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Top Arts News
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Top Arts Features
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Of Special Note
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Just for Fun
Week
of July 23-30
TOP
ARTS NEWS
- BACH
BIRTHDAY BASHES: "[July 28th] is the 250th anniversary
of Bach's death. The classical music business treats big, round-number
anniversaries of births and deaths as pretty much equivalent.
And because Bach is Bach and because this anniversary coincides
with the year 2000, it is likely to be the biggest classical music
anniversary that any of us will live to experience. Indeed, the
celebration has long begun." Los
Angeles Times 07/23/00
- ODE
TO BACH: "He has been, in popular estimation, both
the great avatar of conservative polyphony and one of the
foundational geniuses of modernity. Those he influenced make
the strangest of bedfellows: Mendelssohn and Schoenberg, Mozart
and Chopin, Glenn Gould and Keith Jarrett."
Washington Post 07/23/00
- NAPSTER
STAYS: A Big week for the website company the music industry
fears.The music-sharing site was granted a reprieve at the last
minute as a US judge stays the order to shut down.
Toronto
Globe and Mail 07/29/00
- NAPSTER
ORDERED PUT TO SLEEP: "In
a scathing decision Wednesday afternoon, U.S. District Court
Judge Marilyn Patel granted the recording industry a temporary
injunction to pull the service, effective Friday at 12 a.m.
PDT." Wired 07/26/00
- OUR
COMPLETE NAPSTER ARCHIVE
with all the developments of the past week
(12 stories)
- CHAPTERS
IN ARREARS: HarperCollins cuts off deliveries of books to
Chapters, Canada's largest bookstore chain Chapters owes as much
as $11- million in unpaid bills dating back to 1999, and there
are fears the superstore bookseller may be in deep financial distress.
National
Post (Canada) 07/29/00
- SO
MUCH FOR THE EVIL EMPIRE: "The bankruptcy of Chapters
would be a calamity that might set publishing back two decades.
One publisher told me this week that about four out of five
Canadian publishing houses will go under if Chapters goes
bankrupt."
National Post (Canada) 07/29/00
-
THE
BIG BUSINESS OF NON-PROFIT: New York's Roundabout Theatre
was almost bankrupt a few years ago. Tonight it moves into a
new $25 million home and has money in the bank. "To some
extent, the journey of this one nonprofit theater - from basement
to Broadway, from bankruptcy to becoming the country's second-largest
nonprofit theater with an annual budget of $20 million - stands
as a powerful example of how much the world of nonprofit theater
has changed."
New York Times 07/27/00
(one-time
registration required for entry)
-
COMBATING
LOOTED ART:
A committee of MPs in the English Parliament proposed laws yesterday
to make it a criminal offense to trade in looted artifacts and
stolen artwork. The move is to combat the growing illicit market
for illegally exported objects, estimated at between £150 million
and £2 billion a year. Suggested measures included setting up
a national database of stolen art, expediting legislation to
facilitate the return of Nazi-looted art, and allowing museum
trustees to return human remains on display in British museums.
The
Guardian (London) 07/26/00
-
NEED
HELP: "At present, there are no import controls
on cultural property entering Britain unless they are subject
to other controls, for example in relation to firearms –
a position that many in the museums trade find untenable."
The
Independent (London) 07/26/00
-
JUST
IN TIME: Stanley Kunitz will be named America's new Poet
Laureate. What a birthday present - he turns 95 today. The nonagenarian
is the 10th laureate in an impressive succession. He follows
in the wake of Robert Penn Warren, Howard Nemerov, Mona Van
Duyn, Rita Dove and Robert Hass. Robert Pinsky has been poet
laureate for the last three years.
Washington Post 07/30/00
-
WHO
OWNS DANCE: The board of the beleaguered Martha Graham company
wonders if Graham's work is really protected by copyright. They
may go to court to find out. "The implications of such
a ruling would be huge. Choreography was not explicitly protected
by copyright law until 1978, so most works created before then
would be affected. A ruling that there is no copyright protection
would mean that anyone could perform such early Graham works
as her 1944 masterpiece, 'Appalachian Spring.' "
Washington
Post 07/28/00
-
IS
STEPHEN KING LEADING A REVOLUTION
in book publishing, as he’d have us believe, or “just exploring
the power of celebrity in the digital age?" After the success
of his earlier e-tale, King releases his next e-novel - this
time available in installments over the net. "The launch
has touched off a debate over whether the Web can liberate authors
from their dependence on publishers, or just make it easier
for truly famous people to rally their fans.” New
York Times 07/24/00
(one-time registration required for
entry)
-
41,000
DOWNLOADS LATER, Stephen King has confirmed his faith
in the popularity of internet publishing. Fans flocked to
his website Monday as soon as the first installment of his
new novel “The Plant” was posted. An amazing 78% abided
by the honor system and actually paid the $1 download fee.
