It’s Not Just “Mikado” – Opera’s Full Of Racial Stereotyping, And We Should Deal With That

Aida, Otello, Turandot, Madama Butterfly, and on and on. Gwynn Guilford lays out what she sees as the problem and how she thinks opera companies in 21st-century America might address it.

Email this to someoneShare on FacebookTweet about this on Twitter