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archives
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Top
Arts News
-
- Top
Arts Features
-
- Of
Special Note
-
- Just
for Fun
Week
of July 17 - 23
TOP
ARTS NEWS
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LOANERS,
KEEPERS… In a victory for all museums hoping to borrow
works of art from foreign museums, a federal judge has ruled
that the U.S. government cannot force Austria’s Leopold
Museum to forfeit an Egon Schiele painting that’s been proven
to have been stolen from a Jewish family by the Nazis. On
loan to New York’s Museum of Modern Art, the painting had
been seized in September under a new state law allowing
prosecutors to seize artwork on display while its provenance
is under investigation. MSNBC
07/19/00
-
GOING
FOR VAN GOGH: "In the last decade, according to
an ARTnews survey of scholars, museum curators, and
art dealers in Europe and the United States, suspicions
about fake van Goghs have tainted some of the most expensive
paintings in the world, including the Yasuda 'Sunflowers',
purchased in 1987 by the Yasuda Fire and Marine Insurance
Company of Japan for $39.9 million, at the time the highest
sum ever paid for a work of art."
ArtNews 07/00
-
VALENCIA'S
MULTI-BILLION-DOLLAR INVESTMENT IN CULTURE: The Spanish
city of Valencia is building Europe's most ambitious millennium
project. "At an all-in cost of £2 billion the project
eclipses the Dome in Greenwich and even the Getty in Los
Angeles. The prodigious investment provides Valencia with
a spectacular new Science Museum, an IMAX cinema, a music
school, a magnificent new 1,800-seat opera house, seven
kilometres of promenades and two streamlined road bridges."
The
Times (London) 07/18/00
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HERITAGE
ON SALE: The theft and destruction of Cambodian artifacts
is massive. Reporters come across a man in the jungle selling
green ceramic bowls. "They were 1,000-years old and
from a kiln on top of the mountain. The seller wanted 10,000
riels for each bowl - a mere $2.50. We asked the seller
whether he was afraid of breaking the law, and he said he
didn't know there was any law. He had just dug them up in
the jungle."
Time
Asia 07/12/00
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BALLET
COMPANY SETTLES SUIT WITH DANCER: The National Ballet
of Canada and dancer Kimberly Glasco have reached a settlement
on her charges of wrongful dismissal. Glasco gets money
and won't return to the company as a judge had ordered.
Glasco sued for unlawful dismissal when the National Ballet
decided not to renew her contract after it expired in June
last year. Glasco claimed she'd been fired illegally for
speaking out as a dancer representative on the board of
directors against artistic director James Kudelka's new
Swan Lake."
CBC 07/20/00
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SERIOUS
ABOUT STOLEN ART: The World Jewish Congress says it
will step up its efforts to recover artwork stolen by the
Nazis and never returned to rightful owners. "The WJC
says it plans to claim thousands of works of art from American
museums using lists that were made by the U.S. Army after
the Second World War."
CBC 07/20/00
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IN
THIS CORNER LEONARDO... Experts believe they have discovered
a long-lost Leonardo fresco on a wall in in Florence's Palazzo
Vecchio. Problem is, there may be another wall in front
of it with a Vasari fresco on it. Scientists are using thermographics
to pinpoint the Leonardo, but if it's really there and in
good shape do you remove the Vasari in front of it? The
Age (The Telegraph) 07/18/00
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LET'S
CALL THE WHOLE THING OFF: The New York Philharmonic
and Ricardo Muti say that Muti won't be taking over as music
director of the orchestra. Muti had been offered the job
but concluded he didn't have the time to devote to leading
the large American orchestra.
New York Times 07/19/00 (one-time
registration required for entry
-
CONDUCTOR-HUNTING:
Now that Ricardo Muti has turned down the job as music
director of the New York Philharmonic, speculation turns
to other candidates, with Pittsburgh's Mariss Jansons
a leading candidate. Or might it be Christoph Eschenbach?
Pittsburgh Post-Gazette 07/20/00
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WASHINGTON
DEBUT: Newly-named Kennedy Center director Michael Kaiser
"was presented to the press, patrons and politicians...capped
by a bipartisan dinner in the Capitol's Statuary Hall hosted
by the four leaders of Congress. The accolades were lavish;
in turn, the new arts center president promised to stay
in the job for at least five years, which would be 'longer
than I've ever been anywhere.' "
Washington
Post 07/20/00
-
NEW
KENNEDY CENTER CHIEF: Michael Kaiser, who "helped
rescue Royal Opera House at Covent Garden in London
from a financial crisis, is about to be named president
of the Kennedy Center for the Performing Arts, a Kennedy
Center official said." New
York Times 07/19/00 (one-time
registration required for entry
-
Michael
Kaiser: "Not only has he tremendous business
savvy, but his passion for arts has made him a miracle
man."