Inside.com
07/24/00
-
THE
HORROR: "King is one of about 25 fiction writers
capable of pulling off this sort of thing: He has a substantial,
loyal fan base; he has developed a solid relationship with
his readers through his Web site and various fan organs;
and he writes the kind of fiction that's really, really
hard to stop reading once you start." Salon
07/25/00
-
ARTS
WINDFALL:
Britain’s Culture Secretary Chris Smith unveiled a huge funding
package for the arts Tuesday to rejuvenate the country’s arts
infrastructures - regional theatres in particular - that have
suffered tremendously during more than twenty years of lackluster
government support. The Arts Council of England will receive
an extra £100m a year from 2003, the biggest increase in funding
in its 44-year history. “What it says is that access to arts
and creativity is a basic, like health and education.” The
Guardian (London) 07/26/00
-
AND
THE SQUEAKY
WHEEL… Arts Council Chairman Gerry Robinson has been
lobbying the government for an extra £100 million in arts
funding for months - and yesterday’s announcement proves
they heard him loud and clear. “He badgered the Prime Minister
and Chancellor to the point where, he believes, "I
seriously p***ed people off. At the end of the day, someone
like Blair or Brown will say, 'Oh, for Chrissakes just give
them the money.' "
The
Telegraph (London) 07/26/00
PLUS:
American internet investor and opera lover Alberto Vilar donates
record $2
million to La Scala ~ High rents drive Santa
Monica artists out of their spaces ~ Plans underway to restore
350 year-old garden
at Taj Mahal ~ Actor Kevin
Spacey starts
new company to raise funds for UK theatres ~ Pavarotti
makes $17 million settlement with Italian tax collectors ~ Deadly
West Nile virus scare forces cancellation of New
York Philharmonic concert in Central Park ~ Boston
teamsters accused of pressuring Massachusetts movie producers
to use union crews on locations ~ The World
Trade Organization rules small stores and bars in the US must
pay royalties to musicians if they use music in their businesses
~ Two board members at Fort Worth's Kimbell
Museum pocket a large share of the museum's
money, paying themselves about $1.5 million a year for board services
~ French director
Claude
Sautet
dies at age 76 ~ Star violinist Oscar
Shumsky dies in New York at age 83
TOP
ARTS FEATURES
- BODY
BEAUTIFUL: Artists have been grappling with issues of beauty
since there were first artists. "Who defines the body beautiful,
and how has this definition been affected by feminism, multiculturalism,
mass media and new technologies? If beauty is in the eye of the
beholder, what kinds of images still have the power to produce
such sensory experience?"
New
York Times 07/23/00 (one-time
registration required for entry)
- THE
"POPE OF LITERATURE": "Marcel Reich-Ranicki
is not merely the most influential literary critic in Germany
- the country which created modern criticism - he is also an educator
and an impresario of literature; the man who has made housewives
read serious novels and poetry. By exploiting the postmodern media,
he has enabled millions of ordinary Germans to rediscover the
pre-modern pleasures of the literary imagination."
Prospect 07/25/00
- OUTSIDE
THE BOOM: London's museums are booming these days. But outside
the capital it's quite a different story. "It is no secret
that many of our large regional museums - Bristol, Exeter, Cheltenham,
Leeds, Leicester and, most important of all, Glasgow - are in
serious financial difficulties, as indeed are many university
museums."
The Telegraph (London) 07/30/00
- A
HISTORY OF LOOKING AT SCULPTURE: "Most modern sculpture
- and its sidekick, installation - occupies space in a quite aggressive
way." Historically, sculpture didn't always do that. "From
the Renaissance until the 19th century, statues tended to be placed
flat against walls or in niches that neatly framed them. Viewers
were expected to contemplate them from a relatively fixed position,
as if they were pictures." New
Statesman 07/24/00
- ALL
ROADS LEAD TO THE BLOB? "Computer technology is rapidly
changing the environment for architects as well as for businesses
and nations. How are they adapting to it? In what form will architecture
survive?" New
York Times 07/23/00 (one-time
registration required for entry)
- FATHER
OF MODERN DANCE: This year marks the 50th anniversary of Nijinsky's
death. His choreography is a study in grace and brutality, in
his "madness" he invented modern dance, he was 50 years
ahead of his time, his life was an erotic spectacle - narcissistic,
instinctive, free - and his work captured the emerging rhythm
of mind for a generation that was heading into the fearsome carnival
of the Great War. But Nijinsky was a sleek gazelle trotting round
the edge of a precipice; he was a primitive: how did he come to
be the patron saint of modern art?
The Telegraph (London) 07/30/00
- THE
CULTURE WARS: "There is a direct connection between the
ethics of a society and its architecture and art. Today's culture
of ugliness and 'geography of nowhere' need to be replaced by
a physical and cultural environment that enchants life, inspires
faith, and encourages learning. The spiritual and evangelical
communion more and more Americans seek requires a cultural language
that artists and poets alone can provide." The
Idler 07/27/00
- WHO
OWNS A DANCE? Increasing sophistication about preserving the
legacy of dance is creating a welter of problems for dance companies
wishing to revive older choreography. “There was a time when the
chief impediment to reviving dances was that the work was out
of fashion. Now, death and the notion of ownership have seemingly
created even more insurmountable problems.” New
York Times 07/26/00
(one-time
registration required for entry)
- A
RESURGENCE IN BRITISH ART: "Despite the dreary, outdated
prejudices of some of our burnt-out critics, tabloid hacks and
politicians from all parties, it is clear that the arts, including
museums and galleries, have never been more interesting or more
popular and have never played such a significant role in national
life as they do today. Recent MORI research for the Arts Council
showed huge public support for the arts, with 78 per cent believing
that the arts play a valuable role in the life of the nation,
and 95 per cent believing that children should have more opportunities
to experience the arts at school."
