proud of. "There certainly
is no censorship implied. I would just like to think the money
was going to be wisely spent and would benefit the majority
of the population." CBC 11/15/00
-
CRITICIZING
FROM WITHIN: Last month the
director of London's Barbican criticized his fellow arts institutions
for the manner in which they were run. Now another arts leader
has turned on his colleagues. "It used to be unknown for
subsidised institutions to condemn each other." But now,
"with the attacks now coming from within, the pressure
will be on the notoriously non-interventionist Culture Secretary
Chris Smith to take a closer interest in the performance of
national institutions."
The Independent 11/12/00
-
ART
MEETS VEGAS: Art museums aren't
the only higher artform to discover Las Vegas. The performance
offerings are changing too, and serious artists are beginning
to see a new market (and one backed with plenty of cash).
Orange County Register 11/19/00
- PARIS
OF THE EAST:
Shanghai’s artists are vying to recapture the city’s pre-Communist
reputation as a thriving international art center - the "Paris
of the East," as it was internationally known before the
Cultural Revolution. One problem: government authorities would
rather showcase high-budget imports like the recent 3000-cast
member "Aida" rather than allow exhibits of the controversial
art of China's politically conscious youth. The
Age (Melbourne) (AFP) 11/13/00
10.
FOR FUN
- THE
ACROPOLIS SUBWAY STRATEGY: In
their latest attempt to get Britain to return the Elgin marbles
to Greece, the Greeks have come up with a new tactic - a subway
station at the base of the Acropolis. "The Greeks have chosen
this subway station to send a message to thousands of people every
day: The marble sculptures that once adorned the Parthenon should
come home from London. To make the point, the inside of Akropoli
station has been decorated with replicas of the Parthenon Marbles."
Washington Post 11/19/00
- TRUMPING
PAVAROTTI: Last Saturday night
Donald Trump flew some friends to Atlantic City to hear Pavarotti
at the Taj Mahal hotel. But Pavarotti was not in good voice and
the show was not very good. "So outraged was Trump that,
after the show, he made his way backstage and demanded that the
singer refund him at least half his money." Pavarotti refused
but apologized and offered to do another show soon.
National Post 11/17/00
- THE
ERRANT E-MAIL:
Canada's Governor General prize for literature was set to be announced
this week. But late last week an e-mail with the names of the
winners mistakenly went out to media outlets, and reporters being
who reporters are... Anyway, here are the winners. CBC
11/12/00
- RABBIT,
HIDE: He’s already won
two Pulitzer Prizes, but John Updike may soon have another, altogether
stranger, honor to his name: the 2000 award for the worst sex
in fiction. "To make the shortlist, an author must be deemed
to have written the worst or the most embarrassing sex scene in
a book published this year." CBC
11/15/00
- HONORING
OURSELVES: What's the point of literary awards? They're such
an exercise in self-pleasuring. "Good evening. We are here
to honour writers who have already been honoured yet must be honoured
and will need honouring again, shortly. We do so because they
are our ghastly, yet glorious, companions from the legion of Toronto
Lit-Elite." Globe and Mail (Toronto)
11/14/00
- PYRAMID
PUZZLE REVEALED: The ancient Egyptians
lined up the pyramids according to the position of the stars at
the time. Their ability to do that allows scientists now to pinpoint
exactly when the structures were built. "These stars were
important for religious reasons. The king hoped to join them for
eternity after his death. It was their alignment in the sky that
enabled the architects to align the pyramids with true north with
the amazing accuracy that has been puzzling scientists ever since."
Discovery 11/16/00
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