Washington Post 07/19/00
- WATCHING
THE PAINT DRY: Louis Andriessen's opera "Vermeer",
getting its US premiere at the Lincoln Center Festival is
a long sit. "For all its visual beauty and technical
slickness, this 100-minute opera (which ended its run on Saturday)
is a dramatically neutral, philosophically and emotionally
barren exercise in poststructuralist contemplation."
Toronto
Globe and Mail 07/15/00
- "Vermeer":
Luminous, but a mild disappointment. Los
Angeles Times 07/17/00
-
WITCHING
HOUR: Cameron Mackintosh's new £4.5 million production
of "The Witches of Eastwick" opens in London to
an enthusiastic audience.
BBC 07/19/00
PLUS:
The Venetian Hotel and the Guggenheim discuss building
new
museum branch in Vegas ~ Congressman Daniel
Patrick Moynihan - one of architecture's friends, makes
ready to leave US Senate ~ Rome's
Coliseum to stage its first performance before a paying
audience in 1,500 years ~ Famous photo thought to be of Oscar
Wilde in drag turns out to be a Hungarian opera singer ~Annual
ArtNews list of the world's biggest collectors of art is
out ~San Francisco's
dot-com industry leads to an explosion of "wall-scapes"
TOP
ARTS FEATURES
-
A
MATTER OF HISTORY: The roar of protest over the distortions
of history in the movie "The Patriot" has been
deafening in recent weeks as the movie opened in Britain.
So what is up with this month's Smithsonian
Magazine article trumpeting how it helped the movie-makers
get the details of history right? Has "the nation's
attic" sold its soul?
Washington Post 07/18/00
-
WHAT
ABOUT THE HISTORY THAT NEVER HAPPENED? "Provisional
history, standby history, or simply outtakes: whatever the
name, it denotes an existential sphere that is vast and
growing. Think of all the newspaper stories that editors
have decided to spike; the millions of words that have been
cut out of books; the miles of footage yanked by directors
from their movies. Think of all the caps, manufactured but
never sold, proclaiming the Buffalo Bills to be the champions
of Super Bowls XXV, XXVI, XXVII, and XXVIII."
The Atlantic 07/00
-
THE
POPULARIZATION OF JAPAN: "Pop culture is big business
in Japan, with domestic 'J-Pop' alone racking up sales of
nearly ¥40 billion ($373 million) a year. The most popular
artists achieve sales of nearly 10 million copies per album.
Volumes of manga (comics) as thick as telephone directories
are read by children and balding salarymen alike. The best
loved, 'Shuppan Shonen Magajin', sells 4 million
copies a week." Now the rest of Asia is catching the
Japan-pop bug.
The Economist 07/21/00
-
DEAD
CULTURE OR DEAD CRITICS? "Culture as this particular
academic knows it is dead, buried, reincarnated only to
walk the earth as a movie remake based on the original sitcom.
The problem isn't dummy art or the proliferation of immoral
pop culture, or even a house of mirrors assembly-line media.
The problem resides in the inability of the majority of
those who comment on the arts - journalists, academics,
professional artists, producers, editors, information-age
cultural critics - to come to terms with emerging new ways
of living with and through mass culture.
Toronto Globe and Mail 07/20/00
-
THE
WAGNER CASE (AGAIN): "The notion that artists don't
have to be as beautiful as the works they create is a commonplace
now - except in the case of Wagner. But those who seek to
exonerate Wagner by differentiating between the composer
and the pamphleteer have another problem: the argument that
anti-semitism underpins not only his philosophy, but his
music." The
Guardian 07/21/00
-
ORIGINAL
CHAUCER ANYONE? In the 1560s Archbishop Thomas traveled
England looking for the oldest books and manuscripts he
could find to try to prove that the Church of England was
the true church. That collection sat in a library in Cambridge,
available only to scholars all these years. The school recently
had the 500 manuscripts appraised and discovered they were
worth about £500 million, forcing the school to try to build
a proper home for the collection and open it to the public
for the first time.
Financial Times 07/20/00
-
HOW
WE PAY FOR ART? Berlin is rebuilding, and signs of change
are everywhere - physical and cultural. "In Germany,
where government funding had never been an issue before,
it seemed odd to hear people complaining about how excessive
subsidies were creating an atmosphere of dependency and
waste among their artistic institutions." The
New Republic 07/15/00
-
POETRY
IN THE FAST LANE: In 1992 the annual Poetry Publication
Showcase was begun. "In 1992 the mood was feisty
but beleaguered: 'We few, we happy few, we band of poets'
went the boast. Now there's a sense that poetry's making
it, moving rapidly to the center(s) of our cultural life.