New Statesman 07/24/00
- ON
THE OTHER HAND: "The first task is to shift spending
away from institutions and into individuals and art itself.
What is the point of having some of the most well-appointed
theatres and galleries in Europe if there is nothing to put
on in them? Throughout the Thatcher years arts bureaucracy
grew while the work withered. That has to change."
The Guardian 07/24/00
- TELLING
STORIES: Saul Bellow, Arthur Miller, Philip Rother, John Updike
- they're all old and they're all American. "But they have
two further features in common. First, they are all prophetic;
they map, analyse and judge the condition of their nation and
they consider its future. Second, they are, in this, completely
unlike any British writers. We simply do not have a single writer
of stature who feels obliged to tell our national story. Sunday
Times 07/30/00
- WE
ARE THE WORLD: "The one discipline you might expect to
be free of such internecine squabbling is the big tent of World
Music, a generic term used to describe just about anything outside
the mainstream. But even here the canvas is being rent, as rival
interests - from different continents to distinct countries to
particular regions (or, if you're part of Morocco's notoriously
fractious Master Musicians of Jajouka, individuals) - fight for
the right to partake in what is, following the success of Buena
Vista Social Club, a veritable pot of gold."
Sunday Times (London) 07/30/00
-
THE
"MIGHTY HANDBAG"? London's Victoria and Albert
Museum has seen a dramatic fall-off in attendance in recent
decades and it's been overshadowed by the city's other museums.
Now it's being criticized for its plans for a dramatic £80 million
extension designed by Daniel Libeskind. One critic likens Libeskind's
revolutionary design to "the Guggenheim in Bilbao turned
on its side and then beaten senseless with a hammer" (it
is nothing of the sort)" Other "stick-in-the-muds
will feel all the more justified in their belief that the V&A
will be, as Dorment puts it, 'visually raped'."
The Guardian (London) 07/27/00
PLUS: Pulitzer
Prize-winning author Jhumpa
Lahiri on the elusive nature of identity politics ~ Why do embassies
seem to bring out the worst in architects? ~ Jerusalem's greatest
19th century forger
~ How Russian
theatre has survived and thrived ~ Has beauty
really descended into ugliness?
SPECIAL
INTEREST
-
FOND
REMEMBRANCES: Van Cliburn is 66 and making still another
comeback, with a concert at Tanglewood. "Mr. Cliburn gives
the impression of being utterly content now and not too inclined
to excavate the past afresh. He lets on at one point, as if
revealing a deep family secret, that he's thinking about performing
Bach again, the E minor Partita, maybe, and he floats a program
for a scheduled Chopin recital in Boston that is so preposterously
long that it sounds like a fantasy of a young pianist in the
first flush of success - as if, no matter how stressful the
stage may have been all those years, it is still the locus of
his imagination."
New York Times 07/30/00 (one-time
registration required for entry)
-
RIGHT
TO ALTER: When Charles M. Schulz retired from drawing "Peanuts"
he said no one else would ever draw the cartoon. But some recent
repeats of the strip have been altered adding current events
references. So when is it okay to change the work of a deceased
artist? Intellectual
Capital 07/20/00
-
EXHIBITION
ETHICS:
“Do you cancel a play if it provokes violence on the streets?
Do you accept an exhibition of paintings collected by a businessman
jailed for defrauding shareholders?” Such ethical dilemmas were
discussed Monday at 'Turn up the Heat', an ethics conference
of arts administrators in Sydney.
Sydney
Morning Herald 07/26/00
JUST
FOR FUN
-
GETTING
BOOZED FOR BEETHOVEN: "Alcohol and creativity
have always staggered along together. We are never surprised
when we hear tales of pissed pop stars, inebriated artists,
wasted writers. For many, though, it comes as a surprise that
classical musicians carry a similar collection of tales and
troubles. Set against the rough excess of pop, classical music
is seen as a pure and civilising experience." The
Guardian (London) 07/28/00
-
THE
"CONCEPT CAR" PIANO: "At $250,000 (or £170,000),
Yamaha's Disklavier Pro 2000 is not merely the most stylistically
radical and technologically advanced piano in the world, it
is easily the most expensive, too." Yamaha makes it to
celebrate 100 years in the biz.
The Sunday Times 07/30/00
-
A
LITTLE-KNOWN PICASSO MUSEUM north of Madrid has sixty of
the master’s artworks - all of which were donated by Eugenio
Arias, the Spanish barber who cut Picasso’s hair for 26 years
while both men lived in the south of France. It pays to barter
- Arias always took his payments in trade.
The
Age (Melbourne) 07/24/00 (AP)
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