Poets House executive director Lee Briccetti, who dreamed
up the Showcase as a way to bring attention to a severely
marginalized literary form, hopes the poetry world is poised
to take advantage of what she terms 'a moment of cultural
readiness.' "
The
Nation 07/17/00
-
IT
WAS THE WORST OF TIMES: "American poetry has never
passed through such a scattered era. This diffusion may
be a result of the deaths in the last few decades of so
many of its ablest practitioners and guides (Eliot, Frost,
Roethke, Bishop, Berryman—and these but begin the unhappy
list), or perhaps it is tied to the larger directionlessness
that seems presently to haunt so many of the arts."
New
Criterion Summer '00
(reprint from 1983)
-
REAL
REALITY? "Though it was never a part of the show's
design, 'Big Brother' is broadcasting in prime time many
of the unresolved fears that stretch across the nation's
racial divide. The series already is being labeled groundbreaking
television, with the raw footage captured by the cameras
that film around the clock generating heated discussions
in cafes and Internet chat rooms across the country."
Los
Angeles Times 07/20/00
PLUS: The
role of high-tech leaders in the depressing decline of the well-rounded
citizen ~ Want to know
the real theatre scoop? Talk to the ushers
~ Metropolitan Museum director Philippe
de Montebello on the changing roles of curators, museums
and collecting art ~
Harry
Potter
and Amazon.com's marketing success ~ Pianist Keith
Jarrett talks about his battle with Chronic Fatigue Syndrome ~
Imagining the future at Venice's
Architecture Biennale
SPECIAL
INTEREST
-
BEAR
WITNESS: In recent years numerous museums and exhibitions
commemorating the Holocaust have sprung up. But some argue
that attempts to represent the Holocaust falsify it, making
it an aesthetic rather than a history. "On the other
hand, however uncomfortable academics may be with some of
the popular representations of the Holocaust, few would
question that films such as 'Schindler's List' and 'Life
is Beautiful' have done more to raise public awareness of
the Holocaust than a thousand scholarly tomes."
New
Statesman 07/17/00
-
NO
TIME FOR THIS: "In his new book, 'The End of Time:
The Next Revolution in Physics', Julian Barbour asserts
that time simply doesn't exist. This by itself is not so
shocking. My friend Artie, for example, has always insisted
that there's only change, not time. Things move around;
time may just be a way of noting that. But Barbour goes
further. He says there's no such thing as motion either.
Instead, Barbour sees a universe filled with static instants
- instants that contain "records" that fool any
conscious beings who happen to find themselves encased in
one into believing that things have moved and time has passed."
Feed 07/15/00
-
FEEL
THE BEAT: Does anyone not respond to music in
some basic way? "Some scientists have recently proposed
that music may have been an evolutionary adaptation, like
upright walking or spoken language, that arose early in
human history and helped the species survive. The 'music
gene' would have arisen tens or hundreds of thousands of
years ago, and conferred an evolutionary advantage on those
who possessed it."
Toronto Globe and Mail 07/18/00
JUST
FOR FUN
-
DON'T
BE DISSING GRANDPA: Turns out Stalin's 28-year-old grandson
is an artist - a painter - and judged a good one by those
who have seen his work in London and Glasgow. Just one problem
- what about those views of history he's all too happy to
share? "Stalin was a truly great man," he says.
"He was a great ruler like Napoleon, Genghis Khan,
Julius Caesar. He cannot be erased as if he did not exist.
I do not like it when people pretend he did not really happen
in history."
The Times (London) 07/21/00
-
YOU'RE
INCREDIBLY SMART IF YOU READ THIS: "We've become
warier, more ironic about praise in general. No one wants
to seem like a smarmy suck-up. No one wants to appear too
earnest. The language of superlatives has become worn out
and phony. If Mike Ovitz is a visionary, what does that
make Charles Darwin? If Donald Trump is charismatic, what
does that make Martin Luther King? If every flavor-of-the-month
actress is brilliant, what do you tell your seven-year-old
daughter when she comes home with an 88 on her spelling
test?" Time
Europe 07/17/00
-
MR.
LINCOLN HAS OTHER PLANS: Philadelphia has a thriving
industry of "historical look-alikes" - people
who dress up as Washington or Jefferson or Lincoln for parties
or events. With the Republican National Convention coming
to town soon, business figured to be booming for the bogus
Abes, Toms and Georges. But it seems that Republicans are
last-minute partiers, and now many of the portrayers are
booked for other gigs.
Philadelphia Inquirer 07/20/00
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EVIDENTLY
A BAD SCORE: Soprano Monserrat Caballe surprised her
audience in Bucharest by ripping up the score belonging
to the conductor accompanying her, after the orchestra twice
fell out of step with her. The conductor later claimed a
misprint in the score.
Chicago Sun-Times (AP) 07/19/00
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